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Journal Issue Title
 
Jazz Research Journal Vol 12 No. 2 (2018) Islay Jazz Festival View
Haftor Medbøe, Diane Maclean
 
Jazz Research Journal Vol 8 No. 1-2 (2014) ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals View
Brent Keogh
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Perspectives on the Melbourne International Women's Jazz Festival View
Louise Denson
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Failure to fuse: The jazz-rock culture war at the 1969 Newport Jazz Festival View
Matt Brennan
 
Jazz Research Journal Vol 7 No. 1 (2013) ‘They’ve really gone to town with all that bunting’: the influence and (in)visibility of Glasgow’s Jazz Festival View
Alison Caroline Eales
 
Jazz Research Journal Vol 9 No. 2 (2015) The impact of (jazz) festivals: An Arts and Humanities Research Council-funded research report View
Emma Webster, George McKay
 
Equinox eBooks Publishing The History of European Jazz 40. Festivals View
George McKay
 
Equinox eBooks Publishing The History of European Jazz 28. Estonia View
Tiit Lauk
 
Equinox eBooks Publishing The History of European Jazz 19. Switzerland View
Bruno Spoerri
 
Equinox eBooks Publishing The History of European Jazz 22. Ukraine View
Alexander Yudin
 
Equinox eBooks Publishing The History of European Jazz 27. Lithuania View
Ruta Skudiene
 
Equinox eBooks Publishing Mosaics Down another Road View
Duncan Heining
 
Equinox eBooks Publishing The History of European Jazz 30. Former Yugoslavia (including Croatia, Slovenia, Serbia, Macedonia, Bosnia and Herzegovina, Montenegro, Vojvodina and Kosovo) View
Mike Mazur, Iço Vidmar, Eleni Novakovska, Edin Zubčević
 
Equinox eBooks Publishing The History of European Jazz 7. Luxembourg View
Marc Demuth
 
Equinox eBooks Publishing Mosaics Nil Desperandum - The Jazz Hustler View
Duncan Heining
 
Equinox eBooks Publishing The History of European Jazz 8. Denmark View
Tore Mortensen
 
Equinox eBooks Publishing The History of European Jazz 25. Italy View
Francesco Martinelli
 
Equinox eBooks Publishing The History of European Jazz 1. France View
Xavier Prevost
 
Equinox eBooks Publishing Mosaics The Last Suites View
Duncan Heining
 
Equinox eBooks Publishing Komeda Seventeen Years to Go ... View
Magdalena Grzebałkowska
 
Equinox eBooks Publishing Mosaics 'Author! Author!' View
Duncan Heining
 
Equinox eBooks Publishing Komeda The First Festival of the Sweater Bands View
Magdalena Grzebałkowska
 
Jazz Research Journal Vol 10 No. 1-2 (2016) ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene View
Myrtille Picaud
 
The History of European Jazz View
Francesco Martinelli, Alyn Shipton, Duncan Heining, George McKay, Selwyn Harris, Michael Heffley, Gabriele Coen, Michael Dregni, Rainer Lotz, Xavier Prevost, Cormac Larkin, Martin Pfleiderer, Bert Vuijsje, Jean-Pol Schroeder, Marc Demuth, Tore Mortensen, Lars Westin, Juha Henriksson, Bjorn Stendahl, Vernhardur Linnet, Krystian Brodacki, Yvetta Kajanova, Gabor Turi, Andreas Felber, Bruno Spoerri, Cyril Moshkow, Dmitri Podberezsky, Alexander Yudin, Chema Martinez, Rui Eduardo Paes, Indrikis Veitners, Ruta Skudiene, Tiit Lauk, Sakis Papadimitriou, Mike Mazur, Virgil Mihaiu, Vladimir Gadjev, Hulya Tuncag, Rain Sultanov, Armen Manukian, Halina Maria Boniszewska, Pedro Cravinho, Jan Bruer, Måns Wallgren, Iço Vidmar, Eleni Novakovska, Edin Zubčević
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) ‘The revolution never ended’: The cultural politics of a creative-music collective in New York City View
Scott Currie
 
Jazz Me Blues View
Chris Barber† , Alyn Shipton
 
Equinox eBooks Publishing The History of European Jazz Subject Index View
Francesco Martinelli
 
Equinox eBooks Publishing The History of European Jazz European Jazz: Stories that Needed to be Told View
Francesco Martinelli
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) 'Complaining time is over': Network and collective strategies of the New York Musicians Organization View
Michael C. Heller
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) The Kitchen Orchestra Online: Digital mediation and collective practice View
Andrew Dubber
 
Jazz Research Journal Vol 12 No. 2 (2018) A drum, deferred: Solomon Ilori in the New York jazz scene, 1958–1964 View
Ofer Gazit
 
Equinox eBooks Publishing The Godfather of British Jazz The Godfather of British Jazz View
Clark Tracey
 
Equinox eBooks Publishing The History of European Jazz Series Editor's Note View
Alyn Shipton
 
Equinox eBooks Publishing The History of European Jazz Index of Works View
Francesco Martinelli
 
Equinox eBooks Publishing Ivor Cutler Return to Y'Hup View
Bruce Lindsay
 
Jazz Research Journal Vol 9 No. 2 (2015) Editorial View
Catherine Tackley, Tony Whyton
 
Journal of Film Music Vol 5 No. 1-2 (2012) Music Cue Archetypes in the Film Scores of Elmer Bernstein View
Donald C Meyer
 
Equinox eBooks Publishing Song for Someone: The Musical Life of Kenny Wheeler The Long Waiting: (2005-2014) View
Brian Shaw, Nick Smart
 
Equinox eBooks Publishing Song for Someone: The Musical Life of Kenny Wheeler Everybody’s Song But My Own: (1959-1968) View
Brian Shaw, Nick Smart
 
Jazz Research Journal Vol 14 No. 1 (2020) Editorial View
Nicolas Pillai
 
Equinox eBooks Publishing The History of European Jazz 21. Belarus View
Dmitri Podberezsky
 
Equinox eBooks Publishing The History of European Jazz 31. Bulgaria View
Vladimir Gadjev
 
