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Jazz Research Journal Vol 10 No. 1-2 (2016) Steven Feld, Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham, NC: Duke University Press, 2012. 328 pp. ISBN 978-0-8223-5148-1 (hbk), 978-0-8223-5162-7 (pbk). $84.95/$23.95. View
Panagiota Anagnostou
 
Equinox eBooks Publishing The History of European Jazz 38. The Avant- Garde: Black-and-White Atlantic Dialogues, c. 1960s View
Michael Heffley
 
Jazz Research Journal Vol 7 No. 2 (2013) Icons Among Us: Jazz in the Present Tense. Michael Rivoira, Lars Larson and Peter J. Vogt, directors. John W. Comerford and Theo N. Ianuly, producers. Lars Larson, director of photography. Paradigm Studio. 2009. DVD B002RNO1BW View
Colter Harper
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Editorial View
Catherine Parsonage, Tony Whyton
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Ett minne för livet: A Swedish music collective View
Alf Arvidsson, Jörgen Adolfsson
 
Jazz Research Journal Vol 1 No. 2 (2007) Robert Hodson Interaction, Improvisation, and Interplay in Jazz. New York and London: Routledge, 2007. View
Matthew Butterfield
 
Popular Music History Vol 7 No. 3 (2012) ‘Immersed in the conflict’: Mike Westbrook’s Marching Song (1969) and the landscape and soundscape of war View
Duncan Heining
 
Perfect Beat Vol 13 No. 2 (2012) Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. View
Don Conway-Long
 
Equinox eBooks Publishing The History of European Jazz 23. Spain View
Chema Martinez
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 No room for squares: A political economy of Blue Note records View
Christopher May
 
Perfect Beat Vol 8 No. 4 (2008) BEYOND THE SAKURA WALTZ Reflections on the encounter between German and Japanese jazz, 1962–1985 View
ANDREW W. HURLEY
 
Jazz Research Journal Vol 1 No. 2 (2007) David Murray: the making of a progressive musician View
Tim Wall
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Lydia in Oz: The reception of George Russell in 1960s Australia View
Pierre-Emmanuel Seguin
 
Perfect Beat Vol 1 No. 3 (1993) Dean, R. (1992) New Structures in Jazz and Improvised Music Since 1960, Milton Keynes (UK): Open University Press. View
Theo Van Leeuwen
 
Perfect Beat Vol 1 No. 3 (1993) Jordan, Sand Allen, D (eds) Parallel Lines - Media Representations of Dance, London: John Libbey/ Arts Council of Great Britain View
Philip Hayward
 
Perfect Beat Vol 1 No. 3 (1993) Heylin, C. (1993) From the Velvets to the Voidoids: A PrePunk History for a Post-Punk World, Harrnonsworth: Penguin Books View
Tim Sowden
 
Perfect Beat Vol 1 No. 3 (1993) Hutchison, T. (1992) Your Name's on the Door; 10 Years of Australian Music, Sydney: ABC Enterprises View
Andrew Murphie
 
Perfect Beat Vol 1 No. 3 (1993) Rucker, R., R.U. Sirius & Queen Mu (eds) (1992) MONDO 2000: A User's Guide to the New Edge, New York: Harper & Collins View
Mark Brown
 
Bulletin for the Study of Religion Vol 45 No. 1 (2016) Thoughts After Reading Spirits Rejoice! Jazz and American Religion: A Review Essay View
Michael Kaler
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Reconstructing the Jazz Tradition View
Charles Hersch
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Expressive identity in the voices of three Australian saxophonists: McGann, Sanders and Gorman View
Sandy Evans
 
Jazz Research Journal Vol 9 No. 2 (2015) Philippe Carles and Jean-Louis Comolli, Free Jazz/ Black Power, translated by Grégory Pierrot. Jackson, MS: University Press of Mississippi, 2015. 256 pp. ISBN 978-1-628-46039-1 (hbk). $65.00/£41.00 View
Chris Ealham
 
Jazz Research Journal Vol 4 No. 1 (2010) Plagiarizing your own autobiography, and other strange tales: Miles Davis, jazz discourse, and the aesthetic of silence View
Ken Prouty
 
Equinox eBooks Publishing The History of European Jazz 6. Belgium View
Jean-Pol Schroeder
 
Equinox eBooks Publishing The History of European Jazz 11. Norway View
Bjorn Stendahl
 
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