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| Journal | Issue | Title | |
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | The Sound of Jazz as Essential Image: Television, Performance, and the Modern Jazz Canon | View |
| Michael Borshuk | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | An interpretation of the semiotics of ‘self’ with the Modern Jazz Quartet on Jazz 625 as a case study | View |
| Alexander Gagatsis | |||
| Equinox eBooks Publishing | The History of European Jazz | 37. Jews and Jewish Music | View |
| Gabriele Coen | |||
| Equinox eBooks Publishing | The History of European Jazz | 22. Ukraine | View |
| Alexander Yudin | |||
| Equinox eBooks Publishing | The History of European Jazz | 15. Slovakia | View |
| Yvetta Kajanova | |||
| Equinox eBooks Publishing | The History of European Jazz | 1. France | View |
| Xavier Prevost | |||
| Equinox eBooks Publishing | The History of European Jazz | 2b. Great Britain: 1950-2010: Late-flowering Seeds of the Triangular Trade | View |
| Duncan Heining | |||
| Philip Larkin | View | ||
| Ian Smith | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Grappling with Grappelli: Contemporary jazz violin pedagogy and the legacy of gypsy jazz | View |
| Tom Sykes, Ari Poutiainen | |||
| Equinox eBooks Publishing | The History of European Jazz | 30. Former Yugoslavia (including Croatia, Slovenia, Serbia, Macedonia, Bosnia and Herzegovina, Montenegro, Vojvodina and Kosovo) | View |
| Mike Mazur, Iço Vidmar, Eleni Novakovska, Edin Zubčević | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | The reception of jazz in Adelaide and Melbourne and the creation of an Australian sound in the Angry Penguins decade | View |
| Bruce Clunies Ross | |||
| Jazz on BBC Radio 1922-1972 | View | ||
| Tim Wall | |||
| Kansas City Jazz | View | ||
| Con Chapman | |||
| Song for Someone: The Musical Life of Kenny Wheeler | View | ||
| Brian Shaw, Nick Smart | |||
| Equinox eBooks Publishing | This is Bop | Notes | View |
| Peter Jones | |||
| Equinox eBooks Publishing | This is Bop | Bibliography | View |
| Peter Jones | |||
| Equinox eBooks Publishing | This is Bop | Index | View |
| Peter Jones | |||
| Equinox eBooks Publishing | This is Bop | Discography | View |
| Peter Jones | |||
| An Unholy Row | View | ||
| Dave Gelly | |||
| Equinox eBooks Publishing | The History of European Jazz | 25. Italy | View |
| Francesco Martinelli | |||
| Equinox eBooks Publishing | Komeda | Seventeen Years to Go ... | View |
| Magdalena Grzebałkowska | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | Tom Pickering: Jazz on the periphery of the periphery | View |
| Matthew Joshua Boden | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | Towards a history of jazz in Greece in the interwar era | View |
| Panagiota Anagnostou | |||
| Equinox eBooks Publishing | Jazz on BBC Radio 1922-1972 | Jazz Club, 1947-1974 | View |
| Tim Wall | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Shotgun weddings and bohemian dreams: Jazz, family values and storytelling in Australian film | View |
| Christopher Coady | |||
| Equinox eBooks Publishing | Jazz on BBC Radio 1922-1972 | The Road to British Mainstream Jazz, 1943-1965 | View |
| Tim Wall | |||
| This is Bop | View | ||
| Peter Jones | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Examining the legend and music of Australian saxophonist, Frank Smith | View |
| Ralph Whiteoak | |||
| Chasin' the Bird | View | ||
| Brian Priestley | |||
| Equinox eBooks Publishing | Kansas City Jazz | Epigraph | View |
| Con Chapman | |||
| Equinox eBooks Publishing | Kansas City Jazz | Roots in Ragtime Minstrel and Medicine Shows | View |
| Con Chapman | |||
| Equinox eBooks Publishing | Kansas City Jazz | The Blue Devils: From Tuba to Bull Fiddle | View |
| Con Chapman | |||
| Equinox eBooks Publishing | Kansas City Jazz | The Territory Bands | View |
| Con Chapman | |||
| Equinox eBooks Publishing | Kansas City Jazz | The Cultural Roots of Riffs and Jam Sessions | View |
| Con Chapman | |||
| Equinox eBooks Publishing | Kansas City Jazz | Bennie Moten: From Stomps to Swing | View |
| Con Chapman | |||
| Equinox eBooks Publishing | Kansas City Jazz | Boogie-Woogie | View |
| Con Chapman | |||
| Equinox eBooks Publishing | Kansas City Jazz | A Count and a President | View |
| Con Chapman | |||
| Equinox eBooks Publishing | Kansas City Jazz | The Rhythm Section | View |
| Con Chapman | |||
| Equinox eBooks Publishing | Kansas City Jazz | The Shouters | View |
| Con Chapman | |||
| Equinox eBooks Publishing | Kansas City Jazz | Coleman Hawkins/ Ben Webster/ Don Byas: The Tenors Who Got Away | View |
| Con Chapman | |||
| Equinox eBooks Publishing | Kansas City Jazz | Andy Kirk and the Lady Who Swings the Band | View |
| Con Chapman | |||
| Equinox eBooks Publishing | Kansas City Jazz | Harlan Leonard and His Rockets That Didn't Take Off | View |
| Con Chapman | |||
| Equinox eBooks Publishing | Kansas City Jazz | Jay McShann and the Last of the Great Kansas City Bands | View |
| Con Chapman | |||
| Equinox eBooks Publishing | Kansas City Jazz | Bird Takes Off, and Other Bop Manifestations | View |
| Con Chapman | |||
| Equinox eBooks Publishing | Kansas City Jazz | Could Lightning Strike Twice? | View |
| Con Chapman | |||
| Equinox eBooks Publishing | Jazz on BBC Radio 1922-1972 | Presenting Ellington and Recorded Jazz, 1933-1942 | View |
| Tim Wall | |||
| Jazz Research Journal | Vol 14 No. 1 (2020) | The style of Roy Eldridge in 1938: Analytical study through two improvisations on ‘Body and Soul’ | View |
| Juan Zagalaz | |||
| Jazz Research Journal | Vol 12 No. 2 (2018) | Jazz’s little brother: The origins of the Spanish blues scene | View |
| Josep Pedro | |||
| Gone in the Air | View | ||
| Brian Morton | |||
| Equinox eBooks Publishing | This is Bop | Keep Smiling | View |
| Peter Jones | |||
| Equinox eBooks Publishing | This is Bop | The Lyrics | View |
| Peter Jones | |||
| Equinox eBooks Publishing | This is Bop | Mitigating Circumstances | View |
| Peter Jones | |||
| Equinox eBooks Publishing | Song for Someone: The Musical Life of Kenny Wheeler | Gnu High: (1974-1984) | View |
| Brian Shaw, Nick Smart | |||
| Jazz Research Journal | Vol 3 No. 1 (2009) | The Dilemmas of African-American Orientalism: Coltrane and the Hispanic Imaginary in ‘Olé’ | View |
| Emmanuel Parent, Grégoire Tosser | |||
| Jazz Research Journal | Vol 3 No. 1 (2009) | Sampling Kimberly Benston's 'Coltrane Poem' | View |
| Claudine Raynaud | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 5 No. 2 (2014) | ‘The Gilded Age of Fraternalism’: Brotherhood and Modernism in 1920s America | View |
| Miguel Hernandez | |||
| Equinox eBooks Publishing | This is Bop | Everybody Got Tired | View |
| Peter Jones | |||
| Equinox eBooks Publishing | This is Bop | No Chord is Better Than the Wrong Chord | View |
| Peter Jones | |||
| Equinox eBooks Publishing | This is Bop | We Need You to Control Him | View |
| Peter Jones | |||
| Equinox eBooks Publishing | This is Bop | The Voice, the Scat, the Vocalese | View |
| Peter Jones | |||
| Equinox eBooks Publishing | This is Bop | The Wisdom and Philosophy | View |
| Peter Jones | |||
| Equinox eBooks Publishing | This is Bop | The Verge of Impossibility | View |
| Peter Jones | |||
| Equinox eBooks Publishing | This is Bop | The Most Beautiful Thing | View |
| Peter Jones | |||
| Equinox eBooks Publishing | This is Bop | A Mouthful of Hot Rice | View |
