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Journal Issue Title
 
Perfect Beat Vol 3 No. 4 (1998) DOCTORED JAZZ Early Australian Jazz Journals View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 3 (1995) AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 View
BRUCE JOHNSON
 
Jazz Research Journal Vol 8 No. 1-2 (2014) ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals View
Brent Keogh
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Shotgun weddings and bohemian dreams: Jazz, family values and storytelling in Australian film View
Christopher Coady
 
Jazz Research Journal Vol 8 No. 1-2 (2014) The reception of jazz in Adelaide and Melbourne and the creation of an Australian sound in the Angry Penguins decade View
Bruce Clunies Ross
 
Jazz Research Journal Vol 8 No. 1-2 (2014) The lost history of jazz on early Australian popular music television View
Liz Giuffre
 
Jazz Research Journal Vol 8 No. 1-2 (2014) ‘I wouldn’t change skins with anybody’ Dulcie Pitt/Georgia Lee, a pioneering Indigenous Australian jazz, blues and community singer View
Karl Neuenfeldt
 
Antipodean Riffs View
Bruce Johnson, John Whiteoak, Aline Scott-Maxwell, Aleisha Ward, Bruce Axel Clunies Ross, Nick Tipping, Liz Giuffre, Christopher Coady, Marjorie Louise Denson, Brent Keogh, Karl William Neuenfeldt, Pierre-Emmanuel Seguin, Ralph Whiteoak, Sandy Janette Evans, Jane Galbraith
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Early jazz in Australia as oriental exotica View
Aline Scott-Maxwell
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Tom Pickering: Jazz on the periphery of the periphery View
Matthew Joshua Boden
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Demons of discord down under: ‘Jump Jim Crow’ and ‘Australia’s first jazz band’ View
John Whiteoak
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Cuba Street parade: Identity, authenticity and self-expression in contemporary Australasian jazz scenes View
Nick Tipping
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Perspectives on the Melbourne International Women's Jazz Festival View
Louise Denson
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Expressive identity in the voices of three Australian saxophonists: McGann, Sanders and Gorman View
Sandy Evans
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Sex and the sonic smorgasbord: The Necks—extending the ‘jazz’ piano trio format View
Jane Galbraith
 
Jazz Research Journal Vol 14 No. 1 (2020) ‘No radical critique ever comes from the centre’: Interview with Professor Bruce Johnson View
Adam Havas
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Lydia in Oz: The reception of George Russell in 1960s Australia View
Pierre-Emmanuel Seguin
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Examining the legend and music of Australian saxophonist, Frank Smith View
Ralph Whiteoak
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Andrew Robson, Austral Jazz: The Localization of a Global Music Form in Sydney. View
Sean Foran
 
Jazz Research Journal Vol 14 No. 1 (2020) Jazz and cosmopolitan practice: The case of Lloyd Swanton View
Benjamin Phipps
 
Jazz Research Journal Vol 11 No. 2 (2017) Bernie McGann and Bundeena: Mythologizing an Austral jazz icon View
Andrew Robson
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Editorial: Jazz in Australasia View
Bruce Johnson
 
Perfect Beat Vol 4 No. 3 (1999) THE PEDAGOGY, CULTURE AND APPROPRIATION OF JAZZ IN PAPUA NEW GUINEA View
DENNIS CROWDY, MICHAEL GODDARD
 
Equinox eBooks Publishing The History of European Jazz 4. Germany View
Martin Pfleiderer
 
Jazz Research Journal Vol 14 No. 1 (2020) Editorial View
Nicolas Pillai
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Editorial: The Global Circulations of Jazz View
Stéphane Dorin
 
Perfect Beat Vol 18 No. 1 (2017) Johnson, B., ed. 2016. Antipodean Riffs. Sheffield: Equinox. ISBN 978-1-78179-2-803 (hbk). 306 pp. View
Lauren Istvandity
 
Perfect Beat Vol 2 No. 3 (1995) HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' View
JOHN WHITEOAK
 
Journal of World Popular Music Vol 3 No. 1 (2016) Sophisticated Lady: Female Vocalists and Gendered Identity in the Brisbane Jazz Scene View
Lauren Istvandity
 
Equinox eBooks Publishing The History of European Jazz 13. Poland View
Krystian Brodacki
 
Equinox eBooks Publishing The History of European Jazz 15. Slovakia View
Yvetta Kajanova
 
