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Journal | Issue | Title | |
Jazz Research Journal | Vol 12 No. 2 (2018) | Islay Jazz Festival | View |
Haftor Medbøe, Diane Maclean | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals | View |
Brent Keogh | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Perspectives on the Melbourne International Women's Jazz Festival | View |
Louise Denson | |||
Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Failure to fuse: The jazz-rock culture war at the 1969 Newport Jazz Festival | View |
Matt Brennan | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | ‘They’ve really gone to town with all that bunting’: the influence and (in)visibility of Glasgow’s Jazz Festival | View |
Alison Caroline Eales | |||
Jazz Research Journal | Vol 9 No. 2 (2015) | The impact of (jazz) festivals: An Arts and Humanities Research Council-funded research report | View |
Emma Webster, George McKay | |||
Equinox eBooks Publishing | The History of European Jazz | 40. Festivals | View |
George McKay | |||
Equinox eBooks Publishing | The History of European Jazz | 28. Estonia | View |
Tiit Lauk | |||
Equinox eBooks Publishing | The History of European Jazz | 19. Switzerland | View |
Bruno Spoerri | |||
Equinox eBooks Publishing | The History of European Jazz | 22. Ukraine | View |
Alexander Yudin | |||
Equinox eBooks Publishing | The History of European Jazz | 27. Lithuania | View |
Ruta Skudiene | |||
Equinox eBooks Publishing | Mosaics | Down another Road | View |
Duncan Heining | |||
Equinox eBooks Publishing | The History of European Jazz | 30. Former Yugoslavia (including Croatia, Slovenia, Serbia, Macedonia, Bosnia and Herzegovina, Montenegro, Vojvodina and Kosovo) | View |
Mike Mazur, Iço Vidmar, Eleni Novakovska, Edin Zubčević | |||
Equinox eBooks Publishing | The History of European Jazz | 7. Luxembourg | View |
Marc Demuth | |||
Equinox eBooks Publishing | Mosaics | Nil Desperandum - The Jazz Hustler | View |
Duncan Heining | |||
Equinox eBooks Publishing | The History of European Jazz | 8. Denmark | View |
Tore Mortensen | |||
Equinox eBooks Publishing | The History of European Jazz | 25. Italy | View |
Francesco Martinelli | |||
Equinox eBooks Publishing | The History of European Jazz | 1. France | View |
Xavier Prevost | |||
Equinox eBooks Publishing | Mosaics | The Last Suites | View |
Duncan Heining | |||
Equinox eBooks Publishing | Komeda | Seventeen Years to Go ... | View |
Magdalena Grzebałkowska | |||
Equinox eBooks Publishing | Mosaics | 'Author! Author!' | View |
Duncan Heining | |||
Equinox eBooks Publishing | Komeda | The First Festival of the Sweater Bands | View |
Magdalena Grzebałkowska | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene | View |
Myrtille Picaud | |||
The History of European Jazz | View | ||
Francesco Martinelli, Alyn Shipton, Duncan Heining, George McKay, Selwyn Harris, Michael Heffley, Gabriele Coen, Michael Dregni, Rainer Lotz, Xavier Prevost, Cormac Larkin, Martin Pfleiderer, Bert Vuijsje, Jean-Pol Schroeder, Marc Demuth, Tore Mortensen, Lars Westin, Juha Henriksson, Bjorn Stendahl, Vernhardur Linnet, Krystian Brodacki, Yvetta Kajanova, Gabor Turi, Andreas Felber, Bruno Spoerri, Cyril Moshkow, Dmitri Podberezsky, Alexander Yudin, Chema Martinez, Rui Eduardo Paes, Indrikis Veitners, Ruta Skudiene, Tiit Lauk, Sakis Papadimitriou, Mike Mazur, Virgil Mihaiu, Vladimir Gadjev, Hulya Tuncag, Rain Sultanov, Armen Manukian, Halina Maria Boniszewska, Pedro Cravinho, Jan Bruer, Måns Wallgren, Iço Vidmar, Eleni Novakovska, Edin Zubčević | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | ‘The revolution never ended’: The cultural politics of a creative-music collective in New York City | View |
Scott Currie | |||
Jazz Me Blues | View | ||
Chris Barber, Alyn Shipton | |||
Equinox eBooks Publishing | The History of European Jazz | Subject Index | View |
Francesco Martinelli | |||
Equinox eBooks Publishing | The History of European Jazz | European Jazz: Stories that Needed to be Told | View |
Francesco Martinelli | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | 'Complaining time is over': Network and collective strategies of the New York Musicians Organization | View |
Michael C. Heller | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | The Kitchen Orchestra Online: Digital mediation and collective practice | View |
Andrew Dubber | |||
Jazz Research Journal | Vol 12 No. 2 (2018) | A drum, deferred: Solomon Ilori in the New York jazz scene, 1958–1964 | View |
Ofer Gazit | |||
Equinox eBooks Publishing | The Godfather of British Jazz | The Godfather of British Jazz | View |
Clark Tracey | |||
Equinox eBooks Publishing | The History of European Jazz | Series Editor's Note | View |
Alyn Shipton | |||
Equinox eBooks Publishing | The History of European Jazz | Index of Works | View |
Francesco Martinelli | |||
Equinox eBooks Publishing | Ivor Cutler | Return to Y'Hup | View |
Bruce Lindsay | |||
Jazz Research Journal | Vol 9 No. 2 (2015) | Editorial | View |
Catherine Tackley, Tony Whyton | |||
Journal of Film Music | Vol 5 No. 1-2 (2012) | Music Cue Archetypes in the Film Scores of Elmer Bernstein | View |
Donald C Meyer | |||
Equinox eBooks Publishing | Song for Someone: The Musical Life of Kenny Wheeler | The Long Waiting: (2005-2014) | View |
Brian Shaw, Nick Smart | |||
Equinox eBooks Publishing | Song for Someone: The Musical Life of Kenny Wheeler | Everybody’s Song But My Own: (1959-1968) | View |
Brian Shaw, Nick Smart | |||
Equinox eBooks Publishing | The History of European Jazz | 21. Belarus | View |
Dmitri Podberezsky | |||
Equinox eBooks Publishing | The History of European Jazz | 31. Bulgaria | View |
Vladimir Gadjev | |||
Equinox eBooks Publishing | The History of European Jazz | 9b. Sweden: 1970-2000 | View |
Måns Wallgren | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | Editorial: Transnational perspectives on jazz | View |
Catherine Tackley, Tony Whyton | |||
Equinox eBooks Publishing | The History of European Jazz | 4. Germany | View |
Martin Pfleiderer | |||
Equinox eBooks Publishing | The History of European Jazz | 26. Latvia | View |
Indrikis Veitners | |||