| Peter Jones | |||
| Equinox eBooks Publishing | Philip Larkin | 'I Hope Jazz has Founds its Enoch Powell' | View |
| Ian Smith | |||
| Equinox eBooks Publishing | The History of European Jazz | 40. Festivals | View |
| George McKay | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | Cooling down jazz: Making authentic Swedish jazz possible | View |
| Mischa van Kan | |||
| Equinox eBooks Publishing | The History of European Jazz | 4. Germany | View |
| Martin Pfleiderer | |||
| Jazz Research Journal | Vol 4 No. 1 (2010) | Editorial | View |
| Catherine Tackley | |||
| Jazz Research Journal | Vol 4 No. 2 (2010) | Editorial: The Other Jazz | View |
| Tony Whyton, Catherine Tackley | |||
| Perfect Beat | Vol 4 No. 3 (1999) | THE PEDAGOGY, CULTURE AND APPROPRIATION OF JAZZ IN PAPUA NEW GUINEA | View |
| DENNIS CROWDY, MICHAEL GODDARD | |||
| Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | Editorial | View |
| Catherine Parsonage, Tony Whyton | |||
| Equinox eBooks Publishing | The History of European Jazz | 26. Latvia | View |
| Indrikis Veitners | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | Editorial: The Global Circulations of Jazz | View |
| Stéphane Dorin | |||
| Equinox eBooks Publishing | The History of European Jazz | 11. Norway | View |
| Bjorn Stendahl | |||
| Perfect Beat | Vol 8 No. 4 (2008) | BEYOND THE SAKURA WALTZ Reflections on the encounter between German and Japanese jazz, 1962–1985 | View |
| ANDREW W. HURLEY | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | Historical overview of the development of jazz in Portugal, in the first half of the twentieth century | View |
| Pedro Cravinho | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Wavering Sonorities and the Nascent Film Noir Musical Style | View |
| Roger Hickman | |||
| Equinox eBooks Publishing | The History of European Jazz | 31. Bulgaria | View |
| Vladimir Gadjev | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Andrew Robson, Austral Jazz: The Localization of a Global Music Form in Sydney. | View |
| Sean Foran | |||
| Equinox eBooks Publishing | The History of European Jazz | 13. Poland | View |
| Krystian Brodacki | |||
| Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | Reconstructing the Jazz Tradition | View |
| Charles Hersch | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Editorial: Jazz in Australasia | View |
| Bruce Johnson | |||
| Equinox eBooks Publishing | The History of European Jazz | 29. Greece | View |
| Sakis Papadimitriou | |||
| Jazz Research Journal | Vol 14 No. 1 (2020) | ‘No radical critique ever comes from the centre’: Interview with Professor Bruce Johnson | View |
| Adam Havas | |||
| Equinox eBooks Publishing | The History of European Jazz | 24a. Portugal: 1920-1974 | View |
| Pedro Cravinho | |||
| Jazz Research Journal | Vol 6 No. 1 (2012) | Editorial | View |
| Catherine Tackley, Tony Whyton | |||
| Jazz Research Journal | Vol 14 No. 1 (2020) | Beyond romance: Rethinking time and narrative in jazz histories | View |
| Iván Iglesias | |||
| Equinox eBooks Publishing | The History of European Jazz | 10. Finland | View |
| Juha Henriksson | |||
| Equinox eBooks Publishing | This is Bop | The Mistakes are the Only Part That’s Jazz | View |
| Peter Jones | |||
| Equinox eBooks Publishing | This is Bop | You’ve Got Something Money Can’t Buy | View |
| Peter Jones | |||
| Equinox eBooks Publishing | This is Bop | We Don’t Want No Singers, Man | View |
| Peter Jones | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | Post-World War II Jazz in Britain: Venues and Values 1945–1970 | View |
| Katherine Ann Williams | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Cuba Street parade: Identity, authenticity and self-expression in contemporary Australasian jazz scenes | View |
| Nick Tipping | |||
| Jazz Research Journal | Vol 4 No. 2 (2010) | Review: Patrick Burke, Come in and Hear the Truth: Jazz and Race on 52nd Street. Chicago: University of Chicago Press, 2008 (hbk). xiv + 314pp. $35.00. ISBN 978-0-226-08071-0 | View |
| Nicholas Gebhardt | |||
| Equinox eBooks Publishing | The History of European Jazz | 20. Russia: Ninety-five Years in Search of an Identity | View |
| Cyril Moshkow | |||
| Jazz Research Journal | Vol 3 No. 2 (2009) | Jazz Britannia: mediating the story of British jazz on television | View |
| Tim Wall, Paul Long | |||
| Jazz Research Journal | Vol 9 No. 1 (2015) | Frontierism, intellectual listeners and the new European wave: On the reception of Dutch jazz in DownBeat, 1960–1980 | View |
| Loes Rusch | |||
| Equinox eBooks Publishing | The History of European Jazz | 34. Armenia | View |
| Armen Manukian | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | The collective organization of contemporary jazz musicians in the UK | View |
| Tim Wall, Simon Barber | |||
| Equinox eBooks Publishing | The History of European Jazz | 8. Denmark | View |
| Tore Mortensen | |||
| Equinox eBooks Publishing | The History of European Jazz | 14. Czech Republic | View |
| Yvetta Kajanova | |||
| Equinox eBooks Publishing | The History of European Jazz | 16. Hungary: The road to independence | View |
| Gabor Turi | |||
| Jazz Research Journal | Vol 4 No. 1 (2010) | ‘Jazz’ at large: ‘Scapes’ and the imagination in the performances of Moses Molelekwa and Nah Youn-Sun | View |
| Jan Harm Schutte | |||
| Equinox eBooks Publishing | The History of European Jazz | 23. Spain | View |
| Chema Martinez | |||
| Popular Music History | Vol 1 No. 2 (2004) | Review of Circular Breathing: The Cultural Politics of Jazz in Britain by George McKay | View |
| Dave Laing | |||
| Jazz Research Journal | Vol 2 No. 2 (2008) | Review article: I. Anderson, This Is Our Music: Free Jazz, the Sixties, and American Culture, S.Saul, Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties, I. Monson, Freedom Sounds: Civil Rights Call Out to Jazz and Africa | View |
| Charles Hersch, | |||
| Equinox eBooks Publishing | The History of European Jazz | 6. Belgium | View |
| Jean-Pol Schroeder | |||
| Popular Music History | Vol 1 No. 2 (2004) | ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies | View |
| Chris McDonald | |||
| Perfect Beat | Vol 3 No. 4 (1998) | DOCTORED JAZZ Early Australian Jazz Journals | View |
| BRUCE JOHNSON | |||
| Jazz Research Journal | Vol 6 No. 2 (2012) | Crossing the curtain: Polish jazz meets poetry in the europäische Heimat | View |
| Zbigniew Granat | |||
| Jazz Research Journal | Vol 6 No. 1 (2012) | Nichole T. Rustin and Sherrie Tucker, eds. Big Ears: Listening for Gender in Jazz Studies. Durham and London: Duke University Press, 2008. | View |
| Lindelwa Dalamba | |||
| Jazz Research Journal | Vol 4 No. 2 (2010) | Jazz in Kuala Lumpur | View |
| Gisa Jähnichen | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Introduction: The collective problem in jazz | View |
| Nicholas Gebhardt | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | Jazz in Brazil: An Early History (1920s-1950s) | View |
| Anaïs Fléchet | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Early jazz in Australia as oriental exotica | View |
| Aline Scott-Maxwell | |||
| Equinox eBooks Publishing | The History of European Jazz | 17. Romania | View |
| Virgil Mihaiu | |||
| Equinox eBooks Publishing | The History of European Jazz | 19. Switzerland | View |
| Bruno Spoerri | |||
| Popular Music History | Vol 9 No. 1 (2014) | Resource Notes | View |