Jazz Research Journal Vol 7 No. 1 (2013) Post-World War II Jazz in Britain: Venues and Values 1945–1970 View
Katherine Ann Williams
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Got a little rhythm? The Australian influence on swing in New Zealand during the 1930s and 1940s View
Aleisha Ward
 
Equinox eBooks Publishing The History of European Jazz 12. Iceland View
Vernhardur Linnet
 
Equinox eBooks Publishing The History of European Jazz 14. Czech Republic View
Yvetta Kajanova
 
Popular Music History Vol 7 No. 3 (2012) “Masters of our own destiny”: cultures of preservation at the Victorian Jazz Archive in Melbourne, Australia View
Sarah Baker, Alison Huber
 
Equinox eBooks Publishing The History of European Jazz 8. Denmark View
Tore Mortensen
 
Perfect Beat Vol 4 No. 4 (2000) John Whiteoak (1999) Playing Ad Lib: Improvisatory Music in Australia 1836-1970, Sydney: Currency Press View
PHILIP HAYWARD
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Jazzing through the luminiferous ether: How international radio broadcasts affected the experience of jazz in 1920s–1930s New Zealand View
Aleisha Ward
 
Equinox eBooks Publishing The History of European Jazz 16. Hungary: The road to independence View
Gabor Turi
 
Jazz Research Journal Vol 9 No. 2 (2015) The impact of (jazz) festivals: An Arts and Humanities Research Council-funded research report View
Emma Webster, George McKay
 
Popular Music History Vol 7 No. 1 (2012) Authenticity as authenticating—the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis View
Richard Ekins
 
Jazz Research Journal Vol 4 No. 1 (2010) On jazz, memory and history: A response to Alyn Shipton View
Nicholas Gebhardt
 
Equinox eBooks Publishing The History of European Jazz 2a. Great Britain: 1900 - 1960 View
Alyn Shipton
 
Jazz Research Journal Vol 4 No. 2 (2010) Jazz and race in colonial India: The role of Anglo-Indian musicians in the diffusion of jazz in Calcutta View
Stephane Dorin
 
Jazz Research Journal Vol 9 No. 1 (2015) Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization View
Richard Ekins
 
Journal of World Popular Music Vol 3 No. 1 (2016) Editor's Introduction View
Simone Krüger, Sarah Baker
 
Jazz Research Journal Vol 10 No. 1-2 (2016) ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene View
Myrtille Picaud
 
Jazz Research Journal Vol 7 No. 1 (2013) ‘They’ve really gone to town with all that bunting’: the influence and (in)visibility of Glasgow’s Jazz Festival View
Alison Caroline Eales
 
Perfect Beat Vol 10 No. 2 (2009) Homan, Shane, and Tony Mitchell, eds. 2008. Sounds of Then, Sounds of Now: Popular Music in Australia. Hobart: ACYS. ISBN 978-1-875236-60-2 (hbk). 295 pp View
Martin Cloonan
 
Jazz Research Journal Vol 12 No. 2 (2018) Islay Jazz Festival View
Haftor Medbøe, Diane Maclean
 
Perfect Beat Vol 14 No. 1 (2013) Introduction View
Denis Crowdy, Mark Evans
 
Perfect Beat Vol 1 No. 3 (1993) CO-LOCATIONS - AN INTRODUCTION View
Philip Hayward
 
Jazz Research Journal Vol 9 No. 2 (2015) Social constructions of ‘authenticity’ and the sounds of the Kid Thomas Valentine Band: The case of ‘Basin Street Blues’—an approach from sociological musicology and cultural studies View
Richard Ekins
 
Journal of World Popular Music Vol 3 No. 1 (2016) Gender, Popular Music and Australian Identity: Introduction to Special Issue View
Catherine Strong
 
Perfect Beat Vol 3 No. 4 (1998) FLOWING Theories and Taboos in Popular Music Studies View
ANDREW MURPHIE
 
Jazz Research Journal Vol 3 No. 2 (2009) Review of Elijah Wald, How The Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music View
Bruce Johnson
 
Perfect Beat Vol 18 No. 1 (2017) Editorial Introduction View
Oli Wilson
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Russia and the Creation of Jazz in the British Everyday Imaginary View
Robert Lawson-Peebles
 
Perfect Beat Vol 1 No. 3 (1993) FROM JIM CROW TO JAZZ Imitation African-American Improvisatory Musical Practices in Pre-Jazz Australia View
John Whiteoak
 
Perfect Beat Vol 4 No. 4 (2000) Editorial View
PHILIP HAYWARD
 
Perfect Beat Vol 14 No. 1 (2013) The Necks at 25: a changing same? View
Tony Mitchell
 
