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Journal | Issue | Title | |
Jazz Research Journal | Vol 3 No. 2 (2009) | New Jazz Histories | View |
Catherine Tackley, Tony Whyton | |||
The History of European Jazz | View | ||
Francesco Martinelli, Alyn Shipton, Duncan Heining, George McKay, Selwyn Harris, Michael Heffley, Gabriele Coen, Michael Dregni, Rainer Lotz, Xavier Prevost, Cormac Larkin, Martin Pfleiderer, Bert Vuijsje, Jean-Pol Schroeder, Marc Demuth, Tore Mortensen, Lars Westin, Juha Henriksson, Bjorn Stendahl, Vernhardur Linnet, Krystian Brodacki, Yvetta Kajanova, Gabor Turi, Andreas Felber, Bruno Spoerri, Cyril Moshkow, Dmitri Podberezsky, Alexander Yudin, Chema Martinez, Rui Eduardo Paes, Indrikis Veitners, Ruta Skudiene, Tiit Lauk, Sakis Papadimitriou, Mike Mazur, Virgil Mihaiu, Vladimir Gadjev, Hulya Tuncag, Rain Sultanov, Armen Manukian, Halina Maria Boniszewska, Pedro Cravinho, Jan Bruer, Måns Wallgren, Iço Vidmar, Eleni Novakovska, Edin Zubčević | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Jazz in Brazil: An Early History (1920s-1950s) | View |
Anaïs Fléchet | |||
Jazz Research Journal | Vol 4 No. 1 (2010) | On jazz, memory and history: A response to Alyn Shipton | View |
Nicholas Gebhardt | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | The lost history of jazz on early Australian popular music television | View |
Liz Giuffre | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Towards a history of jazz in Greece in the interwar era | View |
Panagiota Anagnostou | |||
Jazz Research Journal | Vol 3 No. 2 (2009) | New jazz histories: Can a reconciliation of widely differing source material offer new opportunities for the jazz historian? | View |
Alyn Shipton | |||
Jazz Research Journal | Vol 9 No. 1 (2015) | Wail: The Life of Bud Powell, and The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop | View |
Pierre-Emmanuel Seguin | |||
Jazz Research Journal | Vol 9 No. 1 (2015) | Bruce Epperson, More Important than the Music: A History of Jazz Discography. Chicago: University of Chicago Press, 2013. xvi + 284 pp. ISBN 978-0-226- 06753-7 (hbk). $45.00 | View |
Maristella Feustle | |||
Equinox eBooks Publishing | The History of European Jazz | 40. Festivals | View |
George McKay | |||
Equinox eBooks Publishing | The History of European Jazz | 27. Lithuania | View |
Ruta Skudiene | |||
Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Is jazz popular music? | View |
Simon Frith | |||
Philip Larkin | View | ||
Ian Smith | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Grappling with Grappelli: Contemporary jazz violin pedagogy and the legacy of gypsy jazz | View |
Tom Sykes, Ari Poutiainen | |||
Jazz on BBC Radio 1922-1972 | View | ||
Tim Wall | |||
Jazz Research Journal | Vol 3 No. 2 (2009) | Jazz Britannia: mediating the story of British jazz on television | View |
Tim Wall, Paul Long | |||
Song for Someone: The Musical Life of Kenny Wheeler | View | ||
Brian Shaw, Nick Smart | |||
Kansas City Jazz | View | ||
Con Chapman | |||
Jazz Research Journal | Vol 4 No. 2 (2010) | ‘Down with bebop—viva swing!’: Swing Club and the meaning of jazz in late 1940s Estonia | View |
Heli Reimann | |||
Eberhard Weber | View | ||
Eberhard Weber, Heidi Kirk | |||
Jazz Research Journal | Vol 1 No. 2 (2007) | Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” | View |
Michael W. Morse | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Cuba Street parade: Identity, authenticity and self-expression in contemporary Australasian jazz scenes | View |
Nick Tipping | |||
Out of the Long Dark | View | ||
Alyn Shipton | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Extended play: A history of listenings | View |
Sarah Raine | |||
Equinox eBooks Publishing | The History of European Jazz | European Jazz: Stories that Needed to be Told | View |
Francesco Martinelli | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century | View |
Helen Vera Southall | |||
Jazz Research Journal | (0) ADVANCE ACCESS TO FORTHCOMING ARTICLES | ‘No radical critique ever comes from the centre’: Interview with Professor Bruce Johnson | View |
Adam Havas | |||
Jazz Research Journal | Vol 4 No. 2 (2010) | Jazz in Kuala Lumpur | View |
Gisa Jähnichen | |||
Handful of Keys | View | ||
Alyn Shipton | |||
Equinox eBooks Publishing | The History of European Jazz | Subject Index | View |
Francesco Martinelli | |||
Jazz Me Blues | View | ||
Chris Barber, Alyn Shipton | |||
Trad Dads, Dirty Boppers and Free Fusioneers | View | ||
Duncan Heining | |||
Equinox eBooks Publishing | The History of European Jazz | Series Editor's Note | View |
Alyn Shipton | |||
Popular Music History | Vol 7 No. 3 (2012) | ‘Immersed in the conflict’: Mike Westbrook’s Marching Song (1969) and the landscape and soundscape of war | View |
Duncan Heining | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Rhythm Clubs, record series, and the everyday connoisseurship of ‘hot rhythm’ records in interwar Britain | View |
Lawrence Davies | |||
Komeda | View | ||
Magdalena Grzebałkowska, Halina Maria Boniszewska | |||
Equinox eBooks Publishing | The History of European Jazz | Index of Works | View |
Francesco Martinelli | |||
Popular Music History | Vol 7 No. 3 (2012) | “Masters of our own destiny”: cultures of preservation at the Victorian Jazz Archive in Melbourne, Australia | View |
Sarah Baker, Alison Huber | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Material and Expositional Frames in BBC Arena ’s Visual Jazz Jukebox | View |
Will Finch | |||
This is Hip | View | ||
Peter Jones | |||
Jazz Research Journal | Vol 9 No. 1 (2015) | The jazz storyteller: Improvisers’ perspectives on music and narrative | View |
Sven Bjerstedt | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | ‘The revolution never ended’: The cultural politics of a creative-music collective in New York City | View |
Scott Currie | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Paulo Moura’s Hepteto and Quarteto: ‘Sambajazz’ as ‘Brazilogical popular instrumental improvised music’ | View |
Clifford Hill Korman | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED | View |
Kimberly Hannon Teal | |||
Bill Russell and the New Orleans Jazz Revival | View | ||
Ray Smith, Mike Pointon, Alfred E. Lemmon, George Avakian, William F. Wagner | |||
Equinox eBooks Publishing | Jazz on BBC Radio 1922-1972 | Jazz and the Birth of the BBC, 1922-1932 | View |
Tim Wall | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Historical overview of the development of jazz in Portugal, in the first half of the twentieth century | View |
Pedro Cravinho | |||
Equinox eBooks Publishing | Jazz on BBC Radio 1922-1972 | The BBC and New British Jazz, 1965-1972 | View |
Tim Wall | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Expressive identity in the voices of three Australian saxophonists: McGann, Sanders and Gorman | View |
Sandy Evans | |||
Jazz Research Journal | Vol 6 No. 2 (2012) | Do you know what it means to miss New Orleans? Historical metaphors and mythical realities in Spike Lee’s When the Levees Broke | View |
Nicholas Gebhardt | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Examining the legend and music of Australian saxophonist, Frank Smith | View |
Ralph Whiteoak | |||
Equinox eBooks Publishing | Jazz on BBC Radio 1922-1972 | Presenting Ellington and Recorded Jazz, 1933-1942 | View |
Tim Wall | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Lydia in Oz: The reception of George Russell in 1960s Australia | View |
Pierre-Emmanuel Seguin | |||
Equinox eBooks Publishing | Kansas City Jazz | Epigraph | View |
Con Chapman | |||
Equinox eBooks Publishing | Kansas City Jazz | Roots in Ragtime Minstrel and Medicine Shows | View |
Con Chapman | |||
Equinox eBooks Publishing | Kansas City Jazz | The Blue Devils: From Tuba to Bull Fiddle | View |
Con Chapman | |||
Equinox eBooks Publishing | Kansas City Jazz | The Territory Bands | View |
Con Chapman | |||
Equinox eBooks Publishing | Kansas City Jazz | The Cultural Roots of Riffs and Jam Sessions | View |
Con Chapman | |||
Equinox eBooks Publishing | Kansas City Jazz | Bennie Moten: From Stomps to Swing | View |
Con Chapman | |||
Equinox eBooks Publishing | Kansas City Jazz | Boogie-Woogie | View |
