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Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) The collective organization of contemporary jazz musicians in the UK View
Tim Wall, Simon Barber
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Wonderbrass: A South Wales jazz collective View
Rob Smith
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Introduction: The collective problem in jazz View
Nicholas Gebhardt
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Remixing jazz culture: Musical hybridity and collectivity in the New Europe View
Kristin McGee
 
Antipodean Riffs View
Bruce Johnson, John Whiteoak, Aline Scott-Maxwell, Aleisha Ward, Bruce Axel Clunies Ross, Nick Tipping, Liz Giuffre, Christopher Coady, Marjorie Louise Denson, Brent Keogh, Karl William Neuenfeldt, Pierre-Emmanuel Seguin, Ralph Whiteoak, Sandy Janette Evans, Jane Galbraith
 
Handful of Keys View
Alyn Shipton
 
Search for the New Land View
Mark Racz
 
An Unholy Row View
Dave Gelly
 
Mr. P.C. View
Rob Palmer
 
The History of European Jazz View
Francesco Martinelli, Alyn Shipton, Duncan Heining, George McKay, Selwyn Harris, Michael Heffley, Gabriele Coen, Michael Dregni, Rainer Lotz, Xavier Prevost, Cormac Larkin, Martin Pfleiderer, Bert Vuijsje, Jean-Pol Schroeder, Marc Demuth, Tore Mortensen, Lars Westin, Juha Henriksson, Bjorn Stendahl, Vernhardur Linnet, Krystian Brodacki, Yvetta Kajanova, Gabor Turi, Andreas Felber, Bruno Spoerri, Cyril Moshkow, Dmitri Podberezsky, Alexander Yudin, Chema Martinez, Rui Eduardo Paes, Indrikis Veitners, Ruta Skudiene, Tiit Lauk, Sakis Papadimitriou, Mike Mazur, Virgil Mihaiu, Vladimir Gadjev, Hulya Tuncag, Rain Sultanov, Armen Manukian, Halina Maria Boniszewska, Pedro Cravinho, Jan Bruer, Måns Wallgren, Iço Vidmar, Eleni Novakovska, Edin Zubčević
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) ‘The revolution never ended’: The cultural politics of a creative-music collective in New York City View
Scott Currie
 
Equinox eBooks Publishing Mosaics The Last Suites View
Duncan Heining
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Collectives, a socio-economic, political and aesthetic phenomenon: The example of the Association à la Recherche d'un Folklore Imaginaire View
Chloé Meyzie
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television The Sound of Jazz as Essential Image: Television, Performance, and the Modern Jazz Canon View
Michael Borshuk
 
Trad Dads, Dirty Boppers and Free Fusioneers View
Duncan Heining
 
Komeda View
Magdalena Grzebałkowska, Halina Maria Boniszewska
 
Mosaics View
Duncan Heining
 
This is Hip View
Peter Jones
 
Jazz Research Journal Vol 3 No. 2 (2009) New jazz histories: Can a reconciliation of widely differing source material offer new opportunities for the jazz historian? View
Alyn Shipton
 
Bill Russell and the New Orleans Jazz Revival View
Ray Smith, Mike Pointon, Alfred E. Lemmon, George Avakian, William F. Wagner
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) The Kitchen Orchestra Online: Digital mediation and collective practice View
Andrew Dubber
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Making ourselves heard: From a ‘Field of Dreams’ to building a collective voice View
Petter Frost Fadnes
 
Equinox eBooks Publishing Jazz on BBC Radio 1922-1972 Jazz Club, 1947-1974 View
Tim Wall
 
This is Bop View
Peter Jones
 
Jazz Research Journal Vol 3 No. 1 (2009) Coltrane and Beyond View
Tony Whyton, Catherine Tackley, Vincent Cotro
 
Jazz Research Journal Vol 6 No. 2 (2012) Do you know what it means to miss New Orleans? Historical metaphors and mythical realities in Spike Lee’s When the Levees Broke View
Nicholas Gebhardt
 
Equinox eBooks Publishing Jazz on BBC Radio 1922-1972 The BBC and New British Jazz, 1965-1972 View
Tim Wall
 
The Long Shadow of the Little Giant View
Simon Spillett
 
Keith Jarrett View
Wolfgang Sandner, Wolfgang Sandner, Chris Jarrett
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) 'Complaining time is over': Network and collective strategies of the New York Musicians Organization View
Michael C. Heller
 
Journal of World Popular Music Vol 6 No. 1 (2019) Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians View
Ioannis Tsioulakis
 
Equinox eBooks Publishing Kansas City Jazz Prologue View
Con Chapman
 
Equinox eBooks Publishing Search for the New Land Gittin’ to Know Y’All: Americans in Europe View
Mark Racz
 
Equinox eBooks Publishing Search for the New Land Old and New Dreams: Revivals and New Directions View
Mark Racz
 
Equinox eBooks Publishing Search for the New Land Search for the New Land View
Mark Racz
 
Equinox eBooks Publishing Search for the New Land Acknowledgement: The Heritage of John Coltrane View
Mark Racz
 
Equinox eBooks Publishing Search for the New Land Alkebu-lan: Spirituality and Politics in the 1970s View
Mark Racz
 
Equinox eBooks Publishing Search for the New Land Bitches Brew: Miles and his Sidemen View
Mark Racz
 
Equinox eBooks Publishing Search for the New Land Red Clay: The 1970s Mainstream View
Mark Racz
 
Equinox eBooks Publishing Search for the New Land Money Blues: Gigs, Recording, Grants and Academia View
Mark Racz
 
Equinox eBooks Publishing Search for the New Land Breezin’: Jazz and the Marketplace View
Mark Racz
 
Equinox eBooks Publishing Search for the New Land Chi-Congo: Chicago and the AACM Diaspora View
Mark Racz
 
Equinox eBooks Publishing Search for the New Land Message from the Tribe: Jazz Communities in St Louis, Los Angeles, Detroit and Hartford View
Mark Racz
 
Equinox eBooks Publishing Search for the New Land Friends and Neighbors: The New York Loft Scene View
Mark Racz
 
Equinox eBooks Publishing Search for the New Land Dreaming of the Masters View
Mark Racz
 
Equinox eBooks Publishing Search for the New Land Set Me Free: Individuals and Iconoclasts View
Mark Racz
 
Equinox eBooks Publishing Bill Russell and the New Orleans Jazz Revival Fugue View
Ray Smith, Mike Pointon
 
Equinox eBooks Publishing Mosaics Preface View
Duncan Heining
 
Equinox eBooks Publishing Mosaics List of Figures View
Duncan Heining
 
Equinox eBooks Publishing Mosaics Bibliography View
Duncan Heining
 
Equinox eBooks Publishing Mosaics Mosaics Interviews and Correspondence View
Duncan Heining
 
Equinox eBooks Publishing Mosaics Appendix 1: Graham Collier Discography View
Duncan Heining
 
Equinox eBooks Publishing Mosaics Appendix 2: Compositions View
Duncan Heining
 
Equinox eBooks Publishing Mosaics Appendix 3: Graham Collier BBC Radio Broadcasts View
Duncan Heining
 
Equinox eBooks Publishing Mosaics Appendix 4: Royal Academy of Music Collier Alumni View
Duncan Heining
 
Equinox eBooks Publishing Mosaics Index View
Duncan Heining
 
Equinox eBooks Publishing Keith Jarrett The Complete Artist View
Wolfgang Sandner
 
Equinox eBooks Publishing The History of European Jazz 40. Festivals View
George McKay
 
Jazz Research Journal Vol 6 No. 2 (2012) Editorial: Transnational perspectives on jazz View
Catherine Tackley, Tony Whyton
 
Equinox eBooks Publishing The History of European Jazz 4. Germany View
Martin Pfleiderer
 
Jazz Research Journal Vol 4 No. 2 (2010) Editorial: The Other Jazz View
Tony Whyton, Catherine Tackley
 
Perfect Beat Vol 4 No. 3 (1999) THE PEDAGOGY, CULTURE AND APPROPRIATION OF JAZZ IN PAPUA NEW GUINEA View
DENNIS CROWDY, MICHAEL GODDARD
 
Equinox eBooks Publishing The History of European Jazz 26. Latvia View
Indrikis Veitners
 