Popular Music History Vol 11 No. 2 (2016) ‘Black Bob’: His B-flat Bombardon and the Yorkshire Jazz Band View
Val Wilmer
 
Perfect Beat Vol 4 No. 3 (1999) Editorial View
MARK EVANS, KARL NEUENFELDT
 
Perfect Beat Vol 2 No. 3 (1995) Traffic -An Introduction View
PHILIP HAYWARD
 
Perfect Beat Vol 3 No. 4 (1998) Editorial View
PHILIP HAYWARD, MARK EVANS
 
Journal of World Popular Music Vol 3 No. 1 (2016) We are the Sons of the Southern Cross: Gendered Nationalisms and Imagined Community in Australian Extreme Metal View
Catherine Hoad
 
Perfect Beat Vol 2 No. 4 (1996) THE AMBONESE CONNECTION Lou Casch, Johnny O'Keefe and the Development of Australian Rock and Roll View
PETER COX
 
Perfect Beat Vol 8 No. 4 (2008) Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press View
BRUCE JOHNSON
 
Perfect Beat Vol 13 No. 1 (2012) Introduction View
Denis Crowdy, Mark Evans
 
Perfect Beat Vol 2 No. 1 (1994) EAST OF HONOLULU Hawaiian Music In Japan From the 1920s to the 1940s View
SHUHEI HOSOKAWA
 
Perfect Beat Vol 10 No. 1 (2009) Television special Maintaining Rage: Counting down without a host for over 20 years View
Liz Giuffre
 
Perfect Beat Vol 3 No. 4 (1998) EMBODIED ACAPPELLA The Experience of Singing a Displaced Eclectic Repertoire View
JULIE RICKWOOD
 
Perfect Beat Vol 1 No. 2 (1993) THREE DECADES OF AUSTRALIAN POPULAR MUSIC View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. View
Tony Mitchell
 
Perfect Beat Vol 1 No. 2 (1993) Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin View
Marcus Breen
 
Perfect Beat Vol 1 No. 2 (1993) Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP View
Roderick Nielsen
 
Perfect Beat Vol 1 No. 2 (1993) Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. View
Carolyn Craig
 
Perfect Beat Vol 15 No. 2 (2014) No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 View
Andrew Wright Hurley
 
Perfect Beat Vol 1 No. 1 (1992) WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA View
Tony Mitchell
 
Journal of World Popular Music Vol 3 No. 1 (2016) Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television View
Liz Giuffre
 
Perfect Beat Vol 1 No. 3 (1993) AFTER THE RECORD The Tabaran Documentary, Papua New Guinea and InterCultural Relation View
Philip Hayward
 
Perfect Beat Vol 18 No. 1 (2017) An interview with Jonathan Crayford View
Norman Lawrence Meehan
 
Perfect Beat Vol 3 No. 2 (1997) A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen View
MICHAEL WEBB
 
Perfect Beat Vol 11 No. 1 (2010) Introduction View
Denis Crowdy, Mark Evans
 
Perfect Beat Vol 2 No. 1 (1994) EXOTIC HULA 'Hawaiian' Dance Entertainment in post-War Australia View
NIKKI BAMBRICK
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history View
Toby Martin
 
Perfect Beat Vol 15 No. 2 (2014) All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett View
Catherine Strong
 
Perfect Beat Vol 3 No. 3 (1997) ORIENTAL EXOTICISM IN 1920s AUSTRALIAN POPULAR MUSIC View
ALINE SCOTT-MAXWELL
 
Perfect Beat Vol 13 No. 2 (2012) Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians View
Barry Hill, Jon Fitzgerald
 
Perfect Beat Vol 18 No. 2 (2017) Playing bluegrass in Australia across country and folk scenes View
Miriam Amy Jones
 
Perfect Beat Vol 2 No. 2 (1995) MODERN PNG MUSIC View
PETER DUNBAR HALL
 
Perfect Beat Vol 2 No. 2 (1995) It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso View
IAN MAXWELL
 
Perfect Beat Vol 2 No. 2 (1995) Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 2 (1995) Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 2 (1995) From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney View
TOM BURVILL
 
Perfect Beat Vol 2 No. 2 (1995) Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus View
MICHAEL FLINT
 
Perfect Beat Vol 19 No. 2 (2018) Editorial introduction View
Shelley Brunt, Oli Wilson
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) View
Tom Sykes
 