Equinox eBooks Publishing The History of European Jazz 9b. Sweden: 1970-2000 View
Måns Wallgren
 
Jazz Research Journal Vol 7 No. 1 (2013) Editorial: Transnational perspectives on jazz View
Catherine Tackley, Tony Whyton
 
Equinox eBooks Publishing The History of European Jazz 4. Germany View
Martin Pfleiderer
 
Equinox eBooks Publishing The History of European Jazz 26. Latvia View
Indrikis Veitners
 
Perfect Beat Vol 4 No. 3 (1999) THE PEDAGOGY, CULTURE AND APPROPRIATION OF JAZZ IN PAPUA NEW GUINEA View
DENNIS CROWDY, MICHAEL GODDARD
 
Equinox eBooks Publishing The History of European Jazz 29. Greece View
Sakis Papadimitriou
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Editorial View
Catherine Parsonage, Tony Whyton
 
Equinox eBooks Publishing The History of European Jazz 13. Poland View
Krystian Brodacki
 
Equinox eBooks Publishing The History of European Jazz 20. Russia: Ninety-five Years in Search of an Identity View
Cyril Moshkow
 
Equinox eBooks Publishing The History of European Jazz 24a. Portugal: 1920-1974 View
Pedro Cravinho
 
Equinox eBooks Publishing The History of European Jazz 34. Armenia View
Armen Manukian
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Andrew Robson, Austral Jazz: The Localization of a Global Music Form in Sydney. View
Sean Foran
 
Equinox eBooks Publishing The History of European Jazz 15. Slovakia View
Yvetta Kajanova
 
Jazz Research Journal Vol 7 No. 2 (2013) Icons Among Us: Jazz in the Present Tense. Michael Rivoira, Lars Larson and Peter J. Vogt, directors. John W. Comerford and Theo N. Ianuly, producers. Lars Larson, director of photography. Paradigm Studio. 2009. DVD B002RNO1BW View
Colter Harper
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Is jazz popular music? View
Simon Frith
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Editorial: The Global Circulations of Jazz View
Stéphane Dorin
 
Equinox eBooks Publishing The History of European Jazz 11. Norway View
Bjorn Stendahl
 
Perfect Beat Vol 8 No. 4 (2008) BEYOND THE SAKURA WALTZ Reflections on the encounter between German and Japanese jazz, 1962–1985 View
ANDREW W. HURLEY
 
Equinox eBooks Publishing The History of European Jazz 2b. Great Britain: 1950-2010: Late-flowering Seeds of the Triangular Trade View
Duncan Heining
 
Equinox eBooks Publishing The History of European Jazz 33. Azerbaijan View
Rain Sultanov
 
Equinox eBooks Publishing The History of European Jazz 14. Czech Republic View
Yvetta Kajanova
 
Jazz Research Journal Vol 14 No. 1 (2020) ‘No radical critique ever comes from the centre’: Interview with Professor Bruce Johnson View
Adam Havas
 
Equinox eBooks Publishing The History of European Jazz 10. Finland View
Juha Henriksson
 
Jazz Research Journal Vol 7 No. 1 (2013) Duncan Heining, Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz, 1960–1975. Sheffield: Equinox, 2012. 495 pp. ISBN 978-1-84553-405-9 (hbk) £29.99/ $45.00. View
Tom Sykes
 
Jazz Research Journal Vol 9 No. 1 (2015) Frontierism, intellectual listeners and the new European wave: On the reception of Dutch jazz in DownBeat, 1960–1980 View
Loes Rusch
 
Equinox eBooks Publishing The History of European Jazz 12. Iceland View
Vernhardur Linnet
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Editorial: Jazz in Australasia View
Bruce Johnson
 
Equinox eBooks Publishing The History of European Jazz 6. Belgium View
Jean-Pol Schroeder
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Historical overview of the development of jazz in Portugal, in the first half of the twentieth century View
Pedro Cravinho
 
Equinox eBooks Publishing The History of European Jazz 16. Hungary: The road to independence View
Gabor Turi
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Cuba Street parade: Identity, authenticity and self-expression in contemporary Australasian jazz scenes View
Nick Tipping
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Reconstructing the Jazz Tradition View
Charles Hersch
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) The collective organization of contemporary jazz musicians in the UK View
Tim Wall, Simon Barber
 
Perfect Beat Vol 18 No. 1 (2017) Johnson, B., ed. 2016. Antipodean Riffs. Sheffield: Equinox. ISBN 978-1-78179-2-803 (hbk). 306 pp. View
Lauren Istvandity
 
Equinox eBooks Publishing The History of European Jazz 32. Turkey View
Hulya Tuncag
 
Jazz Research Journal Vol 7 No. 1 (2013) Post-World War II Jazz in Britain: Venues and Values 1945–1970 View
Katherine Ann Williams
 
Equinox eBooks Publishing The History of European Jazz 17. Romania View
Virgil Mihaiu
 
Equinox eBooks Publishing The History of European Jazz 23. Spain View
Chema Martinez
 
Equinox eBooks Publishing The History of European Jazz 5. The Netherlands View
Bert Vuijsje
 
Jazz Research Journal Vol 6 No. 2 (2012) Crossing the curtain: Polish jazz meets poetry in the europäische Heimat View
Zbigniew Granat
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Editorial View
Nicolas Pillai
 
Jazz Research Journal Vol 2 No. 2 (2008) Review article: I. Anderson, This Is Our Music: Free Jazz, the Sixties, and American Culture, S.Saul, Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties, I. Monson, Freedom Sounds: Civil Rights Call Out to Jazz and Africa View
Charles Hersch,
 
Popular Music History Vol 1 No. 2 (2004) Review of Circular Breathing: The Cultural Politics of Jazz in Britain by George McKay View
Dave Laing
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Introduction: The collective problem in jazz View
Nicholas Gebhardt
 
Jazz Research Journal Vol 3 No. 2 (2009) Jazz Britannia: mediating the story of British jazz on television View
Tim Wall, Paul Long
 
Jazz Research Journal Vol 4 No. 2 (2010) Jazz in Kuala Lumpur View
Gisa Jähnichen
 