Perfect Beat | Vol 4 No. 3 (1999) | THE PEDAGOGY, CULTURE AND APPROPRIATION OF JAZZ IN PAPUA NEW GUINEA | View |
DENNIS CROWDY, MICHAEL GODDARD | |||
Equinox eBooks Publishing | The History of European Jazz | 29. Greece | View |
Sakis Papadimitriou | |||
Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Editorial | View |
Catherine Parsonage, Tony Whyton | |||
Equinox eBooks Publishing | The History of European Jazz | 13. Poland | View |
Krystian Brodacki | |||
Equinox eBooks Publishing | The History of European Jazz | 20. Russia: Ninety-five Years in Search of an Identity | View |
Cyril Moshkow | |||
Equinox eBooks Publishing | The History of European Jazz | 24a. Portugal: 1920-1974 | View |
Pedro Cravinho | |||
Equinox eBooks Publishing | The History of European Jazz | 34. Armenia | View |
Armen Manukian | |||
Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Andrew Robson, Austral Jazz: The Localization of a Global Music Form in Sydney. | View |
Sean Foran | |||
Equinox eBooks Publishing | The History of European Jazz | 15. Slovakia | View |
Yvetta Kajanova | |||
Jazz Research Journal | Vol 7 No. 2 (2013) | Icons Among Us: Jazz in the Present Tense. Michael Rivoira, Lars Larson and Peter J. Vogt, directors. John W. Comerford and Theo N. Ianuly, producers. Lars Larson, director of photography. Paradigm Studio. 2009. DVD B002RNO1BW | View |
Colter Harper | |||
Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Is jazz popular music? | View |
Simon Frith | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Editorial: The Global Circulations of Jazz | View |
Stéphane Dorin | |||
Equinox eBooks Publishing | The History of European Jazz | 11. Norway | View |
Bjorn Stendahl | |||
Perfect Beat | Vol 8 No. 4 (2008) | BEYOND THE SAKURA WALTZ Reflections on the encounter between German and Japanese jazz, 1962–1985 | View |
ANDREW W. HURLEY | |||
Equinox eBooks Publishing | The History of European Jazz | 2b. Great Britain: 1950-2010: Late-flowering Seeds of the Triangular Trade | View |
Duncan Heining | |||
Equinox eBooks Publishing | The History of European Jazz | 33. Azerbaijan | View |
Rain Sultanov | |||
Equinox eBooks Publishing | The History of European Jazz | 14. Czech Republic | View |
Yvetta Kajanova | |||
Jazz Research Journal | (0) ADVANCE ACCESS TO FORTHCOMING ARTICLES | ‘No radical critique ever comes from the centre’: Interview with Professor Bruce Johnson | View |
Adam Havas | |||
Equinox eBooks Publishing | The History of European Jazz | 10. Finland | View |
Juha Henriksson | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | Duncan Heining, Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz, 1960–1975. Sheffield: Equinox, 2012. 495 pp. ISBN 978-1-84553-405-9 (hbk) £29.99/ $45.00. | View |
Tom Sykes | |||
Jazz Research Journal | Vol 9 No. 1 (2015) | Frontierism, intellectual listeners and the new European wave: On the reception of Dutch jazz in DownBeat, 1960–1980 | View |
Loes Rusch | |||
Equinox eBooks Publishing | The History of European Jazz | 12. Iceland | View |
Vernhardur Linnet | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Editorial: Jazz in Australasia | View |
Bruce Johnson | |||
Equinox eBooks Publishing | The History of European Jazz | 6. Belgium | View |
Jean-Pol Schroeder | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Historical overview of the development of jazz in Portugal, in the first half of the twentieth century | View |
Pedro Cravinho | |||
Equinox eBooks Publishing | The History of European Jazz | 16. Hungary: The road to independence | View |
Gabor Turi | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Cuba Street parade: Identity, authenticity and self-expression in contemporary Australasian jazz scenes | View |
Nick Tipping | |||
Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | Reconstructing the Jazz Tradition | View |
Charles Hersch | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | The collective organization of contemporary jazz musicians in the UK | View |
Tim Wall, Simon Barber | |||
Perfect Beat | Vol 18 No. 1 (2017) | Johnson, B., ed. 2016. Antipodean Riffs. Sheffield: Equinox. ISBN 978-1-78179-2-803 (hbk). 306 pp. | View |
Lauren Istvandity | |||
Equinox eBooks Publishing | The History of European Jazz | 32. Turkey | View |
Hulya Tuncag | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | Post-World War II Jazz in Britain: Venues and Values 1945–1970 | View |
Katherine Ann Williams | |||
Equinox eBooks Publishing | The History of European Jazz | 17. Romania | View |
Virgil Mihaiu | |||
Equinox eBooks Publishing | The History of European Jazz | 23. Spain | View |
Chema Martinez | |||
Equinox eBooks Publishing | The History of European Jazz | 5. The Netherlands | View |
Bert Vuijsje | |||
Jazz Research Journal | Vol 6 No. 2 (2012) | Crossing the curtain: Polish jazz meets poetry in the europäische Heimat | View |
Zbigniew Granat | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Editorial | View |
Nicolas Pillai | |||
Jazz Research Journal | Vol 2 No. 2 (2008) | Review article: I. Anderson, This Is Our Music: Free Jazz, the Sixties, and American Culture, S.Saul, Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties, I. Monson, Freedom Sounds: Civil Rights Call Out to Jazz and Africa | View |
Charles Hersch, | |||
Popular Music History | Vol 1 No. 2 (2004) | Review of Circular Breathing: The Cultural Politics of Jazz in Britain by George McKay | View |
Dave Laing | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Introduction: The collective problem in jazz | View |
Nicholas Gebhardt | |||
Jazz Research Journal | Vol 3 No. 2 (2009) | Jazz Britannia: mediating the story of British jazz on television | View |
Tim Wall, Paul Long | |||
Jazz Research Journal | Vol 4 No. 2 (2010) | Jazz in Kuala Lumpur | View |
Gisa Jähnichen | |||
Jazz Research Journal | Vol 1 No. 2 (2007) | The parallax of art and commerce: UK jazz musicians on marketing | View |
Michael James Macaulay | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | JazzWerkstatt: A young Austrian jazz initiative | View |
Christa Bruckner-Haring, Michael Kahr | |||
Perfect Beat | Vol 20 No. 1 (2019) | Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. | View |