Journal of World Popular Music Vol 1 No. 1 (2014) Henry “Seaman” Dan and Karl Neuenfeldt. 2013. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. 170pp. ISBN 978-1-9220-59208 (pbk). View
Åse Ottosson
 
Perfect Beat Vol 4 No. 3 (1999) STRICTLY BALLROOM The Rumba in Pre-World War Two Japan View
SHUHEI HOSOKAWA
 
Perfect Beat Vol 4 No. 4 (2000) BLURRING BOUNDARIES BETWEEN RESTRICTED AND UNRESTRICTED PERFORMANCE A Case Study of the Ngadirdji of Yanyuwa Women in Borroloola View
ELIZABETH MACKINLAY
 
Perfect Beat Vol 1 No. 1 (1992) It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study View
Marcus Breen
 
Perfect Beat Vol 4 No. 1 (1998) Editorial View
PHILIP HAYWARD, MARK EVANS
 
Perfect Beat Vol 4 No. 1 (1998) GLOBAL PERSPECTIVES View
WILL STRAW
 
Perfect Beat Vol 4 No. 1 (1998) MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones View
CORALIE JOYCE
 
Perfect Beat Vol 4 No. 1 (1998) THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan View
FRED COLE, MICHAEL HANNAN
 
Perfect Beat Vol 4 No. 3 (1999) FLYING SAUCER ROCK AND ROLL The Australian press confronts early rock and roll View
PETER DOYLE
 
Perfect Beat Vol 2 No. 2 (1995) ALOHA AUSTRALIA Hawaiian Music in Australia (1920-55) View
JACKEY COYLE, REBECCA COYLE
 
Perfect Beat Vol 14 No. 2 (2013) ‘Suck more piss’: how the confluence of key Melbourne-based audiences, musicians, and iconic scene spaces informed the Oz rock identity View
Paul Oldham
 
Perfect Beat Vol 1 No. 3 (1993) Dean, R. (1992) New Structures in Jazz and Improvised Music Since 1960, Milton Keynes (UK): Open University Press. View
Theo Van Leeuwen
 
Perfect Beat Vol 1 No. 3 (1993) Jordan, Sand Allen, D (eds) Parallel Lines - Media Representations of Dance, London: John Libbey/ Arts Council of Great Britain View
Philip Hayward
 
Perfect Beat Vol 1 No. 3 (1993) Heylin, C. (1993) From the Velvets to the Voidoids: A PrePunk History for a Post-Punk World, Harrnonsworth: Penguin Books View
Tim Sowden
 
Perfect Beat Vol 1 No. 3 (1993) Hutchison, T. (1992) Your Name's on the Door; 10 Years of Australian Music, Sydney: ABC Enterprises View
Andrew Murphie
 
Perfect Beat Vol 1 No. 3 (1993) Rucker, R., R.U. Sirius & Queen Mu (eds) (1992) MONDO 2000: A User's Guide to the New Edge, New York: Harper & Collins View
Mark Brown
 
Perfect Beat Vol 10 No. 1 (2009) Television special Make ’em laugh, make ’em cry: The use of production music in Australian reality television series Nerds FC View
Jon Fitzgerald
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Listening again to popular music as history View
Paul Leslie Long, Nicholas Gebhardt
 
Perfect Beat Vol 19 No. 1 (2018) Super Smash Covers! Performance and audience engagement in Australian videogame music cover bands View
Sebastian Diaz-Gasca
 
Perfect Beat Vol 19 No. 1 (2018) Michael Austin, ed. 2016. Music Video Games: Performance, Politics, and Play View
Sebastian Diaz-Gasca
 
Perfect Beat Vol 11 No. 2 (2010) Introduction View
Denis Crowdy, Mark Evans
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema The Female Singing Voice: Gospel, Blues, Epic Stories and Animation View
Anne Power
 
Perfect Beat Vol 4 No. 3 (1999) GUMLEAF PLAYING COMPETITIONS Aboriginal and Non-Aboriginal Performance Styles and Socio-Cultural Contexts View
ROBIN RYAN
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. View
Judith Bernanke
 
Perfect Beat Vol 16 No. 1-2 (2015) Introduction View
Shelley Brunt, Oli Wilson
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television View
Mark Brill
 
Perfect Beat Vol 3 No. 2 (1997) AUSTRALIA'S NATIONAL INSTRUMENT? View
BRUCE JOHNSON
 
Perfect Beat Vol 3 No. 2 (1997) BACK EAST - The Blue Diamonds' Indonesian Tours View
LUTGARD MUTSAERS
 