Jazz Research Journal Vol 1 No. 2 (2007) The parallax of art and commerce: UK jazz musicians on marketing View
Michael James Macaulay
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) JazzWerkstatt: A young Austrian jazz initiative View
Christa Bruckner-Haring, Michael Kahr
 
Perfect Beat Vol 20 No. 1 (2019) Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. View
Brent Keogh
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Everyday jazz life: A photographic project on contemporary jazz musicians’ lives in Birmingham View
Pedro Cravinho, Brian Homer
 
Jazz Research Journal Vol 4 No. 1 (2010) ‘Jazz’ at large: ‘Scapes’ and the imagination in the performances of Moses Molelekwa and Nah Youn-Sun View
Jan Harm Schutte
 
Perfect Beat Vol 14 No. 2 (2013) Music festivals and regional development policy: towards a festival ecology View
Chris Gibson
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Tom Pickering: Jazz on the periphery of the periphery View
Matthew Joshua Boden
 
Journal of World Popular Music Vol 3 No. 1 (2016) Sophisticated Lady: Female Vocalists and Gendered Identity in the Brisbane Jazz Scene View
Lauren Istvandity
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Jazz in Brazil: An Early History (1920s-1950s) View
Anaïs Fléchet
 
Jazz Research Journal Vol 1 No. 2 (2007) David Murray: the making of a progressive musician View
Tim Wall
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Early jazz in Australia as oriental exotica View
Aline Scott-Maxwell
 
Jazz Research Journal Vol 11 No. 1 (2017) Promotion anxieties: Jazz promoters within the UK scene View
Haftor Medbøe, Zack Moir
 
Equinox eBooks Publishing The History of European Jazz 18. Austria View
Andreas Felber
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Jazzing through the luminiferous ether: How international radio broadcasts affected the experience of jazz in 1920s–1930s New Zealand View
Aleisha Ward
 
Popular Music History Vol 1 No. 3 (2004) Down beats and rolling stones:the American jazz press decides to cover rock in 1967 View
Matt Brennan
 
Equinox eBooks Publishing The History of European Jazz 3. Ireland View
Cormac Larkin
 
Popular Music History Vol 7 No. 1 (2012) Authenticity as authenticating—the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis View
Richard Ekins
 
Jazz Research Journal Vol 6 No. 2 (2012) Way out East: cowboys and pioneer women on Berlin's jazz frontier View
William Kirk Bares
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED View
Kimberly Hannon Teal
 
Equinox eBooks Publishing The History of European Jazz 39. Film View
Selwyn Harris
 
Jazz Research Journal Vol 9 No. 1 (2015) Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization View
Richard Ekins
 
Equinox eBooks Publishing The History of European Jazz 2a. Great Britain: 1900 - 1960 View
Alyn Shipton
 
Jazz Research Journal Vol 6 No. 2 (2012) Robert R. Faulkner and Howard S. Becker, Do You Know…? The Jazz Repertoire in Action. Chicago: University of Chicago Press, 2009. 214 pp. ISBN 978-0226239217 (hbk). £18.00. View
Mark Doffman
 
Jazz Research Journal Vol 3 No. 2 (2009) Rhizomes and plateaus: Rethinking jazz historiography and the jazz-'classical' relationship View
Jeremy Barham
 
Equinox eBooks Publishing The History of European Jazz 9a. Sweden: 1919-1969 View
Jan Bruer
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Common ground: 1970s improvised music as part of a cross-genre Dutch ensemble culture View
Loes Rusch
 
Jazz Research Journal Vol 4 No. 1 (2010) ‘Earthly, sensual, devilish’: Sex, ‘race’ and jazz in post-independence Ireland View
Eileen Hogan
 
Jazz Research Journal Vol 12 No. 2 (2018) Jazz’s little brother: The origins of the Spanish blues scene View
Josep Pedro
 
Equinox eBooks Publishing The History of European Jazz 24b. Portugal: 1974-2010 View
Rui Paes
 
Jazz Research Journal Vol 4 No. 2 (2010) Jazz and race in colonial India: The role of Anglo-Indian musicians in the diffusion of jazz in Calcutta View
Stephane Dorin
 
Popular Music History Vol 11 No. 2 (2016) Review article View
Dave Laing
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Towards a history of jazz in Greece in the interwar era View
Panagiota Anagnostou
 
Equinox eBooks Publishing The History of European Jazz 36. Django Reinhardt and jazz manouche View
Michael Dregni
 
Popular Music History Vol 4 No. 2 (2009) Resource notes View
Ditmer Weertman
 
Perfect Beat Vol 2 No. 3 (1995) AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 View
BRUCE JOHNSON
 
Popular Music History Vol 8 No. 1 (2013) The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism View
Richard Ekins
 
Jazz Research Journal Vol 11 No. 1 (2017) The friendship between Andy Hamilton and David Murray: A concrete example of Black Atlantic culture View
Tony Dudley-Evans
 
Equinox eBooks Publishing The History of European Jazz 38. The Avant- Garde: Black-and-White Atlantic Dialogues, c. 1960s View
Michael Heffley
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Remixing jazz culture: Musical hybridity and collectivity in the New Europe View
Kristin McGee
 
Jazz Research Journal Vol 6 No. 2 (2012) Do you know what it means to miss New Orleans? Historical metaphors and mythical realities in Spike Lee’s When the Levees Broke View
Nicholas Gebhardt
 
Jazz Research Journal Vol 6 No. 1 (2012) Keep up with the changes: online strategies for national jazz agencies View
Andrew Dubber
 
Jazz Research Journal Vol 4 No. 2 (2010) ‘Down with bebop—viva swing!’: Swing Club and the meaning of jazz in late 1940s Estonia View
Heli Reimann
 
Jazz Research Journal Vol 8 No. 1-2 (2014) ‘I wouldn’t change skins with anybody’ Dulcie Pitt/Georgia Lee, a pioneering Indigenous Australian jazz, blues and community singer View
Karl Neuenfeldt
 
