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Journal Issue Title
 
Perfect Beat Vol 14 No. 2 (2013) ‘Suck more piss’: how the confluence of key Melbourne-based audiences, musicians, and iconic scene spaces informed the Oz rock identity View
Paul Oldham
 
Journal of World Popular Music Vol 2 No. 2 (2015) Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) View
Tony Mitchell
 
Perfect Beat Vol 4 No. 4 (2000) HULA HALAU IN TOKYO A Case Study of Hula Schools View
YOKO KUROKAWA
 
Popular Music History Vol 9 No. 2 (2014) To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ View
Kathryn Hill
 
Perfect Beat Vol 8 No. 4 (2008) TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture View
Philip Hayward, SUEO KUWAHARA
 
Perfect Beat Vol 4 No. 4 (2000) BLURRING BOUNDARIES BETWEEN RESTRICTED AND UNRESTRICTED PERFORMANCE A Case Study of the Ngadirdji of Yanyuwa Women in Borroloola View
ELIZABETH MACKINLAY
 
Perfect Beat Vol 1 No. 1 (1992) CASH, CHORDS, CHAOS AND HYPE Writing Rock History - Accounts of The Sex Pistols and their role in the Seventies' New Wave View
Philip Hayward
 
Perfect Beat Vol 1 No. 1 (1992) WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA View
Tony Mitchell
 
Journal of World Popular Music Vol 2 No. 1 (2015) Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) View
Duncan Wheeler
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Sara Cohen, Robert Knifton, Marion Leonard and Les Roberts, eds. 2015. Sites of Popular Music Heritage: Memories, Histories, Places. New York and London: Routledge. 267pp. ISBN 978-0-41582-4-507 (hbk) View
Antti-Ville Kärjä
 
Popular Music History Vol 4 No. 2 (2009) Compost city: underground music, collapsoscapes and urban regeneration View
Greg Keeffe
 
Popular Music History Vol 10 No. 1 (2015) Manpool, the musical: Harmony and counterpoint on the Lancashire Plain View
Richard Witts
 
Perfect Beat Vol 10 No. 2 (2009) Imagining Okinawa: Japanese pop musicians and Okinawan music View
Matt Gillan
 
Perfect Beat Vol 17 No. 1 (2016) Robin Ryan in conversation with Mark Cain: Kernels of Discovery: Original musical instruments and acoustic sound designs View
Robin Ann Ryan, Mark Bradley Cain
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s The Industrial Soundscape between Fiction and Documentary Film in Italy’s Long 1960s View
Alessandro Cecchi
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music From South to East: Exoticism in Polish popular music of the state socialist period View
Ewa Mazierska
 
Perfect Beat Vol 1 No. 2 (1993) BLACK ROCK AND BROOME: MUSICAL AND CULTURAL SPECIFICITIES View
Chris Lawe Davies
 
Perfect Beat Vol 1 No. 2 (1993) THREE DECADES OF AUSTRALIAN POPULAR MUSIC View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. View
Tony Mitchell
 
Perfect Beat Vol 1 No. 2 (1993) Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin View
Marcus Breen
 
Perfect Beat Vol 1 No. 2 (1993) Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP View
Roderick Nielsen
 
Perfect Beat Vol 1 No. 2 (1993) Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. View
Carolyn Craig
 
Perfect Beat Vol 11 No. 2 (2010) Governmental as anything: live music and law and order in Melbourne View
Shane Homan
 
Perfect Beat Vol 4 No. 3 (1999) GUMLEAF PLAYING COMPETITIONS Aboriginal and Non-Aboriginal Performance Styles and Socio-Cultural Contexts View
ROBIN RYAN
 
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