Perfect Beat Vol 3 No. 2 (1997) UKULELES, GUITARS OR GUMLEAVES? Hula Dancing and Southeastern Australian Aboriginal Performers in the 1920s and 1930s View
ROBIN RYAN
 
Perfect Beat Vol 17 No. 1 (2016) An Interview with Damian Wright: Flamenco and the discourse of World Music in Contemporary Australia View
Brent Keogh
 
Popular Music History Vol 5 No. 3 (2010) ‘A West Indian? You must be joking! I come out of the East End’: Kenny Lynch and English racism in the 1950s and 1960s View
Jon Stratton
 
Perfect Beat Vol 18 No. 2 (2017) In Melbourne tonight: Pop/rock histories and futures View
Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt
 
Perfect Beat Vol 16 No. 1-2 (2015) Mutiny Music: A Sonic Passage Between Islands View
Joseph Cummins
 
Perfect Beat Vol 1 No. 1 (1992) TEETH-GRITTED HARMONIES Music programming and policy on Australian public radio- a case study of four Sydney stations View
KATRINA McMANUS
 
PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements Vol 12 No. 1 (2013) Transnational Pentecostal Connections: an Australian Megachurch and a Brazilian Church in Australia View
Cristina Rocha
 
Perfect Beat Vol 2 No. 3 (1995) DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures View
MALCOLM PHILPOTT
 
Perfect Beat Vol 15 No. 2 (2014) Dan, Henry ‘Seaman’ and Karl Neuenfeldt. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. ISBN 978-1-922059-208 (pbk). 170 pp. View
Bruce Johnson
 
Perfect Beat Vol 8 No. 4 (2008) WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia View
MARTIN CLOONAN
 
Perfect Beat Vol 17 No. 2 (2016) On Hillsong’s continued reign over the Australian contemporary congregational song genre View
Daniel Thornton
 
Journal of World Popular Music Vol 1 No. 1 (2014) Editors’ Introduction to Inaugural Issue View
Simone Krüger, Sarah Baker
 
Perfect Beat Vol 2 No. 3 (1995) ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop View
ROSS HARLEY
 
Perfect Beat Vol 14 No. 2 (2013) Music festivals and regional development policy: towards a festival ecology View
Chris Gibson
 
Perfect Beat Vol 1 No. 2 (1993) JAWAIIAN AND LOCAL CULTURAL IDENTITY IN HAWAI'I View
Andrew N. Weintraub
 
Perfect Beat Vol 19 No. 2 (2018) An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology View
Gene Shill
 
Perfect Beat Vol 2 No. 4 (1996) DIRECTIONS IN POPULAR MUSIC STUDIES View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 4 (1996) AMERICAN COUNTRY: POETS AND PICKERS AT THE HEART OF LONELY View
GEORGE H. LEWIS
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 View
Ben Green
 
Perfect Beat Vol 2 No. 3 (1995) RECOGNITION & ROOTS The contribution of musicians from the Indonesian archipelago to the development of popular music culture in the Netherlands View
LUTGARD MUTSAERS
 
Perfect Beat Vol 15 No. 1 (2014) German-Indigenous musical flows at Ntaria in the 1960s: Tiger Tjalkalyeri’s rendition of ‘Silent Night’, or what is tradition anyway? View
Andrew Wright Hurley
 
Perfect Beat Vol 10 No. 2 (2009) Introduction: Something in the Water View
Denis Crowdy, Mark Evans
 
Popular Music History Vol 1 No. 3 (2004) Critical negotiations: rock criticism in the Nordic countries View
Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet
 
Perfect Beat Vol 15 No. 2 (2014) ‘Lookin, searchin, seekin, findin’: A new beat View
Shelley Brunt, Oli Wilson, Catherine Strong
 
Perfect Beat Vol 2 No. 1 (1994) TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne View
ROBIN RYAN
 
Perfect Beat Vol 3 No. 2 (1997) DISPLACED ACAPPELLA The Bulgarian Choral Tradition and Sydney's Martenitsa Choir View
ALEX GIBB, MEAGAN LOADER
 
Perfect Beat Vol 1 No. 1 (1992) CASH, CHORDS, CHAOS AND HYPE Writing Rock History - Accounts of The Sex Pistols and their role in the Seventies' New Wave View
Philip Hayward
 
Perfect Beat Vol 17 No. 1 (2016) Robin Ryan in conversation with Mark Cain: Kernels of Discovery: Original musical instruments and acoustic sound designs View
Robin Ann Ryan, Mark Bradley Cain
 