Popular Music History Vol 5 No. 2 (2010) Traditional jazz and the mainstreaming of authenticity: The case of British traddy pop (1959–1963)— a grounded theory approach View
Richard Ekins
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Collectives, a socio-economic, political and aesthetic phenomenon: The example of the Association à la Recherche d'un Folklore Imaginaire View
Chloé Meyzie
 
Jazz Research Journal Vol 11 No. 2 (2017) Bernie McGann and Bundeena: Mythologizing an Austral jazz icon View
Andrew Robson
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics What can everyday aesthetics teach us about jazz practice? View
Michael Fletcher
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Ett minne för livet: A Swedish music collective View
Alf Arvidsson, Jörgen Adolfsson
 
Jazz Research Journal Vol 11 No. 1 (2017) Edward W. Sarath, Improvisation, Creativity, and Consciousness: Jazz as Integral Template for Music, Educa- tion, and Society. Albany, NY: State University of New York Press, 2013. xi + 488 pp. ISBN 978-1-4384-4721-6 (hbk). $95.00/£73.70 View
David Borgo
 
Jazz Research Journal Vol 6 No. 1 (2012) Sam Rivers: jazz’s forgotten man View
John G. Rodwan, Jr.
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Making ourselves heard: From a ‘Field of Dreams’ to building a collective voice View
Petter Frost Fadnes
 
Jazz Research Journal Vol 8 No. 1-2 (2014) The lost history of jazz on early Australian popular music television View
Liz Giuffre
 
Jazz Research Journal Vol 11 No. 1 (2017) Place and imagined community in jazz View
Elina Hytönen-Ng
 
Jazz Research Journal Vol 7 No. 1 (2013) ‘We’ve got a gig in Poland!’: Britain and jazz in World War II View
Will Studdert
 
Jazz Research Journal Vol 11 No. 1 (2017) Early New Orleans band photography View
Alan John Ainsworth
 
Journal of World Popular Music Vol 1 No. 1 (2014) Steven Feld. 2012. Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham and London: Duke University Press. 328 pp. ISBN 978-0-8223-5162-7 (pbk) View
Tony Mitchell
 
Journal of World Popular Music Vol 4 No. 2 (2017) Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil View
Berenice Corti, Luciana Xavier de Oliveira
 
Popular Music History Vol 11 No. 2 (2016) ‘Black Bob’: His B-flat Bombardon and the Yorkshire Jazz Band View
Val Wilmer
 
Journal of Film Music Vol 2 No. 2-4 (2009) Mingus, Cassavetes, and the Birth of a Jazz Cinema View
Ross Lipman
 
Perfect Beat Vol 15 No. 2 (2014) No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 View
Andrew Wright Hurley
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Sex and the sonic smorgasbord: The Necks—extending the ‘jazz’ piano trio format View
Jane Galbraith
 
Perfect Beat Vol 11 No. 1 (2010) Introduction View
Denis Crowdy, Mark Evans
 
Equinox eBooks Publishing The History of European Jazz 37. Jews and Jewish Music View
Gabriele Coen
 
Popular Music History Vol 10 No. 1 (2015) Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983 View
Ian Trowell
 
Popular Music History Vol 7 No. 3 (2012) ‘Immersed in the conflict’: Mike Westbrook’s Marching Song (1969) and the landscape and soundscape of war View
Duncan Heining
 
Perfect Beat Vol 1 No. 3 (1993) CO-LOCATIONS - AN INTRODUCTION View
Philip Hayward
 
Jazz Research Journal Vol 7 No. 2 (2013) Oscar Peterson’s piano prostheses: Strategies of performance and publicity in the post-stroke phase of his career View
Alex Lubet
 
Perfect Beat Vol 14 No. 1 (2013) The Necks at 25: a changing same? View
Tony Mitchell
 
Journal of World Popular Music Vol 6 No. 1 (2019) Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians View
Ioannis Tsioulakis
 
Journal of World Popular Music Vol 3 No. 1 (2016) Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) View
Tony Mitchell
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Review of Bob Dylan by Keith Negus View
Phil Hardy
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics ‘What to do over the week-end’: Towards an understanding of distraction, advertising and newspaper coverage of the Kansas City jazz scene in the 1930s View
Anthony J. Bushard
 
Perfect Beat Vol 4 No. 3 (1999) STRICTLY BALLROOM The Rumba in Pre-World War Two Japan View
SHUHEI HOSOKAWA
 
Popular Music History Vol 6 No. 3 (2011) The making of a Yugoslav popular music industry View
Dean Vuletic
 
Perfect Beat Vol 3 No. 4 (1998) FLOWING Theories and Taboos in Popular Music Studies View
ANDREW MURPHIE
 
Equinox eBooks Publishing The History of European Jazz 35. Early African American Entertainers View
Rainer Lotz
 
Jazz Research Journal Vol 3 No. 1 (2009) Sampling Kimberly Benston's 'Coltrane Poem' View
Claudine Raynaud
 
Equinox eBooks Publishing Ritual and Democracy 7. Trans-Indigenous Festivals: Democracy and Emplacement View
Graham Harvey
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Living with music: Departures and returns among early New Orleans jazz musicians View
Nicholas Gebhardt
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Christian Scott aTunde Adjuah’s critique of the Danziger Bridge shootings View
James Gordon Williams
 
Jazz Research Journal Vol 2 No. 2 (2008) Attaining unity: Self-reference in the music of John Coltrane View
Marc Medwin
 
Jazz Research Journal Vol 2 No. 2 (2008) John Coltrane View
David Liebman,
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Hellfest: The thing that should not be? Local perceptions and Catholic discourses on metal culture in France View
Gérôme Guibert, Jedediah Sklower
 
Perfect Beat Vol 3 No. 2 (1997) A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen View
MICHAEL WEBB
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television View
Mark Brill
 
Journal of Film Music Vol 7 No. 2 (2014) Swiss Film Music: Anthology 1923–2012 View
Michael Baumgartner
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Wonderbrass: A South Wales jazz collective View
Rob Smith
 
Popular Music History Vol 9 No. 2 (2014) Resource Notes View
Brock Silversides
 
Popular Music History Vol 3 No. 2 (2008) Rock around the clock: The record, the film, and the last historic dance revolt View
Terry Monaghan
 