| Jo Blyghton | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Sophisticated Lady: Female Vocalists and Gendered Identity in the Brisbane Jazz Scene | View |
| Lauren Istvandity | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Gelly, Dave. 2014. An Unholy Row: Jazz in Britain and its Audience 1945–1960. Sheffield: Equinox. ISBN 978-1-84553-712-8 (hbk). 167 pp | View |
| Aleisha Ward | |||
| Jazz Research Journal | Vol 9 No. 2 (2015) | The impact of (jazz) festivals: An Arts and Humanities Research Council-funded research report | View |
| Emma Webster, George McKay | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Jazzing through the luminiferous ether: How international radio broadcasts affected the experience of jazz in 1920s–1930s New Zealand | View |
| Aleisha Ward | |||
| Jazz Research Journal | Vol 6 No. 2 (2012) | Hot and cool from Buenos Aires to Chicago: Guillermo Gregorio’s jazz cosmopolitanism | View |
| Andrew Raffo Dewar | |||
| Equinox eBooks Publishing | The History of European Jazz | 5. The Netherlands | View |
| Bert Vuijsje | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | ‘Ain’t misbehavin’: Jazz music in children’s television | View |
| Liam Maloy | |||
| Jazz Research Journal | Vol 6 No. 2 (2012) | Way out East: cowboys and pioneer women on Berlin's jazz frontier | View |
| William Kirk Bares | |||
| Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | No room for squares: A political economy of Blue Note records | View |
| Christopher May | |||
| Jazz Research Journal | Vol 4 No. 1 (2010) | ‘Earthly, sensual, devilish’: Sex, ‘race’ and jazz in post-independence Ireland | View |
| Eileen Hogan | |||
| Equinox eBooks Publishing | The History of European Jazz | Subject Index | View |
| Francesco Martinelli | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Jason Toynbee, Catherine Tackley and Mark Doffman, eds. 2014. Black British Jazz: Routes, Ownership and Performance. Farnham: Ashgate. 244pp. ISBN 978-1- 4724-1756-5 (hbk) | View |
| Lawrence Davies | |||
| Equinox eBooks Publishing | The History of European Jazz | 27. Lithuania | View |
| Ruta Skudiene | |||
| Perfect Beat | Vol 2 No. 3 (1995) | HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' | View |
| JOHN WHITEOAK | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Perspectives on the Melbourne International Women's Jazz Festival | View |
| Louise Denson | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED | View |
| Kimberly Hannon Teal | |||
| Jazz Research Journal | Vol 1 No. 2 (2007) | Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” | View |
| Michael W. Morse | |||
| Equinox eBooks Publishing | The History of European Jazz | 18. Austria | View |
| Andreas Felber | |||
| Popular Music History | Vol 7 No. 1 (2012) | Authenticity as authenticating—the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis | View |
| Richard Ekins | |||
| Jazz Research Journal | Vol 14 No. 1 (2020) | Jazz and cosmopolitan practice: The case of Lloyd Swanton | View |
| Benjamin Phipps | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Material and Expositional Frames in BBC Arena ’s Visual Jazz Jukebox | View |
| Will Finch | |||
| Equinox eBooks Publishing | The History of European Jazz | 32. Turkey | View |
| Hulya Tuncag | |||
| Equinox eBooks Publishing | The History of European Jazz | 39. Film | View |
| Selwyn Harris | |||
| Equinox eBooks Publishing | The History of European Jazz | 7. Luxembourg | View |
| Marc Demuth | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | San Francisco State University's Music Federation: A local jazz cooperative for teachers | View |
| Meredith Morgan Eliassen | |||
| Equinox eBooks Publishing | The History of European Jazz | 9a. Sweden: 1919-1969 | View |
| Jan Bruer | |||
| Jazz Research Journal | Vol 3 No. 2 (2009) | Rhizomes and plateaus: Rethinking jazz historiography and the jazz-'classical' relationship | View |
| Jeremy Barham | |||
| Jazz Research Journal | Vol 6 No. 2 (2012) | Jam sessions in Manhattan as rituals | View |
| Ricardo Nuno Futre Pinheiro | |||
| Equinox eBooks Publishing | The History of European Jazz | 36. Django Reinhardt and jazz manouche | View |
| Michael Dregni | |||
| Equinox eBooks Publishing | The History of European Jazz | 2a. Great Britain: 1900 - 1960 | View |
| Alyn Shipton | |||
| Jazz Research Journal | Vol 1 No. 2 (2007) | David Murray: the making of a progressive musician | View |
| Tim Wall | |||
| Jazz Research Journal | Vol 4 No. 2 (2010) | Jazz and race in colonial India: The role of Anglo-Indian musicians in the diffusion of jazz in Calcutta | View |
| Stephane Dorin | |||
| Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | Review of 'Inside British Jazz' by Hilary Moore | View |
| Peter Martin | |||
| Jazz Research Journal | Vol 4 No. 1 (2010) | On jazz, memory and history: A response to Alyn Shipton | View |
| Nicholas Gebhardt | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies | View |
| Gabriel Solis | |||
| Popular Music History | Vol 7 No. 3 (2012) | “Masters of our own destiny”: cultures of preservation at the Victorian Jazz Archive in Melbourne, Australia | View |
| Sarah Baker, Alison Huber | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene | View |
| Myrtille Picaud | |||
| Equinox eBooks Publishing | The History of European Jazz | 3. Ireland | View |
| Cormac Larkin | |||
| Jazz Research Journal | Vol 11 No. 2 (2017) | Christopher Coady, John Lewis and the Challenge of ‘Real’ Black Music | View |
| Alexandre Gagatsis | |||
| Popular Music History | Vol 4 No. 3 (2009) | ‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 | View |
| Alf Arvidsson | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals | View |
| Brent Keogh | |||
| Jazz Research Journal | Vol 4 No. 2 (2010) | ‘Down with bebop—viva swing!’: Swing Club and the meaning of jazz in late 1940s Estonia | View |
| Heli Reimann | |||
| Jazz Research Journal | Vol 6 No. 1 (2012) | All the metaphors you are: conceptual mappings of bebop in James Baldwin’s ‘Sonny’s Blues’ and Jack Kerouac’s On the Road | View |
| Julian Levinson | |||
| Jazz Research Journal | Vol 1 No. 2 (2007) | Being bop: how the press shaped the cult of bebop | View |
| Thomas Turner | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Lydia in Oz: The reception of George Russell in 1960s Australia | View |
| Pierre-Emmanuel Seguin | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | ‘They’ve really gone to town with all that bunting’: the influence and (in)visibility of Glasgow’s Jazz Festival | View |
| Alison Caroline Eales | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | JazzWerkstatt: A young Austrian jazz initiative | View |
| Christa Bruckner-Haring, Michael Kahr | |||
| Equinox eBooks Publishing | The History of European Jazz | 38. The Avant- Garde: Black-and-White Atlantic Dialogues, c. 1960s | View |
| Michael Heffley | |||
| Popular Music History | Vol 1 No. 2 (2004) | University jazz and the Mersey Sound: Student days in Liverpool, a memoir | View |
| Brian Hudson | |||
| Jazz Research Journal | Vol 9 No. 1 (2015) | Ellen Johnson, Jazz Child: A Portrait of Sheila Jordan. Lanham, MD: Rowman & Littlefield, 2014. xvii + 234 pp. ISBN 978-0-8108-8837-1 (e-book). $54.99 | View |
| James Aldridge | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Demons of discord down under: ‘Jump Jim Crow’ and ‘Australia’s first jazz band’ | View |
| John Whiteoak | |||
| Perfect Beat | Vol 2 No. 3 (1995) | AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 | View |
