Christopher Coady, John Lewis and the Challenge of ‘Real’ Black Music
DOI:
https://doi.org/10.1558/jazz.33861Keywords:
Jazz, John LewisAbstract
Christopher Coady, John Lewis and the Challenge of ‘Real’ Black Music. Ann Arbor: University of Michigan Press, 2016. x + 241pp. 24 tables, 18 music examples. ISBN 978-0-472-05320-9 (pbk). US$39.95.References
Coady, Christopher (2009) ‘Eliington in the Third Stream: A New Perspective on the Fugal Works of the Modern Jazz Quartet’. Jazzforschung 41/1: 65–82.
Ellison, Ralph (1962) ‘On Bird, Bird-Watching and Jazz’. The Saturday Review, available online at http://www.unz.org/Pub/SaturdayRev-1962jul28-00047 (accessed 7 April 2017). Reprinted in Ralph Ellison, Shadow and Act, 221–32. New York: Vintage Books, 1995.
Gagatsis, Alexander (2015) ‘Bags Still Grooves: Performance Strategies in Milt Jackson’s Improvisations’. Jazz Perspectives 9/2: 137–71. https://doi.org/10.1080/17494060.2016.1202306
Hentoff, Nat (1957) ‘Liner notes’. Plenty, Plenty Soul. Atlantic 1269, LP.
Hertzman, Marc A. (2013) Making Samba: A New History of Race and Music in Brazil. Durham and London: Duke University Press. https://doi.org/10.1215/9780822391906
Keil, Charles (1966) Urban Blues. Chicago and London: University of Chicago Press.
Monson, Ingrid (1994) ‘Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology’. Critical Inquiry 20/2: 283–313. https://doi.org/10.1086/448712
Page, Ben (1970) ‘Open Bags: An Interview with Milt Jackson’. Downbeat (30 April): 18–20.
Palmer, Richard (1986) ‘Milt Jackson Revisited Part I’. Jazz Journal International 39/5: 8–10.
—(2010) ‘Milt Jackson Reconsidered, Part III’. Jazz Journal 63/3 (March): 10–12.
Ellison, Ralph (1962) ‘On Bird, Bird-Watching and Jazz’. The Saturday Review, available online at http://www.unz.org/Pub/SaturdayRev-1962jul28-00047 (accessed 7 April 2017). Reprinted in Ralph Ellison, Shadow and Act, 221–32. New York: Vintage Books, 1995.
Gagatsis, Alexander (2015) ‘Bags Still Grooves: Performance Strategies in Milt Jackson’s Improvisations’. Jazz Perspectives 9/2: 137–71. https://doi.org/10.1080/17494060.2016.1202306
Hentoff, Nat (1957) ‘Liner notes’. Plenty, Plenty Soul. Atlantic 1269, LP.
Hertzman, Marc A. (2013) Making Samba: A New History of Race and Music in Brazil. Durham and London: Duke University Press. https://doi.org/10.1215/9780822391906
Keil, Charles (1966) Urban Blues. Chicago and London: University of Chicago Press.
Monson, Ingrid (1994) ‘Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology’. Critical Inquiry 20/2: 283–313. https://doi.org/10.1086/448712
Page, Ben (1970) ‘Open Bags: An Interview with Milt Jackson’. Downbeat (30 April): 18–20.
Palmer, Richard (1986) ‘Milt Jackson Revisited Part I’. Jazz Journal International 39/5: 8–10.
—(2010) ‘Milt Jackson Reconsidered, Part III’. Jazz Journal 63/3 (March): 10–12.
Published
2018-10-04
Issue
Section
Reviews
How to Cite
Gagatsis, A. (2018). Christopher Coady, John Lewis and the Challenge of ‘Real’ Black Music. Jazz Research Journal, 11(2), 211-215. https://doi.org/10.1558/jazz.33861