Journal of World Popular Music Vol 1 No. 2 (2014) Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi View
David Cashman
 
Popular Music History Vol 1 No. 3 (2004) Introduction to the Special Issue View
David Laing
 
Popular Music History Vol 1 No. 3 (2004) Taste-making and trend-spotting: the folk revival journalism of Robert Shelton View
David Laing
 
Perfect Beat Vol 2 No. 4 (1996) THE AMBONESE CONNECTION Lou Casch, Johnny O'Keefe and the Development of Australian Rock and Roll View
PETER COX
 
Perfect Beat Vol 19 No. 2 (2018) An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology View
Gene Shill
 
International Journal for the Study of New Religions Vol 5 No. 1 (2014) Pop Cult: Religion and Popular Music, by Rupert Till. Continuum, 2010. 230pp., Hb. $120.00, ISBN-13: 9780826445926; Pb. $34.95, ISBN-13: 9780826432360. View
Carole M. Cusack
 
Perfect Beat Vol 17 No. 1 (2016) An Interview with Damian Wright: Flamenco and the discourse of World Music in Contemporary Australia View
Brent Keogh
 
Perfect Beat Vol 16 No. 1-2 (2015) Mutiny Music: A Sonic Passage Between Islands View
Joseph Cummins
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Pompey Pop: A case study of a local music archive View
Dave Allen
 
Perfect Beat Vol 1 No. 3 (1993) SMASHING THE SILENCE A review of With Open Eyes - The First National Aboriginal and Torres Strait Islander Contemporary Women's Music Festival View
Jilli Streit-Warburton
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Book review of In Search of the Blues: Black Voices, White Visions by Marybeth Hamilton View
Dave Laing
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) View
Tom Sykes
 
Perfect Beat Vol 4 No. 1 (1998) Editorial View
PHILIP HAYWARD, MARK EVANS
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) View
Nick Prior
 
Journal of World Popular Music Vol 4 No. 1 (2017) Museum Review: Rock Museum, Budapest, Hungary View
Emília Barna
 
Perfect Beat Vol 16 No. 1-2 (2015) Introduction View
Shelley Brunt, Oli Wilson
 
Perfect Beat Vol 2 No. 3 (1995) RECOGNITION & ROOTS The contribution of musicians from the Indonesian archipelago to the development of popular music culture in the Netherlands View
LUTGARD MUTSAERS
 
Journal of World Popular Music Vol 3 No. 1 (2016) Gender, Popular Music and Australian Identity: Introduction to Special Issue View
Catherine Strong
 
Popular Music History Vol 3 No. 3 (2008) Ghana and the World Music Boom View
John Collins
 
Popular Music History Vol 1 No. 3 (2004) Critical negotiations: rock criticism in the Nordic countries View
Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) View
Timothy Koozin
 
Equinox eBooks Publishing Ritual and Democracy Index View
Sarah Pike, Jone Salomonsen, Paul-Francois Tremlett
 
Perfect Beat Vol 13 No. 2 (2012) Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians View
Barry Hill, Jon Fitzgerald
 
Journal of World Popular Music Vol 2 No. 2 (2015) World Music, World Circuit: In Conversation with Nick Gold View
Simone Krüger
 
Popular Music History Vol 3 No. 3 (2008) Traditional music and the World Music marketplace: A producer’s experience View
Joe Boyd,
 
Perfect Beat Vol 19 No. 1 (2018) Super Smash Covers! Performance and audience engagement in Australian videogame music cover bands View
Sebastian Diaz-Gasca
 
Perfect Beat Vol 19 No. 1 (2018) Michael Austin, ed. 2016. Music Video Games: Performance, Politics, and Play View
Sebastian Diaz-Gasca
 
Journal of World Popular Music Vol 1 No. 1 (2014) Our Stories, From Us, The “They”: Nick Gold talks to Lucy Durán about the Making of Buena Vista Social Club View
Lucy Durán
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Voices of Sheila: Resignification in Filmic and Non-filmic Contexts View
Nina Menezes
 
Popular Music History Vol 10 No. 3 (2015) ‘How Belfast got the blues’: Towards an alternative history View
Noel McLaughlin, Joanna Braniff
 
Journal of World Popular Music Vol 1 No. 1 (2014) Editors’ Introduction to Inaugural Issue View
Simone Krüger, Sarah Baker
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The meaning of the music venue: Historicizing the Click Club View
Paul Long, Sarah Raine
 
Popular Music History Vol 8 No. 3 (2013) Georgina Gregory. Send in the Clones. Sheffield: Equinox, 2012. 172pp. £16.99. ISBN 978-1-84553-245-1 (paperback). View
Sarah Davis
 
Perfect Beat Vol 3 No. 4 (1998) EMBODIED ACAPPELLA The Experience of Singing a Displaced Eclectic Repertoire View
JULIE RICKWOOD
 
Perfect Beat Vol 3 No. 2 (1997) INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA View
DAVID GOLDSWORTHY
 
Perfect Beat Vol 18 No. 2 (2017) Playing bluegrass in Australia across country and folk scenes View
Miriam Amy Jones
 
Journal of Film Music Vol 6 No. 2 (2013) The Barry Gray Archive View
François Evans
 
Perfect Beat Vol 3 No. 4 (1998) CREATIVITY AND INDEPENDENCE Sanguma, Music Education and the development of the PNG Contemporary style View
DENNIS CROWDY
 
Popular Music History Vol 1 No. 1 (2004) A Question of Standards: "My Funny Valentine" and Musical Intertextuality View
Alan Stanbridge
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music From locality to translocality and cosmopolitanism: The rise of the Debrecen alternative–DIY scene View
Zsolt Győri
 
Popular Music History Vol 10 No. 1 (2015) The contrasting soundscapes of Hull and London in David Bowie’s Ziggy Stardust and the Spiders from Mars View
Peter Atkinson
 
Perfect Beat Vol 15 No. 2 (2014) ‘Lookin, searchin, seekin, findin’: A new beat View
Shelley Brunt, Oli Wilson, Catherine Strong
 
Perfect Beat Vol 8 No. 3 (2007) GORE GOLD GUITARS The Place of Country in New Zealand View
DAN BENDRUPS, HENRY JOHNSON
 