| BRUCE JOHNSON | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Common ground: 1970s improvised music as part of a cross-genre Dutch ensemble culture | View |
| Loes Rusch | |||
| Jazz Research Journal | Vol 9 No. 1 (2015) | The jazz storyteller: Improvisers’ perspectives on music and narrative | View |
| Sven Bjerstedt | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Rhythm Clubs, record series, and the everyday connoisseurship of ‘hot rhythm’ records in interwar Britain | View |
| Lawrence Davies | |||
| Jazz Research Journal | Vol 11 No. 2 (2017) | Bernie McGann and Bundeena: Mythologizing an Austral jazz icon | View |
| Andrew Robson | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Got a little rhythm? The Australian influence on swing in New Zealand during the 1930s and 1940s | View |
| Aleisha Ward | |||
| Jazz Research Journal | Vol 6 No. 1 (2012) | Keep up with the changes: online strategies for national jazz agencies | View |
| Andrew Dubber | |||
| Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | “Free Swing” and the Emergent Neophonic: Forging Progressive Jazz with Stan Kenton in the 1947 Dance Hall | View |
| Ryan Patrick Jones | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century | View |
| Helen Vera Southall | |||
| Jazz Research Journal | Vol 9 No. 2 (2015) | Social constructions of ‘authenticity’ and the sounds of the Kid Thomas Valentine Band: The case of ‘Basin Street Blues’—an approach from sociological musicology and cultural studies | View |
| Richard Ekins | |||
| Popular Music History | Vol 8 No. 1 (2013) | The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism | View |
| Richard Ekins | |||
| Popular Music History | Vol 5 No. 2 (2010) | Traditional jazz and the mainstreaming of authenticity: The case of British traddy pop (1959–1963)— a grounded theory approach | View |
| Richard Ekins | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | What can everyday aesthetics teach us about jazz practice? | View |
| Michael Fletcher | |||
| Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | Review: David Borgo, Sync or Swarm | View |
| Raymond MacDonald | |||
| Jazz Research Journal | Vol 3 No. 2 (2009) | Review of Elijah Wald, How The Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music | View |
| Bruce Johnson | |||
| Jazz Research Journal | Vol 11 No. 1 (2017) | Edward W. Sarath, Improvisation, Creativity, and Consciousness: Jazz as Integral Template for Music, Educa- tion, and Society. Albany, NY: State University of New York Press, 2013. xi + 488 pp. ISBN 978-1-4384-4721-6 (hbk). $95.00/£73.70 | View |
| David Borgo | |||
| Bulletin for the Study of Religion | Vol 45 No. 1 (2016) | Thoughts After Reading Spirits Rejoice! Jazz and American Religion: A Review Essay | View |
| Michael Kaler | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Russia and the Creation of Jazz in the British Everyday Imaginary | View |
| Robert Lawson-Peebles | |||
| Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | When bad things happen to great musicians: The role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen | View |
| Morris B. Holbrook | |||
| Jazz Research Journal | Vol 11 No. 2 (2017) | And I think to myself what a wonderful world: In search of Louis Armstrong’s Brussels collage | View |
| Matthias Heyman | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil | View |
| Berenice Corti, Luciana Xavier de Oliveira | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | The lost history of jazz on early Australian popular music television | View |
| Liz Giuffre | |||
| Jazz Research Journal | Vol 12 No. 2 (2018) | A drum, deferred: Solomon Ilori in the New York jazz scene, 1958–1964 | View |
| Ofer Gazit | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | ‘We’ve got a gig in Poland!’: Britain and jazz in World War II | View |
| Will Studdert | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Expressive identity in the voices of three Australian saxophonists: McGann, Sanders and Gorman | View |
| Sandy Evans | |||
| Jazz Research Journal | Vol 11 No. 1 (2017) | Early New Orleans band photography | View |
| Alan John Ainsworth | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Making ourselves heard: From a ‘Field of Dreams’ to building a collective voice | View |
| Petter Frost Fadnes | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | The politics, aesthetics and dissonance of music in everyday life | View |
| Roger Fagge | |||
| Popular Music History | Vol 11 No. 2 (2016) | ‘Black Bob’: His B-flat Bombardon and the Yorkshire Jazz Band | View |
| Val Wilmer | |||
| Jazz Research Journal | Vol 11 No. 1 (2017) | The friendship between Andy Hamilton and David Murray: A concrete example of Black Atlantic culture | View |
| Tony Dudley-Evans | |||
| Jazz Research Journal | Vol 7 No. 2 (2013) | The sonic camera: Intermodality and intermediality in contemporary jazz composition | View |
| David Cosper | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Remixing jazz culture: Musical hybridity and collectivity in the New Europe | View |
| Kristin McGee | |||
| Popular Music History | Vol 9 No. 2 (2014) | Phil Ford, Dig: Sound and Music in Hip Culture. Oxford and New York: Oxford University Press, 2013. 336 pp. £19.41. ISBN 978-0-19993-991-6 (pbk). | View |
| Simon Warner | |||
| Jazz Research Journal | Vol 12 No. 2 (2018) | The second masking | View |
| Corey Mwamba | |||
| Perfect Beat | Vol 14 No. 1 (2013) | Introduction | View |
| Denis Crowdy, Mark Evans | |||
| Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Louis Armstrong loves Guy Lombardo! Acknowledging the smoother roots of jazz | View |
| Elijah Wald | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Mingus, Cassavetes, and the Birth of a Jazz Cinema | View |
| Ross Lipman | |||
| Jazz Research Journal | Vol 4 No. 1 (2010) | Plagiarizing your own autobiography, and other strange tales: Miles Davis, jazz discourse, and the aesthetic of silence | View |
| Ken Prouty | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Christopher Ballantine. 2012. Marabi Nights: Jazz, ‘Race’ and Society in Early Apartheid South Africa, 2nd edn. Scottsville: University of Kwazulu-Natal Press. 280pp. ISBN 978-1869142377 (pbk) | View |
| Jostine Loubser | |||
| Popular Music History | Vol 2 No. 2 (2007) | Writing jazz biography: race, research and narrative representation | View |
| Tom Perchard | |||
| Jazz Research Journal | Vol 6 No. 1 (2012) | Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films | View |
| Simone Varriale | |||
| Popular Music History | Vol 7 No. 3 (2012) | ‘Immersed in the conflict’: Mike Westbrook’s Marching Song (1969) and the landscape and soundscape of war | View |
| Duncan Heining | |||
| Jazz Research Journal | Vol 9 No. 2 (2015) | Silent revolutions: An exploration of 1941, Jimmie Blanton’s ‘forgotten’ year | View |
| Matthias Heyman | |||
| Popular Music History | Vol 1 No. 2 (2004) | Showgirls and stars: Black-cast revues and female performersin Britain 1903–1939 | View |
| Howard Rye | |||
| Jazz Research Journal | Vol 11 No. 2 (2017) | Photographic representations of jazz: Testimonial advertising in Down Beat, 1938–48 | View |
| Alan John Ainsworth | |||
| Popular Music History | Vol 4 No. 1 (2009) | Gordon Stretton: a study in multiple identities | View |
| Jeff Daniels, Howard Rye | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians | View |