Con Chapman | |||
Equinox eBooks Publishing | Kansas City Jazz | A Count and a President | View |
Con Chapman | |||
Equinox eBooks Publishing | Kansas City Jazz | The Rhythm Section | View |
Con Chapman | |||
Equinox eBooks Publishing | Kansas City Jazz | The Shouters | View |
Con Chapman | |||
Equinox eBooks Publishing | Kansas City Jazz | Coleman Hawkins/ Ben Webster/ Don Byas: The Tenors Who Got Away | View |
Con Chapman | |||
Equinox eBooks Publishing | Kansas City Jazz | Andy Kirk and the Lady Who Swings the Band | View |
Con Chapman | |||
Equinox eBooks Publishing | Kansas City Jazz | Harlan Leonard and His Rockets That Didn't Take Off | View |
Con Chapman | |||
Equinox eBooks Publishing | Kansas City Jazz | Jay McShann and the Last of the Great Kansas City Bands | View |
Con Chapman | |||
Equinox eBooks Publishing | Kansas City Jazz | Bird Takes Off, and Other Bop Manifestations | View |
Con Chapman | |||
Equinox eBooks Publishing | Kansas City Jazz | Could Lightning Strike Twice? | View |
Con Chapman | |||
The Long Shadow of the Little Giant | View | ||
Simon Spillett | |||
Equinox eBooks Publishing | Komeda | Four Years to Go ... | View |
Magdalena Grzebałkowska | |||
Equinox eBooks Publishing | Keith Jarrett | The History of a Cult Recording | View |
Wolfgang Sandner | |||
Equinox eBooks Publishing | Kansas City Jazz | Prologue | View |
Con Chapman | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Living with music: Departures and returns among early New Orleans jazz musicians | View |
Nicholas Gebhardt | |||
Jazz Research Journal | Vol 12 No. 2 (2018) | Islay Jazz Festival | View |
Haftor Medbøe, Diane Maclean | |||
Popular Music History | Vol 2 No. 2 (2007) | Writing jazz biography: race, research and narrative representation | View |
Tom Perchard | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | ‘They’ve really gone to town with all that bunting’: the influence and (in)visibility of Glasgow’s Jazz Festival | View |
Alison Caroline Eales | |||
Equinox eBooks Publishing | Eberhard Weber | "Now You've Made It!" | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | Down Under | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | Longer than Most Marriages | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | United (Kingdom) | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | Border Crossings | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | Highs and Lows | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | To Poona, Please! | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | Home Advantage? | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | Perfect Sound | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | Postlude | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | Discography | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | Prelude | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | A Stroke of Bad Luck | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | If Only I Knew | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | Under the Grand Piano | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | A Dab Hand | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | "Hey, How About It?" | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | Free!? | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | Telephone Bass Player | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | "I'm Gonna Get One!" | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | New Colours | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | Philharmonic Full Circle | View |
Eberhard Weber | |||
Equinox eBooks Publishing | Eberhard Weber | Well Received | View |
Eberhard Weber | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | 'Complaining time is over': Network and collective strategies of the New York Musicians Organization | View |
Michael C. Heller | |||
Popular Music History | Vol 2 No. 2 (2007) | Historiography and Complexities: Why is music ‘National’? | View |
Hans Weisethaunet | |||
Equinox eBooks Publishing | Komeda | Translator's Note | View |
Halina Maria Boniszewska | |||
Equinox eBooks Publishing | Komeda | Author's Acknowledgements | View |
Magdalena Grzebałkowska | |||
Equinox eBooks Publishing | Komeda | Sources | View |
Magdalena Grzebałkowska | |||
Equinox eBooks Publishing | Komeda | Select Discography | View |
Magdalena Grzebałkowska | |||
Equinox eBooks Publishing | Komeda | Select Bibliography | View |
Magdalena Grzebałkowska | |||
Equinox eBooks Publishing | Komeda | Endnotes | View |
Magdalena Grzebałkowska | |||
Equinox eBooks Publishing | Komeda | Index of Names | View |
Magdalena Grzebałkowska | |||
The Last Miles | View | ||
George Cole | |||
Equinox eBooks Publishing | This is Hip | Acknowledgements | View |
Peter Jones | |||
Equinox eBooks Publishing | This is Hip | Notes | View |
Peter Jones | |||
Equinox eBooks Publishing | This is Hip | Index | View |
Peter Jones | |||
Equinox eBooks Publishing | Philip Larkin | 1922-1940 | View |
Ian Smith | |||
Soul Unsung | View | ||
Kevin Le Gendre | |||
Keith Jarrett | View | ||
Wolfgang Sandner, Wolfgang Sandner, Chris Jarrett | |||
Jazz Research Journal | Vol 9 No. 1 (2015) | Editorial | View |
Catherine Tackley, Tony Whyton | |||
Equinox eBooks Publishing | Kansas City Jazz | The Lay of the Land: Kansas City in Geographical and Historical Context | View |
Con Chapman | |||
Equinox eBooks Publishing | Philip Larkin | 'I Hope Jazz has Founds its Enoch Powell' | View |
Ian Smith | |||
Jazz Research Journal | Vol 9 No. 2 (2015) | Editorial | View |
Catherine Tackley, Tony Whyton | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | Editorial: Transnational perspectives on jazz | View |
Catherine Tackley, Tony Whyton | |||
Journal of Film Music | Vol 5 No. 1-2 (2012) | Music Cue Archetypes in the Film Scores of Elmer Bernstein | View |
Donald C Meyer | |||
Jazz Research Journal | Vol 4 No. 1 (2010) | Editorial | View |
Catherine Tackley | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Cooling down jazz: Making authentic Swedish jazz possible | View |
Mischa van Kan | |||
Equinox eBooks Publishing | The History of European Jazz | 4. Germany | View |
Martin Pfleiderer | |||
Perfect Beat | Vol 4 No. 3 (1999) | THE PEDAGOGY, CULTURE AND APPROPRIATION OF JAZZ IN PAPUA NEW GUINEA | View |
DENNIS CROWDY, MICHAEL GODDARD | |||
Jazz Research Journal | Vol 4 No. 2 (2010) | Editorial: The Other Jazz | View |
Tony Whyton, Catherine Tackley | |||
Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Editorial | View |
Catherine Parsonage, Tony Whyton | |||
Equinox eBooks Publishing | The History of European Jazz | 26. Latvia | View |
Indrikis Veitners | |||
Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | Editorial | View |
Catherine Parsonage, Tony Whyton | |||
Popular Music History | Vol 10 No. 3 (2015) | ‘How Belfast got the blues’: Towards an alternative history | View |
Noel McLaughlin, Joanna Braniff | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Editorial: The Global Circulations of Jazz | View |
Stéphane Dorin | |||
Equinox eBooks Publishing | The History of European Jazz | 22. Ukraine | View |
Alexander Yudin | |||
Equinox eBooks Publishing | The History of European Jazz | 11. Norway | View |
Bjorn Stendahl | |||
Equinox eBooks Publishing | The History of European Jazz | 31. Bulgaria | View |
Vladimir Gadjev | |||
Equinox eBooks Publishing | The History of European Jazz | 9b. Sweden: 1970-2000 | View |
Måns Wallgren | |||
Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Andrew Robson, Austral Jazz: The Localization of a Global Music Form in Sydney. | View |
Sean Foran | |||
Equinox eBooks Publishing | The History of European Jazz | 21. Belarus | View |
Dmitri Podberezsky | |||
Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | Reconstructing the Jazz Tradition | View |
Charles Hersch | |||
Perfect Beat | Vol 8 No. 4 (2008) | BEYOND THE SAKURA WALTZ Reflections on the encounter between German and Japanese jazz, 1962–1985 | View |
ANDREW W. HURLEY | |||
Equinox eBooks Publishing | The History of European Jazz | 13. Poland | View |
Krystian Brodacki | |||
Equinox eBooks Publishing | Keith Jarrett | Discography | View |