Perfect Beat Vol 3 No. 2 (1997) DISPLACED ACAPPELLA The Bulgarian Choral Tradition and Sydney's Martenitsa Choir View
ALEX GIBB, MEAGAN LOADER
 
Perfect Beat Vol 2 No. 1 (1994) TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne View
ROBIN RYAN
 
Popular Music History Vol 3 No. 3 (2008) World Music and the global music industry View
Dave Laing
 
Perfect Beat Vol 14 No. 2 (2013) ‘Suck more piss’: how the confluence of key Melbourne-based audiences, musicians, and iconic scene spaces informed the Oz rock identity View
Paul Oldham
 
Perfect Beat Vol 12 No. 1 (2011) Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study View
Manolete Mora
 
Journal of World Popular Music Vol 2 No. 2 (2015) Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) View
Tony Mitchell
 
Perfect Beat Vol 4 No. 4 (2000) HULA HALAU IN TOKYO A Case Study of Hula Schools View
YOKO KUROKAWA
 
Popular Music History Vol 9 No. 2 (2014) To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ View
Kathryn Hill
 
Perfect Beat Vol 8 No. 4 (2008) TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture View
Philip Hayward, SUEO KUWAHARA
 
Perfect Beat Vol 4 No. 4 (2000) BLURRING BOUNDARIES BETWEEN RESTRICTED AND UNRESTRICTED PERFORMANCE A Case Study of the Ngadirdji of Yanyuwa Women in Borroloola View
ELIZABETH MACKINLAY
 
Perfect Beat Vol 1 No. 1 (1992) WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA View
Tony Mitchell
 
Journal of World Popular Music Vol 2 No. 1 (2015) Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) View
Duncan Wheeler
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Sara Cohen, Robert Knifton, Marion Leonard and Les Roberts, eds. 2015. Sites of Popular Music Heritage: Memories, Histories, Places. New York and London: Routledge. 267pp. ISBN 978-0-41582-4-507 (hbk) View
Antti-Ville Kärjä
 
Perfect Beat Vol 1 No. 1 (1992) CASH, CHORDS, CHAOS AND HYPE Writing Rock History - Accounts of The Sex Pistols and their role in the Seventies' New Wave View
Philip Hayward
 
Popular Music History Vol 4 No. 2 (2009) Compost city: underground music, collapsoscapes and urban regeneration View
Greg Keeffe
 
Perfect Beat Vol 10 No. 2 (2009) Imagining Okinawa: Japanese pop musicians and Okinawan music View
Matt Gillan
 
Perfect Beat Vol 17 No. 1 (2016) Robin Ryan in conversation with Mark Cain: Kernels of Discovery: Original musical instruments and acoustic sound designs View
Robin Ann Ryan, Mark Bradley Cain
 
Popular Music History Vol 10 No. 1 (2015) Manpool, the musical: Harmony and counterpoint on the Lancashire Plain View
Richard Witts
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music From South to East: Exoticism in Polish popular music of the state socialist period View
Ewa Mazierska
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s The Industrial Soundscape between Fiction and Documentary Film in Italy’s Long 1960s View
Alessandro Cecchi
 
Journal for the Study of Religion, Nature and Culture Vol 13 No. 3 (2019) At Home in the Big Empty: Burning Man and the Playa Sublime View
Graham St John
 
Perfect Beat Vol 8 No. 3 (2007) AOTEAROA SONGLINES View
TONY MITCHELL
 
Perfect Beat Vol 11 No. 2 (2010) Governmental as anything: live music and law and order in Melbourne View
Shane Homan
 
Perfect Beat Vol 4 No. 3 (1999) GUMLEAF PLAYING COMPETITIONS Aboriginal and Non-Aboriginal Performance Styles and Socio-Cultural Contexts View
ROBIN RYAN
 
Popular Music History Vol 4 No. 2 (2009) Low-frequency noise and urban space View
Bruce Johnson
 
Perfect Beat Vol 19 No. 1 (2018) Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] View
Brent Keogh
 
Perfect Beat Vol 1 No. 2 (1993) BLACK ROCK AND BROOME: MUSICAL AND CULTURAL SPECIFICITIES View
Chris Lawe Davies
 
Perfect Beat Vol 1 No. 2 (1993) THREE DECADES OF AUSTRALIAN POPULAR MUSIC View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. View
Tony Mitchell
 
Perfect Beat Vol 1 No. 2 (1993) Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin View
Marcus Breen
 
Perfect Beat Vol 1 No. 2 (1993) Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP View
Roderick Nielsen
 
Perfect Beat Vol 1 No. 2 (1993) Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. View
Carolyn Craig
 
Perfect Beat Vol 18 No. 2 (2017) In Melbourne tonight: Pop/rock histories and futures View
Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt
 
Popular Music History Vol 2 No. 2 (2007) Allusion and Influence in Elvis Costello View
Dai Griffiths
 
Perfect Beat Vol 9 No. 1 (2008) REGULATION WITHOUT REPRESENTATION NSW Live Music Policy 1992–2008 View
David Panichi
 
Perfect Beat Vol 2 No. 1 (1994) Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. View
JULIA KNIGHT
 
Perfect Beat Vol 2 No. 1 (1994) Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 1 (1994) Carlo Branzaglia, Pierfrancesco Pacoda and Alba Solaro (1992) Posse ita/iane: centri sociali, unde rgrowid musicale e cultura giovanile degli anni '90 in Italia View
TONY MITCHELL
 
Perfect Beat Vol 2 No. 1 (1994) Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 1 (1994) Gray, A and McGuigan, J (eds) (1993) Studying Culture- an introductory reader, London: Edward Arnold. View
COLIN MCLEAY
 
Perfect Beat Vol 2 No. 1 (1994) Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press View
KEITH NEGUS
 
Journal of World Popular Music Vol 3 No. 1 (2016) Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television View
Liz Giuffre
 
Popular Music History Vol 13 No. 3 (2020) A sonic step closer: Master-tape preservation at the Alexander Turnbull Library View
Michael Brown
 