Brent Keogh | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Everyday jazz life: A photographic project on contemporary jazz musicians’ lives in Birmingham | View |
Pedro Cravinho, Brian Homer | |||
Jazz Research Journal | Vol 4 No. 1 (2010) | ‘Jazz’ at large: ‘Scapes’ and the imagination in the performances of Moses Molelekwa and Nah Youn-Sun | View |
Jan Harm Schutte | |||
Perfect Beat | Vol 14 No. 2 (2013) | Music festivals and regional development policy: towards a festival ecology | View |
Chris Gibson | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Tom Pickering: Jazz on the periphery of the periphery | View |
Matthew Joshua Boden | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Sophisticated Lady: Female Vocalists and Gendered Identity in the Brisbane Jazz Scene | View |
Lauren Istvandity | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Jazz in Brazil: An Early History (1920s-1950s) | View |
Anaïs Fléchet | |||
Jazz Research Journal | Vol 1 No. 2 (2007) | David Murray: the making of a progressive musician | View |
Tim Wall | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Early jazz in Australia as oriental exotica | View |
Aline Scott-Maxwell | |||
Jazz Research Journal | Vol 11 No. 1 (2017) | Promotion anxieties: Jazz promoters within the UK scene | View |
Haftor Medbøe, Zack Moir | |||
Equinox eBooks Publishing | The History of European Jazz | 18. Austria | View |
Andreas Felber | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Jazzing through the luminiferous ether: How international radio broadcasts affected the experience of jazz in 1920s–1930s New Zealand | View |
Aleisha Ward | |||
Popular Music History | Vol 1 No. 3 (2004) | Down beats and rolling stones:the American jazz press decides to cover rock in 1967 | View |
Matt Brennan | |||
Equinox eBooks Publishing | The History of European Jazz | 3. Ireland | View |
Cormac Larkin | |||
Popular Music History | Vol 7 No. 1 (2012) | Authenticity as authenticating—the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis | View |
Richard Ekins | |||
Jazz Research Journal | Vol 6 No. 2 (2012) | Way out East: cowboys and pioneer women on Berlin's jazz frontier | View |
William Kirk Bares | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED | View |
Kimberly Hannon Teal | |||
Equinox eBooks Publishing | The History of European Jazz | 39. Film | View |
Selwyn Harris | |||
Jazz Research Journal | Vol 9 No. 1 (2015) | Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization | View |
Richard Ekins | |||
Equinox eBooks Publishing | The History of European Jazz | 2a. Great Britain: 1900 - 1960 | View |
Alyn Shipton | |||
Jazz Research Journal | Vol 6 No. 2 (2012) | Robert R. Faulkner and Howard S. Becker, Do You Know…? The Jazz Repertoire in Action. Chicago: University of Chicago Press, 2009. 214 pp. ISBN 978-0226239217 (hbk). £18.00. | View |
Mark Doffman | |||
Jazz Research Journal | Vol 3 No. 2 (2009) | Rhizomes and plateaus: Rethinking jazz historiography and the jazz-'classical' relationship | View |
Jeremy Barham | |||
Equinox eBooks Publishing | The History of European Jazz | 9a. Sweden: 1919-1969 | View |
Jan Bruer | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Common ground: 1970s improvised music as part of a cross-genre Dutch ensemble culture | View |
Loes Rusch | |||
Jazz Research Journal | Vol 4 No. 1 (2010) | ‘Earthly, sensual, devilish’: Sex, ‘race’ and jazz in post-independence Ireland | View |
Eileen Hogan | |||
Jazz Research Journal | Vol 12 No. 2 (2018) | Jazz’s little brother: The origins of the Spanish blues scene | View |
Josep Pedro | |||
Equinox eBooks Publishing | The History of European Jazz | 24b. Portugal: 1974-2010 | View |
Rui Paes | |||
Jazz Research Journal | Vol 4 No. 2 (2010) | Jazz and race in colonial India: The role of Anglo-Indian musicians in the diffusion of jazz in Calcutta | View |
Stephane Dorin | |||
Popular Music History | Vol 11 No. 2 (2016) | Review article | View |
Dave Laing | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Towards a history of jazz in Greece in the interwar era | View |
Panagiota Anagnostou | |||
Equinox eBooks Publishing | The History of European Jazz | 36. Django Reinhardt and jazz manouche | View |
Michael Dregni | |||
Popular Music History | Vol 4 No. 2 (2009) | Resource notes | View |
Ditmer Weertman | |||
Perfect Beat | Vol 2 No. 3 (1995) | AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 | View |
BRUCE JOHNSON | |||
Popular Music History | Vol 8 No. 1 (2013) | The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism | View |
Richard Ekins | |||
Jazz Research Journal | Vol 11 No. 1 (2017) | The friendship between Andy Hamilton and David Murray: A concrete example of Black Atlantic culture | View |
Tony Dudley-Evans | |||
Equinox eBooks Publishing | The History of European Jazz | 38. The Avant- Garde: Black-and-White Atlantic Dialogues, c. 1960s | View |
Michael Heffley | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Remixing jazz culture: Musical hybridity and collectivity in the New Europe | View |
Kristin McGee | |||
Jazz Research Journal | Vol 6 No. 2 (2012) | Do you know what it means to miss New Orleans? Historical metaphors and mythical realities in Spike Lee’s When the Levees Broke | View |
Nicholas Gebhardt | |||
Jazz Research Journal | Vol 6 No. 1 (2012) | Keep up with the changes: online strategies for national jazz agencies | View |
Andrew Dubber | |||
Jazz Research Journal | Vol 4 No. 2 (2010) | ‘Down with bebop—viva swing!’: Swing Club and the meaning of jazz in late 1940s Estonia | View |
Heli Reimann | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | ‘I wouldn’t change skins with anybody’ Dulcie Pitt/Georgia Lee, a pioneering Indigenous Australian jazz, blues and community singer | View |
Karl Neuenfeldt | |||
Popular Music History | Vol 5 No. 2 (2010) | Traditional jazz and the mainstreaming of authenticity: The case of British traddy pop (1959–1963)— a grounded theory approach | View |
Richard Ekins | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Collectives, a socio-economic, political and aesthetic phenomenon: The example of the Association à la Recherche d'un Folklore Imaginaire | View |