Equinox eBooks Publishing Keith Jarrett Discography View
Wolfgang Sandner
 
Equinox eBooks Publishing Keith Jarrett Preface to the English Edition View
Wolfgang Sandner
 
Equinox eBooks Publishing Keith Jarrett Foreword View
Wolfgang Sandner
 
Jazz Research Journal Vol 14 No. 1 (2020) Editorial View
Nicolas Pillai
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Is jazz popular music? View
Simon Frith
 
Equinox eBooks Publishing The History of European Jazz 22. Ukraine View
Alexander Yudin
 
Equinox eBooks Publishing The History of European Jazz 21. Belarus View
Dmitri Podberezsky
 
Jazz Research Journal Vol 8 No. 1-2 (2014) The reception of jazz in Adelaide and Melbourne and the creation of an Australian sound in the Angry Penguins decade View
Bruce Clunies Ross
 
Perfect Beat Vol 8 No. 4 (2008) BEYOND THE SAKURA WALTZ Reflections on the encounter between German and Japanese jazz, 1962–1985 View
ANDREW W. HURLEY
 
Popular Music History Vol 9 No. 1 (2014) Resource Notes View
Jo Blyghton
 
Equinox eBooks Publishing The History of European Jazz 1. France View
Xavier Prevost
 
Equinox eBooks Publishing The History of European Jazz 13. Poland View
Krystian Brodacki
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Reconstructing the Jazz Tradition View
Charles Hersch
 
Equinox eBooks Publishing The History of European Jazz 29. Greece View
Sakis Papadimitriou
 
Equinox eBooks Publishing The History of European Jazz European Jazz: Stories that Needed to be Told View
Francesco Martinelli
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Editorial: Jazz in Australasia View
Bruce Johnson
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Cuba Street parade: Identity, authenticity and self-expression in contemporary Australasian jazz scenes View
Nick Tipping
 
Jazz Research Journal Vol 14 No. 1 (2020) ‘No radical critique ever comes from the centre’: Interview with Professor Bruce Johnson View
Adam Havas
 
Jazz Research Journal Vol 4 No. 2 (2010) Review: Patrick Burke, Come in and Hear the Truth: Jazz and Race on 52nd Street. Chicago: University of Chicago Press, 2008 (hbk). xiv + 314pp. $35.00. ISBN 978-0-226-08071-0 View
Nicholas Gebhardt
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Historical overview of the development of jazz in Portugal, in the first half of the twentieth century View
Pedro Cravinho
 
Equinox eBooks Publishing The History of European Jazz 10. Finland View
Juha Henriksson
 
Equinox eBooks Publishing The History of European Jazz 20. Russia: Ninety-five Years in Search of an Identity View
Cyril Moshkow
 
Equinox eBooks Publishing The History of European Jazz 2b. Great Britain: 1950-2010: Late-flowering Seeds of the Triangular Trade View
Duncan Heining
 
Equinox eBooks Publishing The History of European Jazz 24a. Portugal: 1920-1974 View
Pedro Cravinho
 
Jazz Research Journal Vol 7 No. 1 (2013) Post-World War II Jazz in Britain: Venues and Values 1945–1970 View
Katherine Ann Williams
 
Jazz Research Journal Vol 9 No. 2 (2015) Philippe Carles and Jean-Louis Comolli, Free Jazz/ Black Power, translated by Grégory Pierrot. Jackson, MS: University Press of Mississippi, 2015. 256 pp. ISBN 978-1-628-46039-1 (hbk). $65.00/£41.00 View
Chris Ealham
 
Equinox eBooks Publishing The History of European Jazz 8. Denmark View
Tore Mortensen
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Grappling with Grappelli: Contemporary jazz violin pedagogy and the legacy of gypsy jazz View
Tom Sykes, Ari Poutiainen
 
Jazz Research Journal Vol 14 No. 1 (2020) Beyond romance: Rethinking time and narrative in jazz histories View
Iván Iglesias
 
Equinox eBooks Publishing The History of European Jazz 33. Azerbaijan View
Rain Sultanov
 
Equinox eBooks Publishing The History of European Jazz 34. Armenia View
Armen Manukian
 
Equinox eBooks Publishing The History of European Jazz 28. Estonia View
Tiit Lauk
 
Equinox eBooks Publishing The History of European Jazz 12. Iceland View
Vernhardur Linnet
 
Jazz Research Journal Vol 3 No. 2 (2009) Jazz Britannia: mediating the story of British jazz on television View
Tim Wall, Paul Long
 
Equinox eBooks Publishing The History of European Jazz 15. Slovakia View
Yvetta Kajanova
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television ‘Staying Golden’: The Politics of Gender, Sexuality, and Jazz in The Golden Girls View
Elliott H. Powell
 
Perfect Beat Vol 18 No. 1 (2017) Johnson, B., ed. 2016. Antipodean Riffs. Sheffield: Equinox. ISBN 978-1-78179-2-803 (hbk). 306 pp. View
Lauren Istvandity
 
Equinox eBooks Publishing The History of European Jazz 30. Former Yugoslavia (including Croatia, Slovenia, Serbia, Macedonia, Bosnia and Herzegovina, Montenegro, Vojvodina and Kosovo) View
Mike Mazur, Iço Vidmar, Eleni Novakovska, Edin Zubčević
 
Equinox eBooks Publishing The History of European Jazz 14. Czech Republic View
Yvetta Kajanova
 
Jazz Research Journal Vol 2 No. 2 (2008) Review article: I. Anderson, This Is Our Music: Free Jazz, the Sixties, and American Culture, S.Saul, Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties, I. Monson, Freedom Sounds: Civil Rights Call Out to Jazz and Africa View
Charles Hersch,
 
Equinox eBooks Publishing The History of European Jazz 6. Belgium View
Jean-Pol Schroeder
 
Equinox eBooks Publishing The History of European Jazz 23. Spain View
Chema Martinez
 
Jazz Research Journal Vol 4 No. 1 (2010) ‘Jazz’ at large: ‘Scapes’ and the imagination in the performances of Moses Molelekwa and Nah Youn-Sun View
Jan Harm Schutte
 
Equinox eBooks Publishing The History of European Jazz 16. Hungary: The road to independence View
Gabor Turi
 
Popular Music History Vol 1 No. 2 (2004) ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies View
Chris McDonald
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television An interpretation of the semiotics of ‘self’ with the Modern Jazz Quartet on Jazz 625 as a case study View
Alexander Gagatsis
 
Equinox eBooks Publishing Keith Jarrett Acknowledgements View
Wolfgang Sandner
 
Equinox eBooks Publishing Keith Jarrett Bibliography View
Wolfgang Sandner
 
Equinox eBooks Publishing Keith Jarrett Index View
Wolfgang Sandner
 
Perfect Beat Vol 3 No. 4 (1998) DOCTORED JAZZ Early Australian Jazz Journals View
BRUCE JOHNSON
 
Jazz Research Journal Vol 6 No. 1 (2012) Nichole T. Rustin and Sherrie Tucker, eds. Big Ears: Listening for Gender in Jazz Studies. Durham and London: Duke University Press, 2008. View
Lindelwa Dalamba
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Early jazz in Australia as oriental exotica View
Aline Scott-Maxwell
 
Jazz Research Journal Vol 9 No. 2 (2015) The impact of (jazz) festivals: An Arts and Humanities Research Council-funded research report View
Emma Webster, George McKay
 
Equinox eBooks Publishing The History of European Jazz 17. Romania View
Virgil Mihaiu
 
Equinox eBooks Publishing The History of European Jazz 5. The Netherlands View
Bert Vuijsje
 
Popular Music History Vol 3 No. 2 (2008) Resource notes View
Janne Mäkelä
 
Equinox eBooks Publishing The History of European Jazz 19. Switzerland View
Bruno Spoerri
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Jazz in Brazil: An Early History (1920s-1950s) View
Anaïs Fléchet
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Jazzing through the luminiferous ether: How international radio broadcasts affected the experience of jazz in 1920s–1930s New Zealand View
Aleisha Ward
 
Journal of World Popular Music Vol 3 No. 1 (2016) Sophisticated Lady: Female Vocalists and Gendered Identity in the Brisbane Jazz Scene View
Lauren Istvandity
 
Popular Music History Vol 4 No. 2 (2009) Resource notes View
Ditmer Weertman
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Tom Pickering: Jazz on the periphery of the periphery View
Matthew Joshua Boden
 
