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Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television The Sound of Jazz as Essential Image: Television, Performance, and the Modern Jazz Canon View
Michael Borshuk
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television An interpretation of the semiotics of ‘self’ with the Modern Jazz Quartet on Jazz 625 as a case study View
Alexander Gagatsis
 
Equinox eBooks Publishing The History of European Jazz 37. Jews and Jewish Music View
Gabriele Coen
 
Equinox eBooks Publishing The History of European Jazz 22. Ukraine View
Alexander Yudin
 
Equinox eBooks Publishing The History of European Jazz 15. Slovakia View
Yvetta Kajanova
 
Equinox eBooks Publishing The History of European Jazz 1. France View
Xavier Prevost
 
Equinox eBooks Publishing The History of European Jazz 2b. Great Britain: 1950-2010: Late-flowering Seeds of the Triangular Trade View
Duncan Heining
 
Philip Larkin View
Ian Smith
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Grappling with Grappelli: Contemporary jazz violin pedagogy and the legacy of gypsy jazz View
Tom Sykes, Ari Poutiainen
 
Equinox eBooks Publishing The History of European Jazz 30. Former Yugoslavia (including Croatia, Slovenia, Serbia, Macedonia, Bosnia and Herzegovina, Montenegro, Vojvodina and Kosovo) View
Mike Mazur, Iço Vidmar, Eleni Novakovska, Edin Zubčević
 
Jazz Research Journal Vol 8 No. 1-2 (2014) The reception of jazz in Adelaide and Melbourne and the creation of an Australian sound in the Angry Penguins decade View
Bruce Clunies Ross
 
Jazz on BBC Radio 1922-1972 View
Tim Wall
 
Kansas City Jazz View
Con Chapman
 
Song for Someone: The Musical Life of Kenny Wheeler View
Brian Shaw, Nick Smart
 
Equinox eBooks Publishing This is Bop Notes View
Peter Jones
 
Equinox eBooks Publishing This is Bop Bibliography View
Peter Jones
 
Equinox eBooks Publishing This is Bop Index View
Peter Jones
 
Equinox eBooks Publishing This is Bop Discography View
Peter Jones
 
An Unholy Row View
Dave Gelly
 
Equinox eBooks Publishing The History of European Jazz 25. Italy View
Francesco Martinelli
 
Equinox eBooks Publishing Komeda Seventeen Years to Go ... View
Magdalena Grzebałkowska
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Tom Pickering: Jazz on the periphery of the periphery View
Matthew Joshua Boden
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Towards a history of jazz in Greece in the interwar era View
Panagiota Anagnostou
 
Equinox eBooks Publishing Jazz on BBC Radio 1922-1972 Jazz Club, 1947-1974 View
Tim Wall
 
This is Bop View
Peter Jones
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Shotgun weddings and bohemian dreams: Jazz, family values and storytelling in Australian film View
Christopher Coady
 
Equinox eBooks Publishing Jazz on BBC Radio 1922-1972 The Road to British Mainstream Jazz, 1943-1965 View
Tim Wall
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Examining the legend and music of Australian saxophonist, Frank Smith View
Ralph Whiteoak
 
Chasin' the Bird View
Brian Priestley
 
Equinox eBooks Publishing Kansas City Jazz Epigraph View
Con Chapman
 
Equinox eBooks Publishing Kansas City Jazz Roots in Ragtime Minstrel and Medicine Shows View
Con Chapman
 
Equinox eBooks Publishing Kansas City Jazz The Blue Devils: From Tuba to Bull Fiddle View
Con Chapman
 
Equinox eBooks Publishing Kansas City Jazz The Territory Bands View
Con Chapman
 
Equinox eBooks Publishing Kansas City Jazz The Cultural Roots of Riffs and Jam Sessions View
Con Chapman
 
Equinox eBooks Publishing Kansas City Jazz Bennie Moten: From Stomps to Swing View
Con Chapman
 
Equinox eBooks Publishing Kansas City Jazz Boogie-Woogie View
Con Chapman
 
Equinox eBooks Publishing Kansas City Jazz A Count and a President View
Con Chapman
 
Equinox eBooks Publishing Kansas City Jazz The Rhythm Section View
Con Chapman
 
Equinox eBooks Publishing Kansas City Jazz The Shouters View
Con Chapman
 
Equinox eBooks Publishing Kansas City Jazz Coleman Hawkins/ Ben Webster/ Don Byas: The Tenors Who Got Away View
Con Chapman
 
Equinox eBooks Publishing Kansas City Jazz Andy Kirk and the Lady Who Swings the Band View
Con Chapman
 
Equinox eBooks Publishing Kansas City Jazz Harlan Leonard and His Rockets That Didn't Take Off View
Con Chapman
 
Equinox eBooks Publishing Kansas City Jazz Jay McShann and the Last of the Great Kansas City Bands View
Con Chapman
 
Equinox eBooks Publishing Kansas City Jazz Bird Takes Off, and Other Bop Manifestations View
Con Chapman
 
Equinox eBooks Publishing Kansas City Jazz Could Lightning Strike Twice? View
Con Chapman
 
Equinox eBooks Publishing Jazz on BBC Radio 1922-1972 Presenting Ellington and Recorded Jazz, 1933-1942 View
Tim Wall
 
Jazz Research Journal Vol 14 No. 1 (2020) The style of Roy Eldridge in 1938: Analytical study through two improvisations on ‘Body and Soul’ View
Juan Zagalaz
 
Jazz Research Journal Vol 12 No. 2 (2018) Jazz’s little brother: The origins of the Spanish blues scene View
Josep Pedro
 
Gone in the Air View
Brian Morton
 
Equinox eBooks Publishing This is Bop Keep Smiling View
Peter Jones
 
Equinox eBooks Publishing This is Bop The Lyrics View
Peter Jones
 
Equinox eBooks Publishing This is Bop Mitigating Circumstances View
Peter Jones
 
Equinox eBooks Publishing Song for Someone: The Musical Life of Kenny Wheeler Gnu High: (1974-1984) View
Brian Shaw, Nick Smart
 
Jazz Research Journal Vol 3 No. 1 (2009) The Dilemmas of African-American Orientalism: Coltrane and the Hispanic Imaginary in ‘Olé’ View
Emmanuel Parent, Grégoire Tosser
 
Jazz Research Journal Vol 3 No. 1 (2009) Sampling Kimberly Benston's 'Coltrane Poem' View
Claudine Raynaud
 
Journal for Research into Freemasonry and Fraternalism Vol 5 No. 2 (2014) ‘The Gilded Age of Fraternalism’: Brotherhood and Modernism in 1920s America View
Miguel Hernandez
 
Equinox eBooks Publishing This is Bop Everybody Got Tired View
Peter Jones
 
Equinox eBooks Publishing This is Bop No Chord is Better Than the Wrong Chord View
Peter Jones
 
