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Journal | Issue | Title | |
Perfect Beat | Vol 1 No. 2 (1993) | THREE DECADES OF AUSTRALIAN POPULAR MUSIC | View |
Michael Flint | |||
Perfect Beat | Vol 1 No. 2 (1993) | Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. | View |
Tony Mitchell | |||
Perfect Beat | Vol 1 No. 2 (1993) | Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin | View |
Marcus Breen | |||
Perfect Beat | Vol 1 No. 2 (1993) | Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP | View |
Roderick Nielsen | |||
Perfect Beat | Vol 1 No. 2 (1993) | Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin | View |
Michael Flint | |||
Perfect Beat | Vol 1 No. 2 (1993) | Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. | View |
Carolyn Craig | |||
Perfect Beat | Vol 4 No. 1 (1998) | FROM A DISTANCE Aboriginal Music in the Maningrida Community and on their Internet Site | View |
MURRAY GARDE | |||
CALICO Journal | Vol 6 No. 3 (1988) | HyperCard and Interactive Video | View |
John Underwood | |||
CALICO Journal | Vol 21 No. 1 (2004) | Sans-Faute Writing Environment | View |
Kathryn Murphy-Judy | |||
CALICO Journal | Vol 23 No. 2 (2006) | A Comparison Study of the Effects of a Story-based Video Instructional Package Versus a Text-based Instructional Package in the Intermediate-level Foreign Language Classroom | View |
Carol Herron, Holly York, Cathleen Corrie, Steven P. Cole | |||
Equinox eBooks Publishing | About Edom and Idumea in the Persian Period | 16. The “Edom Texts” in Samuel–Kings in Inner- and Extrabiblical Perspective | View |
Stephen Germany | |||
CALICO Journal | Vol 27 No. 3 (2010) | Developing Spanish Online Readings Using Design-Based Research | View |
Cristina Pardo-Ballester, Julio César Rodríguez | |||
CALICO Journal | Vol 3 No. 3 (1985) | A MICROWORLD FOR SECOND-LANGUAGE ACQUISITION | View |
Stephen Harroff | |||
Writing & Pedagogy | Vol 1 No. 1 (2009) | Pedagogical Applications of a Second Language Writing Model at Elementary and Middle School Levels | View |
Paula Lee Kristmanson, Joseph Dicks, Josée Le Bouthillier | |||
CALICO Journal | Vol 16 No. 3 (1999) | Speaking: A Critical Skill and a Challenge | View |
Kathleen B. Egan | |||
CALICO Journal | Vol 14 No. 2-4 (1996) | Monoconc 1.2 | View |
Vance Stevens | |||
Communication & Medicine | Vol 8 No. 3 (2011) | To vaccinate or not? The disqualification of commercial sources of health advice in an online forum | View |
Agnès Vayreda, Charles Antaki | |||
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 1 No. 2-3 (2005) | Mythologicals and Modernity: Contesting Silent Cinema in South India | View |
Stephen Hughes | |||
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 9 No. 2-3 (2013) Special Issue: Miniature Iconic Books | Mite Qur’ans for Indian Markets: David Bryce in the Late Nineteenth and Early Twentieth Century | View |
Kristina Myrvold | |||
Perfect Beat | Vol 1 No. 4 (1994) | STRUGGLING TO MAKE OURSELVES HEARD: Music, Radio and The Quota Debate | View |
Michael Pickering, Roy Shuker | |||
Perfect Beat | Vol 2 No. 2 (1995) | A NEW TRADITION Titus Tilly and the Development of Music Video in Papua New Guinea | View |
PHILIP HAYWARD | |||
International Journal of Speech Language and the Law | Vol 22 No. 1 (2015) | The law of England and Wales: translation in transition | View |
Catrin Fflur Huws | |||
Linguistics and the Human Sciences | Vol 2 No. 2 (2006) | Genre as Ideological Mediation: Whose Topics? Whose Face Systems? Whose Socialisation Strategies? | View |
Tom Bartlett | |||
CALICO Journal | Vol 22 No. 1 (2005) | Electronic Tandem Language Learning (eTandem): A Third Approach to Second Language Learning for the 21st Century | View |
Gary Cziko | |||
Journal of World Popular Music | Vol 7 No. 1 (2020) | The Kalunga Project: The Meanings of Popular Brazilian and Angolan Musical Productions beyond National Territory | View |
Mariana Barreto | |||
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