Chloé Meyzie | |||
Jazz Research Journal | Vol 11 No. 2 (2017) | Bernie McGann and Bundeena: Mythologizing an Austral jazz icon | View |
Andrew Robson | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | What can everyday aesthetics teach us about jazz practice? | View |
Michael Fletcher | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Ett minne för livet: A Swedish music collective | View |
Alf Arvidsson, Jörgen Adolfsson | |||
Jazz Research Journal | Vol 11 No. 1 (2017) | Edward W. Sarath, Improvisation, Creativity, and Consciousness: Jazz as Integral Template for Music, Educa- tion, and Society. Albany, NY: State University of New York Press, 2013. xi + 488 pp. ISBN 978-1-4384-4721-6 (hbk). $95.00/£73.70 | View |
David Borgo | |||
Jazz Research Journal | Vol 6 No. 1 (2012) | Sam Rivers: jazz’s forgotten man | View |
John G. Rodwan, Jr. | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Making ourselves heard: From a ‘Field of Dreams’ to building a collective voice | View |
Petter Frost Fadnes | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | The lost history of jazz on early Australian popular music television | View |
Liz Giuffre | |||
Jazz Research Journal | Vol 11 No. 1 (2017) | Place and imagined community in jazz | View |
Elina Hytönen-Ng | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | ‘We’ve got a gig in Poland!’: Britain and jazz in World War II | View |
Will Studdert | |||
Jazz Research Journal | Vol 11 No. 1 (2017) | Early New Orleans band photography | View |
Alan John Ainsworth | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Steven Feld. 2012. Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham and London: Duke University Press. 328 pp. ISBN 978-0-8223-5162-7 (pbk) | View |
Tony Mitchell | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil | View |
Berenice Corti, Luciana Xavier de Oliveira | |||
Popular Music History | Vol 11 No. 2 (2016) | ‘Black Bob’: His B-flat Bombardon and the Yorkshire Jazz Band | View |
Val Wilmer | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | Mingus, Cassavetes, and the Birth of a Jazz Cinema | View |
Ross Lipman | |||
Perfect Beat | Vol 15 No. 2 (2014) | No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 | View |
Andrew Wright Hurley | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Sex and the sonic smorgasbord: The Necks—extending the ‘jazz’ piano trio format | View |
Jane Galbraith | |||
Perfect Beat | Vol 11 No. 1 (2010) | Introduction | View |
Denis Crowdy, Mark Evans | |||
Equinox eBooks Publishing | The History of European Jazz | 37. Jews and Jewish Music | View |
Gabriele Coen | |||
Popular Music History | Vol 10 No. 1 (2015) | Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983 | View |
Ian Trowell | |||
Popular Music History | Vol 7 No. 3 (2012) | ‘Immersed in the conflict’: Mike Westbrook’s Marching Song (1969) and the landscape and soundscape of war | View |
Duncan Heining | |||
Perfect Beat | Vol 1 No. 3 (1993) | CO-LOCATIONS - AN INTRODUCTION | View |
Philip Hayward | |||
Jazz Research Journal | Vol 7 No. 2 (2013) | Oscar Peterson’s piano prostheses: Strategies of performance and publicity in the post-stroke phase of his career | View |
Alex Lubet | |||
Perfect Beat | Vol 14 No. 1 (2013) | The Necks at 25: a changing same? | View |
Tony Mitchell | |||
Journal of World Popular Music | Vol 6 No. 1 (2019) | Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians | View |
Ioannis Tsioulakis | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) | View |
Tony Mitchell | |||
Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Review of Bob Dylan by Keith Negus | View |
Phil Hardy | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | ‘What to do over the week-end’: Towards an understanding of distraction, advertising and newspaper coverage of the Kansas City jazz scene in the 1930s | View |
Anthony J. Bushard | |||
Perfect Beat | Vol 4 No. 3 (1999) | STRICTLY BALLROOM The Rumba in Pre-World War Two Japan | View |
SHUHEI HOSOKAWA | |||
Popular Music History | Vol 6 No. 3 (2011) | The making of a Yugoslav popular music industry | View |
Dean Vuletic | |||
Perfect Beat | Vol 3 No. 4 (1998) | FLOWING Theories and Taboos in Popular Music Studies | View |
ANDREW MURPHIE | |||
Jazz Research Journal | Vol 3 No. 1 (2009) | Sampling Kimberly Benston's 'Coltrane Poem' | View |
Claudine Raynaud | |||
Equinox eBooks Publishing | The History of European Jazz | 35. Early African American Entertainers | View |
Rainer Lotz | |||
Equinox eBooks Publishing | Ritual and Democracy | 7. Trans-Indigenous Festivals: Democracy and Emplacement | View |
Graham Harvey | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Living with music: Departures and returns among early New Orleans jazz musicians | View |
Nicholas Gebhardt | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Christian Scott aTunde Adjuah’s critique of the Danziger Bridge shootings | View |
James Gordon Williams | |||
Jazz Research Journal | Vol 2 No. 2 (2008) | Attaining unity: Self-reference in the music of John Coltrane | View |
Marc Medwin | |||
Jazz Research Journal | Vol 2 No. 2 (2008) | John Coltrane | View |
David Liebman, | |||
Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Hellfest: The thing that should not be? Local perceptions and Catholic discourses on metal culture in France | View |
Gérôme Guibert, Jedediah Sklower | |||
Perfect Beat | Vol 3 No. 2 (1997) | A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen | View |
MICHAEL WEBB | |||
Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television | View |
Mark Brill | |||
Journal of Film Music | Vol 7 No. 2 (2014) | Swiss Film Music: Anthology 1923–2012 | View |
Michael Baumgartner | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Wonderbrass: A South Wales jazz collective | View |
Rob Smith | |||
Popular Music History | Vol 9 No. 2 (2014) | Resource Notes | View |
Brock Silversides | |||
Popular Music History | Vol 3 No. 2 (2008) | Rock around the clock: The record, the film, and the last historic dance revolt | View |
Terry Monaghan | |||