Jazz Research Journal Vol 6 No. 2 (2012) Crossing the curtain: Polish jazz meets poetry in the europäische Heimat View
Zbigniew Granat
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television ‘Ain’t misbehavin’: Jazz music in children’s television View
Liam Maloy
 
Perfect Beat Vol 2 No. 3 (1995) HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' View
JOHN WHITEOAK
 
Jazz Research Journal Vol 6 No. 2 (2012) Hot and cool from Buenos Aires to Chicago: Guillermo Gregorio’s jazz cosmopolitanism View
Andrew Raffo Dewar
 
Equinox eBooks Publishing The History of European Jazz 27. Lithuania View
Ruta Skudiene
 
Jazz Research Journal Vol 6 No. 2 (2012) Way out East: cowboys and pioneer women on Berlin's jazz frontier View
William Kirk Bares
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 No room for squares: A political economy of Blue Note records View
Christopher May
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Material and Expositional Frames in BBC Arena ’s Visual Jazz Jukebox View
Will Finch
 
Popular Music History Vol 7 No. 3 (2012) “Masters of our own destiny”: cultures of preservation at the Victorian Jazz Archive in Melbourne, Australia View
Sarah Baker, Alison Huber
 
Popular Music History Vol 7 No. 1 (2012) Authenticity as authenticating—the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis View
Richard Ekins
 
Journal of World Popular Music Vol 3 No. 1 (2016) Jason Toynbee, Catherine Tackley and Mark Doffman, eds. 2014. Black British Jazz: Routes, Ownership and Performance. Farnham: Ashgate. 244pp. ISBN 978-1- 4724-1756-5 (hbk) View
Lawrence Davies
 
Jazz Research Journal Vol 1 No. 2 (2007) Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” View
Michael W. Morse
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) San Francisco State University's Music Federation: A local jazz cooperative for teachers View
Meredith Morgan Eliassen
 
Equinox eBooks Publishing The History of European Jazz Subject Index View
Francesco Martinelli
 
Jazz Research Journal Vol 9 No. 1 (2015) Bruce Epperson, More Important than the Music: A History of Jazz Discography. Chicago: University of Chicago Press, 2013. xvi + 284 pp. ISBN 978-0-226- 06753-7 (hbk). $45.00 View
Maristella Feustle
 
Equinox eBooks Publishing The History of European Jazz 18. Austria View
Andreas Felber
 
Equinox eBooks Publishing The History of European Jazz 25. Italy View
Francesco Martinelli
 
Jazz Research Journal Vol 4 No. 1 (2010) On jazz, memory and history: A response to Alyn Shipton View
Nicholas Gebhardt
 
Equinox eBooks Publishing The History of European Jazz 32. Turkey View
Hulya Tuncag
 
Equinox eBooks Publishing The History of European Jazz 2a. Great Britain: 1900 - 1960 View
Alyn Shipton
 
Jazz Research Journal Vol 6 No. 2 (2012) Jam sessions in Manhattan as rituals View
Ricardo Nuno Futre Pinheiro
 
Jazz Research Journal Vol 3 No. 2 (2009) Rhizomes and plateaus: Rethinking jazz historiography and the jazz-'classical' relationship View
Jeremy Barham
 
Equinox eBooks Publishing The History of European Jazz 36. Django Reinhardt and jazz manouche View
Michael Dregni
 
Jazz Research Journal Vol 4 No. 2 (2010) Jazz and race in colonial India: The role of Anglo-Indian musicians in the diffusion of jazz in Calcutta View
Stephane Dorin
 
Equinox eBooks Publishing The History of European Jazz 39. Film View
Selwyn Harris
 
Jazz Research Journal Vol 1 No. 2 (2007) David Murray: the making of a progressive musician View
Tim Wall
 
Jazz Research Journal Vol 11 No. 1 (2017) Promotion anxieties: Jazz promoters within the UK scene View
Haftor Medbøe, Zack Moir
 
Equinox eBooks Publishing The History of European Jazz 9a. Sweden: 1919-1969 View
Jan Bruer
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies View
Gabriel Solis
 
Equinox eBooks Publishing The History of European Jazz 3. Ireland View
Cormac Larkin
 
Jazz Research Journal Vol 6 No. 2 (2012) Robert R. Faulkner and Howard S. Becker, Do You Know…? The Jazz Repertoire in Action. Chicago: University of Chicago Press, 2009. 214 pp. ISBN 978-0226239217 (hbk). £18.00. View
Mark Doffman
 
Jazz Research Journal Vol 9 No. 1 (2015) Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization View
Richard Ekins
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) JazzWerkstatt: A young Austrian jazz initiative View
Christa Bruckner-Haring, Michael Kahr
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Review of 'Inside British Jazz' by Hilary Moore View
Peter Martin
 
Jazz Research Journal Vol 8 No. 1-2 (2014) ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals View
Brent Keogh
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Everyday jazz life: A photographic project on contemporary jazz musicians’ lives in Birmingham View
Pedro Cravinho, Brian Homer
 
Jazz Research Journal Vol 6 No. 1 (2012) All the metaphors you are: conceptual mappings of bebop in James Baldwin’s ‘Sonny’s Blues’ and Jack Kerouac’s On the Road View
Julian Levinson
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Common ground: 1970s improvised music as part of a cross-genre Dutch ensemble culture View
Loes Rusch
 
Equinox eBooks Publishing The History of European Jazz 24b. Portugal: 1974-2010 View
Rui Paes
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Lydia in Oz: The reception of George Russell in 1960s Australia View
Pierre-Emmanuel Seguin
 
Popular Music History Vol 4 No. 3 (2009) ‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 View
Alf Arvidsson
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Examining the legend and music of Australian saxophonist, Frank Smith View
Ralph Whiteoak
 
Jazz Research Journal Vol 4 No. 2 (2010) ‘Down with bebop—viva swing!’: Swing Club and the meaning of jazz in late 1940s Estonia View
Heli Reimann
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Extended play: A history of listenings View
Sarah Raine
 
Jazz Research Journal Vol 12 No. 2 (2018) Islay Jazz Festival View
Haftor Medbøe, Diane Maclean
 
Equinox eBooks Publishing The History of European Jazz 38. The Avant- Garde: Black-and-White Atlantic Dialogues, c. 1960s View
Michael Heffley
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Demons of discord down under: ‘Jump Jim Crow’ and ‘Australia’s first jazz band’ View
John Whiteoak
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Rhythm Clubs, record series, and the everyday connoisseurship of ‘hot rhythm’ records in interwar Britain View
Lawrence Davies
 
Perfect Beat Vol 2 No. 3 (1995) AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 View
BRUCE JOHNSON
 
Perfect Beat Vol 15 No. 2 (2014) Heining, Duncan. 2012. Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz, 1960–1975. Sheffield: Equinox. ISBN 978-1-8455-3405-9 (hbk). 486 pp View
Norman Lawrence Meehan
 
Popular Music History Vol 2 No. 2 (2007) Review of The Evolution of Jazz in Britain, 1880-1935 by Catherine Parsonage View
Michael Brocken
 
Jazz Research Journal Vol 12 No. 2 (2018) Jazz’s little brother: The origins of the Spanish blues scene View
Josep Pedro
 
Jazz Research Journal Vol 9 No. 2 (2015) Social constructions of ‘authenticity’ and the sounds of the Kid Thomas Valentine Band: The case of ‘Basin Street Blues’—an approach from sociological musicology and cultural studies View
Richard Ekins
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Shotgun weddings and bohemian dreams: Jazz, family values and storytelling in Australian film View
Christopher Coady
 
Jazz Research Journal Vol 6 No. 1 (2012) Keep up with the changes: online strategies for national jazz agencies View
Andrew Dubber
 
Popular Music History Vol 5 No. 2 (2010) Traditional jazz and the mainstreaming of authenticity: The case of British traddy pop (1959–1963)— a grounded theory approach View
Richard Ekins
 
Popular Music History Vol 8 No. 1 (2013) The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism View
Richard Ekins
 
Jazz Research Journal Vol 8 No. 1-2 (2014) ‘I wouldn’t change skins with anybody’ Dulcie Pitt/Georgia Lee, a pioneering Indigenous Australian jazz, blues and community singer View
Karl Neuenfeldt
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Got a little rhythm? The Australian influence on swing in New Zealand during the 1930s and 1940s View
Aleisha Ward
 
