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| Journal | Issue | Title | |
| Popular Music History | Vol 1 No. 3 (2004) | Down beats and rolling stones:the American jazz press decides to cover rock in 1967 | View |
| Matt Brennan | |||
| Jazz Research Journal | Vol 11 No. 2 (2017) | Photographic representations of jazz: Testimonial advertising in Down Beat, 1938–48 | View |
| Alan John Ainsworth | |||
| Jazz Research Journal | Vol 9 No. 1 (2015) | Frontierism, intellectual listeners and the new European wave: On the reception of Dutch jazz in DownBeat, 1960–1980 | View |
| Loes Rusch | |||
| Perfect Beat | Vol 9 No. 1 (2008) | J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? | View |
| TERENCE LANCASHIRE | |||
| Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Failure to fuse: The jazz-rock culture war at the 1969 Newport Jazz Festival | View |
| Matt Brennan | |||
| Jazz Research Journal | Vol 1 No. 2 (2007) | Being bop: how the press shaped the cult of bebop | View |
| Thomas Turner | |||
| Perfect Beat | Vol 9 No. 1 (2008) | Introduction | View |
| Mark Evans, Denis Crowdy | |||
| Perfect Beat | Vol 8 No. 4 (2008) | Introduction | View |
| Mark Evans, Denis Crowdy | |||
| Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | From Blues to Latin Just in Time: A rhythmic analysis | View |
| Eduardo Lopes | |||
| Perfect Beat | Vol 2 No. 4 (1996) | TRAJECTION -AN INTRODUCTION | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 3 No. 2 (1997) | Editorial | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 3 No. 3 (1997) | Editorial | View |
| MARK EVANS | |||
| International Journal of Speech Language and the Law | Vol 25 No. 2 (2018) | ‘She does not flee the house’: A multimodal poetics of space, path and motion in opening statements | View |
| Gregory Matoesian, Kristin Enola Gilbert | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Martin Carthy’s rhythms | View |
| Charles Ford | |||
| Perfect Beat | Vol 9 No. 1 (2008) | BRIAN POOLE AND THE TREMELOES OR THE YARDBIRDS Comparing popular music in Perth and Adelaide in the early 1960s | View |
| JON STRATTON | |||
| Perfect Beat | Vol 8 No. 3 (2007) | AOTEAROA SONGLINES | View |
| TONY MITCHELL | |||
| Perfect Beat | Vol 9 No. 1 (2008) | Cohen, S (2007) Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles, Aldershot: Ashgate | View |
| SHANE HOMAN | |||
| Perfect Beat | Vol 8 No. 3 (2007) | THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 | View |
| ROY SHUKER | |||
| Popular Music History | Vol 4 No. 1 (2009) | Scottish indie music and BBC radio’s Beat Patrol (1995–2000) | View |
| J. Mark Percival | |||
| Perfect Beat | Vol 9 No. 1 (2008) | UKULELE AFFECTIONS AND HAWAIIAN FAMILY CONNECTIONS The Music and Memories of Musician/Producer Rick Cunha | View |
| KARL NEUENFELDT | |||
| Perfect Beat | Vol 8 No. 3 (2007) | GORE GOLD GUITARS The Place of Country in New Zealand | View |
| DAN BENDRUPS, HENRY JOHNSON | |||
| Perfect Beat | Vol 14 No. 1 (2013) | Philip Tagg. ‘Scotch Snaps: The Big Picture’. Online video documentary located at http://www.youtube.com/watch?v=3BQAD5uZsLY and also http://tagg.org/ptavmat.htm (1 hour 15 mins) | View |
| Bruce Johnson | |||
| Perfect Beat | Vol 8 No. 3 (2007) | ‘THIS IS MY LIFE’ Biography, Identity and Narrative in New Zealand Rap Songs | View |
| KIRSTEN ZEMKE-WHITE | |||
| Perfect Beat | Vol 8 No. 4 (2008) | TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture | View |
| Philip Hayward, SUEO KUWAHARA | |||
| Perfect Beat | Vol 3 No. 4 (1998) | MUSIC(OLOGY) NEEDS A CONTEXT - Re-interpreting Goa Trance | View |
| SEBASTIAN CHAN | |||
| 1 - 25 of 809 Items | 1 2 3 4 5 6 7 8 9 10 > >> | ||
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