Wolfgang Sandner | |||
Equinox eBooks Publishing | Keith Jarrett | Preface to the English Edition | View |
Wolfgang Sandner | |||
Equinox eBooks Publishing | Keith Jarrett | Foreword | View |
Wolfgang Sandner | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | Duncan Heining, Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz, 1960–1975. Sheffield: Equinox, 2012. 495 pp. ISBN 978-1-84553-405-9 (hbk) £29.99/ $45.00. | View |
Tom Sykes | |||
Equinox eBooks Publishing | The History of European Jazz | 1. France | View |
Xavier Prevost | |||
Jazz Research Journal | Vol 7 No. 2 (2013) | Icons Among Us: Jazz in the Present Tense. Michael Rivoira, Lars Larson and Peter J. Vogt, directors. John W. Comerford and Theo N. Ianuly, producers. Lars Larson, director of photography. Paradigm Studio. 2009. DVD B002RNO1BW | View |
Colter Harper | |||
Jazz Research Journal | Vol 4 No. 2 (2010) | Review: Patrick Burke, Come in and Hear the Truth: Jazz and Race on 52nd Street. Chicago: University of Chicago Press, 2008 (hbk). xiv + 314pp. $35.00. ISBN 978-0-226-08071-0 | View |
Nicholas Gebhardt | |||
Equinox eBooks Publishing | The History of European Jazz | 29. Greece | View |
Sakis Papadimitriou | |||
Jazz Research Journal | Vol 11 No. 2 (2017) | Editorial | View |
Catherine Tackley, Tony Whyton | |||
Jazz Research Journal | Vol 6 No. 1 (2012) | Editorial | View |
Catherine Tackley, Tony Whyton | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Editorial: Jazz in Australasia | View |
Bruce Johnson | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | Post-World War II Jazz in Britain: Venues and Values 1945–1970 | View |
Katherine Ann Williams | |||
Equinox eBooks Publishing | The History of European Jazz | 24a. Portugal: 1920-1974 | View |
Pedro Cravinho | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | The reception of jazz in Adelaide and Melbourne and the creation of an Australian sound in the Angry Penguins decade | View |
Bruce Clunies Ross | |||
Equinox eBooks Publishing | The History of European Jazz | 2b. Great Britain: 1950-2010: Late-flowering Seeds of the Triangular Trade | View |
Duncan Heining | |||
Equinox eBooks Publishing | The History of European Jazz | 20. Russia: Ninety-five Years in Search of an Identity | View |
Cyril Moshkow | |||
Equinox eBooks Publishing | The History of European Jazz | 10. Finland | View |
Juha Henriksson | |||
Equinox eBooks Publishing | The History of European Jazz | 12. Iceland | View |
Vernhardur Linnet | |||
Equinox eBooks Publishing | The History of European Jazz | 33. Azerbaijan | View |
Rain Sultanov | |||
Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Failure to fuse: The jazz-rock culture war at the 1969 Newport Jazz Festival | View |
Matt Brennan | |||
Equinox eBooks Publishing | The History of European Jazz | 15. Slovakia | View |
Yvetta Kajanova | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | The collective organization of contemporary jazz musicians in the UK | View |
Tim Wall, Simon Barber | |||
Equinox eBooks Publishing | The History of European Jazz | 28. Estonia | View |
Tiit Lauk | |||
Jazz Research Journal | Vol 9 No. 2 (2015) | Philippe Carles and Jean-Louis Comolli, Free Jazz/ Black Power, translated by Grégory Pierrot. Jackson, MS: University Press of Mississippi, 2015. 256 pp. ISBN 978-1-628-46039-1 (hbk). $65.00/£41.00 | View |
Chris Ealham | |||
Popular Music History | Vol 1 No. 2 (2004) | Review of Circular Breathing: The Cultural Politics of Jazz in Britain by George McKay | View |
Dave Laing | |||
Jazz Research Journal | Vol 9 No. 1 (2015) | Frontierism, intellectual listeners and the new European wave: On the reception of Dutch jazz in DownBeat, 1960–1980 | View |
Loes Rusch | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | ‘Staying Golden’: The Politics of Gender, Sexuality, and Jazz in The Golden Girls | View |
Elliott H. Powell | |||
Equinox eBooks Publishing | The History of European Jazz | 8. Denmark | View |
Tore Mortensen | |||
Popular Music History | Vol 1 No. 2 (2004) | ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies | View |
Chris McDonald | |||
Jazz Research Journal | Vol 1 No. 2 (2007) | The parallax of art and commerce: UK jazz musicians on marketing | View |
Michael James Macaulay | |||
Equinox eBooks Publishing | The History of European Jazz | 30. Former Yugoslavia (including Croatia, Slovenia, Serbia, Macedonia, Bosnia and Herzegovina, Montenegro, Vojvodina and Kosovo) | View |
Mike Mazur, Iço Vidmar, Eleni Novakovska, Edin Zubčević | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Editorial | View |
Roger Fagge, Nicholas Gebhardt | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Editorial | View |
Nicolas Pillai | |||
Equinox eBooks Publishing | The History of European Jazz | 34. Armenia | View |
Armen Manukian | |||
Equinox eBooks Publishing | The History of European Jazz | 14. Czech Republic | View |
Yvetta Kajanova | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | The Sound of Jazz as Essential Image: Television, Performance, and the Modern Jazz Canon | View |
Michael Borshuk | |||
Perfect Beat | Vol 20 No. 1 (2019) | Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. | View |
Brent Keogh | |||
Equinox eBooks Publishing | The History of European Jazz | 16. Hungary: The road to independence | View |
Gabor Turi | |||
Equinox eBooks Publishing | The History of European Jazz | 6. Belgium | View |
Jean-Pol Schroeder | |||
Perfect Beat | Vol 3 No. 4 (1998) | DOCTORED JAZZ Early Australian Jazz Journals | View |
BRUCE JOHNSON | |||
Equinox eBooks Publishing | The History of European Jazz | 23. Spain | View |
Chema Martinez | |||
Jazz Research Journal | Vol 4 No. 1 (2010) | ‘Jazz’ at large: ‘Scapes’ and the imagination in the performances of Moses Molelekwa and Nah Youn-Sun | View |
Jan Harm Schutte | |||
Jazz Research Journal | Vol 6 No. 1 (2012) | Nichole T. Rustin and Sherrie Tucker, eds. Big Ears: Listening for Gender in Jazz Studies. Durham and London: Duke University Press, 2008. | View |
Lindelwa Dalamba | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | An interpretation of the semiotics of ‘self’ with the Modern Jazz Quartet on Jazz 625 as a case study | View |
Alexander Gagatsis | |||
Jazz Research Journal | Vol 2 No. 2 (2008) | Review article: I. Anderson, This Is Our Music: Free Jazz, the Sixties, and American Culture, S.Saul, Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties, I. Monson, Freedom Sounds: Civil Rights Call Out to Jazz and Africa | View |
Charles Hersch, | |||
Popular Music History | Vol 9 No. 1 (2014) | Resource Notes | View |
Jo Blyghton | |||
Perfect Beat | Vol 18 No. 1 (2017) | Johnson, B., ed. 2016. Antipodean Riffs. Sheffield: Equinox. ISBN 978-1-78179-2-803 (hbk). 306 pp. | View |
Lauren Istvandity | |||
Equinox eBooks Publishing | The History of European Jazz | 17. Romania | View |
Virgil Mihaiu | |||
Popular Music History | Vol 1 No. 3 (2004) | Down beats and rolling stones:the American jazz press decides to cover rock in 1967 | View |
Matt Brennan | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Introduction: The collective problem in jazz | View |
Nicholas Gebhardt | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Early jazz in Australia as oriental exotica | View |
Aline Scott-Maxwell | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Jazzing through the luminiferous ether: How international radio broadcasts affected the experience of jazz in 1920s–1930s New Zealand | View |
Aleisha Ward | |||
Jazz Research Journal | Vol 9 No. 2 (2015) | The impact of (jazz) festivals: An Arts and Humanities Research Council-funded research report | View |
Emma Webster, George McKay | |||
Equinox eBooks Publishing | The History of European Jazz | 19. Switzerland | View |
Bruno Spoerri | |||
Equinox eBooks Publishing | The History of European Jazz | 5. The Netherlands | View |
Bert Vuijsje | |||
Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | No room for squares: A political economy of Blue Note records | View |
Christopher May | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Jason Toynbee, Catherine Tackley and Mark Doffman, eds. 2014. Black British Jazz: Routes, Ownership and Performance. Farnham: Ashgate. 244pp. ISBN 978-1- 4724-1756-5 (hbk) | View |