Equinox eBooks Publishing This is Bop We Need You to Control Him View
Peter Jones
 
Equinox eBooks Publishing This is Bop The Voice, the Scat, the Vocalese View
Peter Jones
 
Equinox eBooks Publishing This is Bop The Wisdom and Philosophy View
Peter Jones
 
Equinox eBooks Publishing This is Bop The Verge of Impossibility View
Peter Jones
 
Equinox eBooks Publishing This is Bop The Most Beautiful Thing View
Peter Jones
 
Equinox eBooks Publishing This is Bop A Mouthful of Hot Rice View
Peter Jones
 
Equinox eBooks Publishing Philip Larkin 'I Hope Jazz has Founds its Enoch Powell' View
Ian Smith
 
Equinox eBooks Publishing The History of European Jazz 40. Festivals View
George McKay
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Cooling down jazz: Making authentic Swedish jazz possible View
Mischa van Kan
 
Equinox eBooks Publishing The History of European Jazz 4. Germany View
Martin Pfleiderer
 
Jazz Research Journal Vol 4 No. 1 (2010) Editorial View
Catherine Tackley
 
Jazz Research Journal Vol 4 No. 2 (2010) Editorial: The Other Jazz View
Tony Whyton, Catherine Tackley
 
Perfect Beat Vol 4 No. 3 (1999) THE PEDAGOGY, CULTURE AND APPROPRIATION OF JAZZ IN PAPUA NEW GUINEA View
DENNIS CROWDY, MICHAEL GODDARD
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Editorial View
Catherine Parsonage, Tony Whyton
 
Equinox eBooks Publishing The History of European Jazz 26. Latvia View
Indrikis Veitners
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Editorial: The Global Circulations of Jazz View
Stéphane Dorin
 
Equinox eBooks Publishing The History of European Jazz 11. Norway View
Bjorn Stendahl
 
Perfect Beat Vol 8 No. 4 (2008) BEYOND THE SAKURA WALTZ Reflections on the encounter between German and Japanese jazz, 1962–1985 View
ANDREW W. HURLEY
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Historical overview of the development of jazz in Portugal, in the first half of the twentieth century View
Pedro Cravinho
 
Equinox eBooks Publishing The History of European Jazz 31. Bulgaria View
Vladimir Gadjev
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Andrew Robson, Austral Jazz: The Localization of a Global Music Form in Sydney. View
Sean Foran
 
Journal of Film Music Vol 2 No. 2-4 (2009) Wavering Sonorities and the Nascent Film Noir Musical Style View
Roger Hickman
 
Equinox eBooks Publishing The History of European Jazz 13. Poland View
Krystian Brodacki
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Reconstructing the Jazz Tradition View
Charles Hersch
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Editorial: Jazz in Australasia View
Bruce Johnson
 
Equinox eBooks Publishing The History of European Jazz 29. Greece View
Sakis Papadimitriou
 
Jazz Research Journal Vol 14 No. 1 (2020) ‘No radical critique ever comes from the centre’: Interview with Professor Bruce Johnson View
Adam Havas
 
Equinox eBooks Publishing The History of European Jazz 24a. Portugal: 1920-1974 View
Pedro Cravinho
 
Jazz Research Journal Vol 6 No. 1 (2012) Editorial View
Catherine Tackley, Tony Whyton
 
Jazz Research Journal Vol 14 No. 1 (2020) Beyond romance: Rethinking time and narrative in jazz histories View
Iván Iglesias
 
Equinox eBooks Publishing The History of European Jazz 10. Finland View
Juha Henriksson
 
Equinox eBooks Publishing This is Bop The Mistakes are the Only Part That’s Jazz View
Peter Jones
 
Equinox eBooks Publishing This is Bop You’ve Got Something Money Can’t Buy View
Peter Jones
 
Equinox eBooks Publishing This is Bop We Don’t Want No Singers, Man View
Peter Jones
 
Jazz Research Journal Vol 7 No. 1 (2013) Post-World War II Jazz in Britain: Venues and Values 1945–1970 View
Katherine Ann Williams
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Cuba Street parade: Identity, authenticity and self-expression in contemporary Australasian jazz scenes View
Nick Tipping
 
Jazz Research Journal Vol 4 No. 2 (2010) Review: Patrick Burke, Come in and Hear the Truth: Jazz and Race on 52nd Street. Chicago: University of Chicago Press, 2008 (hbk). xiv + 314pp. $35.00. ISBN 978-0-226-08071-0 View
Nicholas Gebhardt
 
Equinox eBooks Publishing The History of European Jazz 20. Russia: Ninety-five Years in Search of an Identity View
Cyril Moshkow
 
Jazz Research Journal Vol 3 No. 2 (2009) Jazz Britannia: mediating the story of British jazz on television View
Tim Wall, Paul Long
 
Jazz Research Journal Vol 9 No. 1 (2015) Frontierism, intellectual listeners and the new European wave: On the reception of Dutch jazz in DownBeat, 1960–1980 View
Loes Rusch
 
Equinox eBooks Publishing The History of European Jazz 34. Armenia View
Armen Manukian
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) The collective organization of contemporary jazz musicians in the UK View
Tim Wall, Simon Barber
 
Equinox eBooks Publishing The History of European Jazz 8. Denmark View
Tore Mortensen
 
Equinox eBooks Publishing The History of European Jazz 14. Czech Republic View
Yvetta Kajanova
 
Equinox eBooks Publishing The History of European Jazz 16. Hungary: The road to independence View
Gabor Turi
 
Jazz Research Journal Vol 4 No. 1 (2010) ‘Jazz’ at large: ‘Scapes’ and the imagination in the performances of Moses Molelekwa and Nah Youn-Sun View
Jan Harm Schutte
 
Equinox eBooks Publishing The History of European Jazz 23. Spain View
Chema Martinez
 
Popular Music History Vol 1 No. 2 (2004) Review of Circular Breathing: The Cultural Politics of Jazz in Britain by George McKay View
Dave Laing
 
Jazz Research Journal Vol 2 No. 2 (2008) Review article: I. Anderson, This Is Our Music: Free Jazz, the Sixties, and American Culture, S.Saul, Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties, I. Monson, Freedom Sounds: Civil Rights Call Out to Jazz and Africa View
Charles Hersch,
 
Equinox eBooks Publishing The History of European Jazz 6. Belgium View
Jean-Pol Schroeder
 
Popular Music History Vol 1 No. 2 (2004) ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies View
Chris McDonald
 
Perfect Beat Vol 3 No. 4 (1998) DOCTORED JAZZ Early Australian Jazz Journals View
BRUCE JOHNSON
 
Jazz Research Journal Vol 6 No. 2 (2012) Crossing the curtain: Polish jazz meets poetry in the europäische Heimat View
Zbigniew Granat
 