Journal of World Popular Music | Vol 1 No. 2 (2014) | Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi | View |
David Cashman | |||
Popular Music History | Vol 1 No. 3 (2004) | Introduction to the Special Issue | View |
David Laing | |||
Popular Music History | Vol 1 No. 3 (2004) | Taste-making and trend-spotting: the folk revival journalism of Robert Shelton | View |
David Laing | |||
Perfect Beat | Vol 2 No. 4 (1996) | THE AMBONESE CONNECTION Lou Casch, Johnny O'Keefe and the Development of Australian Rock and Roll | View |
PETER COX | |||
Perfect Beat | Vol 19 No. 2 (2018) | An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology | View |
Gene Shill | |||
International Journal for the Study of New Religions | Vol 5 No. 1 (2014) | Pop Cult: Religion and Popular Music, by Rupert Till. Continuum, 2010. 230pp., Hb. $120.00, ISBN-13: 9780826445926; Pb. $34.95, ISBN-13: 9780826432360. | View |
Carole M. Cusack | |||
Perfect Beat | Vol 17 No. 1 (2016) | An Interview with Damian Wright: Flamenco and the discourse of World Music in Contemporary Australia | View |
Brent Keogh | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Mutiny Music: A Sonic Passage Between Islands | View |
Joseph Cummins | |||
Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Pompey Pop: A case study of a local music archive | View |
Dave Allen | |||
Perfect Beat | Vol 1 No. 3 (1993) | SMASHING THE SILENCE A review of With Open Eyes - The First National Aboriginal and Torres Strait Islander Contemporary Women's Music Festival | View |
Jilli Streit-Warburton | |||
Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Book review of In Search of the Blues: Black Voices, White Visions by Marybeth Hamilton | View |
Dave Laing | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) | View |
Tom Sykes | |||
Perfect Beat | Vol 4 No. 1 (1998) | Editorial | View |
PHILIP HAYWARD, MARK EVANS | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) | View |
Nick Prior | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | Museum Review: Rock Museum, Budapest, Hungary | View |
Emília Barna | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Introduction | View |
Shelley Brunt, Oli Wilson | |||
Perfect Beat | Vol 2 No. 3 (1995) | RECOGNITION & ROOTS The contribution of musicians from the Indonesian archipelago to the development of popular music culture in the Netherlands | View |
LUTGARD MUTSAERS | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Gender, Popular Music and Australian Identity: Introduction to Special Issue | View |
Catherine Strong | |||
Popular Music History | Vol 3 No. 3 (2008) | Ghana and the World Music Boom | View |
John Collins | |||
Popular Music History | Vol 1 No. 3 (2004) | Critical negotiations: rock criticism in the Nordic countries | View |
Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet | |||
Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) | View |
Timothy Koozin | |||
Equinox eBooks Publishing | Ritual and Democracy | Index | View |
Sarah Pike, Jone Salomonsen, Paul-Francois Tremlett | |||
Perfect Beat | Vol 13 No. 2 (2012) | Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians | View |
Barry Hill, Jon Fitzgerald | |||
Journal of World Popular Music | Vol 2 No. 2 (2015) | World Music, World Circuit: In Conversation with Nick Gold | View |
Simone Krüger | |||
Popular Music History | Vol 3 No. 3 (2008) | Traditional music and the World Music marketplace: A producer’s experience | View |
Joe Boyd, | |||
Perfect Beat | Vol 19 No. 1 (2018) | Super Smash Covers! Performance and audience engagement in Australian videogame music cover bands | View |
Sebastian Diaz-Gasca | |||
Perfect Beat | Vol 19 No. 1 (2018) | Michael Austin, ed. 2016. Music Video Games: Performance, Politics, and Play | View |
Sebastian Diaz-Gasca | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Our Stories, From Us, The “They”: Nick Gold talks to Lucy Durán about the Making of Buena Vista Social Club | View |
Lucy Durán | |||
Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Voices of Sheila: Resignification in Filmic and Non-filmic Contexts | View |
Nina Menezes | |||
Popular Music History | Vol 10 No. 3 (2015) | ‘How Belfast got the blues’: Towards an alternative history | View |
Noel McLaughlin, Joanna Braniff | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Editors’ Introduction to Inaugural Issue | View |
Simone Krüger, Sarah Baker | |||
Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | The meaning of the music venue: Historicizing the Click Club | View |
Paul Long, Sarah Raine | |||
Popular Music History | Vol 8 No. 3 (2013) | Georgina Gregory. Send in the Clones. Sheffield: Equinox, 2012. 172pp. £16.99. ISBN 978-1-84553-245-1 (paperback). | View |
Sarah Davis | |||
Perfect Beat | Vol 3 No. 4 (1998) | EMBODIED ACAPPELLA The Experience of Singing a Displaced Eclectic Repertoire | View |
JULIE RICKWOOD | |||
Perfect Beat | Vol 3 No. 2 (1997) | INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA | View |
DAVID GOLDSWORTHY | |||
Perfect Beat | Vol 18 No. 2 (2017) | Playing bluegrass in Australia across country and folk scenes | View |
Miriam Amy Jones | |||
Journal of Film Music | Vol 6 No. 2 (2013) | The Barry Gray Archive | View |
François Evans | |||
Perfect Beat | Vol 3 No. 4 (1998) | CREATIVITY AND INDEPENDENCE Sanguma, Music Education and the development of the PNG Contemporary style | View |
DENNIS CROWDY | |||
Popular Music History | Vol 1 No. 1 (2004) | A Question of Standards: "My Funny Valentine" and Musical Intertextuality | View |
Alan Stanbridge | |||
Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | From locality to translocality and cosmopolitanism: The rise of the Debrecen alternative–DIY scene | View |
Zsolt Győri | |||
Popular Music History | Vol 10 No. 1 (2015) | The contrasting soundscapes of Hull and London in David Bowie’s Ziggy Stardust and the Spiders from Mars | View |
Peter Atkinson | |||
Perfect Beat | Vol 15 No. 2 (2014) | ‘Lookin, searchin, seekin, findin’: A new beat | View |
Shelley Brunt, Oli Wilson, Catherine Strong | |||
Perfect Beat | Vol 8 No. 3 (2007) | GORE GOLD GUITARS The Place of Country in New Zealand | View |
DAN BENDRUPS, HENRY JOHNSON | |||