Lawrence Davies | |||
Jazz Research Journal | Vol 6 No. 2 (2012) | Hot and cool from Buenos Aires to Chicago: Guillermo Gregorio’s jazz cosmopolitanism | View |
Andrew Raffo Dewar | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Tom Pickering: Jazz on the periphery of the periphery | View |
Matthew Joshua Boden | |||
Jazz Research Journal | Vol 6 No. 2 (2012) | Crossing the curtain: Polish jazz meets poetry in the europäische Heimat | View |
Zbigniew Granat | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Sophisticated Lady: Female Vocalists and Gendered Identity in the Brisbane Jazz Scene | View |
Lauren Istvandity | |||
Popular Music History | Vol 7 No. 1 (2012) | Authenticity as authenticating—the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis | View |
Richard Ekins | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | ‘Ain’t misbehavin’: Jazz music in children’s television | View |
Liam Maloy | |||
Jazz Research Journal | Vol 3 No. 2 (2009) | Rhizomes and plateaus: Rethinking jazz historiography and the jazz-'classical' relationship | View |
Jeremy Barham | |||
Jazz Research Journal | Vol 6 No. 2 (2012) | Way out East: cowboys and pioneer women on Berlin's jazz frontier | View |
William Kirk Bares | |||
Equinox eBooks Publishing | The History of European Jazz | 18. Austria | View |
Andreas Felber | |||
Jazz Research Journal | Vol 4 No. 1 (2010) | Book Review: Charles Hersch, Subversive Sounds: Race and the Birth of Jazz in New Orleans. Chicago and London: University of Chicago Press, 2007. Xii + 289 pp. | View |
Bruce Boyd Raeburn | |||
Equinox eBooks Publishing | Keith Jarrett | Acknowledgements | View |
Wolfgang Sandner | |||
Equinox eBooks Publishing | Keith Jarrett | Bibliography | View |
Wolfgang Sandner | |||
Equinox eBooks Publishing | Keith Jarrett | Index | View |
Wolfgang Sandner | |||
Jazz Research Journal | Vol 9 No. 2 (2015) | Silent revolutions: An exploration of 1941, Jimmie Blanton’s ‘forgotten’ year | View |
Matthias Heyman | |||
Perfect Beat | Vol 2 No. 3 (1995) | HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' | View |
JOHN WHITEOAK | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Perspectives on the Melbourne International Women's Jazz Festival | View |
Louise Denson | |||
Equinox eBooks Publishing | The History of European Jazz | 25. Italy | View |
Francesco Martinelli | |||
Equinox eBooks Publishing | The History of European Jazz | 32. Turkey | View |
Hulya Tuncag | |||
Equinox eBooks Publishing | The History of European Jazz | 2a. Great Britain: 1900 - 1960 | View |
Alyn Shipton | |||
Jazz Research Journal | Vol 4 No. 1 (2010) | ‘Earthly, sensual, devilish’: Sex, ‘race’ and jazz in post-independence Ireland | View |
Eileen Hogan | |||
Equinox eBooks Publishing | The History of European Jazz | 39. Film | View |
Selwyn Harris | |||
Equinox eBooks Publishing | The History of European Jazz | 7. Luxembourg | View |
Marc Demuth | |||
Equinox eBooks Publishing | The History of European Jazz | 9a. Sweden: 1919-1969 | View |
Jan Bruer | |||
Jazz Research Journal | Vol 4 No. 2 (2010) | Jazz and race in colonial India: The role of Anglo-Indian musicians in the diffusion of jazz in Calcutta | View |
Stephane Dorin | |||
Popular Music History | Vol 3 No. 2 (2008) | Resource notes | View |
Janne Mäkelä | |||
Equinox eBooks Publishing | The History of European Jazz | 36. Django Reinhardt and jazz manouche | View |
Michael Dregni | |||
Jazz Research Journal | Vol 6 No. 2 (2012) | Jam sessions in Manhattan as rituals | View |
Ricardo Nuno Futre Pinheiro | |||
Jazz Research Journal | Vol 1 No. 2 (2007) | David Murray: the making of a progressive musician | View |
Tim Wall | |||
Equinox eBooks Publishing | The History of European Jazz | 3. Ireland | View |
Cormac Larkin | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies | View |
Gabriel Solis | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | San Francisco State University's Music Federation: A local jazz cooperative for teachers | View |
Meredith Morgan Eliassen | |||
Jazz Research Journal | Vol 11 No. 1 (2017) | Promotion anxieties: Jazz promoters within the UK scene | View |
Haftor Medbøe, Zack Moir | |||
Jazz Research Journal | Vol 9 No. 1 (2015) | Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization | View |
Richard Ekins | |||
Jazz Research Journal | Vol 11 No. 2 (2017) | Christopher Coady, John Lewis and the Challenge of ‘Real’ Black Music | View |
Alexandre Gagatsis | |||
Jazz Research Journal | Vol 6 No. 2 (2012) | Robert R. Faulkner and Howard S. Becker, Do You Know…? The Jazz Repertoire in Action. Chicago: University of Chicago Press, 2009. 214 pp. ISBN 978-0226239217 (hbk). £18.00. | View |
Mark Doffman | |||
Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | Review of 'Inside British Jazz' by Hilary Moore | View |
Peter Martin | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals | View |
Brent Keogh | |||
Popular Music History | Vol 4 No. 3 (2009) | ‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 | View |
Alf Arvidsson | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Everyday jazz life: A photographic project on contemporary jazz musicians’ lives in Birmingham | View |
Pedro Cravinho, Brian Homer | |||
Popular Music History | Vol 2 No. 2 (2007) | Review of The Evolution of Jazz in Britain, 1880-1935 by Catherine Parsonage | View |
Michael Brocken | |||
Popular Music History | Vol 4 No. 2 (2009) | Resource notes | View |
Ditmer Weertman | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Steven Feld, Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham, NC: Duke University Press, 2012. 328 pp. ISBN 978-0-8223-5148-1 (hbk), 978-0-8223-5162-7 (pbk). $84.95/$23.95. | View |
Panagiota Anagnostou | |||
Equinox eBooks Publishing | The History of European Jazz | 24b. Portugal: 1974-2010 | View |
Rui Paes | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene | View |
Myrtille Picaud | |||
Equinox eBooks Publishing | The History of European Jazz | 38. The Avant- Garde: Black-and-White Atlantic Dialogues, c. 1960s | View |
Michael Heffley | |||
Jazz Research Journal | Vol 6 No. 1 (2012) | All the metaphors you are: conceptual mappings of bebop in James Baldwin’s ‘Sonny’s Blues’ and Jack Kerouac’s On the Road | View |
Julian Levinson | |||
Jazz Research Journal | Vol 1 No. 2 (2007) | Being bop: how the press shaped the cult of bebop | View |
Thomas Turner | |||
Perfect Beat | Vol 2 No. 3 (1995) | AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 | View |
BRUCE JOHNSON | |||
Popular Music History | Vol 1 No. 2 (2004) | University jazz and the Mersey Sound: Student days in Liverpool, a memoir | View |
Brian Hudson | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Demons of discord down under: ‘Jump Jim Crow’ and ‘Australia’s first jazz band’ | View |
John Whiteoak | |||
Popular Music History | Vol 8 No. 1 (2013) | The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism | View |
Richard Ekins | |||
Popular Music History | Vol 5 No. 2 (2010) | Traditional jazz and the mainstreaming of authenticity: The case of British traddy pop (1959–1963)— a grounded theory approach | View |
Richard Ekins | |||
Jazz Research Journal | Vol 9 No. 2 (2015) | Social constructions of ‘authenticity’ and the sounds of the Kid Thomas Valentine Band: The case of ‘Basin Street Blues’—an approach from sociological musicology and cultural studies | View |
Richard Ekins | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Common ground: 1970s improvised music as part of a cross-genre Dutch ensemble culture | View |
Loes Rusch | |||
Jazz Research Journal | Vol 12 No. 2 (2018) | Jazz’s little brother: The origins of the Spanish blues scene | View |
Josep Pedro | |||
Jazz Research Journal | Vol 9 No. 1 (2015) | Ellen Johnson, Jazz Child: A Portrait of Sheila Jordan. Lanham, MD: Rowman & Littlefield, 2014. xvii + 234 pp. ISBN 978-0-8108-8837-1 (e-book). $54.99 | View |
James Aldridge | |||
Perfect Beat | Vol 15 No. 2 (2014) | Heining, Duncan. 2012. Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz, 1960–1975. Sheffield: Equinox. ISBN 978-1-8455-3405-9 (hbk). 486 pp | View |