Jazz Research Journal Vol 6 No. 1 (2012) Nichole T. Rustin and Sherrie Tucker, eds. Big Ears: Listening for Gender in Jazz Studies. Durham and London: Duke University Press, 2008. View
Lindelwa Dalamba
 
Jazz Research Journal Vol 4 No. 2 (2010) Jazz in Kuala Lumpur View
Gisa Jähnichen
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Introduction: The collective problem in jazz View
Nicholas Gebhardt
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Jazz in Brazil: An Early History (1920s-1950s) View
Anaïs Fléchet
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Early jazz in Australia as oriental exotica View
Aline Scott-Maxwell
 
Equinox eBooks Publishing The History of European Jazz 17. Romania View
Virgil Mihaiu
 
Popular Music History Vol 9 No. 1 (2014) Resource Notes View
Jo Blyghton
 
Equinox eBooks Publishing The History of European Jazz 19. Switzerland View
Bruno Spoerri
 
Journal of World Popular Music Vol 3 No. 1 (2016) Sophisticated Lady: Female Vocalists and Gendered Identity in the Brisbane Jazz Scene View
Lauren Istvandity
 
Perfect Beat Vol 16 No. 1-2 (2015) Gelly, Dave. 2014. An Unholy Row: Jazz in Britain and its Audience 1945–1960. Sheffield: Equinox. ISBN 978-1-84553-712-8 (hbk). 167 pp View
Aleisha Ward
 
Jazz Research Journal Vol 9 No. 2 (2015) The impact of (jazz) festivals: An Arts and Humanities Research Council-funded research report View
Emma Webster, George McKay
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Jazzing through the luminiferous ether: How international radio broadcasts affected the experience of jazz in 1920s–1930s New Zealand View
Aleisha Ward
 
Jazz Research Journal Vol 6 No. 2 (2012) Hot and cool from Buenos Aires to Chicago: Guillermo Gregorio’s jazz cosmopolitanism View
Andrew Raffo Dewar
 
Equinox eBooks Publishing The History of European Jazz 5. The Netherlands View
Bert Vuijsje
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television ‘Ain’t misbehavin’: Jazz music in children’s television View
Liam Maloy
 
Jazz Research Journal Vol 6 No. 2 (2012) Way out East: cowboys and pioneer women on Berlin's jazz frontier View
William Kirk Bares
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 No room for squares: A political economy of Blue Note records View
Christopher May
 
Jazz Research Journal Vol 4 No. 1 (2010) ‘Earthly, sensual, devilish’: Sex, ‘race’ and jazz in post-independence Ireland View
Eileen Hogan
 
Equinox eBooks Publishing The History of European Jazz Subject Index View
Francesco Martinelli
 
Journal of World Popular Music Vol 3 No. 1 (2016) Jason Toynbee, Catherine Tackley and Mark Doffman, eds. 2014. Black British Jazz: Routes, Ownership and Performance. Farnham: Ashgate. 244pp. ISBN 978-1- 4724-1756-5 (hbk) View
Lawrence Davies
 
Equinox eBooks Publishing The History of European Jazz 27. Lithuania View
Ruta Skudiene
 
Perfect Beat Vol 2 No. 3 (1995) HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' View
JOHN WHITEOAK
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Perspectives on the Melbourne International Women's Jazz Festival View
Louise Denson
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED View
Kimberly Hannon Teal
 
Jazz Research Journal Vol 1 No. 2 (2007) Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” View
Michael W. Morse
 
Equinox eBooks Publishing The History of European Jazz 18. Austria View
Andreas Felber
 
Popular Music History Vol 7 No. 1 (2012) Authenticity as authenticating—the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis View
Richard Ekins
 
Jazz Research Journal Vol 14 No. 1 (2020) Jazz and cosmopolitan practice: The case of Lloyd Swanton View
Benjamin Phipps
 
Equinox eBooks Publishing The History of European Jazz 32. Turkey View
Hulya Tuncag
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Material and Expositional Frames in BBC Arena ’s Visual Jazz Jukebox View
Will Finch
 
Equinox eBooks Publishing The History of European Jazz 39. Film View
Selwyn Harris
 
Equinox eBooks Publishing The History of European Jazz 7. Luxembourg View
Marc Demuth
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) San Francisco State University's Music Federation: A local jazz cooperative for teachers View
Meredith Morgan Eliassen
 
Equinox eBooks Publishing The History of European Jazz 9a. Sweden: 1919-1969 View
Jan Bruer
 
Jazz Research Journal Vol 3 No. 2 (2009) Rhizomes and plateaus: Rethinking jazz historiography and the jazz-'classical' relationship View
Jeremy Barham
 
Jazz Research Journal Vol 6 No. 2 (2012) Jam sessions in Manhattan as rituals View
Ricardo Nuno Futre Pinheiro
 
Equinox eBooks Publishing The History of European Jazz 36. Django Reinhardt and jazz manouche View
Michael Dregni
 
Equinox eBooks Publishing The History of European Jazz 2a. Great Britain: 1900 - 1960 View
Alyn Shipton
 
Jazz Research Journal Vol 1 No. 2 (2007) David Murray: the making of a progressive musician View
Tim Wall
 
Jazz Research Journal Vol 4 No. 2 (2010) Jazz and race in colonial India: The role of Anglo-Indian musicians in the diffusion of jazz in Calcutta View
Stephane Dorin
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Review of 'Inside British Jazz' by Hilary Moore View
Peter Martin
 
Jazz Research Journal Vol 4 No. 1 (2010) On jazz, memory and history: A response to Alyn Shipton View
Nicholas Gebhardt
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies View
Gabriel Solis
 
Popular Music History Vol 7 No. 3 (2012) “Masters of our own destiny”: cultures of preservation at the Victorian Jazz Archive in Melbourne, Australia View
Sarah Baker, Alison Huber
 
Jazz Research Journal Vol 10 No. 1-2 (2016) ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene View
Myrtille Picaud
 
Equinox eBooks Publishing The History of European Jazz 3. Ireland View
Cormac Larkin
 
Jazz Research Journal Vol 11 No. 2 (2017) Christopher Coady, John Lewis and the Challenge of ‘Real’ Black Music View
Alexandre Gagatsis
 
Popular Music History Vol 4 No. 3 (2009) ‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 View
Alf Arvidsson
 
Jazz Research Journal Vol 8 No. 1-2 (2014) ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals View
Brent Keogh
 
Jazz Research Journal Vol 4 No. 2 (2010) ‘Down with bebop—viva swing!’: Swing Club and the meaning of jazz in late 1940s Estonia View
Heli Reimann
 
Jazz Research Journal Vol 6 No. 1 (2012) All the metaphors you are: conceptual mappings of bebop in James Baldwin’s ‘Sonny’s Blues’ and Jack Kerouac’s On the Road View
Julian Levinson
 
Jazz Research Journal Vol 1 No. 2 (2007) Being bop: how the press shaped the cult of bebop View
Thomas Turner
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Lydia in Oz: The reception of George Russell in 1960s Australia View
Pierre-Emmanuel Seguin
 