Comparative Islamic Studies Vol 13 No. 1-2 (2017) Special Issue: Iranian Cosmopolitanism Hollywood Cosmopolitanisms and the Occult Resonance of Cinema View
Alireza Doostdar
 
Perfect Beat Vol 1 No. 4 (1994) FLYING IN THE FACE OF FASHION: Independent Music in New Zealand View
Tony Mitchell
 
Journal of Film Music Vol 4 No. 2 (2011) Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* View
Jörg Jewanski
 
Perfect Beat Vol 2 No. 3 (1995) ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop View
ROSS HARLEY
 
Perfect Beat Vol 2 No. 3 (1995) NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene View
TONY MITCHELL
 
Journal of Contemporary Archaeology Vol 6 No. 2 (2019) Archaeology, Heritage and Performance in the Perth Popular Music Scene View
Sean Winter, B'geella Romano
 
Popular Music History Vol 4 No. 2 (2009) Popular music, mapping, and the characterization of Liverpool View
Brett Lashua, Sara Cohen, John Schofield
 
Popular Music History Vol 10 No. 3 (2015) ‘Only one can rule the night’: Fairs and music in post-1945 Britain View
Ian Trowell
 
Journal of World Popular Music Vol 3 No. 2 (2016) Voodoo Threads: The Cultural Trajectory of Dr. John’s ‘I Walk on Gilded Splinters’ View
Philip Hayward, Matt Hill
 
Journal of World Popular Music Vol 2 No. 1 (2015) Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) View
Yona Stamatis
 
Popular Music History Vol 4 No. 2 (2009) Gigographies: where popular musicians play View
Dave Laing
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Black metal: Stone Vengeance sing the thrash metal blues View
Kevin Fellezs
 
Fieldwork in Religion Vol 14 No. 1 (2019) Exploring the Sacredness of Urban Spaces through Material Traces View
Mujde Bideci
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Nine lives in the music business: Reg Dwight and Elton John in the 1960s View
Dave Laing
 
Popular Music History Vol 1 No. 1 (2004) Histories and complexities: Popular Music History Writing and Danish Rock View
Morten Michelsen
 
Perfect Beat Vol 4 No. 4 (2000) WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries View
MASAHIRO YASUDA
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Archival Activism: Deciphering State-Sanctioned Histories and Reporting of Canadian Hip Hop View
Mark V. Campbell, Maya Stitski
 
Journal of Film Music Vol 6 No. 2 (2013) Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops View
Emilio Audissino
 
Popular Music History Vol 4 No. 1 (2009) Discovering authenticity? Harry Smith's Anthology of American Folk Music View
Rory Crutchfield
 
Perfect Beat Vol 17 No. 2 (2016) On Hillsong’s continued reign over the Australian contemporary congregational song genre View
Daniel Thornton
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Setting the Tone of the Southern Question: Music and/as Fatalism in Italian Cinema of the Economic Miracle View
Maurizio Corbella
 
Perfect Beat Vol 4 No. 1 (1998) AFTER THE LAW Sydney's Phoenician Club, the New South Wales Premier and the death of Anna Wood View
SHANE HOMAN
 
Perfect Beat Vol 10 No. 2 (2009) Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand View
Tony Mitchell
 
Perfect Beat Vol 3 No. 2 (1997) AUSTRALIA'S NATIONAL INSTRUMENT? View
BRUCE JOHNSON
 
Perfect Beat Vol 3 No. 2 (1997) BACK EAST - The Blue Diamonds' Indonesian Tours View
LUTGARD MUTSAERS
 
Perfect Beat Vol 3 No. 2 (1997) UKULELES, GUITARS OR GUMLEAVES? Hula Dancing and Southeastern Australian Aboriginal Performers in the 1920s and 1930s View
ROBIN RYAN
 
Journal for the Academic Study of Religion Vol 23 No. 2 (2010) ‘I’ve Got a Spirit Coming through Me': Music as Hierophany and Musicians as Shamans View
Mark Jennings
 
Popular Music History Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation Supplementing a typology of curation: Learning from George Harrison and Indian music View
Michael Lewis Jones
 
Perfect Beat Vol 12 No. 2 (2011) Ideology and the performance of Chineseness: Hong Kong singers on the CCTV stage View
Lauren Gorfinkel
 
Perfect Beat Vol 12 No. 1 (2011) Malaysian composers, geopolitical spaces and cultural difference View
Jonas Ureta Baes
 
Perfect Beat Vol 3 No. 4 (1998) DOMESTIC EXOTICISM A recent trend in Japanese popular music View
TORU MITSUI
 
Perfect Beat Vol 2 No. 4 (1996) DOWN INTO THE FIRE A Case Study of a Popular Music Recording Session View
JON FITZGERALD
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) ‘On the programme tonight’: The Old Grey Whistle Test as tastemaker for British AOR audiences in the early 1970s View
Andy Bennett
 
Popular Music History Vol 4 No. 1 (2009) Historical approaches to Merseybeat: delivery, affinity and diversity View
Ian Inglis
 
Popular Music History Vol 4 No. 2 (2009) Nowhere man: urban life and the virtualization of popular music View
Paul Graves-Brown
 
Journal of Contemporary Archaeology Vol 6 No. 1 (2019) Special Issue: Futurity, Time, and Archaeology Detroit 139: Archaeology and the Future-Making of a Post- Industrial City View
Krysta Ryzewski
 
Popular Music History Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation Continuity and change in popular music curation: Exhibiting the musical past in Liverpool View
Sara Cohen
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The lost musical histories of Merthyr Tydfil View
Paul Carr
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) Walking Widdershins View
Wendy Griffin
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) Playing Croquet with Hedgehogs: (Still) Becoming a Scholar of Paganism and Animism View
Graham Harvey
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) An Outsider Inside: Becoming a Scholar of Contemporary Paganism View
Helen A. Berger
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) The Owl, the Dragon and the Magician: Reflections on Being an Anthropologist Studying Magic View
Susan Greenwood
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) The Old Pomegranate and the New View
Fritz Muntean
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) The Academy, the Otherworld and Between View
Kathryn Rountree
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) Making the Strange Familiar View
Sarah M. Pike
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) Reflecting on Studying Wicca from within the Academy and the Craft: An Autobiographical Perspective View
Melissa Harrington
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) Navigating Academia and Spirituality from a Pagan Perspective View
Michael York
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) Pagan(ish) Senses and Sensibilities View
Adrian Ivakhiv
 