Jazz Research Journal Vol 7 No. 1 (2013) Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century View
Helen Vera Southall
 
Popular Music History Vol 3 No. 1 (2008) Collections at the IPM View
Robert Strachan
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Paulo Moura’s Hepteto and Quarteto: ‘Sambajazz’ as ‘Brazilogical popular instrumental improvised music’ View
Clifford Hill Korman
 
Jazz Research Journal Vol 11 No. 1 (2017) Edward W. Sarath, Improvisation, Creativity, and Consciousness: Jazz as Integral Template for Music, Educa- tion, and Society. Albany, NY: State University of New York Press, 2013. xi + 488 pp. ISBN 978-1-4384-4721-6 (hbk). $95.00/£73.70 View
David Borgo
 
Journal of World Popular Music Vol 7 No. 1 (2020) Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, and the Blues by Vic Hobson. 2014. View
Mathilde Zagala
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 “Free Swing” and the Emergent Neophonic: Forging Progressive Jazz with Stan Kenton in the 1947 Dance Hall View
Ryan Patrick Jones
 
Jazz Research Journal Vol 3 No. 2 (2009) Review of Elijah Wald, How The Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music View
Bruce Johnson
 
Jazz Research Journal Vol 11 No. 1 (2017) Early New Orleans band photography View
Alan John Ainsworth
 
Bulletin for the Study of Religion Vol 45 No. 1 (2016) Thoughts After Reading Spirits Rejoice! Jazz and American Religion: A Review Essay View
Michael Kaler
 
Jazz Research Journal Vol 6 No. 1 (2012) Sam Rivers: jazz’s forgotten man View
John G. Rodwan, Jr.
 
Jazz Research Journal Vol 11 No. 2 (2017) And I think to myself what a wonderful world: In search of Louis Armstrong’s Brussels collage View
Matthias Heyman
 
Jazz Research Journal Vol 8 No. 1-2 (2014) The lost history of jazz on early Australian popular music television View
Liz Giuffre
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Ett minne för livet: A Swedish music collective View
Alf Arvidsson, Jörgen Adolfsson
 
Jazz Research Journal Vol 2 No. 2 (2008) John Coltrane and the integration of Indian concepts in jazz improvisation View
Carl Clements
 
Jazz Research Journal Vol 7 No. 1 (2013) ‘We’ve got a gig in Poland!’: Britain and jazz in World War II View
Will Studdert
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Expressive identity in the voices of three Australian saxophonists: McGann, Sanders and Gorman View
Sandy Evans
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 When bad things happen to great musicians: The role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen View
Morris B. Holbrook
 
Perfect Beat Vol 8 No. 4 (2008) Introduction View
Mark Evans, Denis Crowdy
 
Journal of World Popular Music Vol 4 No. 2 (2017) Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil View
Berenice Corti, Luciana Xavier de Oliveira
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics ‘9-TO-5, WENT TO COLLEGE, NOT 2-NITE HOMEY BLUES’: Jazz and the American mundane in Jean-Michel Basquiat’s writing View
Ellen O'Donoghue Oddy
 
Popular Music History Vol 11 No. 2 (2016) ‘Black Bob’: His B-flat Bombardon and the Yorkshire Jazz Band View
Val Wilmer
 
Jazz Research Journal Vol 12 No. 2 (2018) A drum, deferred: Solomon Ilori in the New York jazz scene, 1958–1964 View
Ofer Gazit
 
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Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Louis Armstrong loves Guy Lombardo! Acknowledging the smoother roots of jazz View
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Journal of Film Music Vol 2 No. 2-4 (2009) Mingus, Cassavetes, and the Birth of a Jazz Cinema View
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Jazz Research Journal Vol 14 No. 1 (2020) The style of Roy Eldridge in 1938: Analytical study through two improvisations on ‘Body and Soul’ View
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Jazz Research Journal Vol 9 No. 2 (2015) Silent revolutions: An exploration of 1941, Jimmie Blanton’s ‘forgotten’ year View
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Jazz Research Journal Vol 6 No. 1 (2012) Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films View
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Equinox eBooks Publishing The History of European Jazz 37. Jews and Jewish Music View
Gabriele Coen
 
Popular Music History Vol 2 No. 2 (2007) Writing jazz biography: race, research and narrative representation View
Tom Perchard
 
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Popular Music History Vol 7 No. 3 (2012) ‘Immersed in the conflict’: Mike Westbrook’s Marching Song (1969) and the landscape and soundscape of war View
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Popular Music History Vol 1 No. 2 (2004) Showgirls and stars: Black-cast revues and female performersin Britain 1903–1939 View
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Popular Music History Vol 4 No. 1 (2009) Gordon Stretton: a study in multiple identities View
Jeff Daniels, Howard Rye
 
Perfect Beat Vol 14 No. 1 (2013) The Necks at 25: a changing same? View
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Jazz Research Journal Vol 11 No. 2 (2017) Photographic representations of jazz: Testimonial advertising in Down Beat, 1938–48 View
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Journal of World Popular Music Vol 3 No. 1 (2016) Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) View
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Jazz Research Journal Vol 11 No. 2 (2017) Lester Leaps In: The improvisational devices of Lester Young View
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Equinox eBooks Publishing The History of European Jazz 35. Early African American Entertainers View
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Perfect Beat Vol 8 No. 4 (2008) Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press View
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Jazz Research Journal Vol 3 No. 1 (2009) Sampling Kimberly Benston's 'Coltrane Poem' View
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Journal of World Popular Music Vol 3 No. 1 (2016) Editor's Introduction View
Simone Krüger, Sarah Baker
 
Popular Music History Vol 3 No. 3 (2008) The Archive of Contemporary Music, New York View
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Jazz Research Journal Vol 2 No. 2 (2008) John Coltrane as a composer View
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Journal of World Popular Music Vol 1 No. 1 (2014) Steven Feld. 2012. Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham and London: Duke University Press. 328 pp. ISBN 978-0-8223-5162-7 (pbk) View
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Jazz Research Journal Vol 3 No. 1 (2009) The Dilemmas of African-American Orientalism: Coltrane and the Hispanic Imaginary in ‘Olé’ View
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Jazz Research Journal Vol 9 No. 2 (2015) 1939 Ferriday archtop: A dream guitar View
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Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics ‘What to do over the week-end’: Towards an understanding of distraction, advertising and newspaper coverage of the Kansas City jazz scene in the 1930s View
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Perfect Beat Vol 18 No. 1 (2017) An interview with Jonathan Crayford View
Norman Lawrence Meehan
 
Jazz Research Journal Vol 7 No. 1 (2013) The ‘grave disease’: interwar British writers look at ragtime and jazz View
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Journal of Film Music Vol 7 No. 2 (2014) Swiss Film Music: Anthology 1923–2012 View
Michael Baumgartner
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Black, Brown and Beige and the politics of Signifyin(g): Towards a critical understanding of DukeEllington View
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Popular Music History Vol 1 No. 2 (2004) Was it really like that?: ‘Rock Island Line’ and the instabilities of causational popular music histories View
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Perfect Beat Vol 11 No. 1 (2010) Lipsitz, George. 2007. Footsteps in the Dark: The Hidden Histories of Popular Music. View
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Jazz Research Journal Vol 3 No. 2 (2009) Review of Robin D. G. Kelley, Thelonious Monk: The Life and Times of an American Original View
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Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television View
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ANDREW MURPHIE
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Christian Scott aTunde Adjuah’s critique of the Danziger Bridge shootings View
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Perfect Beat Vol 8 No. 4 (2008) Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books View
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Popular Music History Vol 3 No. 2 (2008) Rock around the clock: The record, the film, and the last historic dance revolt View
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Popular Music History Vol 9 No. 2 (2014) Resource Notes View
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Journal of World Popular Music Vol 1 No. 1 (2014) Bob W. White, ed. 2012. Music and Globalization: Critical Encounters. Bloomington and Indianapolis: Indiana University Press. 248 pp. ISBN 978-0-253-22365-4 (pbk). View
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Popular Music History Vol 1 No. 1 (2004) "Sing Me a Song of Araby" and "My Blue Heaven": New Folksong, Hybridization and the Expansion of the Japanese Recording Industry in the Late 1920s View
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Perfect Beat Vol 10 No. 2 (2009) Homan, Shane, and Tony Mitchell, eds. 2008. Sounds of Then, Sounds of Now: Popular Music in Australia. Hobart: ACYS. ISBN 978-1-875236-60-2 (hbk). 295 pp View
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Popular Music History Vol 7 No. 3 (2012) Peter Tschmuck, Creativity and Innovation in the Music Industry (revised edition). Berlin: Springer, 2012. 303 pp. ISBN 978-3-642-28429-8. £117 (hbk), £36.60 (pbk, first German edition). View
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Perfect Beat Vol 2 No. 3 (1995) Traffic -An Introduction View
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Equinox eBooks Publishing The Singing Voice in Contemporary Cinema The Female Singing Voice: Gospel, Blues, Epic Stories and Animation View
Anne Power
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies A Note on Commercial Recordings of Herrmann's "Jennie's Song" from Portrait of Jennie View
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Journal for the Academic Study of Religion Vol 29 No. 3 (2016) Monique Ingalls, Carolyn Landau and Tom Wagner (eds.), Christian Congregational Music: Performance, Identity and Experience. Surrey: Ashgate, 2013, pp. xiii + 228, ISBN: 978-1-4094-6602-4 (hbk). View
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Perfect Beat Vol 18 No. 1 (2017) Editorial Introduction View
Oli Wilson
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Listening again to popular music as history View
Paul Leslie Long, Nicholas Gebhardt
 