Jazz Research Journal Vol 7 No. 1 (2013) ‘They’ve really gone to town with all that bunting’: the influence and (in)visibility of Glasgow’s Jazz Festival View
Alison Caroline Eales
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) JazzWerkstatt: A young Austrian jazz initiative View
Christa Bruckner-Haring, Michael Kahr
 
Equinox eBooks Publishing The History of European Jazz 38. The Avant- Garde: Black-and-White Atlantic Dialogues, c. 1960s View
Michael Heffley
 
Popular Music History Vol 1 No. 2 (2004) University jazz and the Mersey Sound: Student days in Liverpool, a memoir View
Brian Hudson
 
Jazz Research Journal Vol 9 No. 1 (2015) Ellen Johnson, Jazz Child: A Portrait of Sheila Jordan. Lanham, MD: Rowman & Littlefield, 2014. xvii + 234 pp. ISBN 978-0-8108-8837-1 (e-book). $54.99 View
James Aldridge
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Demons of discord down under: ‘Jump Jim Crow’ and ‘Australia’s first jazz band’ View
John Whiteoak
 
Perfect Beat Vol 2 No. 3 (1995) AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 View
BRUCE JOHNSON
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Common ground: 1970s improvised music as part of a cross-genre Dutch ensemble culture View
Loes Rusch
 
Jazz Research Journal Vol 9 No. 1 (2015) The jazz storyteller: Improvisers’ perspectives on music and narrative View
Sven Bjerstedt
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Rhythm Clubs, record series, and the everyday connoisseurship of ‘hot rhythm’ records in interwar Britain View
Lawrence Davies
 
Jazz Research Journal Vol 11 No. 2 (2017) Bernie McGann and Bundeena: Mythologizing an Austral jazz icon View
Andrew Robson
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Got a little rhythm? The Australian influence on swing in New Zealand during the 1930s and 1940s View
Aleisha Ward
 
Jazz Research Journal Vol 6 No. 1 (2012) Keep up with the changes: online strategies for national jazz agencies View
Andrew Dubber
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 “Free Swing” and the Emergent Neophonic: Forging Progressive Jazz with Stan Kenton in the 1947 Dance Hall View
Ryan Patrick Jones
 
Jazz Research Journal Vol 7 No. 1 (2013) Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century View
Helen Vera Southall
 
Jazz Research Journal Vol 9 No. 2 (2015) Social constructions of ‘authenticity’ and the sounds of the Kid Thomas Valentine Band: The case of ‘Basin Street Blues’—an approach from sociological musicology and cultural studies View
Richard Ekins
 
Popular Music History Vol 8 No. 1 (2013) The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism View
Richard Ekins
 
Popular Music History Vol 5 No. 2 (2010) Traditional jazz and the mainstreaming of authenticity: The case of British traddy pop (1959–1963)— a grounded theory approach View
Richard Ekins
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics What can everyday aesthetics teach us about jazz practice? View
Michael Fletcher
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Review: David Borgo, Sync or Swarm View
Raymond MacDonald
 
Jazz Research Journal Vol 3 No. 2 (2009) Review of Elijah Wald, How The Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music View
Bruce Johnson
 
Jazz Research Journal Vol 11 No. 1 (2017) Edward W. Sarath, Improvisation, Creativity, and Consciousness: Jazz as Integral Template for Music, Educa- tion, and Society. Albany, NY: State University of New York Press, 2013. xi + 488 pp. ISBN 978-1-4384-4721-6 (hbk). $95.00/£73.70 View
David Borgo
 
Bulletin for the Study of Religion Vol 45 No. 1 (2016) Thoughts After Reading Spirits Rejoice! Jazz and American Religion: A Review Essay View
Michael Kaler
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Russia and the Creation of Jazz in the British Everyday Imaginary View
Robert Lawson-Peebles
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 When bad things happen to great musicians: The role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen View
Morris B. Holbrook
 
Jazz Research Journal Vol 11 No. 2 (2017) And I think to myself what a wonderful world: In search of Louis Armstrong’s Brussels collage View
Matthias Heyman
 
Journal of World Popular Music Vol 4 No. 2 (2017) Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil View
Berenice Corti, Luciana Xavier de Oliveira
 
Jazz Research Journal Vol 8 No. 1-2 (2014) The lost history of jazz on early Australian popular music television View
Liz Giuffre
 
Jazz Research Journal Vol 12 No. 2 (2018) A drum, deferred: Solomon Ilori in the New York jazz scene, 1958–1964 View
Ofer Gazit
 
Jazz Research Journal Vol 7 No. 1 (2013) ‘We’ve got a gig in Poland!’: Britain and jazz in World War II View
Will Studdert
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Expressive identity in the voices of three Australian saxophonists: McGann, Sanders and Gorman View
Sandy Evans
 
Jazz Research Journal Vol 11 No. 1 (2017) Early New Orleans band photography View
Alan John Ainsworth
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Making ourselves heard: From a ‘Field of Dreams’ to building a collective voice View
Petter Frost Fadnes
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics The politics, aesthetics and dissonance of music in everyday life View
Roger Fagge
 
Popular Music History Vol 11 No. 2 (2016) ‘Black Bob’: His B-flat Bombardon and the Yorkshire Jazz Band View
Val Wilmer
 
Jazz Research Journal Vol 11 No. 1 (2017) The friendship between Andy Hamilton and David Murray: A concrete example of Black Atlantic culture View
Tony Dudley-Evans
 
Jazz Research Journal Vol 7 No. 2 (2013) The sonic camera: Intermodality and intermediality in contemporary jazz composition View
David Cosper
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Remixing jazz culture: Musical hybridity and collectivity in the New Europe View
Kristin McGee
 
Popular Music History Vol 9 No. 2 (2014) Phil Ford, Dig: Sound and Music in Hip Culture. Oxford and New York: Oxford University Press, 2013. 336 pp. £19.41. ISBN 978-0-19993-991-6 (pbk). View
Simon Warner
 
Jazz Research Journal Vol 12 No. 2 (2018) The second masking View
Corey Mwamba
 
Perfect Beat Vol 14 No. 1 (2013) Introduction View
Denis Crowdy, Mark Evans
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Louis Armstrong loves Guy Lombardo! Acknowledging the smoother roots of jazz View
Elijah Wald
 
Journal of Film Music Vol 2 No. 2-4 (2009) Mingus, Cassavetes, and the Birth of a Jazz Cinema View
Ross Lipman
 
Jazz Research Journal Vol 4 No. 1 (2010) Plagiarizing your own autobiography, and other strange tales: Miles Davis, jazz discourse, and the aesthetic of silence View
Ken Prouty
 
