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Vol 1, No 2 (2007)

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Table of Contents


Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” PDF
Michael W. Morse 153-172
David Murray: the making of a progressive musician PDF
Tim Wall 173-203
Being bop: how the press shaped the cult of bebop PDF
Thomas Turner 205-224
The parallax of art and commerce: UK jazz musicians on marketing PDF
Michael James Macaulay 225-238


Robert Hodson Interaction, Improvisation, and Interplay in Jazz. New York and London: Routledge, 2007. PDF
Matthew Butterfield 239-249

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