North American Indigenous song, the sacred and the senses

Authors

  • Byron Dueck The Open University

DOI:

https://doi.org/10.1558/bar.36490

Keywords:

music, song, hearing, North American Indigenous peoples, powwow, funerary ritual

Abstract

How does music shape the experience of the sacred? This chapter looks at two genres of North American Indigenous singing – drum song performed at powwows and gospel singing associated with funerary wakes – and it explores music’s capacity for mediating sacred presences and processes.

Author Biography

  • Byron Dueck, The Open University

    Byron Dueck is senior lecturer and head of music at the Open University, UK. He is the author of Musical Intimacies and Indigenous Imaginaries: Aboriginal Music and Dance in Public Performance (Oxford University Press, 2013), and co-editor, with Martin Clayton and Laura Leante, of Experience and Meaning in Musical Performance (Oxford University Press, 2013). 

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Published

2018-11-09

Issue

Section

Articles

How to Cite

Dueck, B. (2018). North American Indigenous song, the sacred and the senses. Body and Religion, 2(2), 206-223. https://doi.org/10.1558/bar.36490