Journal of World Popular Music Vol 3 No. 2 (2016) Christopher Ballantine. 2012. Marabi Nights: Jazz, ‘Race’ and Society in Early Apartheid South Africa, 2nd edn. Scottsville: University of Kwazulu-Natal Press. 280pp. ISBN 978-1869142377 (pbk) View
Jostine Loubser
 
Popular Music History Vol 2 No. 2 (2007) Writing jazz biography: race, research and narrative representation View
Tom Perchard
 
Jazz Research Journal Vol 6 No. 1 (2012) Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films View
Simone Varriale
 
Popular Music History Vol 7 No. 3 (2012) ‘Immersed in the conflict’: Mike Westbrook’s Marching Song (1969) and the landscape and soundscape of war View
Duncan Heining
 
Jazz Research Journal Vol 9 No. 2 (2015) Silent revolutions: An exploration of 1941, Jimmie Blanton’s ‘forgotten’ year View
Matthias Heyman
 
Popular Music History Vol 1 No. 2 (2004) Showgirls and stars: Black-cast revues and female performersin Britain 1903–1939 View
Howard Rye
 
Jazz Research Journal Vol 11 No. 2 (2017) Photographic representations of jazz: Testimonial advertising in Down Beat, 1938–48 View
Alan John Ainsworth
 
Popular Music History Vol 4 No. 1 (2009) Gordon Stretton: a study in multiple identities View
Jeff Daniels, Howard Rye
 
Journal of World Popular Music Vol 6 No. 1 (2019) Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians View
Ioannis Tsioulakis
 
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Marc Medwin
 
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Terry Monaghan
 
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Anne Power
 
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Toru Mitsui
 
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Denis Crowdy, Mark Evans
 
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Rob Smith
 
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Ludovic Florin
 
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Helen Mitchell
 
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Jonathan Feig
 
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Joseph Cummins
 
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Philippe Michel,
 
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Roy Shuker
 
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Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet
 
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Denis Crowdy, Mark Evans
 
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Russell P. Skelchy
 
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IAN MAXWELL
 
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TOM BURVILL
 
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Popular Music History Vol 11 No. 3 (2018) Following better things: Grammar schools, religion and English rock music in the early 1970s View
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Denis Crowdy, Mark Evans
 
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Perfect Beat Vol 15 No. 1 (2014) Introduction View
Mark Evans, Denis Crowdy
 
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Andrew Murphie
 
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Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Voices of Sheila: Resignification in Filmic and Non-filmic Contexts View
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Popular Music History Vol 6 No. 3 (2011) From corporates and media to state control: International perspectives on the music business View
Richard Coopey
 
Journal of World Popular Music Vol 2 No. 2 (2015) Marley. 2012. Directed by Kevin MacDonald. Universal Pictures. DVD View
Paul Long
 
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John Collins
 
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Tony Farsides
 
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Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Buildings matter: The recycling of Liverpool’s Whitechapel and the Casbah View
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James Wierzbicki
 
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Joe Boyd,
 
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Wonderful Godwin Bere
 
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Chris Gibson
 
Popular Music History Vol 4 No. 2 (2009) Nowhere man: urban life and the virtualization of popular music View
Paul Graves-Brown
 
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Bruce Johnson
 
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Religious Studies and Theology Vol 26 No. 1 (2007) John Updike’s Rabbit, Run: A Quest for a Spiritual Vocabulary in the Vacuum Left by Modernism View
David J Fekete
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) View
Nick Prior
 
Journal of World Popular Music Vol 4 No. 2 (2017) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Website review: Nomadic Wax. http://nomadicwax.com View
Francisco D. Lara
 
Popular Music History Vol 4 No. 2 (2009) ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* View
Justin A. Williams
 
Popular Music History Vol 9 No. 2 (2014) To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ View
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Equinox eBooks Publishing The Singing Voice in Contemporary Cinema The Singing Voice in Contemporary Cinema View
Diane Hughes, Mark Evans
 
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Yayoi Uno Everett
 
Perfect Beat Vol 3 No. 2 (1997) DISPLACED ACAPPELLA The Bulgarian Choral Tradition and Sydney's Martenitsa Choir View
ALEX GIBB, MEAGAN LOADER
 
Journal of Contemporary Archaeology Vol 7 No. 1 (2020) “To Thee Do We Send Up Our Sighs”: Documenting Twentieth-Century Marian Shrines in the Republic of Ireland View
Eve Campbell
 
Perfect Beat Vol 15 No. 2 (2014) ‘Lookin, searchin, seekin, findin’: A new beat View
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Journal of Film Music Vol 2 No. 2-4 (2009) The Great Crossing: Nostalgia and Manifest Destiny in Aaron Copland’s The Red Pony View
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Popular Music History Vol 13 No. 3 (2020) A sonic step closer: Master-tape preservation at the Alexander Turnbull Library View
Michael Brown
 
Perfect Beat Vol 20 No. 2 (2020) Special Issue: Music and Politics Resist or perish! Understanding the mode of resistance among young DIY Indonesian musicians View
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Duncan Wheeler
 
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Simone Krüger Bridge, Sarah Baker
 
Perfect Beat Vol 2 No. 2 (1995) ALOHA AUSTRALIA Hawaiian Music in Australia (1920-55) View
JACKEY COYLE, REBECCA COYLE
 
Perfect Beat Vol 1 No. 2 (1993) THREE DECADES OF AUSTRALIAN POPULAR MUSIC View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. View
Tony Mitchell
 
Perfect Beat Vol 1 No. 2 (1993) Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin View
Marcus Breen
 
Perfect Beat Vol 1 No. 2 (1993) Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP View
Roderick Nielsen
 
Perfect Beat Vol 1 No. 2 (1993) Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. View
Carolyn Craig
 
Journal of Film Music Vol 4 No. 2 (2011) Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* View
Sarah Reichardt Ellis
 
Perfect Beat Vol 4 No. 4 (2000) WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries View
MASAHIRO YASUDA
 
Journal of World Popular Music Vol 3 No. 2 (2016) Voodoo Threads: The Cultural Trajectory of Dr. John’s ‘I Walk on Gilded Splinters’ View
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Perfect Beat Vol 2 No. 1 (1994) TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne View
ROBIN RYAN
 
Perfect Beat Vol 2 No. 3 (1995) NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene View
TONY MITCHELL
 
Popular Music History Vol 9 No. 3 (2014) Keeping themselves alive: Identifying and analysing Queen’s musical development, 1973–1980 View
Nick Braae
 
Perfect Beat Vol 19 No. 1 (2018) Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] View
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Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Setting the Tone of the Southern Question: Music and/as Fatalism in Italian Cinema of the Economic Miracle View
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Gair Dunlop
 
Journal of World Popular Music Vol 6 No. 2 (2019) Keynote: Party Music, Affect and the Politics of Modernity View
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Ewa Mazierska
 