Perfect Beat Vol 2 No. 4 (1996) THE AMBONESE CONNECTION Lou Casch, Johnny O'Keefe and the Development of Australian Rock and Roll View
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Popular Music History Vol 9 No. 3 (2014) Searching for the first bass drum pedal: Rock harmonicas to Viennese pianos View
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Journal of Film Music Vol 5 No. 1-2 (2012) Music Cue Archetypes in the Film Scores of Elmer Bernstein View
Donald C Meyer
 
Popular Music History Vol 2 No. 2 (2007) Historiography and Complexities: Why is music ‘National’? View
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Journal of Film Music Vol 2 No. 2-4 (2009) Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood View
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Popular Music History Vol 3 No. 3 (2008) Improvised performance in World Music: Finding the violin in unexpected places View
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Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics ‘Mississippi, My Home’: Songwriting, identity and everyday aesthetics in the African-American tradition View
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Popular Music History Vol 8 No. 3 (2013) How English became the language of pop in Denmark View
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MICHAEL WEBB
 
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Dave Laing
 
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Marion Leonard, Robert Knifton
 
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PETER DUNBAR HALL
 
Perfect Beat Vol 2 No. 2 (1995) It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso View
IAN MAXWELL
 
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BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 2 (1995) Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 2 (1995) From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney View
TOM BURVILL
 
Perfect Beat Vol 2 No. 2 (1995) Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus View
MICHAEL FLINT
 
Popular Music History Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation Scene and heard: Collecting the Dunedin Sound View
Amanda Patricia Mills
 
Perfect Beat Vol 15 No. 1 (2014) Introduction View
Mark Evans, Denis Crowdy
 
Perfect Beat Vol 1 No. 2 (1993) JAWAIIAN AND LOCAL CULTURAL IDENTITY IN HAWAI'I View
Andrew N. Weintraub
 
Journal of World Popular Music Vol 4 No. 1 (2017) Interview with Antti-Ville Kärjä from Music Archive Finland View
Raphaël Nowak
 
Popular Music History Vol 10 No. 3 (2015) ‘How Belfast got the blues’: Towards an alternative history View
Noel McLaughlin, Joanna Braniff
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 The record and its label: Identifying, marketing, dividing, collecting View
Richard Osborne
 
Popular Music History Vol 13 No. 3 (2020) A sonic step closer: Master-tape preservation at the Alexander Turnbull Library View
Michael Brown
 
Perfect Beat Vol 4 No. 3 (1999) FLYING SAUCER ROCK AND ROLL The Australian press confronts early rock and roll View
PETER DOYLE
 
Perfect Beat Vol 1 No. 3 (1993) Dean, R. (1992) New Structures in Jazz and Improvised Music Since 1960, Milton Keynes (UK): Open University Press. View
Theo Van Leeuwen
 
Perfect Beat Vol 1 No. 3 (1993) Jordan, Sand Allen, D (eds) Parallel Lines - Media Representations of Dance, London: John Libbey/ Arts Council of Great Britain View
Philip Hayward
 
Perfect Beat Vol 1 No. 3 (1993) Heylin, C. (1993) From the Velvets to the Voidoids: A PrePunk History for a Post-Punk World, Harrnonsworth: Penguin Books View
Tim Sowden
 
Perfect Beat Vol 1 No. 3 (1993) Hutchison, T. (1992) Your Name's on the Door; 10 Years of Australian Music, Sydney: ABC Enterprises View
Andrew Murphie
 
Perfect Beat Vol 1 No. 3 (1993) Rucker, R., R.U. Sirius & Queen Mu (eds) (1992) MONDO 2000: A User's Guide to the New Edge, New York: Harper & Collins View
Mark Brown
 
Perfect Beat Vol 15 No. 2 (2014) No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 View
Andrew Wright Hurley
 
Perfect Beat Vol 19 No. 2 (2018) An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology View
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Journal of World Popular Music Vol 2 No. 2 (2015) World Music, World Circuit: In Conversation with Nick Gold View
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Popular Music History Vol 5 No. 1 (2010) John Szwed. The Man who Recorded the World: A Biography of Alan Lomax. London: William Heinemann, 2010. 438 pp. ISBN 9780434012329. £20.00. View
Dave Laing
 
Journal of Film Music Vol 2 No. 2-4 (2009) Charles Leinberger. Ennio Morricone’s “The Good, the Bad and the Ugly”: A Film Score Guide Lanham, Md.: Scarecrow, 2004. [xviii, 137 p. ISBN: 0810851326. $27.95. Scarecrow Film Score Guides, no. 3. Music examples, filmography, bibliography, index. View
Lori Stevens
 
Perfect Beat Vol 11 No. 1 (2010) O’Flynn, John. 2009. The Irishness of Irish Music. Hampshire: Ashgate. ISBN 978-0- View
Helen O'Shea
 
Perfect Beat Vol 16 No. 1-2 (2015) Elliott, Richard. 2013. Nina Simone. Icons of Pop Music series. Sheffield: Equinox Publishing. ISBN 978-184553-988-7 (pbk). 168 pp View
Diane Hughes
 
Perfect Beat Vol 8 No. 3 (2007) Kahn-Harris, K (2006) Extreme Metal: Music and Culture on the Edge, Oxford: Berg View
MICHELLE PHILLIPOV
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Amadeus Stevens: Early Years and Family History View
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Arlene Macdonald
 
Journal of World Popular Music Vol 7 No. 1 (2020) Editors’ Introduction View
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Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Pompey Pop: A case study of a local music archive View
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Perfect Beat Vol 4 No. 1 (1998) GLOBAL PERSPECTIVES View
WILL STRAW
 
Perfect Beat Vol 4 No. 1 (1998) MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones View
CORALIE JOYCE
 
Perfect Beat Vol 4 No. 1 (1998) THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan View
FRED COLE, MICHAEL HANNAN
 
Popular Music History Vol 9 No. 3 (2014) Reviews in brief View
Dave Laing
 
Journal of Film Music Vol 7 No. 2 (2014) Danielle Birkett and Dominic McHugh, eds., Adapting the Wizard of Oz: Musical Versions from Baum to MGM and Beyond View
Megan Woller
 
Popular Music History Vol 1 No. 1 (2004) A Question of Standards: "My Funny Valentine" and Musical Intertextuality View
Alan Stanbridge
 
Popular Music History Vol 4 No. 3 (2009) Michael Brocken, Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s–1970s and Marion Leonard and Robert Strachan, eds, The Beat Goes On: Liverpool, Popular Music and the Changing City View
James McGrath
 
Journal of Film Music Vol 4 No. 2 (2011) Bruce Johnson, ed. Earogenous Zones: Sound, Sexuality, and Cinema View
Tony Fonseca
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The meaning of the music venue: Historicizing the Click Club View
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Popular Music History Vol 10 No. 2 (2015) The heritage obsession: The history of rock and challenges of ‘museum mummification’: A French perspective View
Philippe Le Guern
 
Popular Music History Vol 3 No. 3 (2008) Ghana and the World Music Boom View
John Collins
 