Perfect Beat Vol 3 No. 4 (1998) CREATIVITY AND INDEPENDENCE Sanguma, Music Education and the development of the PNG Contemporary style View
DENNIS CROWDY
 
Perfect Beat Vol 11 No. 2 (2010) Governmental as anything: live music and law and order in Melbourne View
Shane Homan
 
Perfect Beat Vol 2 No. 4 (1996) DOWN INTO THE FIRE A Case Study of a Popular Music Recording Session View
JON FITZGERALD
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema From Despicable to Happy: Animated Vocality in the Evolution of Felonius Gru View
Veronica Stewart, Diane Hughes
 
Perfect Beat Vol 9 No. 1 (2008) BRIAN POOLE AND THE TREMELOES OR THE YARDBIRDS Comparing popular music in Perth and Adelaide in the early 1960s View
JON STRATTON
 
Perfect Beat Vol 9 No. 1 (2008) REGULATION WITHOUT REPRESENTATION NSW Live Music Policy 1992–2008 View
David Panichi
 
Journal of World Popular Music Vol 6 No. 2 (2019) Lyrical Referencing in Australian Hip Hop View
James Lewandowski-Cox
 
Perfect Beat Vol 1 No. 2 (1993) BLACK ROCK AND BROOME: MUSICAL AND CULTURAL SPECIFICITIES View
Chris Lawe Davies
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Constructing an avant-garde: Australian popular music and the experience of pleasure View
Jon Stratton
 
Perfect Beat Vol 4 No. 4 (2000) DON'T LIKE IT Pauline Pantsdown and the Politics of the Inauthentic View
JON STRATTON
 
Perfect Beat Vol 2 No. 3 (1995) NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene View
TONY MITCHELL
 
Perfect Beat Vol 1 No. 3 (1993) SMASHING THE SILENCE A review of With Open Eyes - The First National Aboriginal and Torres Strait Islander Contemporary Women's Music Festival View
Jilli Streit-Warburton
 
Perfect Beat Vol 4 No. 1 (1998) AFTER THE LAW Sydney's Phoenician Club, the New South Wales Premier and the death of Anna Wood View
SHANE HOMAN
 
Perfect Beat Vol 8 No. 3 (2007) GORE GOLD GUITARS The Place of Country in New Zealand View
DAN BENDRUPS, HENRY JOHNSON
 
Perfect Beat Vol 1 No. 1 (1992) SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: View
Philip Hayward, Rachael Privett
 
Journal of World Popular Music Vol 4 No. 1 (2017) Interview with Antti-Ville Kärjä from Music Archive Finland View
Raphaël Nowak
 
Perfect Beat Vol 4 No. 4 (2000) TWO PAULINES TO CHOOSE FROM An interview with Simon Hunt/Pauline Pantsdown View
SIMON HUNT, JON STRATTON
 
Perfect Beat Vol 1 No. 3 (1993) STAR MOVES Choreography, Choreographers and Australian Music Video View
Rachael Gorham, Arielle Nakache
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Are We All Archaeologists Now? View
Cornelius Holtorf
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) On the Ontology of Archaeology View
Lawrence E. Moore
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) “Are We There Yet?” The challenge of Public Engagement with Australia’s Indigenous Past and its Implications for Reconciliation View
Stephen Muller
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Archaeology: A Treatment View
Jonathan Walz
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Everything is Everything View
Alessandro Zambelli
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Is Digging Straight Walls and Playing in Tune What It’s All About? View
Jacob Lawson
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Bastard Design Practices: An Archaeological Perspective View
James Dyer
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Archaeology in the Era of Capitalism View
Selma Faria
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Journeys in the City: Homeless Archaeologists or Archaeologies of Homelessness View
Rachael Kiddey, Andrew Daffnis, Jane Hallam, Mats Brate
 
Journal of Contemporary Archaeology Vol 6 No. 2 (2019) Archaeology, Heritage and Performance in the Perth Popular Music Scene View
Sean Winter, B'geella Romano
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema The Singing Voice in Contemporary Cinema View
Diane Hughes, Mark Evans
 
Perfect Beat Vol 2 No. 1 (1994) THE 'DUNEDIN SOUND' New Zealand Rock and Cultural Geography View
COLIN MCLEAY
 
Journal of World Popular Music Vol 1 No. 2 (2014) Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi View
David Cashman
 
Perfect Beat Vol 19 No. 1 (2018) Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] View
Brent Keogh
 