| Ioannis Tsioulakis | |||
| Perfect Beat | Vol 14 No. 1 (2013) | The Necks at 25: a changing same? | View |
| Tony Mitchell | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | Daniel Goldmark: Tunes for ’Toons: Music and the Hollywood Cartoon.Berkeley: University of California Press, 2005 [xviii, 225 p. ISBN: 0520236173.] | View |
| Eric Hung | |||
| Jazz Research Journal | Vol 11 No. 2 (2017) | Lester Leaps In: The improvisational devices of Lester Young | View |
| Jon P. De Lucia | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | ‘What to do over the week-end’: Towards an understanding of distraction, advertising and newspaper coverage of the Kansas City jazz scene in the 1930s | View |
| Anthony J. Bushard | |||
| Perfect Beat | Vol 4 No. 3 (1999) | STRICTLY BALLROOM The Rumba in Pre-World War Two Japan | View |
| SHUHEI HOSOKAWA | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | The ‘grave disease’: interwar British writers look at ragtime and jazz | View |
| Robert Lawson-Peebles | |||
| Perfect Beat | Vol 18 No. 1 (2017) | An interview with Jonathan Crayford | View |
| Norman Lawrence Meehan | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Review of Bob Dylan by Keith Negus | View |
| Phil Hardy | |||
| Equinox eBooks Publishing | The History of European Jazz | 35. Early African American Entertainers | View |
| Rainer Lotz | |||
| Popular Music History | Vol 1 No. 1 (2004) | Diplomatic Notes | View |
| Graham Carr | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Editor's Introduction | View |
| Simone Krüger, Sarah Baker | |||
| Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Black, Brown and Beige and the politics of Signifyin(g): Towards a critical understanding of DukeEllington | View |
| George Burrows | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Living with music: Departures and returns among early New Orleans jazz musicians | View |
| Nicholas Gebhardt | |||
| Jazz Research Journal | Vol 3 No. 2 (2009) | Review of Robin D. G. Kelley, Thelonious Monk: The Life and Times of an American Original | View |
| Tom Perchard | |||
| Perfect Beat | Vol 3 No. 4 (1998) | FLOWING Theories and Taboos in Popular Music Studies | View |
| ANDREW MURPHIE | |||
| Perfect Beat | Vol 1 No. 3 (1993) | FROM JIM CROW TO JAZZ Imitation African-American Improvisatory Musical Practices in Pre-Jazz Australia | View |
| John Whiteoak | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television | View |
| Mark Brill | |||
| Perfect Beat | Vol 8 No. 4 (2008) | Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books | View |
| APRIL K. HENDERSON | |||
| Perfect Beat | Vol 3 No. 4 (1998) | Editorial | View |
| PHILIP HAYWARD, MARK EVANS | |||
| Jazz Research Journal | Vol 2 No. 2 (2008) | Attaining unity: Self-reference in the music of John Coltrane | View |
| Marc Medwin | |||
| Popular Music History | Vol 3 No. 2 (2008) | Rock around the clock: The record, the film, and the last historic dance revolt | View |
| Terry Monaghan | |||
| Popular Music History | Vol 5 No. 3 (2010) | ‘A West Indian? You must be joking! I come out of the East End’: Kenny Lynch and English racism in the 1950s and 1960s | View |
| Jon Stratton | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Christian Scott aTunde Adjuah’s critique of the Danziger Bridge shootings | View |
| James Gordon Williams | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | The Female Singing Voice: Gospel, Blues, Epic Stories and Animation | View |
| Anne Power | |||
| Popular Music History | Vol 1 No. 1 (2004) | "Sing Me a Song of Araby" and "My Blue Heaven": New Folksong, Hybridization and the Expansion of the Japanese Recording Industry in the Late 1920s | View |
| Toru Mitsui | |||
| Perfect Beat | Vol 13 No. 1 (2012) | Introduction | View |
| Denis Crowdy, Mark Evans | |||
| Popular Music History | Vol 2 No. 2 (2007) | Historiography and Complexities: Why is music ‘National’? | View |
| Hans Weisethaunet | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Editorial Introduction | View |
| Oli Wilson | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Wonderbrass: A South Wales jazz collective | View |
| Rob Smith | |||
| Jazz Research Journal | Vol 3 No. 1 (2009) | Intervallic Structuring in the Compositions of John Coltrane | View |
| Ludovic Florin | |||
| Popular Music History | Vol 5 No. 1 (2010) | Bernard Herrmann—‘pop’ composer? | View |
| Edward Green | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood | View |
| Helen Mitchell | |||
| Popular Music History | Vol 3 No. 3 (2008) | Improvised performance in World Music: Finding the violin in unexpected places | View |
| Jonathan Feig | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) | View |
| Timothy Koozin | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Mutiny Music: A Sonic Passage Between Islands | View |
| Joseph Cummins | |||
| Jazz Research Journal | Vol 3 No. 1 (2009) | Giant Steps, freedom won over / by constraint | View |
| Philippe Michel, | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Revisionist Popular Music History | View |
| Roy Shuker | |||
| Popular Music History | Vol 9 No. 3 (2014) | Searching for the first bass drum pedal: Rock harmonicas to Viennese pianos | View |
| Paul Archibald | |||
| Popular Music History | Vol 1 No. 3 (2004) | Critical negotiations: rock criticism in the Nordic countries | View |
| Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet | |||
| Popular Music History | Vol 8 No. 3 (2013) | How English became the language of pop in Denmark | View |
| Henrik Smith-Sivertsen | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | The poetics of recorded time: Listening again to popular music history | View |
| Paul Long | |||
| Perfect Beat | Vol 3 No. 2 (1997) | A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen | View |
| MICHAEL WEBB | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 | View |
| Ben Green | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Introduction | View |
| Denis Crowdy, Mark Evans | |||
| Popular Music History | Vol 10 No. 3 (2015) | ‘How Belfast got the blues’: Towards an alternative history | View |
| Noel McLaughlin, Joanna Braniff | |||
| Perfect Beat | Vol 4 No. 3 (1999) | FLYING SAUCER ROCK AND ROLL The Australian press confronts early rock and roll | View |
| PETER DOYLE | |||
| Perfect Beat | Vol 19 No. 2 (2018) | An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology | View |
| Gene Shill | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | David Novak. 2013. Japanoise: Music and the Edge of Circulation. Durham, NC and London: Duke University Press. 292pp. ISBN 978-0-8223-5392-8 (pbk) | View |
| Russell P. Skelchy | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Musicians and the lifetime soundtrack: Creation and perception of musically motivated autobiographical memories | View |
| Lauren Istvandity | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Pompey Pop: A case study of a local music archive | View |
| Dave Allen | |||
| Perfect Beat | Vol 2 No. 2 (1995) | MODERN PNG MUSIC | View |
| PETER DUNBAR HALL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso | View |
| IAN MAXWELL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 2 No. 2 (1995) | From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney | View |
| TOM BURVILL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus | View |
| MICHAEL FLINT | |||