Journal of World Popular Music Vol 3 No. 1 (2016) Gender, Popular Music and Australian Identity: Introduction to Special Issue View
Catherine Strong
 
Popular Music History Vol 4 No. 2 (2009) Street ballets in magic cities: cultural imaginings of the modern American metropolis View
Tadhg O'Keeffe
 
Journal of Film Music Vol 4 No. 1 (2011) Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. View
James Wierzbicki
 
Journal of World Popular Music Vol 1 No. 1 (2014) Editors’ Introduction to Inaugural Issue View
Simone Krüger, Sarah Baker
 
Journal of World Popular Music Vol 2 No. 2 (2015) Marley. 2012. Directed by Kevin MacDonald. Universal Pictures. DVD View
Paul Long
 
Popular Music History Vol 3 No. 1 (2008) The origins and development of The Institute of Popular Music: An interview View
Dave Horn
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Michael Lasser, City Songs and American Life, 1900–1950 View
Arno van der Hoeven
 
Perfect Beat Vol 3 No. 4 (1998) CREATIVITY AND INDEPENDENCE Sanguma, Music Education and the development of the PNG Contemporary style View
DENNIS CROWDY
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Sara Cohen, Robert Knifton, Marion Leonard and Les Roberts, eds. 2015. Sites of Popular Music Heritage: Memories, Histories, Places. New York and London: Routledge. 267pp. ISBN 978-0-41582-4-507 (hbk) View
Antti-Ville Kärjä
 
Popular Music History Vol 1 No. 3 (2004) Taste-making and trend-spotting: the folk revival journalism of Robert Shelton View
David Laing
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Buildings matter: The recycling of Liverpool’s Whitechapel and the Casbah View
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Popular Music History Vol 11 No. 3 (2018) Following better things: Grammar schools, religion and English rock music in the early 1970s View
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Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s The Industrial Soundscape between Fiction and Documentary Film in Italy’s Long 1960s View
Alessandro Cecchi
 
Popular Music History Vol 2 No. 2 (2007) Constructing histories through material culture: Popular Music, Museums and Collecting View
Marion Leonard
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book View
Eric Hung
 
Perfect Beat Vol 2 No. 1 (1994) Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. View
JULIA KNIGHT
 
Perfect Beat Vol 2 No. 1 (1994) Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 1 (1994) Carlo Branzaglia, Pierfrancesco Pacoda and Alba Solaro (1992) Posse ita/iane: centri sociali, unde rgrowid musicale e cultura giovanile degli anni '90 in Italia View
TONY MITCHELL
 
Perfect Beat Vol 2 No. 1 (1994) Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 1 (1994) Gray, A and McGuigan, J (eds) (1993) Studying Culture- an introductory reader, London: Edward Arnold. View
COLIN MCLEAY
 
Perfect Beat Vol 2 No. 1 (1994) Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press View
KEITH NEGUS
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema From Despicable to Happy: Animated Vocality in the Evolution of Felonius Gru View
Veronica Stewart, Diane Hughes
 
Jazz Research Journal Vol 3 No. 1 (2009) John Coltrane and the “replacement child” syndrome View
Bertrand Lauer
 
Popular Music History Vol 1 No. 1 (2004) History beings yesterday View
Paul Oliver
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema The Singing Voice in Contemporary Cinema View
Diane Hughes, Mark Evans
 
Perfect Beat Vol 2 No. 4 (1996) DIRECTIONS IN POPULAR MUSIC STUDIES View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 4 (1996) AMERICAN COUNTRY: POETS AND PICKERS AT THE HEART OF LONELY View
GEORGE H. LEWIS
 
Perfect Beat Vol 20 No. 2 (2020) Special Issue: Music and Politics Resist or perish! Understanding the mode of resistance among young DIY Indonesian musicians View
Oki Rahadianto Sutopo, Gregorius Ragil Wibawanto, Agustinus Aryo Lukisworo
 
Perfect Beat Vol 14 No. 2 (2013) Music festivals and regional development policy: towards a festival ecology View
Chris Gibson
 
Journal of World Popular Music Vol 6 No. 2 (2019) Currents and Contradictions in the Ethnomusicology of Popular Music View
Harris M. Berger
 
Journal of World Popular Music Vol 6 No. 1 (2019) From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local View
Wonderful Godwin Bere
 
Journal of World Popular Music Vol 4 No. 1 (2017) Website Review: Afropop Worldwide: http://www.afropop.org Electric Jive: http://electricjive.blogspot.co.uk View
Jez Collins
 
Journal of Film Music Vol 1 No. 1 (2002) Film Music---What's in a Name? View
William H. Rosar
 
Popular Music History Vol 9 No. 2 (2014) To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ View
Kathryn Hill
 
Perfect Beat Vol 1 No. 2 (1993) THREE DECADES OF AUSTRALIAN POPULAR MUSIC View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. View
Tony Mitchell
 
Perfect Beat Vol 1 No. 2 (1993) Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin View
Marcus Breen
 
Perfect Beat Vol 1 No. 2 (1993) Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP View
Roderick Nielsen
 
Perfect Beat Vol 1 No. 2 (1993) Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. View
Carolyn Craig
 
Journal of World Popular Music Vol 4 No. 2 (2017) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak
 
Popular Music History Vol 11 No. 2 (2016) Review article View
Dave Laing
 
Perfect Beat Vol 4 No. 4 (2000) BLURRING BOUNDARIES BETWEEN RESTRICTED AND UNRESTRICTED PERFORMANCE A Case Study of the Ngadirdji of Yanyuwa Women in Borroloola View
ELIZABETH MACKINLAY
 
Journal of Film Music Vol 2 No. 2-4 (2009) Philip Hayward, ed. Off the Planet: Music, Sound, and Science Fiction Cinema Eastleigh, Eng.: John Libbey Publishing, 2004. [vii, 214 p. ISBN: 0861966449. $24.95 (trade paper)] Music examples, bibliography, index. View
Kendra Preston Leonard
 
Perfect Beat Vol 15 No. 2 (2014) ‘Lookin, searchin, seekin, findin’: A new beat View
Shelley Brunt, Oli Wilson, Catherine Strong
 
Perfect Beat Vol 1 No. 1 (1992) TEETH-GRITTED HARMONIES Music programming and policy on Australian public radio- a case study of four Sydney stations View
KATRINA McMANUS
 
Popular Music History Vol 2 No. 2 (2007) Allusion and Influence in Elvis Costello View
Dai Griffiths
 
Journal of World Popular Music Vol 3 No. 1 (2016) Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television View
Liz Giuffre
 
Journal of World Popular Music Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space Making Music from Below in a Southern Italian Metropolis: The Neapolitan Music Scene between Commons, Latin American Rhythms, Sound Systems and Self-Produced Festivals View
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Popular Music History Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation Continuity and change in popular music curation: Exhibiting the musical past in Liverpool View
Sara Cohen
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Introduction to the special issue: Lost musical histories—Curating and documenting local popular music-making in the UK View
Paul Carr
 
Journal of World Popular Music Vol 1 No. 2 (2014) Ruth Hellier, ed. 2013. Women Singers in Global Contexts: Music, Biography, Identity. Champaign, IL: University of Illinois Press. 264pp. ISBN 978-0-2520-37245 (pbk) View
Sheila Whiteley
 
Popular Music History Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation Pick out the jams: Curation and independent record shops View
Lee Ann Fullington
 
Popular Music History Vol 4 No. 2 (2009) ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* View
Justin A. Williams
 
Perfect Beat Vol 2 No. 2 (1995) ALOHA AUSTRALIA Hawaiian Music in Australia (1920-55) View
JACKEY COYLE, REBECCA COYLE
 
Perfect Beat Vol 2 No. 3 (1995) NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene View
TONY MITCHELL
 
Journal of Film Music Vol 1 No. 1 (2002) Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] View
Linda Schubert
 
Perfect Beat Vol 1 No. 2 (1993) BLACK ROCK AND BROOME: MUSICAL AND CULTURAL SPECIFICITIES View
Chris Lawe Davies
 
Journal of World Popular Music Vol 2 No. 1 (2015) Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) View
Duncan Wheeler
 
Journal of World Popular Music Vol 3 No. 2 (2016) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker
 
Popular Music History Vol 9 No. 3 (2014) Keeping themselves alive: Identifying and analysing Queen’s musical development, 1973–1980 View
Nick Braae
 