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Kendra Preston Leonard
 
Popular Music History Vol 10 No. 1 (2015) The contrasting soundscapes of Hull and London in David Bowie’s Ziggy Stardust and the Spiders from Mars View
Peter Atkinson
 
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Perfect Beat Vol 12 No. 1 (2011) Malaysian composers, geopolitical spaces and cultural difference View
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CALICO Journal Vol 2 No. 1 (1984) FOREIGN-LANGUAGE SOFTWARE: THE STATE OF THE ART or PICK A CARD, ANY (FLASH) CARD View
Robert L. Baker
 
PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements Vol 16 No. 2 (2017) Pentecostalism as Cultural Resistance: Music and Tongue-speaking as Collective Response in a Brooklyn Church View
Peter Marina, Michael Wilkinson
 
Perfect Beat Vol 3 No. 2 (1997) INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA View
DAVID GOLDSWORTHY
 
Popular Music History Vol 1 No. 1 (2004) Histories and complexities: Popular Music History Writing and Danish Rock View
Morten Michelsen
 
Perfect Beat Vol 10 No. 2 (2009) Imagining Okinawa: Japanese pop musicians and Okinawan music View
Matt Gillan
 
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Journal of Contemporary Archaeology Vol 6 No. 1 (2019) Special Issue: Futurity, Time, and Archaeology Detroit 139: Archaeology and the Future-Making of a Post- Industrial City View
Krysta Ryzewski
 
Popular Music History Vol 4 No. 2 (2009) Compost city: underground music, collapsoscapes and urban regeneration View
Greg Keeffe
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics MC Solaar and the Influence of Globalization on Local Hip-Hop Aesthetics View
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Equinox eBooks Publishing Ritual and Democracy Index View
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Equinox eBooks Publishing Ritual and Democracy 7. Trans-Indigenous Festivals: Democracy and Emplacement View
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Journal of Film Music Vol 6 No. 1 (2013) “Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas View
Tim Summers
 
Perfect Beat Vol 11 No. 2 (2010) Governmental as anything: live music and law and order in Melbourne View
Shane Homan
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Archival Activism: Deciphering State-Sanctioned Histories and Reporting of Canadian Hip Hop View
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Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) ‘These stories have to be told’: Chicano rap as historical source View
Dianne Violeta Mausfeld
 
Perfect Beat Vol 2 No. 3 (1995) ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop View
ROSS HARLEY
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Guest Editorial View
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Popular Music History Vol 8 No. 1 (2013) A mysterious music in the air: cultural origins of the loudspeaker View
Kyle Devine
 
Journal of World Popular Music Vol 1 No. 1 (2014) Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course View
Andrew Killick
 
Journal of Film Music Vol 5 No. 1-2 (2012) Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda View
William H. Rosar
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) Bishop Lamont and Hermeneutics of Play: Hip Hop, Religion, and the Study of American Religious History View
L. Benjamin Rolsky
 
Journal of World Popular Music Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space Return to the Echo Chamber: Race, Sound and the Future of Community (Excerpt) View
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Journal of Film Music Vol 1 No. 1 (2002) Music in Films: A Critical Review of Literature, 1980-1996 View
Robynn J. Stilwell
 
Popular Music History Vol 10 No. 1 (2015) Manpool, the musical: Harmony and counterpoint on the Lancashire Plain View
Richard Witts
 
Journal of Film Music Vol 1 No. 1 (2002) Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] View
Linda Schubert
 
Journal of Contemporary Archaeology Vol 6 No. 2 (2019) Archaeology, Heritage and Performance in the Perth Popular Music Scene View
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Popular Music History Vol 6 No. 3 (2011) The making of a Yugoslav popular music industry View
Dean Vuletic
 
Perfect Beat Vol 18 No. 2 (2017) In Melbourne tonight: Pop/rock histories and futures View
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Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Caryl Flinn: The New German Cinema: Music, History,and the Matter of StyleBerkeley. University of California Press, 2004 [viii, 323 p. ISBN: 0-520-22895-2] View
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Popular Music History Vol 3 No. 3 (2008) World Music and the global music industry View
Dave Laing
 
Popular Music History Vol 8 No. 2 (2013) What’s in a name? Dylan Thomas and Bob Dylan View
David Boucher
 
Perfect Beat Vol 3 No. 4 (1998) EMBODIED ACAPPELLA The Experience of Singing a Displaced Eclectic Repertoire View
JULIE RICKWOOD
 
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Sara Cohen
 
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Charles Hamm
 
Perfect Beat Vol 10 No. 2 (2009) Introduction: Something in the Water View
Denis Crowdy, Mark Evans
 
Perfect Beat Vol 8 No. 3 (2007) AOTEAROA SONGLINES View
TONY MITCHELL
 
Perfect Beat Vol 1 No. 1 (1992) It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study View
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Journal of World Popular Music Vol 7 No. 1 (2020) Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão) View
Colin Harte
 
Journal of World Popular Music Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space Making Music from Below in a Southern Italian Metropolis: The Neapolitan Music Scene between Commons, Latin American Rhythms, Sound Systems and Self-Produced Festivals View
Roberto Sciarelli, Sergio Sciambra, Giulia Follo, Salvatore Cosentino
 
Perfect Beat Vol 1 No. 1 (1992) SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: View
Philip Hayward, Rachael Privett
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Film Scoring: The UCLA Lectures† Edited and annotated by Mark Brill. View
Leith Stevens †
 
Journal of World Popular Music Vol 2 No. 1 (2015) World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices View
Diane Hughes, Sarah Keith
 
Fieldwork in Religion Vol 14 No. 1 (2019) Exploring the Sacredness of Urban Spaces through Material Traces View
Mujde Bideci
 
Journal for the Academic Study of Religion Vol 23 No. 2 (2010) ‘I’ve Got a Spirit Coming through Me': Music as Hierophany and Musicians as Shamans View
Mark Jennings
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Are We All Archaeologists Now? View
Cornelius Holtorf
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) On the Ontology of Archaeology View
Lawrence E. Moore
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) “Are We There Yet?” The challenge of Public Engagement with Australia’s Indigenous Past and its Implications for Reconciliation View
Stephen Muller
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Archaeology: A Treatment View
Jonathan Walz
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Everything is Everything View
Alessandro Zambelli
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Is Digging Straight Walls and Playing in Tune What It’s All About? View
Jacob Lawson
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Bastard Design Practices: An Archaeological Perspective View
James Dyer
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Archaeology in the Era of Capitalism View
Selma Faria
 
Journal of Contemporary Archaeology Vol 2 No. 2 (2015) Journeys in the City: Homeless Archaeologists or Archaeologies of Homelessness View
Rachael Kiddey, Andrew Daffnis, Jane Hallam, Mats Brate
 
Popular Music History Vol 10 No. 1 (2015) Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983 View
Ian Trowell
 
