Jazz Research Journal, Vol 6, No 1 (2012)

Nichole T. Rustin and Sherrie Tucker, eds. Big Ears: Listening for Gender in Jazz Studies. Durham and London: Duke University Press, 2008.

Lindelwa Dalamba
Issued Date: 19 Apr 2013

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DOI: 10.1558/jazz.v6i1.89

References


Allen, L. (2000) ‘Representation, Gender and Women in Black South African Popular Music, 1948–1960’. PhD dissertation, University of Cambridge.
Attrep, Kara A. (2008) ‘Book Review: Big Ears: Listening for Gender in Jazz Studies’. Critical Studies in Improvisation/Études critiques en improvisation 4, no. 2, http://www.criticalimprov.com/article/viewArticle/970/1406
Ballantine, C. (2000) ‘Gender, Migrancy, and South African Popular Music in the Late 1940s and the 1950s’. Ethnomusicology 44, no. 3: 376–407. http://dx.doi.org/10.2307/852491
Felski, R. (1995) The Gender of Modernity. Cambridge, MA: Harvard University Press.
O’Meally, Robert G., Brent Hayes Edwards, and Farah Jasmine Griffin, eds. (2004) Uptown Conversation: The New Jazz Studies. New York: Columbia University Press.
Tucker, S. (2005) ‘Deconstructing the Jazz Tradition: The “Subjectless Subject” of New Jazz Studies’. The Source 2: 31–46.

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