Journal of World Popular Music Vol 3 No. 2 (2016) Voodoo Threads: The Cultural Trajectory of Dr. John’s ‘I Walk on Gilded Splinters’ View
Philip Hayward, Matt Hill
 
Journal for Research into Freemasonry and Fraternalism Vol 5 No. 2 (2014) ‘The Gilded Age of Fraternalism’: Brotherhood and Modernism in 1920s America View
Miguel Hernandez
 
Popular Music History Vol 4 No. 2 (2009) Low-frequency noise and urban space View
Bruce Johnson
 
Journal of Film Music Vol 4 No. 2 (2011) Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* View
Sarah Reichardt Ellis
 
Journal of Film Music Vol 4 No. 2 (2011) Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* View
Jörg Jewanski
 
Perfect Beat Vol 1 No. 1 (1992) WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA View
Tony Mitchell
 
Perfect Beat Vol 12 No. 1 (2011) Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study View
Manolete Mora
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Andy Bennett and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. 664pp. ISBN 978-1-44621-0-857 (hbk) View
Lauren Istvandity
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Archival Activism: Deciphering State-Sanctioned Histories and Reporting of Canadian Hip Hop View
Mark V. Campbell, Maya Stitski
 
Perfect Beat Vol 3 No. 2 (1997) DISPLACED ACAPPELLA The Bulgarian Choral Tradition and Sydney's Martenitsa Choir View
ALEX GIBB, MEAGAN LOADER
 
Perfect Beat Vol 19 No. 1 (2018) Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] View
Brent Keogh
 
Journal of Film Music Vol 6 No. 2 (2013) The Barry Gray Archive View
François Evans
 
Popular Music History Vol 4 No. 1 (2009) Discovering authenticity? Harry Smith's Anthology of American Folk Music View
Rory Crutchfield
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Setting the Tone of the Southern Question: Music and/as Fatalism in Italian Cinema of the Economic Miracle View
Maurizio Corbella
 
Journal of Film Music Vol 2 No. 2-4 (2009) The Great Crossing: Nostalgia and Manifest Destiny in Aaron Copland’s The Red Pony View
Beth E. Levy
 
Popular Music History Vol 1 No. 1 (2004) Histories and complexities: Popular Music History Writing and Danish Rock View
Morten Michelsen
 
Perfect Beat Vol 11 No. 2 (2010) Governmental as anything: live music and law and order in Melbourne View
Shane Homan
 
Perfect Beat Vol 4 No. 3 (1999) GUMLEAF PLAYING COMPETITIONS Aboriginal and Non-Aboriginal Performance Styles and Socio-Cultural Contexts View
ROBIN RYAN
 
Popular Music History Vol 3 No. 3 (2008) World Music and the global music industry View
Dave Laing
 
Popular Music History Vol 8 No. 2 (2013) What’s in a name? Dylan Thomas and Bob Dylan View
David Boucher
 
Journal of World Popular Music Vol 7 No. 1 (2020) Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão) View
Colin Harte
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music From South to East: Exoticism in Polish popular music of the state socialist period View
Ewa Mazierska
 
PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements Vol 16 No. 2 (2017) Pentecostalism as Cultural Resistance: Music and Tongue-speaking as Collective Response in a Brooklyn Church View
Peter Marina, Michael Wilkinson
 
Perfect Beat Vol 18 No. 2 (2017) In Melbourne tonight: Pop/rock histories and futures View
Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu View
Timothy Koozin
 
Perfect Beat Vol 4 No. 4 (2000) WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries View
MASAHIRO YASUDA
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Infusing Modern Subjectivity into a Premodern Narrative Form: Masahiro Shinoda and Toru Takemitsu’s Collaboration in Double Suicide (1968) View
Yayoi Uno Everett
 
Journal of Film Music Vol 6 No. 2 (2013) Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops View
Emilio Audissino
 
CALICO Journal Vol 4 No. 1 (1986) New Ideas in Software Development for Linguistics and Language Learning View
Vance Stevens, Steve Spurling, Don Loritz, Roger Kenner, John Esling, Moya Brennan
 
CALICO Journal Vol 2 No. 1 (1984) FOREIGN-LANGUAGE SOFTWARE: THE STATE OF THE ART or PICK A CARD, ANY (FLASH) CARD View
Robert L. Baker
 
Journal of Contemporary Archaeology Vol 7 No. 1 (2020) “To Thee Do We Send Up Our Sighs”: Documenting Twentieth-Century Marian Shrines in the Republic of Ireland View
Eve Campbell
 
Perfect Beat Vol 3 No. 3 (1997) ORIENTAL EXOTICISM IN 1920s AUSTRALIAN POPULAR MUSIC View
ALINE SCOTT-MAXWELL
 
Perfect Beat Vol 3 No. 2 (1997) AUSTRALIA'S NATIONAL INSTRUMENT? View
BRUCE JOHNSON
 
Perfect Beat Vol 3 No. 2 (1997) BACK EAST - The Blue Diamonds' Indonesian Tours View
LUTGARD MUTSAERS
 
Perfect Beat Vol 3 No. 2 (1997) UKULELES, GUITARS OR GUMLEAVES? Hula Dancing and Southeastern Australian Aboriginal Performers in the 1920s and 1930s View
ROBIN RYAN
 
Equinox eBooks Publishing Ritual and Democracy Index View
Sarah Pike, Jone Salomonsen, Paul-Francois Tremlett
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music From locality to translocality and cosmopolitanism: The rise of the Debrecen alternative–DIY scene View
Zsolt Győri
 
Journal of World Popular Music Vol 2 No. 1 (2015) Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) View
Yona Stamatis
 
Popular Music History Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation Right time, right place: The British Library’s Punk 1976–78 exhibition View
J. Mark Percival
 
Journal of Contemporary Archaeology Vol 6 No. 2 (2019) Archaeology, Heritage and Performance in the Perth Popular Music Scene View
Sean Winter, B'geella Romano
 
Popular Music History Vol 10 No. 1 (2015) The contrasting soundscapes of Hull and London in David Bowie’s Ziggy Stardust and the Spiders from Mars View
Peter Atkinson
 
Journal of World Popular Music Vol 6 No. 1 (2019) Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics View
Samuel Horlor
 
Perfect Beat Vol 1 No. 3 (1993) SMASHING THE SILENCE A review of With Open Eyes - The First National Aboriginal and Torres Strait Islander Contemporary Women's Music Festival View
Jilli Streit-Warburton
 
Journal of Contemporary Archaeology Vol 1 No. 2 (2014) Thresholds: Gateways to the Nuclear Imagination View
Gair Dunlop
 
Journal of Film Music Vol 5 No. 1-2 (2012) Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda View
William H. Rosar
 
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 3 No. 2-3 (2007) Passover Plots: From Modern Fictions to Mark and Back Again View
Richard G Walsh
 
Perfect Beat Vol 3 No. 2 (1997) INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA View
DAVID GOLDSWORTHY
 
Popular Music History Vol 1 No. 1 (2004) Popular Music and Historiography View
Charles Hamm
 
Perfect Beat Vol 10 No. 2 (2009) Introduction: Something in the Water View
Denis Crowdy, Mark Evans
 
Perfect Beat Vol 8 No. 3 (2007) AOTEAROA SONGLINES View
TONY MITCHELL
 
Journal of World Popular Music Vol 2 No. 1 (2015) Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]. http://www.streektaalzang.nl View
Arno van der Hoeven
 
Perfect Beat Vol 10 No. 1 (2009) Television special Make ’em laugh, make ’em cry: The use of production music in Australian reality television series Nerds FC View
Jon Fitzgerald
 
Perfect Beat Vol 17 No. 1 (2016) Robin Ryan in conversation with Mark Cain: Kernels of Discovery: Original musical instruments and acoustic sound designs View
Robin Ann Ryan, Mark Bradley Cain
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Are We All Archaeologists Now? View
Cornelius Holtorf
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) On the Ontology of Archaeology View
Lawrence E. Moore
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) “Are We There Yet?” The challenge of Public Engagement with Australia’s Indigenous Past and its Implications for Reconciliation View
Stephen Muller
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Archaeology: A Treatment View
Jonathan Walz
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Everything is Everything View
Alessandro Zambelli
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Is Digging Straight Walls and Playing in Tune What It’s All About? View
Jacob Lawson
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Bastard Design Practices: An Archaeological Perspective View
James Dyer
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Archaeology in the Era of Capitalism View
Selma Faria
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Journeys in the City: Homeless Archaeologists or Archaeologies of Homelessness View
Rachael Kiddey, Andrew Daffnis, Jane Hallam, Mats Brate
 