Perfect Beat Vol 12 No. 2 (2011) Ideology and the performance of Chineseness: Hong Kong singers on the CCTV stage View
Lauren Gorfinkel
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa Formulaicity in Jbala poetry Sarali Yurievna Gintsburg (2014) Tilburg: Prisma Print. Pp. 163. ISBN/EAN: 978-94-6167-180-6 View
John C. Ford
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Ghost Singers: The Singing Voice in Korean Pop Cinema View
Sarah Keith, Alex Mesker
 
Implicit Religion Vol 7 No. 1 (2004) Christian Musical Worship and 'Hostility to the Body': The Medieval Influence Versus the Pentecostal Revolution View
Michael Amoah
 
Journal of World Popular Music Vol 4 No. 2 (2017) The Moral of the Story: Making Ethnomusicology Matter in the Twenty-first Century View
Michael B. Bakan
 
Journal of World Popular Music Vol 4 No. 2 (2017) “Tomorrow never knows”: The Influence of the Beatles’ Music in Brazil View
Gustavo Alonso
 
Perfect Beat Vol 18 No. 2 (2017) Playing bluegrass in Australia across country and folk scenes View
Miriam Amy Jones
 
Popular Music History Vol 4 No. 1 (2009) Scottish indie music and BBC radio’s Beat Patrol (1995–2000) View
J. Mark Percival
 
Popular Music History Vol 8 No. 2 (2013) Bob Dylan and Allen Ginsberg: at Kerouac’s grave, and beyond View
Daniel Karlin
 
Essays in the Philosophy of Humanism Vol 23 No. 1 (2015) Morality Without God View
Alan Mandelberg
 
Journal of Film Music Vol 6 No. 2 (2013) Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops View
Emilio Audissino
 
Journal for Research into Freemasonry and Fraternalism Vol 5 No. 2 (2014) Report of the Doctoral Students Study Day on Freemasonry and Fraternalism, UCL Institute of Archaeology, London View
Andrew Pink
 
Journal of Film Music Vol 2 No. 1 (2007) Jack Sullivan: Hitchcock’s Music. New Haven and London: Yale University Press, 2006 [xix, 354 p. ISBN: 0300110502] View
Tom Schneller
 
Perfect Beat Vol 2 No. 2 (1995) PACIFIC ISLANDER RADIO AND MUSIC IN AUCKLAND View
MARK DERBY, HELEN WILSON
 
Essays in the Philosophy of Humanism Vol 23 No. 1 (2015) An Awkward Quarrel: The Defense of Humanism in 1970s Britain View
D. L. LeMahieu
 
Perfect Beat Vol 1 No. 4 (1994) FLYING IN THE FACE OF FASHION: Independent Music in New Zealand View
Tony Mitchell
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The lost musical histories of Merthyr Tydfil View
Paul Carr
 
Perfect Beat Vol 15 No. 1 (2014) German-Indigenous musical flows at Ntaria in the 1960s: Tiger Tjalkalyeri’s rendition of ‘Silent Night’, or what is tradition anyway? View
Andrew Wright Hurley
 
Perfect Beat Vol 3 No. 4 (1998) DOMESTIC EXOTICISM A recent trend in Japanese popular music View
TORU MITSUI
 
Perfect Beat Vol 2 No. 4 (1996) AEIOU Moana and the Moahunters, Music Video and the Communication of Polynesian Cultures in Contemporary New Zealand View
SARA VUI-TALITU
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) View
William H. Rosar
 
Popular Music History Vol 2 No. 1 (2007) April 2007 BBC rock music programming on radio and television and the progressive rock audience, 1967–1973 View
David Simonelli
 
Popular Music History Vol 7 No. 1 (2012) A cool reception to the American Beat: The Fleshtones in Britain, 1981–83 View
Philip Kiszely
 
Popular Music History Vol 7 No. 3 (2012) Needle Time: The BBC, the Musicians’ Union, popular music, and the reform of radio in the 1960s. View
Richard Witts
 
Perfect Beat Vol 10 No. 1 (2009) Television special Maintaining Rage: Counting down without a host for over 20 years View
Liz Giuffre
 
Perfect Beat Vol 10 No. 1 (2009) Television special Make ’em laugh, make ’em cry: The use of production music in Australian reality television series Nerds FC View
Jon Fitzgerald
 
Perfect Beat Vol 2 No. 3 (1995) A MOUSE, A FROG, THE HAWAIIAN GUITAR AND WORLD MUSIC AESTHETICS Vishwa Mohan Bhatt and Ry Cooder Meet by the River View
ADRIAN MCNEIL
 
International Journal for the Study of New Religions Vol 6 No. 2 (2015) Gurdjieffian Overtones in Leon MacLaren’s School of Economic Science View
Johanna J.M. Petsche
 
Journal of World Popular Music Vol 2 No. 2 (2015) Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) View
Tony Mitchell
 
Journal of World Popular Music Vol 4 No. 2 (2017) “Argentina is cumbia”: Sociocultural Trajectories of Young “Cumbieros” in Urban Peripheries View
Malvina Silba
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Music, poetry, and the politics of identity in Réunion Island: an historical overview View
Guillaume Samson, Shawn Pitre
 
Perfect Beat Vol 9 No. 1 (2008) J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? View
TERENCE LANCASHIRE
 
Perfect Beat Vol 10 No. 1 (2009) Television special Thai television and pleeng luuk tung: The role of television in the Isan cultural revival View
James Leonard Mitchell
 
Perfect Beat Vol 13 No. 2 (2012) Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music View
Qian Wang
 
Perfect Beat Vol 13 No. 2 (2012) Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music View
Qian Wang
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Triumph of the maggots? Valorization of metal in the rock press View
Hélène Laurin
 
Perfect Beat Vol 13 No. 2 (2012) Electronic dance music, the rock myth, and authenticity View
John Gunders
 
Bulletin for the Study of Religion Vol 42 No. 4 (2013) Bulletin for the Study of Religion From Greek ruins to a Child's Mind: A Research Oddyssey of Sorts. Interview with Armin W. Geertz View
Kirstine Munk, Armin W. Geertz
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) 'I want you to support local metal': A theory of metal scene formation View
Jeremy Wallach, Alexandra Levine
 
Popular Music History Vol 8 No. 2 (2013) Bob Dylan: the politics of influence View
Gary Browning
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK They preferred to sit on the floor: Rock music in South Wales at a time of industrial change View
Mike Jones
 
Popular Music History Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation Pick out the jams: Curation and independent record shops View
Lee Ann Fullington
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Nine lives in the music business: Reg Dwight and Elton John in the 1960s View
Dave Laing
 
Perfect Beat Vol 8 No. 4 (2008) TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture View
Philip Hayward, SUEO KUWAHARA
 
Journal of World Popular Music Vol 3 No. 1 (2016) We are the Sons of the Southern Cross: Gendered Nationalisms and Imagined Community in Australian Extreme Metal View
Catherine Hoad
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music Manele, symbolic geography and music cosmopolitanism in Romania View
Ruxandra Trandafoiu
 