Pomegranate: The International Journal of Pagan Studies Vol 17 No. 1-2 (2015) The Pagan Studies Archipelago: Pagan Studies in a Cosmopolitan World. View
Douglas Ezzy
 
Popular Music History Vol 2 No. 1 (2007) April 2007 BBC rock music programming on radio and television and the progressive rock audience, 1967–1973 View
David Simonelli
 
Popular Music History Vol 4 No. 3 (2009) The end of the revival: the folk aesthetic and its ‘mutation’ View
Allan Moore
 
Popular Music History Vol 7 No. 3 (2012) Needle Time: The BBC, the Musicians’ Union, popular music, and the reform of radio in the 1960s. View
Richard Witts
 
Journal of World Popular Music Vol 4 No. 2 (2017) “Argentina is cumbia”: Sociocultural Trajectories of Young “Cumbieros” in Urban Peripheries View
Malvina Silba
 
Journal of World Popular Music Vol 6 No. 2 (2019) Keynote: Party Music, Affect and the Politics of Modernity View
Jocelyne Guilbault
 
Perfect Beat Vol 4 No. 4 (2000) TWO PAULINES TO CHOOSE FROM An interview with Simon Hunt/Pauline Pantsdown View
SIMON HUNT, JON STRATTON
 
Bulletin for the Study of Religion Vol 42 No. 4 (2013) Bulletin for the Study of Religion From Greek ruins to a Child's Mind: A Research Oddyssey of Sorts. Interview with Armin W. Geertz View
Kirstine Munk, Armin W. Geertz
 
Journal for the Study of Religion, Nature and Culture Vol 6 No. 2 (2012) When Nature is Rats and Roaches: Religious Eco-Justice Activism in Newark, NJ View
Matthew B. Immergut, Laurel D. Kearns
 
Journal of World Popular Music Vol 2 No. 1 (2015) World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices View
Diane Hughes, Sarah Keith
 
Journal of World Popular Music Vol 4 No. 2 (2017) “Tomorrow never knows”: The Influence of the Beatles’ Music in Brazil View
Gustavo Alonso
 
Popular Music History Vol 8 No. 1 (2013) A mysterious music in the air: cultural origins of the loudspeaker View
Kyle Devine
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Singing a Life in Bondage: Black Vocality and Subjectivity in 12 Years a Slave View
Gianpaolo Chiriacò
 
Implicit Religion Vol 16 No. 3 (2013) “I Really Don’t Do It For The Spirituality”: How Often Do Belly Dancers Infuse Artistic Leisure with Spiritual Meaning? View
Rachel Kraus
 
Popular Music History Vol 2 No. 2 (2007) Constructing histories through material culture: Popular Music, Museums and Collecting View
Marion Leonard
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) 'I want you to support local metal': A theory of metal scene formation View
Jeremy Wallach, Alexandra Levine
 
Popular Music History Vol 8 No. 2 (2013) Bob Dylan: the politics of influence View
Gary Browning
 
Journal of Film Music Vol 5 No. 1-2 (2012) Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema View
Tobias Plebuch
 
Perfect Beat Vol 13 No. 2 (2012) Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music View
Qian Wang
 
Perfect Beat Vol 13 No. 2 (2012) Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music View
Qian Wang
 
Perfect Beat Vol 1 No. 4 (1994) WHAT THE AIR WAS LIKE UP THERE: Overseas Music and Local Reception in the 1960s MICHAEL FLINT View
Michael Flint
 
Journal of World Popular Music Vol 1 No. 2 (2014) The Cultural and Gender Politics of Enunciation: Locating the Singer-Songwriter within and beyond Male Anglo-American Contexts View
Duncan Wheeler, Lucy O'Brien
 
Popular Music History Vol 10 No. 1 (2015) Hashtag 0161: Did Bugzy Malone put Manny on the map? View
Kamila Rymajdo
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music ‘My life is new wave’: Poland, Yugoslav new wave and the transnational sense of connectedness in the early 1980s View
Zlatko Jovanovic
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK They preferred to sit on the floor: Rock music in South Wales at a time of industrial change View
Mike Jones
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history View
Toby Martin
 
Popular Music History Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation Scene and heard: Collecting the Dunedin Sound View
Amanda Patricia Mills
 
Popular Music History Vol 3 No. 1 (2008) The Liverpool sounds project: Oral history research at the IPM View
Dave Laing
 
Perfect Beat Vol 4 No. 4 (2000) DON'T LIKE IT Pauline Pantsdown and the Politics of the Inauthentic View
JON STRATTON
 
Popular Music History Vol 9 No. 3 (2014) Hucklebucking at the tea dances: Irish showbands in Britain, 1959–1969 View
Rebecca S. Miller
 
Implicit Religion Vol 19 No. 2 (2016) What American College Students Want from Religion: Facebookismanity, Lucid Dreaming, and Bodhisattva Tupac Shakur View
Kevin Matthew Taylor
 
Journal of Film Music Vol 6 No. 1 (2013) Modal Interchange and Semantic Resonance in Themes by John Williams View
Tom Schneller
 
Journal of World Popular Music Vol 2 No. 2 (2015) Le Mystère de Marcel Cellier: Transfer Processes in Early World Music View
Britta Sweers
 
Gender and Language Vol 12 No. 3 (2018) ‘She don’t need no help’: deconsolidating gender, sex and sexuality in New Orleans bounce music View
Christina Schoux Casey, Maeve Eberhardt
 
Journal of Film Music Vol 2 No. 1 (2007) “Stanley Hates This But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey View
Paul A. Merkley, FRSC
 
International Journal of Speech Language and the Law Vol 26 No. 2 (2019) Who owns your voice? Linguistic and legal perspectives on the relationship between vocal distinctiveness and the rights of the individual speaker View
Dominic Watt, Peter S. Harrison, Lily Cabot-King
 
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