Perfect Beat Vol 18 No. 2 (2017) Playing bluegrass in Australia across country and folk scenes View
Miriam Amy Jones
 
Journal of Film Music Vol 1 No. 1 (2002) Music in Films: A Critical Review of Literature, 1980-1996 View
Robynn J. Stilwell
 
Popular Music History Vol 4 No. 1 (2009) Historical approaches to Merseybeat: delivery, affinity and diversity View
Ian Inglis
 
Popular Music History Vol 4 No. 2 (2009) Gigographies: where popular musicians play View
Dave Laing
 
Popular Music History Vol 10 No. 1 (2015) Manpool, the musical: Harmony and counterpoint on the Lancashire Plain View
Richard Witts
 
Perfect Beat Vol 15 No. 2 (2014) All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett View
Catherine Strong
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The lost musical histories of Merthyr Tydfil View
Paul Carr
 
Journal of Film Music Vol 2 No. 1 (2007) “He Could’ve Been a Contender”: Thematic Integration in Leonard Bernstein’s Score for On The Waterfront (1954) View
Anthony Bushard
 
Perfect Beat Vol 4 No. 4 (2000) HULA HALAU IN TOKYO A Case Study of Hula Schools View
YOKO KUROKAWA
 
Journal of World Popular Music Vol 4 No. 2 (2017) Pop-Rock as Musical Cosmopolitanism View
Motti Regev
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Guest Editorial View
Alessandro Cecchi, Maurizio Corbella
 
Perfect Beat Vol 4 No. 1 (1998) AFTER THE LAW Sydney's Phoenician Club, the New South Wales Premier and the death of Anna Wood View
SHANE HOMAN
 
Journal of World Popular Music Vol 1 No. 1 (2014) Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course View
Andrew Killick
 
Equinox eBooks Publishing The Beatles Time and Place View
Ian Inglis
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Black metal: Stone Vengeance sing the thrash metal blues View
Kevin Fellezs
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Film Scoring: The UCLA Lectures† Edited and annotated by Mark Brill. View
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Perfect Beat Vol 1 No. 4 (1994) FLYING IN THE FACE OF FASHION: Independent Music in New Zealand View
Tony Mitchell
 
Popular Music History Vol 4 No. 3 (2009) The end of the revival: the folk aesthetic and its ‘mutation’ View
Allan Moore
 
Essays in the Philosophy of Humanism Vol 21 No. 2 (2013) Moral Choices in a Random Universe View
Paul Kurtz
 
Perfect Beat Vol 12 No. 1 (2011) Malaysian composers, geopolitical spaces and cultural difference View
Jonas Ureta Baes
 
Perfect Beat Vol 8 No. 3 (2007) GORE GOLD GUITARS The Place of Country in New Zealand View
DAN BENDRUPS, HENRY JOHNSON
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Hellfest: The thing that should not be? Local perceptions and Catholic discourses on metal culture in France View
Gérôme Guibert, Jedediah Sklower
 
Popular Music History Vol 7 No. 3 (2012) Needle Time: The BBC, the Musicians’ Union, popular music, and the reform of radio in the 1960s. View
Richard Witts
 
Perfect Beat Vol 8 No. 4 (2008) WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia View
MARTIN CLOONAN
 
Journal of World Popular Music Vol 2 No. 2 (2015) Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) View
Tony Mitchell
 
Popular Music History Vol 10 No. 3 (2015) ‘Only one can rule the night’: Fairs and music in post-1945 Britain View
Ian Trowell
 
Perfect Beat Vol 20 No. 1 (2019) ‘Nonagon infinity opens the door!’: Formation of a cross-album concept through motivic interrelation in the music of King Gizzard and the Lizard Wizard View
Paul Ballam-Cross
 
Journal of World Popular Music Vol 6 No. 2 (2019) Keynote: Party Music, Affect and the Politics of Modernity View
Jocelyne Guilbault
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) ‘On the programme tonight’: The Old Grey Whistle Test as tastemaker for British AOR audiences in the early 1970s View
Andy Bennett
 
Perfect Beat Vol 10 No. 2 (2009) Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand View
Tony Mitchell
 
Journal of World Popular Music Vol 4 No. 1 (2017) Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright View
Caspar Melville
 
Perfect Beat Vol 2 No. 4 (1996) DOWN INTO THE FIRE A Case Study of a Popular Music Recording Session View
JON FITZGERALD
 
Popular Music History Vol 4 No. 1 (2009) Scottish indie music and BBC radio’s Beat Patrol (1995–2000) View
J. Mark Percival
 
Popular Music History Vol 7 No. 1 (2012) A cool reception to the American Beat: The Fleshtones in Britain, 1981–83 View
Philip Kiszely
 
Popular Music History Vol 8 No. 2 (2013) Bob Dylan and Allen Ginsberg: at Kerouac’s grave, and beyond View
Daniel Karlin
 
Perfect Beat Vol 10 No. 1 (2009) Television special Maintaining Rage: Counting down without a host for over 20 years View
Liz Giuffre
 
Perfect Beat Vol 9 No. 1 (2008) BRIAN POOLE AND THE TREMELOES OR THE YARDBIRDS Comparing popular music in Perth and Adelaide in the early 1960s View
JON STRATTON
 
Popular Music History Vol 1 No. 3 (2004) What story should a history of popular music tell? View
Allan Moore
 
Journal for Research into Freemasonry and Fraternalism Vol 5 No. 2 (2014) Report of the Doctoral Students Study Day on Freemasonry and Fraternalism, UCL Institute of Archaeology, London View
Andrew Pink
 
Perfect Beat Vol 1 No. 3 (1993) AFTER THE RECORD The Tabaran Documentary, Papua New Guinea and InterCultural Relation View
Philip Hayward
 
Perfect Beat Vol 2 No. 2 (1995) PACIFIC ISLANDER RADIO AND MUSIC IN AUCKLAND View
MARK DERBY, HELEN WILSON
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) These Gods Got Swagger: Avatars, Gameplay, and the Digital Performance of Hip Hop Culture in Machinima View
Elonda Clay
 
Equinox eBooks Publishing The Beatles Index View
Ian Inglis
 
Journal of Film Music Vol 5 No. 1-2 (2012) Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema View
Tobias Plebuch
 
PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements Vol 11 No. 1 (2012) Exemplars of Godly Justice: Peacemaking and Justice Seeking in Dangerous Contexts View
Robert Welsh, Paul Alexander
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Towards a Hip Hop Pedagogy of Discomfort View
Darren Chetty, Patrick Turner
 
Communication & Medicine Vol 14 No. 3 (2017) Escalating the positive in antenatal consultations: Midwife support in (inter)action View
Eleni Petraki, Shannon Clark
 
Perfect Beat Vol 3 No. 4 (1998) DOMESTIC EXOTICISM A recent trend in Japanese popular music View
TORU MITSUI
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) 'I want you to support local metal': A theory of metal scene formation View
Jeremy Wallach, Alexandra Levine
 
Journal of World Popular Music Vol 2 No. 1 (2015) World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices View
Diane Hughes, Sarah Keith
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Music, poetry, and the politics of identity in Réunion Island: an historical overview View
Guillaume Samson, Shawn Pitre
 
Popular Music History Vol 2 No. 1 (2007) April 2007 BBC rock music programming on radio and television and the progressive rock audience, 1967–1973 View
David Simonelli
 
Perfect Beat Vol 10 No. 2 (2009) Imagining Okinawa: Japanese pop musicians and Okinawan music View
Matt Gillan
 
Perfect Beat Vol 1 No. 1 (1992) SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: View
Philip Hayward, Rachael Privett
 
Perfect Beat Vol 2 No. 3 (1995) A MOUSE, A FROG, THE HAWAIIAN GUITAR AND WORLD MUSIC AESTHETICS Vishwa Mohan Bhatt and Ry Cooder Meet by the River View
ADRIAN MCNEIL
 
Essays in the Philosophy of Humanism Vol 23 No. 1 (2015) Morality Without God View
Alan Mandelberg
 
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