| Popular Music History | Vol 4 No. 2 (2009) | Street ballets in magic cities: cultural imaginings of the modern American metropolis | View |
| Tadhg O'Keeffe | |||
| Popular Music History | Vol 1 No. 1 (2004) | A Question of Standards: "My Funny Valentine" and Musical Intertextuality | View |
| Alan Stanbridge | |||
| Popular Music History | Vol 11 No. 3 (2018) | Following better things: Grammar schools, religion and English rock music in the early 1970s | View |
| Alistair Mutch | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Introduction | View |
| Denis Crowdy, Mark Evans | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Introduction | View |
| Denis Crowdy, Mark Evans | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Introduction | View |
| Mark Evans, Denis Crowdy | |||
| Perfect Beat | Vol 9 No. 1 (2008) | Cohen, S (2007) Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles, Aldershot: Ashgate | View |
| SHANE HOMAN | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Book review of In Search of the Blues: Black Voices, White Visions by Marybeth Hamilton | View |
| Dave Laing | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Dean, R. (1992) New Structures in Jazz and Improvised Music Since 1960, Milton Keynes (UK): Open University Press. | View |
| Theo Van Leeuwen | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Jordan, Sand Allen, D (eds) Parallel Lines - Media Representations of Dance, London: John Libbey/ Arts Council of Great Britain | View |
| Philip Hayward | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Heylin, C. (1993) From the Velvets to the Voidoids: A PrePunk History for a Post-Punk World, Harrnonsworth: Penguin Books | View |
| Tim Sowden | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Hutchison, T. (1992) Your Name's on the Door; 10 Years of Australian Music, Sydney: ABC Enterprises | View |
| Andrew Murphie | |||
| Perfect Beat | Vol 1 No. 3 (1993) | Rucker, R., R.U. Sirius & Queen Mu (eds) (1992) MONDO 2000: A User's Guide to the New Edge, New York: Harper & Collins | View |
| Mark Brown | |||
| Perfect Beat | Vol 15 No. 2 (2014) | No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 | View |
| Andrew Wright Hurley | |||
| Popular Music History | Vol 10 No. 2 (2015) | The heritage obsession: The history of rock and challenges of ‘museum mummification’: A French perspective | View |
| Philippe Le Guern | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study | View |
| Manolete Mora | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Voices of Sheila: Resignification in Filmic and Non-filmic Contexts | View |
| Nina Menezes | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | The record and its label: Identifying, marketing, dividing, collecting | View |
| Richard Osborne | |||
| Popular Music History | Vol 6 No. 3 (2011) | From corporates and media to state control: International perspectives on the music business | View |
| Richard Coopey | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Marley. 2012. Directed by Kevin MacDonald. Universal Pictures. DVD | View |
| Paul Long | |||
| Popular Music History | Vol 3 No. 3 (2008) | Ghana and the World Music Boom | View |
| John Collins | |||
| Popular Music History | Vol 9 No. 2 (2014) | Simon Frith, Matt Brennan, Martin Cloonan and Emma Webster, The History of Live Music in Britain, Volume I: 1950–1967: From Dance Hall to the 100 Club. Farnham: Ashgate, 2013. 236 pp. £95.00. ISBN 978-1-40942-280-8 (hbk). | View |
| Tony Farsides | |||
| Popular Music History | Vol 1 No. 3 (2004) | Taste-making and trend-spotting: the folk revival journalism of Robert Shelton | View |
| David Laing | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Buildings matter: The recycling of Liverpool’s Whitechapel and the Casbah | View |
| Mike Brocken | |||
| Perfect Beat | Vol 2 No. 3 (1995) | DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures | View |
| MALCOLM PHILPOTT | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi | View |
| David Cashman | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Currents and Contradictions in the Ethnomusicology of Popular Music | View |
| Harris M. Berger | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. | View |
| James Wierzbicki | |||
| Popular Music History | Vol 3 No. 3 (2008) | Traditional music and the World Music marketplace: A producer’s experience | View |
| Joe Boyd, | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu | View |
| Timothy Koozin | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 3 No. 2-3 (2007) | Passover Plots: From Modern Fictions to Mark and Back Again | View |
| Richard G Walsh | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | The meaning of the music venue: Historicizing the Click Club | View |
| Paul Long, Sarah Raine | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Gender, Popular Music and Australian Identity: Introduction to Special Issue | View |
| Catherine Strong | |||
| Popular Music History | Vol 5 No. 2 (2010) | Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 | View |
| Kari Kallioniemi | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local | View |
| Wonderful Godwin Bere | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Andy Bennett and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. 664pp. ISBN 978-1-44621-0-857 (hbk) | View |
| Lauren Istvandity | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Music festivals and regional development policy: towards a festival ecology | View |
| Chris Gibson | |||
| Popular Music History | Vol 4 No. 2 (2009) | Nowhere man: urban life and the virtualization of popular music | View |
| Paul Graves-Brown | |||
| Popular Music History | Vol 4 No. 2 (2009) | Low-frequency noise and urban space | View |
| Bruce Johnson | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music---What's in a Name? | View |
| William H. Rosar | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | The Industrial Soundscape between Fiction and Documentary Film in Italy’s Long 1960s | View |
| Alessandro Cecchi | |||
| Religious Studies and Theology | Vol 26 No. 1 (2007) | John Updike’s Rabbit, Run: A Quest for a Spiritual Vocabulary in the Vacuum Left by Modernism | View |
| David J Fekete | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) | View |
| Nick Prior | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Editors’ Introduction | View |
| Simone Krüger Bridge, Sarah Baker, Raphaël Nowak | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Website review: Nomadic Wax. http://nomadicwax.com | View |
| Francisco D. Lara | |||
| Popular Music History | Vol 4 No. 2 (2009) | ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* | View |
| Justin A. Williams | |||
| Popular Music History | Vol 9 No. 2 (2014) | To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ | View |
| Kathryn Hill | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | The Singing Voice in Contemporary Cinema | View |
| Diane Hughes, Mark Evans | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Infusing Modern Subjectivity into a Premodern Narrative Form: Masahiro Shinoda and Toru Takemitsu’s Collaboration in Double Suicide (1968) | View |
| Yayoi Uno Everett | |||
| Perfect Beat | Vol 3 No. 2 (1997) | DISPLACED ACAPPELLA The Bulgarian Choral Tradition and Sydney's Martenitsa Choir | View |
| ALEX GIBB, MEAGAN LOADER | |||
| Journal of Contemporary Archaeology | Vol 7 No. 1 (2020) | “To Thee Do We Send Up Our Sighs”: Documenting Twentieth-Century Marian Shrines in the Republic of Ireland | View |