Popular Music History Vol 3 No. 1 (2008) The origins and development of The Institute of Popular Music: An interview View
Dave Horn
 
Perfect Beat Vol 4 No. 4 (2000) WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries View
MASAHIRO YASUDA
 
Journal of World Popular Music Vol 2 No. 1 (2015) Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) View
Yona Stamatis
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema 'You’ve Got a Friend in Me': Singing Voices in the Toy Story Films View
Natalie Lewandowski, Penny Spirou
 
Perfect Beat Vol 2 No. 1 (1994) Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. View
JULIA KNIGHT
 
Perfect Beat Vol 2 No. 1 (1994) Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 1 (1994) Carlo Branzaglia, Pierfrancesco Pacoda and Alba Solaro (1992) Posse ita/iane: centri sociali, unde rgrowid musicale e cultura giovanile degli anni '90 in Italia View
TONY MITCHELL
 
Perfect Beat Vol 2 No. 1 (1994) Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 1 (1994) Gray, A and McGuigan, J (eds) (1993) Studying Culture- an introductory reader, London: Edward Arnold. View
COLIN MCLEAY
 
Perfect Beat Vol 2 No. 1 (1994) Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press View
KEITH NEGUS
 
Journal for the Academic Study of Religion Vol 23 No. 2 (2010) ‘I’ve Got a Spirit Coming through Me': Music as Hierophany and Musicians as Shamans View
Mark Jennings
 
Perfect Beat Vol 16 No. 1-2 (2015) Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry View
Christina Ballico
 
Perfect Beat Vol 3 No. 2 (1997) INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA View
DAVID GOLDSWORTHY
 
Popular Music History Vol 4 No. 2 (2009) Low-frequency noise and urban space View
Bruce Johnson
 
Perfect Beat Vol 15 No. 1 (2014) Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air View
Jennifer Cattermole
 
Perfect Beat Vol 17 No. 2 (2016) Watching them walk out taller than they walked in: Sydney's venues in 2016 View
Martin Cloonan
 
Communication & Medicine Vol 14 No. 3 (2017) Escalating the positive in antenatal consultations: Midwife support in (inter)action View
Eleni Petraki, Shannon Clark
 
Perfect Beat Vol 4 No. 1 (1998) SOUTH·SEA·ISLAND MAGIC Bill Sevesi and the Auckland Music Scene View
SAM SAMPSON
 
Perfect Beat Vol 8 No. 3 (2007) AOTEAROA SONGLINES View
TONY MITCHELL
 
Popular Music History Vol 2 No. 1 (2007) April 2007 The forgotten decade: rethinking the popular music of the 1970s View
Andy Bennett
 
Perfect Beat Vol 1 No. 4 (1994) FLYING IN THE FACE OF FASHION: Independent Music in New Zealand View
Tony Mitchell
 
Journal of World Popular Music Vol 1 No. 1 (2014) Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course View
Andrew Killick
 
Perfect Beat Vol 10 No. 2 (2009) Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand View
Tony Mitchell
 
Popular Music History Vol 4 No. 2 (2009) Nowhere man: urban life and the virtualization of popular music View
Paul Graves-Brown
 
Journal of World Popular Music Vol 4 No. 1 (2017) “I’m Not a Juvenile Delinquent”: 1950s Rock’n’roll, Youth under Threat, and Good Citizenship in US Exploitation Cinema 1956–59 View
David Baker, Lauren Istvandity
 
Perfect Beat Vol 1 No. 4 (1994) WHAT THE AIR WAS LIKE UP THERE: Overseas Music and Local Reception in the 1960s MICHAEL FLINT View
Michael Flint
 
Perfect Beat Vol 3 No. 2 (1997) NEW ZEALAND MUSIC ON THE INTERNET A Study of the NZPOP Mailing List View
TONY MITCHELL
 
Perfect Beat Vol 20 No. 1 (2019) ‘Nonagon infinity opens the door!’: Formation of a cross-album concept through motivic interrelation in the music of King Gizzard and the Lizard Wizard View
Paul Ballam-Cross
 
Perfect Beat Vol 12 No. 1 (2011) Malaysian composers, geopolitical spaces and cultural difference View
Jonas Ureta Baes
 
Perfect Beat Vol 3 No. 4 (1998) DOMESTIC EXOTICISM A recent trend in Japanese popular music View
TORU MITSUI
 
Journal of Film Music Vol 1 No. 1 (2002) Music in Films: A Critical Review of Literature, 1980-1996 View
Robynn J. Stilwell
 