Norman Lawrence Meehan | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Got a little rhythm? The Australian influence on swing in New Zealand during the 1930s and 1940s | View |
Aleisha Ward | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Shotgun weddings and bohemian dreams: Jazz, family values and storytelling in Australian film | View |
Christopher Coady | |||
Journal of World Popular Music | Vol 7 No. 1 (2020) | Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, and the Blues by Vic Hobson. 2014. | View |
Mathilde Zagala | |||
Jazz Research Journal | Vol 6 No. 1 (2012) | Keep up with the changes: online strategies for national jazz agencies | View |
Andrew Dubber | |||
Jazz Research Journal | Vol 11 No. 2 (2017) | Bernie McGann and Bundeena: Mythologizing an Austral jazz icon | View |
Andrew Robson | |||
Jazz Research Journal | Vol 3 No. 2 (2009) | Review of Elijah Wald, How The Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music | View |
Bruce Johnson | |||
Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | “Free Swing” and the Emergent Neophonic: Forging Progressive Jazz with Stan Kenton in the 1947 Dance Hall | View |
Ryan Patrick Jones | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | ‘I wouldn’t change skins with anybody’ Dulcie Pitt/Georgia Lee, a pioneering Indigenous Australian jazz, blues and community singer | View |
Karl Neuenfeldt | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | What can everyday aesthetics teach us about jazz practice? | View |
Michael Fletcher | |||
Bulletin for the Study of Religion | Vol 45 No. 1 (2016) | Thoughts After Reading Spirits Rejoice! Jazz and American Religion: A Review Essay | View |
Michael Kaler | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Collectives, a socio-economic, political and aesthetic phenomenon: The example of the Association à la Recherche d'un Folklore Imaginaire | View |
Chloé Meyzie | |||
Jazz Research Journal | Vol 6 No. 1 (2012) | Sam Rivers: jazz’s forgotten man | View |
John G. Rodwan, Jr. | |||
The Ultimate Guide to Great Reggae | View | ||
Michael Garnice | |||
Jazz Research Journal | Vol 11 No. 1 (2017) | Edward W. Sarath, Improvisation, Creativity, and Consciousness: Jazz as Integral Template for Music, Educa- tion, and Society. Albany, NY: State University of New York Press, 2013. xi + 488 pp. ISBN 978-1-4384-4721-6 (hbk). $95.00/£73.70 | View |
David Borgo | |||
Jazz Research Journal | Vol 11 No. 1 (2017) | Early New Orleans band photography | View |
Alan John Ainsworth | |||
Jazz Research Journal | Vol 11 No. 2 (2017) | And I think to myself what a wonderful world: In search of Louis Armstrong’s Brussels collage | View |
Matthias Heyman | |||
Jazz Research Journal | Vol 12 No. 2 (2018) | A drum, deferred: Solomon Ilori in the New York jazz scene, 1958–1964 | View |
Ofer Gazit | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | ‘We’ve got a gig in Poland!’: Britain and jazz in World War II | View |
Will Studdert | |||
Jazz Research Journal | Vol 2 No. 2 (2008) | John Coltrane and the integration of Indian concepts in jazz improvisation | View |
Carl Clements | |||
Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | When bad things happen to great musicians: The role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen | View |
Morris B. Holbrook | |||
Popular Music History | Vol 11 No. 2 (2016) | ‘Black Bob’: His B-flat Bombardon and the Yorkshire Jazz Band | View |
Val Wilmer | |||
Jazz Research Journal | Vol 11 No. 1 (2017) | Place and imagined community in jazz | View |
Elina Hytönen-Ng | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Russia and the Creation of Jazz in the British Everyday Imaginary | View |
Robert Lawson-Peebles | |||
Perfect Beat | Vol 8 No. 4 (2008) | Introduction | View |
Mark Evans, Denis Crowdy | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Making ourselves heard: From a ‘Field of Dreams’ to building a collective voice | View |
Petter Frost Fadnes | |||
Popular Music History | Vol 9 No. 2 (2014) | Phil Ford, Dig: Sound and Music in Hip Culture. Oxford and New York: Oxford University Press, 2013. 336 pp. £19.41. ISBN 978-0-19993-991-6 (pbk). | View |
Simon Warner | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | The politics, aesthetics and dissonance of music in everyday life | View |
Roger Fagge | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil | View |
Berenice Corti, Luciana Xavier de Oliveira | |||
Jazz Research Journal | Vol 7 No. 2 (2013) | The sonic camera: Intermodality and intermediality in contemporary jazz composition | View |
David Cosper | |||
Popular Music History | Vol 3 No. 1 (2008) | Collections at the IPM | View |
Robert Strachan | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | ‘9-TO-5, WENT TO COLLEGE, NOT 2-NITE HOMEY BLUES’: Jazz and the American mundane in Jean-Michel Basquiat’s writing | View |
Ellen O'Donoghue Oddy | |||
Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Louis Armstrong loves Guy Lombardo! Acknowledging the smoother roots of jazz | View |
Elijah Wald | |||
Jazz Research Journal | Vol 11 No. 1 (2017) | The friendship between Andy Hamilton and David Murray: A concrete example of Black Atlantic culture | View |
Tony Dudley-Evans | |||
Perfect Beat | Vol 4 No. 4 (2000) | John Whiteoak (1999) Playing Ad Lib: Improvisatory Music in Australia 1836-1970, Sydney: Currency Press | View |
PHILIP HAYWARD | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | Mingus, Cassavetes, and the Birth of a Jazz Cinema | View |
Ross Lipman | |||
Jazz Research Journal | Vol 12 No. 2 (2018) | The second masking | View |
Corey Mwamba | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Remixing jazz culture: Musical hybridity and collectivity in the New Europe | View |
Kristin McGee | |||
Journal of World Popular Music | Vol 3 No. 2 (2016) | Christopher Ballantine. 2012. Marabi Nights: Jazz, ‘Race’ and Society in Early Apartheid South Africa, 2nd edn. Scottsville: University of Kwazulu-Natal Press. 280pp. ISBN 978-1869142377 (pbk) | View |
Jostine Loubser | |||
Jazz Research Journal | Vol 4 No. 1 (2010) | Plagiarizing your own autobiography, and other strange tales: Miles Davis, jazz discourse, and the aesthetic of silence | View |
Ken Prouty | |||
Jazz Research Journal | Vol 11 No. 1 (2017) | Edward Green, ed. The Cambridge Companion to Duke Ellington. Cambridge: Cambridge University Press, 2014. 294 pp. ISBN 978-0-521-70753-4 (pbk). $29.99 | View |
Katherine Williams | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Ett minne för livet: A Swedish music collective | View |
Alf Arvidsson, Jörgen Adolfsson | |||
Jazz Research Journal | Vol 6 No. 1 (2012) | Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films | View |
Simone Varriale | |||
Equinox eBooks Publishing | The History of European Jazz | 37. Jews and Jewish Music | View |
Gabriele Coen | |||
Perfect Beat | Vol 14 No. 1 (2013) | Introduction | View |
Denis Crowdy, Mark Evans | |||
Jazz Research Journal | Vol 7 No. 2 (2013) | Jedi mind tricks: Lennie Tristano and techniques for imaginative musical practice | View |
Marian S. Jago | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Sex and the sonic smorgasbord: The Necks—extending the ‘jazz’ piano trio format | View |
Jane Galbraith | |||
Popular Music History | Vol 4 No. 1 (2009) | Gordon Stretton: a study in multiple identities | View |
Jeff Daniels, Howard Rye | |||
Popular Music History | Vol 1 No. 2 (2004) | Showgirls and stars: Black-cast revues and female performersin Britain 1903–1939 | View |
Howard Rye | |||
Bulletin for the Study of Religion | Vol 45 No. 1 (2016) | Response to Michael Kaler | View |
Jason C. Bivins | |||
Jazz Research Journal | Vol 11 No. 2 (2017) | Photographic representations of jazz: Testimonial advertising in Down Beat, 1938–48 | View |
Alan John Ainsworth | |||
Perfect Beat | Vol 2 No. 1 (1994) | EAST OF HONOLULU Hawaiian Music In Japan From the 1920s to the 1940s | View |
SHUHEI HOSOKAWA | |||
Popular Music History | Vol 1 No. 2 (2004) | Was it really like that?: ‘Rock Island Line’ and the instabilities of causational popular music histories | View |
Michael Brocken | |||