Perfect Beat | Vol 3 No. 2 (1997) | DISPLACED ACAPPELLA The Bulgarian Choral Tradition and Sydney's Martenitsa Choir | View |
ALEX GIBB, MEAGAN LOADER | |||
Perfect Beat | Vol 2 No. 1 (1994) | TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne | View |
ROBIN RYAN | |||
Popular Music History | Vol 3 No. 3 (2008) | World Music and the global music industry | View |
Dave Laing | |||
Perfect Beat | Vol 14 No. 2 (2013) | ‘Suck more piss’: how the confluence of key Melbourne-based audiences, musicians, and iconic scene spaces informed the Oz rock identity | View |
Paul Oldham | |||
Perfect Beat | Vol 12 No. 1 (2011) | Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study | View |
Manolete Mora | |||
Journal of World Popular Music | Vol 2 No. 2 (2015) | Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) | View |
Tony Mitchell | |||
Perfect Beat | Vol 4 No. 4 (2000) | HULA HALAU IN TOKYO A Case Study of Hula Schools | View |
YOKO KUROKAWA | |||
Popular Music History | Vol 9 No. 2 (2014) | To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ | View |
Kathryn Hill | |||
Perfect Beat | Vol 8 No. 4 (2008) | TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture | View |
Philip Hayward, SUEO KUWAHARA | |||
Perfect Beat | Vol 4 No. 4 (2000) | BLURRING BOUNDARIES BETWEEN RESTRICTED AND UNRESTRICTED PERFORMANCE A Case Study of the Ngadirdji of Yanyuwa Women in Borroloola | View |
ELIZABETH MACKINLAY | |||
Perfect Beat | Vol 1 No. 1 (1992) | WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA | View |
Tony Mitchell | |||
Journal of World Popular Music | Vol 2 No. 1 (2015) | Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) | View |
Duncan Wheeler | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Sara Cohen, Robert Knifton, Marion Leonard and Les Roberts, eds. 2015. Sites of Popular Music Heritage: Memories, Histories, Places. New York and London: Routledge. 267pp. ISBN 978-0-41582-4-507 (hbk) | View |
Antti-Ville Kärjä | |||
Perfect Beat | Vol 1 No. 1 (1992) | CASH, CHORDS, CHAOS AND HYPE Writing Rock History - Accounts of The Sex Pistols and their role in the Seventies' New Wave | View |
Philip Hayward | |||
Popular Music History | Vol 4 No. 2 (2009) | Compost city: underground music, collapsoscapes and urban regeneration | View |
Greg Keeffe | |||
Perfect Beat | Vol 10 No. 2 (2009) | Imagining Okinawa: Japanese pop musicians and Okinawan music | View |
Matt Gillan | |||
Perfect Beat | Vol 17 No. 1 (2016) | Robin Ryan in conversation with Mark Cain: Kernels of Discovery: Original musical instruments and acoustic sound designs | View |
Robin Ann Ryan, Mark Bradley Cain | |||
Popular Music History | Vol 10 No. 1 (2015) | Manpool, the musical: Harmony and counterpoint on the Lancashire Plain | View |
Richard Witts | |||
Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | From South to East: Exoticism in Polish popular music of the state socialist period | View |
Ewa Mazierska | |||
Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | The Industrial Soundscape between Fiction and Documentary Film in Italy’s Long 1960s | View |
Alessandro Cecchi | |||
Journal for the Study of Religion, Nature and Culture | Vol 13 No. 3 (2019) | At Home in the Big Empty: Burning Man and the Playa Sublime | View |
Graham St John | |||
Perfect Beat | Vol 8 No. 3 (2007) | AOTEAROA SONGLINES | View |
TONY MITCHELL | |||
Perfect Beat | Vol 11 No. 2 (2010) | Governmental as anything: live music and law and order in Melbourne | View |
Shane Homan | |||
Perfect Beat | Vol 4 No. 3 (1999) | GUMLEAF PLAYING COMPETITIONS Aboriginal and Non-Aboriginal Performance Styles and Socio-Cultural Contexts | View |
ROBIN RYAN | |||
Popular Music History | Vol 4 No. 2 (2009) | Low-frequency noise and urban space | View |
Bruce Johnson | |||
Perfect Beat | Vol 19 No. 1 (2018) | Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] | View |
Brent Keogh | |||
Perfect Beat | Vol 1 No. 2 (1993) | BLACK ROCK AND BROOME: MUSICAL AND CULTURAL SPECIFICITIES | View |
Chris Lawe Davies | |||
Perfect Beat | Vol 1 No. 2 (1993) | THREE DECADES OF AUSTRALIAN POPULAR MUSIC | View |
Michael Flint | |||
Perfect Beat | Vol 1 No. 2 (1993) | Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. | View |
Tony Mitchell | |||
Perfect Beat | Vol 1 No. 2 (1993) | Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin | View |
Marcus Breen | |||
Perfect Beat | Vol 1 No. 2 (1993) | Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP | View |
Roderick Nielsen | |||
Perfect Beat | Vol 1 No. 2 (1993) | Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin | View |
Michael Flint | |||
Perfect Beat | Vol 1 No. 2 (1993) | Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. | View |
Carolyn Craig | |||
Perfect Beat | Vol 18 No. 2 (2017) | In Melbourne tonight: Pop/rock histories and futures | View |
Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt | |||
Popular Music History | Vol 2 No. 2 (2007) | Allusion and Influence in Elvis Costello | View |
Dai Griffiths | |||
Perfect Beat | Vol 9 No. 1 (2008) | REGULATION WITHOUT REPRESENTATION NSW Live Music Policy 1992–2008 | View |
David Panichi | |||
Perfect Beat | Vol 2 No. 1 (1994) | Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. | View |
JULIA KNIGHT | |||
Perfect Beat | Vol 2 No. 1 (1994) | Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press | View |
BRUCE JOHNSON | |||
Perfect Beat | Vol 2 No. 1 (1994) | Carlo Branzaglia, Pierfrancesco Pacoda and Alba Solaro (1992) Posse ita/iane: centri sociali, unde rgrowid musicale e cultura giovanile degli anni '90 in Italia | View |
TONY MITCHELL | |||
Perfect Beat | Vol 2 No. 1 (1994) | Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press | View |
PHILIP HAYWARD | |||
Perfect Beat | Vol 2 No. 1 (1994) | Gray, A and McGuigan, J (eds) (1993) Studying Culture- an introductory reader, London: Edward Arnold. | View |
COLIN MCLEAY | |||
Perfect Beat | Vol 2 No. 1 (1994) | Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press | View |
KEITH NEGUS | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television | View |
Liz Giuffre | |||
