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Journal Issue Title
 
Popular Music History Vol 5 No. 2 (2010) Traditional jazz and the mainstreaming of authenticity: The case of British traddy pop (1959–1963)— a grounded theory approach View
Richard Ekins
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Collectives, a socio-economic, political and aesthetic phenomenon: The example of the Association à la Recherche d'un Folklore Imaginaire View
Chloé Meyzie
 
Jazz Research Journal Vol 11 No. 2 (2017) Bernie McGann and Bundeena: Mythologizing an Austral jazz icon View
Andrew Robson
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics What can everyday aesthetics teach us about jazz practice? View
Michael Fletcher
 
Jazz Research Journal Vol 11 No. 1 (2017) Edward W. Sarath, Improvisation, Creativity, and Consciousness: Jazz as Integral Template for Music, Educa- tion, and Society. Albany, NY: State University of New York Press, 2013. xi + 488 pp. ISBN 978-1-4384-4721-6 (hbk). $95.00/£73.70 View
David Borgo
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Ett minne för livet: A Swedish music collective View
Alf Arvidsson, Jörgen Adolfsson
 
Jazz Research Journal Vol 6 No. 1 (2012) Sam Rivers: jazz’s forgotten man View
John G. Rodwan, Jr.
 
Jazz Research Journal Vol 8 No. 1-2 (2014) The lost history of jazz on early Australian popular music television View
Liz Giuffre
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Making ourselves heard: From a ‘Field of Dreams’ to building a collective voice View
Petter Frost Fadnes
 
Jazz Research Journal Vol 11 No. 1 (2017) Place and imagined community in jazz View
Elina Hytönen-Ng
 
Jazz Research Journal Vol 7 No. 1 (2013) ‘We’ve got a gig in Poland!’: Britain and jazz in World War II View
Will Studdert
 
Jazz Research Journal Vol 11 No. 1 (2017) Early New Orleans band photography View
Alan John Ainsworth
 
Journal of World Popular Music Vol 1 No. 1 (2014) Steven Feld. 2012. Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham and London: Duke University Press. 328 pp. ISBN 978-0-8223-5162-7 (pbk) View
Tony Mitchell
 
Journal of World Popular Music Vol 4 No. 2 (2017) Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil View
Berenice Corti, Luciana Xavier de Oliveira
 
Popular Music History Vol 11 No. 2 (2016) ‘Black Bob’: His B-flat Bombardon and the Yorkshire Jazz Band View
Val Wilmer
 
Journal of Film Music Vol 2 No. 2-4 (2009) Mingus, Cassavetes, and the Birth of a Jazz Cinema View
Ross Lipman
 
Perfect Beat Vol 15 No. 2 (2014) No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 View
Andrew Wright Hurley
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Sex and the sonic smorgasbord: The Necks—extending the ‘jazz’ piano trio format View
Jane Galbraith
 
Perfect Beat Vol 11 No. 1 (2010) Introduction View
Denis Crowdy, Mark Evans
 
Equinox eBooks Publishing The History of European Jazz 37. Jews and Jewish Music View
Gabriele Coen
 
Popular Music History Vol 7 No. 3 (2012) ‘Immersed in the conflict’: Mike Westbrook’s Marching Song (1969) and the landscape and soundscape of war View
Duncan Heining
 
Popular Music History Vol 10 No. 1 (2015) Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983 View
Ian Trowell
 
Jazz Research Journal Vol 7 No. 2 (2013) Oscar Peterson’s piano prostheses: Strategies of performance and publicity in the post-stroke phase of his career View
Alex Lubet
 
Perfect Beat Vol 1 No. 3 (1993) CO-LOCATIONS - AN INTRODUCTION View
Philip Hayward
 
Perfect Beat Vol 14 No. 1 (2013) The Necks at 25: a changing same? View
Tony Mitchell
 
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