Perfect Beat | Vol 11 No. 1 (2010) | Lipsitz, George. 2007. Footsteps in the Dark: The Hidden Histories of Popular Music. | View |
Roy Shuker | |||
Jazz Research Journal | Vol 9 No. 2 (2015) | 1939 Ferriday archtop: A dream guitar | View |
Paul Johanis | |||
Journal of World Popular Music | Vol 6 No. 1 (2019) | Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians | View |
Ioannis Tsioulakis | |||
Popular Music History | Vol 7 No. 1 (2012) | Resource notes | View |
Dave Laing | |||
Perfect Beat | Vol 14 No. 1 (2013) | The Necks at 25: a changing same? | View |
Tony Mitchell | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) | View |
Tony Mitchell | |||
Popular Music History | Vol 1 No. 1 (2004) | Diplomatic Notes | View |
Graham Carr | |||
Perfect Beat | Vol 8 No. 4 (2008) | Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press | View |
BRUCE JOHNSON | |||
Jazz Research Journal | Vol 11 No. 2 (2017) | Lester Leaps In: The improvisational devices of Lester Young | View |
Jon P. De Lucia | |||
Journal of Film Music | Vol 2 No. 1 (2007) | Daniel Goldmark: Tunes for ’Toons: Music and the Hollywood Cartoon.Berkeley: University of California Press, 2005 [xviii, 225 p. ISBN: 0520236173.] | View |
Eric Hung | |||
Equinox eBooks Publishing | The History of European Jazz | 35. Early African American Entertainers | View |
Rainer Lotz | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | ‘What to do over the week-end’: Towards an understanding of distraction, advertising and newspaper coverage of the Kansas City jazz scene in the 1930s | View |
Anthony J. Bushard | |||
Jazz Research Journal | Vol 3 No. 1 (2009) | Sampling Kimberly Benston's 'Coltrane Poem' | View |
Claudine Raynaud | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Editor's Introduction | View |
Simone Krüger, Sarah Baker | |||
Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Listening again to popular music as history | View |
Paul Leslie Long, Nicholas Gebhardt | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Steven Feld. 2012. Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham and London: Duke University Press. 328 pp. ISBN 978-0-8223-5162-7 (pbk) | View |
Tony Mitchell | |||
Popular Music History | Vol 1 No. 3 (2004) | Introduction to the Special Issue | View |
David Laing | |||
Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Review of Bob Dylan by Keith Negus | View |
Phil Hardy | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | The ‘grave disease’: interwar British writers look at ragtime and jazz | View |
Robert Lawson-Peebles | |||
Jazz Research Journal | Vol 3 No. 2 (2009) | Review of Robin D. G. Kelley, Thelonious Monk: The Life and Times of an American Original | View |
Tom Perchard | |||
Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Black, Brown and Beige and the politics of Signifyin(g): Towards a critical understanding of DukeEllington | View |
George Burrows | |||
Popular Music History | Vol 3 No. 3 (2008) | The Archive of Contemporary Music, New York | View |
Andy Linehan | |||
Perfect Beat | Vol 3 No. 4 (1998) | FLOWING Theories and Taboos in Popular Music Studies | View |
ANDREW MURPHIE | |||
Perfect Beat | Vol 4 No. 3 (1999) | STRICTLY BALLROOM The Rumba in Pre-World War Two Japan | View |
SHUHEI HOSOKAWA | |||
Perfect Beat | Vol 12 No. 1 (2011) | Revisionist Popular Music History | View |
Roy Shuker | |||
Perfect Beat | Vol 8 No. 4 (2008) | Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books | View |
APRIL K. HENDERSON | |||
Perfect Beat | Vol 1 No. 3 (1993) | FROM JIM CROW TO JAZZ Imitation African-American Improvisatory Musical Practices in Pre-Jazz Australia | View |
John Whiteoak | |||
Popular Music History | Vol 3 No. 2 (2008) | Rock around the clock: The record, the film, and the last historic dance revolt | View |
Terry Monaghan | |||
Popular Music History | Vol 5 No. 3 (2010) | ‘A West Indian? You must be joking! I come out of the East End’: Kenny Lynch and English racism in the 1950s and 1960s | View |
Jon Stratton | |||
Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television | View |
Mark Brill | |||
Popular Music History | Vol 1 No. 1 (2004) | "Sing Me a Song of Araby" and "My Blue Heaven": New Folksong, Hybridization and the Expansion of the Japanese Recording Industry in the Late 1920s | View |
Toru Mitsui | |||
Popular Music History | Vol 7 No. 3 (2012) | Peter Tschmuck, Creativity and Innovation in the Music Industry (revised edition). Berlin: Springer, 2012. 303 pp. ISBN 978-3-642-28429-8. £117 (hbk), £36.60 (pbk, first German edition). | View |
Phil Hardy | |||
Jazz Research Journal | Vol 2 No. 2 (2008) | John Coltrane | View |
David Liebman, | |||
Popular Music History | Vol 9 No. 3 (2014) | Searching for the first bass drum pedal: Rock harmonicas to Viennese pianos | View |
Paul Archibald | |||
Perfect Beat | Vol 4 No. 3 (1999) | Editorial | View |
MARK EVANS, KARL NEUENFELDT | |||
Perfect Beat | Vol 3 No. 4 (1998) | Editorial | View |
PHILIP HAYWARD, MARK EVANS | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Christian Scott aTunde Adjuah’s critique of the Danziger Bridge shootings | View |
James Gordon Williams | |||
Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | The poetics of recorded time: Listening again to popular music history | View |
Paul Long | |||
Perfect Beat | Vol 10 No. 2 (2009) | Homan, Shane, and Tony Mitchell, eds. 2008. Sounds of Then, Sounds of Now: Popular Music in Australia. Hobart: ACYS. ISBN 978-1-875236-60-2 (hbk). 295 pp | View |
Martin Cloonan | |||
Perfect Beat | Vol 17 No. 2 (2016) | Guilbault, Jocelyne, and Roy Cape. 2014. Roy Cape: A Life on the Calypso and Soca Bandstand. Durham, NC: Duke University Press. ISBN 978-0-8223-5760-5 (hbk), 978-0-8223-5774-2 (pbk). 304 pp. | View |
Richard Elliott | |||
Popular Music History | Vol 5 No. 1 (2010) | Bernard Herrmann—‘pop’ composer? | View |
Edward Green | |||
Popular Music History | Vol 1 No. 2 (2004) | Resource Notes | View |
Andy Linehan | |||
Journal of Film Music | Vol 7 No. 2 (2014) | Swiss Film Music: Anthology 1923–2012 | View |
Michael Baumgartner | |||
Popular Music History | Vol 8 No. 3 (2013) | How English became the language of pop in Denmark | View |
Henrik Smith-Sivertsen | |||
Popular Music History | Vol 6 No. 3 (2011) | Samuel Charters. 2009. A Language of Song: Journeys in the Musical World of the African Diaspora. Durham, NC: Duke University Press. 368 pp. ISBN 978-0-8223- 4380-6. £15.99. | View |
Dave Laing | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Mutiny Music: A Sonic Passage Between Islands | View |
Joseph Cummins | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Wonderbrass: A South Wales jazz collective | View |
Rob Smith | |||
Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | The Female Singing Voice: Gospel, Blues, Epic Stories and Animation | View |
Anne Power | |||
Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Introduction: Sounding out the past | View |
Paul Long, Nicholas Gebhardt | |||
Popular Music History | Vol 3 No. 3 (2008) | Improvised performance in World Music: Finding the violin in unexpected places | View |
Jonathan Feig | |||
Popular Music History | Vol 1 No. 3 (2004) | Critical negotiations: rock criticism in the Nordic countries | View |
Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet | |||
Perfect Beat | Vol 2 No. 4 (1996) | THE AMBONESE CONNECTION Lou Casch, Johnny O'Keefe and the Development of Australian Rock and Roll | View |
PETER COX | |||
Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Pompey Pop: A case study of a local music archive | View |
Dave Allen | |||
Popular Music History | Vol 6 No. 3 (2011) | From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 | View |
Klaus Nathaus | |||
Journal of Film Music | Vol 2 No. 1 (2007) | The Manchurian Candidate (1962): An Interview with David Amram | View |
William H. Rosar | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | ‘Mississippi, My Home’: Songwriting, identity and everyday aesthetics in the African-American tradition | View |
Josep Pedro, Begoña Gutiérrez-Martínez | |||
Perfect Beat | Vol 13 No. 1 (2012) | Introduction | View |
Denis Crowdy, Mark Evans | |||
Perfect Beat | Vol 19 No. 2 (2018) | Editorial introduction | View |