Popular Music History Vol 3 No. 2 (2008) ‘Infected by the seed of postindustrial punk bohemia’: Nick Cave and the milieu of the 1980s underground View
Peter Webb
 
Journal of World Popular Music Vol 1 No. 1 (2014) Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea View
Oli Wilson
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Ghost Singers: The Singing Voice in Korean Pop Cinema View
Sarah Keith, Alex Mesker
 
Perfect Beat Vol 2 No. 3 (1995) A MOUSE, A FROG, THE HAWAIIAN GUITAR AND WORLD MUSIC AESTHETICS Vishwa Mohan Bhatt and Ry Cooder Meet by the River View
ADRIAN MCNEIL
 
International Journal for the Study of New Religions Vol 6 No. 2 (2015) Gurdjieffian Overtones in Leon MacLaren’s School of Economic Science View
Johanna J.M. Petsche
 
Implicit Religion Vol 7 No. 1 (2004) Christian Musical Worship and 'Hostility to the Body': The Medieval Influence Versus the Pentecostal Revolution View
Michael Amoah
 
Perfect Beat Vol 13 No. 2 (2012) Electronic dance music, the rock myth, and authenticity View
John Gunders
 
Perfect Beat Vol 10 No. 1 (2009) Television special Thai television and pleeng luuk tung: The role of television in the Isan cultural revival View
James Leonard Mitchell
 
Popular Music History Vol 8 No. 1 (2013) A mysterious music in the air: cultural origins of the loudspeaker View
Kyle Devine
 
Comparative Islamic Studies Vol 3 No. 2 (2007) Islam, Muslims and Arabs in the Popular Hollywood Cinema View
Anton Karl Kozlovic
 
Perfect Beat Vol 12 No. 2 (2011) Ideology and the performance of Chineseness: Hong Kong singers on the CCTV stage View
Lauren Gorfinkel
 
Popular Music History Vol 4 No. 3 (2009) The production of English rock and roll stardom in the 1950s View
Martin Cloonan
 
Journal of World Popular Music Vol 1 No. 2 (2014) The Cultural and Gender Politics of Enunciation: Locating the Singer-Songwriter within and beyond Male Anglo-American Contexts View
Duncan Wheeler, Lucy O'Brien
 
Journal of World Popular Music Vol 2 No. 1 (2015) World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices View
Diane Hughes, Sarah Keith
 
Popular Music History Vol 11 No. 2 (2016) The names of pop groups in the UK hit parades of the 1960s: Patterns and peculiarities View
Stephen J. Coffey
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema The Singing Voice and its Use to Evoke Unease, Discomfort and Violence View
Liz Giuffre, Mark Thorley
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) View
William H. Rosar
 
Perfect Beat Vol 20 No. 1 (2019) Not given lightly: Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand View
Matthew Bannister
 
International Journal of Speech Language and the Law Vol 26 No. 2 (2019) Who owns your voice? Linguistic and legal perspectives on the relationship between vocal distinctiveness and the rights of the individual speaker View
Dominic Watt, Peter S. Harrison, Lily Cabot-King
 
Popular Music History Vol 5 No. 2 (2010) Skin deep: ska and reggae on the racial faultline in Britain, 1968-1981 View
Jon Stratton
 
Gender and Language Vol 10 No. 3 (2016) Gender and Multimodality Grandmother, gran, gangsta granny: semiotic representations of grandmotherhood View
Carmen Caldas Coulthard, Rosamund Moon
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) Walking Widdershins View
Wendy Griffin
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) Playing Croquet with Hedgehogs: (Still) Becoming a Scholar of Paganism and Animism View
Graham Harvey
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) An Outsider Inside: Becoming a Scholar of Contemporary Paganism View
Helen A. Berger
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) The Owl, the Dragon and the Magician: Reflections on Being an Anthropologist Studying Magic View
Susan Greenwood
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) The Old Pomegranate and the New View
Fritz Muntean
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) The Academy, the Otherworld and Between View
Kathryn Rountree
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) Making the Strange Familiar View
Sarah M. Pike
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) Reflecting on Studying Wicca from within the Academy and the Craft: An Autobiographical Perspective View
Melissa Harrington
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) Navigating Academia and Spirituality from a Pagan Perspective View
Michael York
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) Pagan(ish) Senses and Sensibilities View
Adrian Ivakhiv
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) The Pagan Studies Archipelago: Pagan Studies in a Cosmopolitan World. View
Douglas Ezzy
 
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