Comparative Islamic Studies | Vol 13 No. 1-2 (2017) Special Issue: Iranian Cosmopolitanism | Hollywood Cosmopolitanisms and the Occult Resonance of Cinema | View |
Alireza Doostdar | |||
Perfect Beat | Vol 1 No. 4 (1994) | FLYING IN THE FACE OF FASHION: Independent Music in New Zealand | View |
Tony Mitchell | |||
Journal of Film Music | Vol 4 No. 2 (2011) | Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* | View |
Jörg Jewanski | |||
Perfect Beat | Vol 2 No. 3 (1995) | ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop | View |
ROSS HARLEY | |||
Perfect Beat | Vol 2 No. 3 (1995) | NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene | View |
TONY MITCHELL | |||
Journal of Contemporary Archaeology | Vol 6 No. 2 (2019) | Archaeology, Heritage and Performance in the Perth Popular Music Scene | View |
Sean Winter, B'geella Romano | |||
Popular Music History | Vol 4 No. 2 (2009) | Popular music, mapping, and the characterization of Liverpool | View |
Brett Lashua, Sara Cohen, John Schofield | |||
Popular Music History | Vol 10 No. 3 (2015) | ‘Only one can rule the night’: Fairs and music in post-1945 Britain | View |
Ian Trowell | |||
Journal of World Popular Music | Vol 3 No. 2 (2016) | Voodoo Threads: The Cultural Trajectory of Dr. John’s ‘I Walk on Gilded Splinters’ | View |
Philip Hayward, Matt Hill | |||
Journal of World Popular Music | Vol 2 No. 1 (2015) | Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) | View |
Yona Stamatis | |||
Popular Music History | Vol 4 No. 2 (2009) | Gigographies: where popular musicians play | View |
Dave Laing | |||
Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Black metal: Stone Vengeance sing the thrash metal blues | View |
Kevin Fellezs | |||
Fieldwork in Religion | Vol 14 No. 1 (2019) | Exploring the Sacredness of Urban Spaces through Material Traces | View |
Mujde Bideci | |||
Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Nine lives in the music business: Reg Dwight and Elton John in the 1960s | View |
Dave Laing | |||
Popular Music History | Vol 1 No. 1 (2004) | Histories and complexities: Popular Music History Writing and Danish Rock | View |
Morten Michelsen | |||
Perfect Beat | Vol 4 No. 4 (2000) | WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries | View |
MASAHIRO YASUDA | |||
Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Archival Activism: Deciphering State-Sanctioned Histories and Reporting of Canadian Hip Hop | View |
Mark V. Campbell, Maya Stitski | |||
Journal of Film Music | Vol 6 No. 2 (2013) | Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops | View |
Emilio Audissino | |||
Popular Music History | Vol 4 No. 1 (2009) | Discovering authenticity? Harry Smith's Anthology of American Folk Music | View |
Rory Crutchfield | |||
Perfect Beat | Vol 17 No. 2 (2016) | On Hillsong’s continued reign over the Australian contemporary congregational song genre | View |
Daniel Thornton | |||
Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Setting the Tone of the Southern Question: Music and/as Fatalism in Italian Cinema of the Economic Miracle | View |
Maurizio Corbella | |||
Perfect Beat | Vol 4 No. 1 (1998) | AFTER THE LAW Sydney's Phoenician Club, the New South Wales Premier and the death of Anna Wood | View |
SHANE HOMAN | |||
Perfect Beat | Vol 10 No. 2 (2009) | Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand | View |
Tony Mitchell | |||
Perfect Beat | Vol 3 No. 2 (1997) | AUSTRALIA'S NATIONAL INSTRUMENT? | View |
BRUCE JOHNSON | |||
Perfect Beat | Vol 3 No. 2 (1997) | BACK EAST - The Blue Diamonds' Indonesian Tours | View |
LUTGARD MUTSAERS | |||
Perfect Beat | Vol 3 No. 2 (1997) | UKULELES, GUITARS OR GUMLEAVES? Hula Dancing and Southeastern Australian Aboriginal Performers in the 1920s and 1930s | View |
ROBIN RYAN | |||
Journal for the Academic Study of Religion | Vol 23 No. 2 (2010) | ‘I’ve Got a Spirit Coming through Me': Music as Hierophany and Musicians as Shamans | View |
Mark Jennings | |||
Perfect Beat | Vol 12 No. 2 (2011) | Ideology and the performance of Chineseness: Hong Kong singers on the CCTV stage | View |
Lauren Gorfinkel | |||
Perfect Beat | Vol 12 No. 1 (2011) | Malaysian composers, geopolitical spaces and cultural difference | View |
Jonas Ureta Baes | |||
Perfect Beat | Vol 3 No. 4 (1998) | DOMESTIC EXOTICISM A recent trend in Japanese popular music | View |
TORU MITSUI | |||
Perfect Beat | Vol 2 No. 4 (1996) | DOWN INTO THE FIRE A Case Study of a Popular Music Recording Session | View |
JON FITZGERALD | |||
Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | ‘On the programme tonight’: The Old Grey Whistle Test as tastemaker for British AOR audiences in the early 1970s | View |
Andy Bennett | |||
Popular Music History | Vol 4 No. 1 (2009) | Historical approaches to Merseybeat: delivery, affinity and diversity | View |
Ian Inglis | |||
Popular Music History | Vol 4 No. 2 (2009) | Nowhere man: urban life and the virtualization of popular music | View |
Paul Graves-Brown | |||
Journal of Contemporary Archaeology | Vol 6 No. 1 (2019) Special Issue: Futurity, Time, and Archaeology | Detroit 139: Archaeology and the Future-Making of a Post- Industrial City | View |
Krysta Ryzewski | |||
Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | The lost musical histories of Merthyr Tydfil | View |
Paul Carr | |||
Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Walking Widdershins | View |
Wendy Griffin | |||
Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Playing Croquet with Hedgehogs: (Still) Becoming a Scholar of Paganism and Animism | View |
Graham Harvey | |||
Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | An Outsider Inside: Becoming a Scholar of Contemporary Paganism | View |
Helen A. Berger | |||
Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | The Owl, the Dragon and the Magician: Reflections on Being an Anthropologist Studying Magic | View |
Susan Greenwood | |||
Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | The Old Pomegranate and the New | View |
Fritz Muntean | |||
Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | The Academy, the Otherworld and Between | View |
Kathryn Rountree | |||
Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Making the Strange Familiar | View |