Shelley Brunt, Oli Wilson | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood | View |
Helen Mitchell | |||
Popular Music History | Vol 9 No. 2 (2014) | Resource Notes | View |
Brock Silversides | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 | View |
Ben Green | |||
Journal for Research into Freemasonry and Fraternalism | Vol 5 No. 2 (2014) | Editorial | View |
Jeffrey Tyssens, Susan Sommers | |||
Popular Music History | Vol 4 No. 3 (2009) | Michael Brocken, Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s–1970s and Marion Leonard and Robert Strachan, eds, The Beat Goes On: Liverpool, Popular Music and the Changing City | View |
James McGrath | |||
Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) | View |
Timothy Koozin | |||
Perfect Beat | Vol 15 No. 2 (2014) | Dan, Henry ‘Seaman’ and Karl Neuenfeldt. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. ISBN 978-1-922059-208 (pbk). 170 pp. | View |
Bruce Johnson | |||
Perfect Beat | Vol 2 No. 2 (1995) | MODERN PNG MUSIC | View |
PETER DUNBAR HALL | |||
Perfect Beat | Vol 2 No. 2 (1995) | It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso | View |
IAN MAXWELL | |||
Perfect Beat | Vol 2 No. 2 (1995) | Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge | View |
BRUCE JOHNSON | |||
Perfect Beat | Vol 2 No. 2 (1995) | Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press | View |
PHILIP HAYWARD | |||
Perfect Beat | Vol 2 No. 2 (1995) | From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney | View |
TOM BURVILL | |||
Perfect Beat | Vol 2 No. 2 (1995) | Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus | View |
MICHAEL FLINT | |||
Perfect Beat | Vol 10 No. 1 (2009) Television special | Review: Coplan, D. (2008) In Township Tonight! South Africa’s Black City Music and Theatre. (Second Edition) Chicago: University of Chicago Press | View |
Robert G H Burns | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Bob W. White, ed. 2012. Music and Globalization: Critical Encounters. Bloomington and Indianapolis: Indiana University Press. 248 pp. ISBN 978-0-253-22365-4 (pbk). | View |
Bruce Johnson | |||
Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Book review of In Search of the Blues: Black Voices, White Visions by Marybeth Hamilton | View |
Dave Laing | |||
Perfect Beat | Vol 2 No. 3 (1995) | RECOGNITION & ROOTS The contribution of musicians from the Indonesian archipelago to the development of popular music culture in the Netherlands | View |
LUTGARD MUTSAERS | |||
Perfect Beat | Vol 19 No. 1 (2018) | Super Smash Covers! Performance and audience engagement in Australian videogame music cover bands | View |
Sebastian Diaz-Gasca | |||
Perfect Beat | Vol 19 No. 1 (2018) | Michael Austin, ed. 2016. Music Video Games: Performance, Politics, and Play | View |
Sebastian Diaz-Gasca | |||
Journal of World Popular Music | Vol 3 No. 2 (2016) | David Novak. 2013. Japanoise: Music and the Edge of Circulation. Durham, NC and London: Duke University Press. 292pp. ISBN 978-0-8223-5392-8 (pbk) | View |
Russell P. Skelchy | |||
Popular Music History | Vol 9 No. 2 (2014) | Simon Frith, Matt Brennan, Martin Cloonan and Emma Webster, The History of Live Music in Britain, Volume I: 1950–1967: From Dance Hall to the 100 Club. Farnham: Ashgate, 2013. 236 pp. £95.00. ISBN 978-1-40942-280-8 (hbk). | View |
Tony Farsides | |||
Perfect Beat | Vol 15 No. 1 (2014) | Plasketes, George, ed. 2013. Please Allow Me to Introduce Myself: Essays on Debut Albums. Farnham, Surrey and Burlington, VT: Ashgate. ISBN 978-1-4094-4176-2 (hbk). 250 pp. | View |
Nick Braae | |||
Perfect Beat | Vol 15 No. 1 (2014) | Introduction | View |
Mark Evans, Denis Crowdy | |||
Perfect Beat | Vol 9 No. 1 (2008) | Cohen, S (2007) Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles, Aldershot: Ashgate | View |
SHANE HOMAN | |||
Fieldwork in Religion | Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork | Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury Handbook of Religion and Popular Music. London: Bloomsbury. xiv + 403pp. £130.00. ISBN: 978-1-4742-3733-8 (hbk). | View |
Barbara Pemberton | |||
Journal of World Popular Music | Vol 2 No. 2 (2015) | Marley. 2012. Directed by Kevin MacDonald. Universal Pictures. DVD | View |
Paul Long | |||
Popular Music History | Vol 1 No. 1 (2004) | Histories and complexities: Popular Music History Writing and Danish Rock | View |
Morten Michelsen | |||
Popular Music History | Vol 6 No. 3 (2011) | From corporates and media to state control: International perspectives on the music business | View |
Richard Coopey | |||
Perfect Beat | Vol 3 No. 2 (1997) | A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen | View |
MICHAEL WEBB | |||
Popular Music History | Vol 1 No. 1 (2004) | A Question of Standards: "My Funny Valentine" and Musical Intertextuality | View |
Alan Stanbridge | |||
Perfect Beat | Vol 4 No. 3 (1999) | FLYING SAUCER ROCK AND ROLL The Australian press confronts early rock and roll | View |
PETER DOYLE | |||
Perfect Beat | Vol 1 No. 3 (1993) | Dean, R. (1992) New Structures in Jazz and Improvised Music Since 1960, Milton Keynes (UK): Open University Press. | View |
Theo Van Leeuwen | |||
Perfect Beat | Vol 1 No. 3 (1993) | Jordan, Sand Allen, D (eds) Parallel Lines - Media Representations of Dance, London: John Libbey/ Arts Council of Great Britain | View |
Philip Hayward | |||
Perfect Beat | Vol 1 No. 3 (1993) | Heylin, C. (1993) From the Velvets to the Voidoids: A PrePunk History for a Post-Punk World, Harrnonsworth: Penguin Books | View |
Tim Sowden | |||
Perfect Beat | Vol 1 No. 3 (1993) | Hutchison, T. (1992) Your Name's on the Door; 10 Years of Australian Music, Sydney: ABC Enterprises | View |
Andrew Murphie | |||
Perfect Beat | Vol 1 No. 3 (1993) | Rucker, R., R.U. Sirius & Queen Mu (eds) (1992) MONDO 2000: A User's Guide to the New Edge, New York: Harper & Collins | View |
Mark Brown | |||
Popular Music History | Vol 1 No. 1 (2004) | History beings yesterday | View |
Paul Oliver | |||
Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | The meaning of the music venue: Historicizing the Click Club | View |
Paul Long, Sarah Raine | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | Some Notes on Popular Music in my (Professional) Life | View |
Bruno Nettl | |||
Perfect Beat | Vol 4 No. 1 (1998) | GLOBAL PERSPECTIVES | View |
WILL STRAW | |||
Perfect Beat | Vol 4 No. 1 (1998) | MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones | View |
CORALIE JOYCE | |||
Perfect Beat | Vol 4 No. 1 (1998) | THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan | View |
FRED COLE, MICHAEL HANNAN | |||
Perfect Beat | Vol 18 No. 1 (2017) | Musicians and the lifetime soundtrack: Creation and perception of musically motivated autobiographical memories | View |
Lauren Istvandity | |||
Perfect Beat | Vol 11 No. 1 (2010) | Introduction | View |
Denis Crowdy, Mark Evans | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Elliott, Richard. 2013. Nina Simone. Icons of Pop Music series. Sheffield: Equinox Publishing. ISBN 978-184553-988-7 (pbk). 168 pp | View |
Diane Hughes | |||
Popular Music History | Vol 5 No. 1 (2010) | John Szwed. The Man who Recorded the World: A Biography of Alan Lomax. London: William Heinemann, 2010. 438 pp. ISBN 9780434012329. £20.00. | View |
Dave Laing | |||
Popular Music History | Vol 9 No. 3 (2014) | Reviews in brief | View |
Dave Laing | |||
Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Buildings matter: The recycling of Liverpool’s Whitechapel and the Casbah | View |
Mike Brocken | |||
Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Leith Amadeus Stevens: Early Years and Family History | View |
Zolona E. Stevens Moss † | |||
Perfect Beat | Vol 1 No. 2 (1993) | JAWAIIAN AND LOCAL CULTURAL IDENTITY IN HAWAI'I | View |
Andrew N. Weintraub | |||
Journal of World Popular Music | Vol 6 No. 2 (2019) | Currents and Contradictions in the Ethnomusicology of Popular Music | View |
Harris M. Berger | |||
Perfect Beat | Vol 15 No. 2 (2014) | No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 | View |
Andrew Wright Hurley | |||
Popular Music History | Vol 1 No. 3 (2004) | Taste-making and trend-spotting: the folk revival journalism of Robert Shelton | View |