| Eve Campbell | |||
| Perfect Beat | Vol 15 No. 2 (2014) | ‘Lookin, searchin, seekin, findin’: A new beat | View |
| Shelley Brunt, Oli Wilson, Catherine Strong | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | The Great Crossing: Nostalgia and Manifest Destiny in Aaron Copland’s The Red Pony | View |
| Beth E. Levy | |||
| Popular Music History | Vol 13 No. 3 (2020) | A sonic step closer: Master-tape preservation at the Alexander Turnbull Library | View |
| Michael Brown | |||
| Perfect Beat | Vol 2 No. 2 (1995) | ALOHA AUSTRALIA Hawaiian Music in Australia (1920-55) | View |
| JACKEY COYLE, REBECCA COYLE | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) | View |
| Duncan Wheeler | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Editors’ Introduction | View |
| Simone Krüger Bridge, Sarah Baker | |||
| Perfect Beat | Vol 1 No. 2 (1993) | THREE DECADES OF AUSTRALIAN POPULAR MUSIC | View |
| Michael Flint | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin | View |
| Marcus Breen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP | View |
| Roderick Nielsen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin | View |
| Michael Flint | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. | View |
| Carolyn Craig | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* | View |
| Sarah Reichardt Ellis | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Voodoo Threads: The Cultural Trajectory of Dr. John’s ‘I Walk on Gilded Splinters’ | View |
| Philip Hayward, Matt Hill | |||
| Perfect Beat | Vol 4 No. 4 (2000) | WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries | View |
| MASAHIRO YASUDA | |||
| Perfect Beat | Vol 2 No. 1 (1994) | TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne | View |
| ROBIN RYAN | |||
| Perfect Beat | Vol 2 No. 3 (1995) | NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene | View |
| TONY MITCHELL | |||
| Popular Music History | Vol 9 No. 3 (2014) | Keeping themselves alive: Identifying and analysing Queen’s musical development, 1973–1980 | View |
| Nick Braae | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] | View |
| Brent Keogh | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Setting the Tone of the Southern Question: Music and/as Fatalism in Italian Cinema of the Economic Miracle | View |
| Maurizio Corbella | |||
| Journal of Contemporary Archaeology | Vol 1 No. 2 (2014) | Thresholds: Gateways to the Nuclear Imagination | View |
| Gair Dunlop | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Keynote: Party Music, Affect and the Politics of Modernity | View |
| Jocelyne Guilbault | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | From South to East: Exoticism in Polish popular music of the state socialist period | View |
| Ewa Mazierska | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Philip Hayward, ed. Off the Planet: Music, Sound, and Science Fiction Cinema Eastleigh, Eng.: John Libbey Publishing, 2004. [vii, 214 p. ISBN: 0861966449. $24.95 (trade paper)] Music examples, bibliography, index. | View |
| Kendra Preston Leonard | |||
| Popular Music History | Vol 10 No. 1 (2015) | The contrasting soundscapes of Hull and London in David Bowie’s Ziggy Stardust and the Spiders from Mars | View |
| Peter Atkinson | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics | View |
| Samuel Horlor | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Pop-Rock as Musical Cosmopolitanism | View |
| Motti Regev | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Malaysian composers, geopolitical spaces and cultural difference | View |
| Jonas Ureta Baes | |||
| CALICO Journal | Vol 2 No. 1 (1984) | FOREIGN-LANGUAGE SOFTWARE: THE STATE OF THE ART or PICK A CARD, ANY (FLASH) CARD | View |
| Robert L. Baker | |||
| PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements | Vol 16 No. 2 (2017) | Pentecostalism as Cultural Resistance: Music and Tongue-speaking as Collective Response in a Brooklyn Church | View |
| Peter Marina, Michael Wilkinson | |||
| Perfect Beat | Vol 3 No. 2 (1997) | INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA | View |
| DAVID GOLDSWORTHY | |||
| Popular Music History | Vol 1 No. 1 (2004) | Histories and complexities: Popular Music History Writing and Danish Rock | View |
| Morten Michelsen | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Imagining Okinawa: Japanese pop musicians and Okinawan music | View |
| Matt Gillan | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* | View |
| Jörg Jewanski | |||
| Journal of Contemporary Archaeology | Vol 6 No. 1 (2019) Special Issue: Futurity, Time, and Archaeology | Detroit 139: Archaeology and the Future-Making of a Post- Industrial City | View |
| Krysta Ryzewski | |||
| Popular Music History | Vol 4 No. 2 (2009) | Compost city: underground music, collapsoscapes and urban regeneration | View |
| Greg Keeffe | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | MC Solaar and the Influence of Globalization on Local Hip-Hop Aesthetics | View |
| Saesha Senger | |||
| Equinox eBooks Publishing | Ritual and Democracy | Index | View |
| Sarah Pike, Jone Salomonsen, Paul-Francois Tremlett | |||
| Equinox eBooks Publishing | Ritual and Democracy | 7. Trans-Indigenous Festivals: Democracy and Emplacement | View |
| Graham Harvey | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | “Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas | View |
| Tim Summers | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Governmental as anything: live music and law and order in Melbourne | View |
| Shane Homan | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Archival Activism: Deciphering State-Sanctioned Histories and Reporting of Canadian Hip Hop | View |
| Mark V. Campbell, Maya Stitski | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | ‘These stories have to be told’: Chicano rap as historical source | View |
| Dianne Violeta Mausfeld | |||
| Perfect Beat | Vol 2 No. 3 (1995) | ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop | View |
| ROSS HARLEY | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Guest Editorial | View |
| Alessandro Cecchi, Maurizio Corbella | |||
| Popular Music History | Vol 8 No. 1 (2013) | A mysterious music in the air: cultural origins of the loudspeaker | View |
| Kyle Devine | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course | View |
| Andrew Killick | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda | View |
| William H. Rosar | |||
| Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | Bishop Lamont and Hermeneutics of Play: Hip Hop, Religion, and the Study of American Religious History | View |
| L. Benjamin Rolsky | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Music in Films: A Critical Review of Literature, 1980-1996 | View |
| Robynn J. Stilwell | |||
| Popular Music History | Vol 10 No. 1 (2015) | Manpool, the musical: Harmony and counterpoint on the Lancashire Plain | View |
| Richard Witts | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] | View |
| Linda Schubert | |||
| Journal of Contemporary Archaeology | Vol 6 No. 2 (2019) | Archaeology, Heritage and Performance in the Perth Popular Music Scene | View |
| Sean Winter, B'geella Romano | |||
| Popular Music History | Vol 6 No. 3 (2011) | The making of a Yugoslav popular music industry | View |
| Dean Vuletic | |||
