Review of Elijah Wald, How The Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music
DOI:
https://doi.org/10.1558/jazz.v3i2.203Keywords:
Jazz HistoryAbstract
Oxford and New York: Oxford University Press, 2009. 336 pp.
References
Attali, Jacques (1985) Noise: The Political Economy of Music, trans Brian Massumi. Minneapolis: University of Minnesota Press.
Bergmeier, Horst J. B., and Rainer E. Lotz (1997) Hitler’s Airwaves: The Inside Story of Nazi Radio Broadcasting and Propaganda. New Haven and London: Yale University Press.
Cashman, Sean Dennis (1989) America in the Twenties and Thirties: The Olympian Age of Franklin Delano Roosevelt. New York and London: New York University Press.
Johnson, Bruce (2000) The Inaudible Music: Jazz, Gender and Australian Modernity. Sydney: Currency Press.
Salmi, Hannu (2005) Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces: Reception, Enthusiasm, Cult. Rochester, NY: University of Rochester Press.
Sudhalter, Richard (2001) Lost Chords: White Musicians and their Contribution to Jazz 1915–1945. Oxford and New York: Oxford University Press.
Bergmeier, Horst J. B., and Rainer E. Lotz (1997) Hitler’s Airwaves: The Inside Story of Nazi Radio Broadcasting and Propaganda. New Haven and London: Yale University Press.
Cashman, Sean Dennis (1989) America in the Twenties and Thirties: The Olympian Age of Franklin Delano Roosevelt. New York and London: New York University Press.
Johnson, Bruce (2000) The Inaudible Music: Jazz, Gender and Australian Modernity. Sydney: Currency Press.
Salmi, Hannu (2005) Wagner and Wagnerism in Nineteenth-Century Sweden, Finland, and the Baltic Provinces: Reception, Enthusiasm, Cult. Rochester, NY: University of Rochester Press.
Sudhalter, Richard (2001) Lost Chords: White Musicians and their Contribution to Jazz 1915–1945. Oxford and New York: Oxford University Press.
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Published
2010-09-03
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Section
Reviews
How to Cite
Johnson, B. (2010). Review of Elijah Wald, How The Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music. Jazz Research Journal, 3(2), 203-211. https://doi.org/10.1558/jazz.v3i2.203