David Laing | |||
Perfect Beat | Vol 19 No. 2 (2018) | An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology | View |
Gene Shill | |||
Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | The record and its label: Identifying, marketing, dividing, collecting | View |
Richard Osborne | |||
Popular Music History | Vol 3 No. 3 (2008) | Ghana and the World Music Boom | View |
John Collins | |||
Popular Music History | Vol 10 No. 2 (2015) | The heritage obsession: The history of rock and challenges of ‘museum mummification’: A French perspective | View |
Philippe Le Guern | |||
Bulletin for the Study of Religion | Vol 45 No. 1 (2016) | Aims and Approaches: An interview with Religion and Diversity Project Director Lori Beaman | View |
Arlene Macdonald | |||
Journal of World Popular Music | Vol 3 No. 2 (2016) | Jocelyne Guilbault and Roy Cape. 2014. Roy Cape: A Life on the Calypso and Soca Bandstand. Durham, NC and London: Duke University Press. 286pp. ISBN 978-0-8223-5774-2 (pbk) | View |
Kent Windress | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) | View |
Tom Sykes | |||
Journal of World Popular Music | Vol 2 No. 2 (2015) | World Music, World Circuit: In Conversation with Nick Gold | View |
Simone Krüger | |||
Journal of World Popular Music | Vol 7 No. 1 (2020) | Editors’ Introduction | View |
Simone Krüger Bridge, Jonathan P.J. Stock | |||
Journal of Film Music | Vol 4 No. 2 (2011) | D. Kern Holoman. The Orchestra: A Very Short Introduction | View |
Melissa Ursula Dawn Goldsmith | |||
Perfect Beat | Vol 11 No. 1 (2010) | Negus, Keith. 2008. Bob Dylan. London: Equinox Publishing. ISBN 1904768253 | View |
John Scannell | |||
Perfect Beat | Vol 11 No. 1 (2010) | O’Flynn, John. 2009. The Irishness of Irish Music. Hampshire: Ashgate. ISBN 978-0- | View |
Helen O'Shea | |||
Perfect Beat | Vol 8 No. 3 (2007) | Kahn-Harris, K (2006) Extreme Metal: Music and Culture on the Edge, Oxford: Berg | View |
MICHELLE PHILLIPOV | |||
Popular Music History | Vol 3 No. 1 (2008) | The origins and development of The Institute of Popular Music: An interview | View |
Dave Horn | |||
Popular Music History | Vol 4 No. 2 (2009) | Street ballets in magic cities: cultural imaginings of the modern American metropolis | View |
Tadhg O'Keeffe | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television | View |
Liz Giuffre | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Gender, Popular Music and Australian Identity: Introduction to Special Issue | View |
Catherine Strong | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | Website Review: Afropop Worldwide: http://www.afropop.org Electric Jive: http://electricjive.blogspot.co.uk | View |
Jez Collins | |||
Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book | View |
Eric Hung | |||
Journal of Film Music | Vol 4 No. 2 (2011) | Philip Furia and Laurie Patterson. The Songs of Hollywood | View |
Jennifer L. Roth-Burnette | |||
Perfect Beat | Vol 2 No. 3 (1995) | DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures | View |
MALCOLM PHILPOTT | |||
Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Michael Lasser, City Songs and American Life, 1900–1950 | View |
Arno van der Hoeven | |||
Popular Music History | Vol 5 No. 2 (2010) | Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 | View |
Kari Kallioniemi | |||
Essays in the Philosophy of Humanism | Vol 20 No. 1 (2012) VOL 20 (1) 2012 | The “Color” of Humanism: Personal Reflections on a Global Reality | View |
Norm R. Allen Jr. | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | Museum Review: Rock Museum, Budapest, Hungary | View |
Emília Barna | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) | View |
Nick Prior | |||
Popular Music History | Vol 11 No. 3 (2018) | Experiencing Progressive Rock by Robert G. H. Burns | View |
Sam Vallen | |||
Popular Music History | Vol 11 No. 3 (2018) | Following better things: Grammar schools, religion and English rock music in the early 1970s | View |
Alistair Mutch | |||
Perfect Beat | Vol 18 No. 2 (2017) | In Melbourne tonight: Pop/rock histories and futures | View |
Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt | |||
Perfect Beat | Vol 1 No. 1 (1992) | CASH, CHORDS, CHAOS AND HYPE Writing Rock History - Accounts of The Sex Pistols and their role in the Seventies' New Wave | View |
Philip Hayward | |||
Perfect Beat | Vol 13 No. 2 (2012) | Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians | View |
Barry Hill, Jon Fitzgerald | |||
Popular Music History | Vol 9 No. 2 (2014) | To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ | View |
Kathryn Hill | |||
Perfect Beat | Vol 17 No. 1 (2016) | An Interview with Damian Wright: Flamenco and the discourse of World Music in Contemporary Australia | View |
Brent Keogh | |||
Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Introduction to the special issue: Lost musical histories—Curating and documenting local popular music-making in the UK | View |
Paul Carr | |||
Popular Music History | Vol 1 No. 3 (2004) | What story should a history of popular music tell? | View |
Allan Moore | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | Interview with Antti-Ville Kärjä from Music Archive Finland | View |
Raphaël Nowak | |||
Jazz Research Journal | Vol 3 No. 1 (2009) | John Coltrane and the “replacement child” syndrome | View |
Bertrand Lauer | |||
Popular Music History | Vol 2 No. 2 (2007) | Allusion and Influence in Elvis Costello | View |
Dai Griffiths | |||
Popular Music History | Vol 8 No. 3 (2013) | Georgina Gregory. Send in the Clones. Sheffield: Equinox, 2012. 172pp. £16.99. ISBN 978-1-84553-245-1 (paperback). | View |
Sarah Davis | |||
Popular Music History | Vol 11 No. 2 (2016) | Review article | View |
Dave Laing | |||
Journal of Film Music | Vol 4 No. 1 (2011) | Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. | View |
James Wierzbicki | |||
Journal of World Popular Music | Vol 6 No. 1 (2019) | Editors’ Introduction | View |
Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Introduction | View |
Shelley Brunt, Oli Wilson | |||
Popular Music History | Vol 4 No. 2 (2009) | ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* | View |
Justin A. Williams | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Our Stories, From Us, The “They”: Nick Gold talks to Lucy Durán about the Making of Buena Vista Social Club | View |
Lucy Durán | |||
Journal of Film Music | Vol 1 No. 1 (2002) | Film Music---What's in a Name? | View |
William H. Rosar | |||
Perfect Beat | Vol 2 No. 4 (1996) | DIRECTIONS IN POPULAR MUSIC STUDIES | View |
BRUCE JOHNSON | |||
Perfect Beat | Vol 2 No. 4 (1996) | AMERICAN COUNTRY: POETS AND PICKERS AT THE HEART OF LONELY | View |
GEORGE H. LEWIS | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Andy Bennett and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. 664pp. ISBN 978-1-44621-0-857 (hbk) | View |
Lauren Istvandity | |||
International Journal for the Study of New Religions | Vol 2 No. 2 (2011) | Book Review: Lubavitcher Messianism: What Really Happens When Prophecy Fails? by Simon Dein, Continuum, 2011, 192pp., hb., $120.00/₤65.00, ISBN-13: 9781441112231. | View |
Joanna Steinhardt | |||
Journal of World Popular Music | Vol 7 No. 1 (2020) | Italian Birds of Passage: The Diaspora of Neapolitan Musicians in New York by Simona Frasca. 2014. | View |
Angela Moran | |||
Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | The Industrial Soundscape between Fiction and Documentary Film in Italy’s Long 1960s | View |
Alessandro Cecchi | |||
Perfect Beat | Vol 4 No. 4 (2000) | BLURRING BOUNDARIES BETWEEN RESTRICTED AND UNRESTRICTED PERFORMANCE A Case Study of the Ngadirdji of Yanyuwa Women in Borroloola | View |
ELIZABETH MACKINLAY | |||
Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Randall D. Larson: Music from the House of Hammer: Music in the Hammer Horror Films, 1950–1980.London: Scarecrow Press, Inc., 1996 [xvi, 193 p.ISBN: 0810829754.] | View |
Rebecca FÜlÖP | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Editors’ Introduction to Inaugural Issue | View |
Simone Krüger, Sarah Baker | |||
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