CALICO Journal Vol 33 No. 3 (2016) Emerging Trends and New Directions in Telecollaborative Learning View
Robert O'Dowd
 
Perfect Beat Vol 8 No. 3 (2007) GORE GOLD GUITARS The Place of Country in New Zealand View
DAN BENDRUPS, HENRY JOHNSON
 
Health and Social Care Chaplaincy Vol 10 No. 1 (2007) Scottish Journal of Healthcare Chaplaincy Vol 10 (1) 2007 Orere Source: Recent Additions View
W. Noel Brown
 
Popular Music History Vol 9 No. 3 (2014) Songs you know by heart: Alcohol, promiscuous sex, drugs and escape in Jimmy Buffett’s music View
Eve M Brank, Kathleen A Fox, Victoria Kaspar
 
Popular Music History Vol 4 No. 1 (2009) Discovering authenticity? Harry Smith's Anthology of American Folk Music View
Rory Crutchfield
 
Journal of World Popular Music Vol 1 No. 1 (2014) Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea View
Oli Wilson
 
Journal of World Popular Music Vol 1 No. 2 (2014) The Cultural and Gender Politics of Enunciation: Locating the Singer-Songwriter within and beyond Male Anglo-American Contexts View
Duncan Wheeler, Lucy O'Brien
 
East Asian Pragmatics Vol 3 No. 2 (2018) The acceptability of American politeness from a native and non-native comparative perspective View
Yi Sun
 
Fieldwork in Religion Vol 14 No. 2 (2019) Lost Saints: Desacralization, Spiritual Abuse and Magic Mushrooms View
Anna Lutkajtis
 
Journal of World Popular Music Vol 4 No. 1 (2017) Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright View
Caspar Melville
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Constructing an avant-garde: Australian popular music and the experience of pleasure View
Jon Stratton
 
Popular Music History Vol 9 No. 3 (2014) Hucklebucking at the tea dances: Irish showbands in Britain, 1959–1969 View
Rebecca S. Miller
 
Implicit Religion Vol 19 No. 2 (2016) What American College Students Want from Religion: Facebookismanity, Lucid Dreaming, and Bodhisattva Tupac Shakur View
Kevin Matthew Taylor
 
Implicit Religion Vol 18 No. 1 (2015) The Ritualization of Consumer Capitalism: Catherine Bell's Ritual Theory, Ritual Practice in the Age of Starbucks View
George Gonzalez
 
Popular Music History Vol 3 No. 2 (2008) ‘Infected by the seed of postindustrial punk bohemia’: Nick Cave and the milieu of the 1980s underground View
Peter Webb
 
PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements Vol 13 No. 2 (2014) Transforming Renewal through a Charismatic-Catholic Encounter: An Experiment in Receptive Ecumenism View
Andy Lord
 
CALICO Journal Vol 26 No. 1 (2009) Developing English Language Curriculum for Online Delivery View
Mary Lou McCloskey, Emily A. Thrush, Mary Elizabeth Wilson-Patton, Gabriela Kleckova
 
Gender and Language Vol 12 No. 4 (2018) Special Issue: Intersectionality, language and queer lives ‘Equality on the sea’: interrogating LGBTQ privilege in the tourism discourse of Africa’s ‘gay capital’ View
Joseph Comer
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history View
Toby Martin
 
Journal of Contemporary Archaeology Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology Living in My Car: Interactions Between Young Adults and Cars in the Balearic Islands (Spain) View
Daniel J. Albero Santacreu
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 King Tubby meets the Upsetter at the grass roots of dub: Some thoughts on the early history and influence of dub reggae View
Christopher Partridge
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film Re-visiting Denys Arcand’s Jesus of Montreal (1989): Metatextuality, Metaphor, Hermeneutics and Resurrection View
Lloyd Baugh
 
Implicit Religion Vol 16 No. 3 (2013) “I Really Don’t Do It For The Spirituality”: How Often Do Belly Dancers Infuse Artistic Leisure with Spiritual Meaning? View
Rachel Kraus
 
Popular Music History Vol 2 No. 2 (2007) Constructing histories through material culture: Popular Music, Museums and Collecting View
Marion Leonard
 
Popular Music History Vol 9 No. 1 (2014) ‘Where you once belonged’: Class, race and the Liverpool roots of Lennon and McCartney’s songs View
James McGrath
 
Journal of Film Music Vol 5 No. 1-2 (2012) Music Theory Through the Lens of Film View
Frank Lehman
 
Journal of Film Music Vol 5 No. 1-2 (2012) Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema View
Tobias Plebuch
 
PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements Vol 12 No. 1 (2013) Transnational Pentecostal Connections: an Australian Megachurch and a Brazilian Church in Australia View
Cristina Rocha
 
Popular Music History Vol 11 No. 2 (2016) The names of pop groups in the UK hit parades of the 1960s: Patterns and peculiarities View
Stephen J. Coffey
 
CALICO Journal Vol 37 No. 2 (2020) Using Grammar Checkers in an ESL Context: An Investigation of Automatic Corrective Feedback View
Paul John, Nina Woll
 
Journal of World Popular Music Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space “Sounding” the System: Noise, In/Security and the Politics of Citizenship View
Sonjah N. Stanley Niaah
 
Popular Music History Vol 3 No. 1 (2008) The Liverpool sounds project: Oral history research at the IPM View
Dave Laing
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics “Yo Nací Caminando”: Community-Engaged Scholarship, Hip Hop as Postcolonial Studies, and Rico Pabón’s Knowledge of Self View
J. Griffith Rollefson
 
Journal of Film Music Vol 6 No. 1 (2013) Modal Interchange and Semantic Resonance in Themes by John Williams View
Tom Schneller
 
Journal for the Study of Religion, Nature and Culture Vol 13 No. 3 (2019) At Home in the Big Empty: Burning Man and the Playa Sublime View
Graham St John
 
Perfect Beat Vol 20 No. 1 (2019) Not given lightly: Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand View
Matthew Bannister
 
Comparative Islamic Studies Vol 3 No. 2 (2007) Islam, Muslims and Arabs in the Popular Hollywood Cinema View
Anton Karl Kozlovic
 
Comparative Islamic Studies Vol 13 No. 1-2 (2017) Special Issue: Iranian Cosmopolitanism Hollywood Cosmopolitanisms and the Occult Resonance of Cinema View
Alireza Doostdar
 
Journal of Film Music Vol 2 No. 1 (2007) “Stanley Hates This But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey View
Paul A. Merkley, FRSC
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Popular music history on screen: the pop/rock biopic View
Ian Inglis
 
Religious Studies and Theology Vol 29 No. 2 (2010) Vol 29, No 2 (2010) “Hate Me Now”: An Instance of NAS as Hip-Hop’s Self-proclaimed Prophet and Messiah View
Siphiwe Ignatius Dube
 
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