Sarah M. Pike | |||
Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Reflecting on Studying Wicca from within the Academy and the Craft: An Autobiographical Perspective | View |
Melissa Harrington | |||
Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Navigating Academia and Spirituality from a Pagan Perspective | View |
Michael York | |||
Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | Pagan(ish) Senses and Sensibilities | View |
Adrian Ivakhiv | |||
Pomegranate: The International Journal of Pagan Studies | Vol 17 No. 1-2 (2015) | The Pagan Studies Archipelago: Pagan Studies in a Cosmopolitan World. | View |
Douglas Ezzy | |||
Popular Music History | Vol 2 No. 1 (2007) April 2007 | BBC rock music programming on radio and television and the progressive rock audience, 1967–1973 | View |
David Simonelli | |||
Popular Music History | Vol 4 No. 3 (2009) | The end of the revival: the folk aesthetic and its ‘mutation’ | View |
Allan Moore | |||
Popular Music History | Vol 7 No. 3 (2012) | Needle Time: The BBC, the Musicians’ Union, popular music, and the reform of radio in the 1960s. | View |
Richard Witts | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | “Argentina is cumbia”: Sociocultural Trajectories of Young “Cumbieros” in Urban Peripheries | View |
Malvina Silba | |||
Journal of World Popular Music | Vol 6 No. 2 (2019) | Keynote: Party Music, Affect and the Politics of Modernity | View |
Jocelyne Guilbault | |||
Perfect Beat | Vol 4 No. 4 (2000) | TWO PAULINES TO CHOOSE FROM An interview with Simon Hunt/Pauline Pantsdown | View |
SIMON HUNT, JON STRATTON | |||
Bulletin for the Study of Religion | Vol 42 No. 4 (2013) Bulletin for the Study of Religion | From Greek ruins to a Child's Mind: A Research Oddyssey of Sorts. Interview with Armin W. Geertz | View |
Kirstine Munk, Armin W. Geertz | |||
Journal for the Study of Religion, Nature and Culture | Vol 6 No. 2 (2012) | When Nature is Rats and Roaches: Religious Eco-Justice Activism in Newark, NJ | View |
Matthew B. Immergut, Laurel D. Kearns | |||
Journal of World Popular Music | Vol 2 No. 1 (2015) | World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices | View |
Diane Hughes, Sarah Keith | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | “Tomorrow never knows”: The Influence of the Beatles’ Music in Brazil | View |
Gustavo Alonso | |||
Popular Music History | Vol 8 No. 1 (2013) | A mysterious music in the air: cultural origins of the loudspeaker | View |
Kyle Devine | |||
Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Singing a Life in Bondage: Black Vocality and Subjectivity in 12 Years a Slave | View |
Gianpaolo Chiriacò | |||
Implicit Religion | Vol 16 No. 3 (2013) | “I Really Don’t Do It For The Spirituality”: How Often Do Belly Dancers Infuse Artistic Leisure with Spiritual Meaning? | View |
Rachel Kraus | |||
Popular Music History | Vol 2 No. 2 (2007) | Constructing histories through material culture: Popular Music, Museums and Collecting | View |
Marion Leonard | |||
Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | 'I want you to support local metal': A theory of metal scene formation | View |
Jeremy Wallach, Alexandra Levine | |||
Popular Music History | Vol 8 No. 2 (2013) | Bob Dylan: the politics of influence | View |
Gary Browning | |||
Journal of Film Music | Vol 5 No. 1-2 (2012) | Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema | View |
Tobias Plebuch | |||
Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
Qian Wang | |||
Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
Qian Wang | |||
Perfect Beat | Vol 1 No. 4 (1994) | WHAT THE AIR WAS LIKE UP THERE: Overseas Music and Local Reception in the 1960s MICHAEL FLINT | View |
Michael Flint | |||
Journal of World Popular Music | Vol 1 No. 2 (2014) | The Cultural and Gender Politics of Enunciation: Locating the Singer-Songwriter within and beyond Male Anglo-American Contexts | View |
Duncan Wheeler, Lucy O'Brien | |||
Popular Music History | Vol 10 No. 1 (2015) | Hashtag 0161: Did Bugzy Malone put Manny on the map? | View |
Kamila Rymajdo | |||
Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | ‘My life is new wave’: Poland, Yugoslav new wave and the transnational sense of connectedness in the early 1980s | View |
Zlatko Jovanovic | |||
Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | They preferred to sit on the floor: Rock music in South Wales at a time of industrial change | View |
Mike Jones | |||
Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history | View |
Toby Martin | |||
Popular Music History | Vol 3 No. 1 (2008) | The Liverpool sounds project: Oral history research at the IPM | View |
Dave Laing | |||
Perfect Beat | Vol 4 No. 4 (2000) | DON'T LIKE IT Pauline Pantsdown and the Politics of the Inauthentic | View |
JON STRATTON | |||
Popular Music History | Vol 9 No. 3 (2014) | Hucklebucking at the tea dances: Irish showbands in Britain, 1959–1969 | View |
Rebecca S. Miller | |||
Implicit Religion | Vol 19 No. 2 (2016) | What American College Students Want from Religion: Facebookismanity, Lucid Dreaming, and Bodhisattva Tupac Shakur | View |
Kevin Matthew Taylor | |||
Journal of Film Music | Vol 6 No. 1 (2013) | Modal Interchange and Semantic Resonance in Themes by John Williams | View |
Tom Schneller | |||
Journal of World Popular Music | Vol 2 No. 2 (2015) | Le Mystère de Marcel Cellier: Transfer Processes in Early World Music | View |
Britta Sweers | |||
Gender and Language | Vol 12 No. 3 (2018) | ‘She don’t need no help’: deconsolidating gender, sex and sexuality in New Orleans bounce music | View |
Christina Schoux Casey, Maeve Eberhardt | |||
Journal of Film Music | Vol 2 No. 1 (2007) | “Stanley Hates This But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey | View |
Paul A. Merkley, FRSC | |||
International Journal of Speech Language and the Law | Vol 26 No. 2 (2019) | Who owns your voice? Linguistic and legal perspectives on the relationship between vocal distinctiveness and the rights of the individual speaker | View |
Dominic Watt, Peter S. Harrison, Lily Cabot-King | |||
1 - 343 of 343 Items |
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