| Perfect Beat | Vol 18 No. 2 (2017) | In Melbourne tonight: Pop/rock histories and futures | View |
| Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Caryl Flinn: The New German Cinema: Music, History,and the Matter of StyleBerkeley. University of California Press, 2004 [viii, 323 p. ISBN: 0-520-22895-2] | View |
| Anjelica Fenner, | |||
| Popular Music History | Vol 3 No. 3 (2008) | World Music and the global music industry | View |
| Dave Laing | |||
| Popular Music History | Vol 8 No. 2 (2013) | What’s in a name? Dylan Thomas and Bob Dylan | View |
| David Boucher | |||
| Perfect Beat | Vol 3 No. 4 (1998) | EMBODIED ACAPPELLA The Experience of Singing a Displaced Eclectic Repertoire | View |
| JULIE RICKWOOD | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | “I’m Not a Juvenile Delinquent”: 1950s Rock’n’roll, Youth under Threat, and Good Citizenship in US Exploitation Cinema 1956–59 | View |
| David Baker, Lauren Istvandity | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | From locality to translocality and cosmopolitanism: The rise of the Debrecen alternative–DIY scene | View |
| Zsolt Győri | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Continuity and change in popular music curation: Exhibiting the musical past in Liverpool | View |
| Sara Cohen | |||
| Popular Music History | Vol 10 No. 3 (2015) | ‘Only one can rule the night’: Fairs and music in post-1945 Britain | View |
| Ian Trowell | |||
| Popular Music History | Vol 1 No. 1 (2004) | Popular Music and Historiography | View |
| Charles Hamm | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Introduction: Something in the Water | View |
| Denis Crowdy, Mark Evans | |||
| Perfect Beat | Vol 8 No. 3 (2007) | AOTEAROA SONGLINES | View |
| TONY MITCHELL | |||
| Perfect Beat | Vol 1 No. 1 (1992) | It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study | View |
| Marcus Breen | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão) | View |
| Colin Harte | |||
| Perfect Beat | Vol 1 No. 1 (1992) | SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: | View |
| Philip Hayward, Rachael Privett | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Film Scoring: The UCLA Lectures† Edited and annotated by Mark Brill. | View |
| Leith Stevens † | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices | View |
| Diane Hughes, Sarah Keith | |||
| Fieldwork in Religion | Vol 14 No. 1 (2019) | Exploring the Sacredness of Urban Spaces through Material Traces | View |
| Mujde Bideci | |||
| Journal for the Academic Study of Religion | Vol 23 No. 2 (2010) | ‘I’ve Got a Spirit Coming through Me': Music as Hierophany and Musicians as Shamans | View |
| Mark Jennings | |||
| Journal of Contemporary Archaeology | Vol 2 No. 2 (2015) | Are We All Archaeologists Now? | View |
| Cornelius Holtorf | |||
| Journal of Contemporary Archaeology | Vol 2 No. 2 (2015) | On the Ontology of Archaeology | View |
| Lawrence E. Moore | |||
| Journal of Contemporary Archaeology | Vol 2 No. 2 (2015) | “Are We There Yet?” The challenge of Public Engagement with Australia’s Indigenous Past and its Implications for Reconciliation | View |
| Stephen Muller | |||
| Journal of Contemporary Archaeology | Vol 2 No. 2 (2015) | Archaeology: A Treatment | View |
| Jonathan Walz | |||
| Journal of Contemporary Archaeology | Vol 2 No. 2 (2015) | Everything is Everything | View |
| Alessandro Zambelli | |||
| Journal of Contemporary Archaeology | Vol 2 No. 2 (2015) | Is Digging Straight Walls and Playing in Tune What It’s All About? | View |
| Jacob Lawson | |||
| Journal of Contemporary Archaeology | Vol 2 No. 2 (2015) | Bastard Design Practices: An Archaeological Perspective | View |
| James Dyer | |||
| Journal of Contemporary Archaeology | Vol 2 No. 2 (2015) | Archaeology in the Era of Capitalism | View |
| Selma Faria | |||
| Journal of Contemporary Archaeology | Vol 2 No. 2 (2015) | Journeys in the City: Homeless Archaeologists or Archaeologies of Homelessness | View |
| Rachael Kiddey, Andrew Daffnis, Jane Hallam, Mats Brate | |||
| Popular Music History | Vol 10 No. 1 (2015) | Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983 | View |
| Ian Trowell | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Ideology and the performance of Chineseness: Hong Kong singers on the CCTV stage | View |
| Lauren Gorfinkel | |||
| Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | Formulaicity in Jbala poetry Sarali Yurievna Gintsburg (2014) Tilburg: Prisma Print. Pp. 163. ISBN/EAN: 978-94-6167-180-6 | View |
| John C. Ford | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Ghost Singers: The Singing Voice in Korean Pop Cinema | View |
| Sarah Keith, Alex Mesker | |||
| Implicit Religion | Vol 7 No. 1 (2004) | Christian Musical Worship and 'Hostility to the Body': The Medieval Influence Versus the Pentecostal Revolution | View |
| Michael Amoah | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | The Moral of the Story: Making Ethnomusicology Matter in the Twenty-first Century | View |
| Michael B. Bakan | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Playing bluegrass in Australia across country and folk scenes | View |
| Miriam Amy Jones | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | “Tomorrow never knows”: The Influence of the Beatles’ Music in Brazil | View |
| Gustavo Alonso | |||
| Popular Music History | Vol 4 No. 1 (2009) | Scottish indie music and BBC radio’s Beat Patrol (1995–2000) | View |
| J. Mark Percival | |||
| Popular Music History | Vol 8 No. 2 (2013) | Bob Dylan and Allen Ginsberg: at Kerouac’s grave, and beyond | View |
| Daniel Karlin | |||
| Essays in the Philosophy of Humanism | Vol 23 No. 1 (2015) | Morality Without God | View |
| Alan Mandelberg | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops | View |
| Emilio Audissino | |||
| Journal for Research into Freemasonry and Fraternalism | Vol 5 No. 2 (2014) | Report of the Doctoral Students Study Day on Freemasonry and Fraternalism, UCL Institute of Archaeology, London | View |
| Andrew Pink | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | Jack Sullivan: Hitchcock’s Music. New Haven and London: Yale University Press, 2006 [xix, 354 p. ISBN: 0300110502] | View |
| Tom Schneller | |||
| Perfect Beat | Vol 2 No. 2 (1995) | PACIFIC ISLANDER RADIO AND MUSIC IN AUCKLAND | View |
| MARK DERBY, HELEN WILSON | |||
| Essays in the Philosophy of Humanism | Vol 23 No. 1 (2015) | An Awkward Quarrel: The Defense of Humanism in 1970s Britain | View |
| D. L. LeMahieu | |||
| Perfect Beat | Vol 1 No. 4 (1994) | FLYING IN THE FACE OF FASHION: Independent Music in New Zealand | View |
| Tony Mitchell | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | The lost musical histories of Merthyr Tydfil | View |
| Paul Carr | |||
| Perfect Beat | Vol 15 No. 1 (2014) | German-Indigenous musical flows at Ntaria in the 1960s: Tiger Tjalkalyeri’s rendition of ‘Silent Night’, or what is tradition anyway? | View |
| Andrew Wright Hurley | |||
| Perfect Beat | Vol 3 No. 4 (1998) | DOMESTIC EXOTICISM A recent trend in Japanese popular music | View |
| TORU MITSUI | |||
| Perfect Beat | Vol 2 No. 4 (1996) | AEIOU Moana and the Moahunters, Music Video and the Communication of Polynesian Cultures in Contemporary New Zealand | View |
| SARA VUI-TALITU | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) | View |
| William H. Rosar | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | BBC rock music programming on radio and television and the progressive rock audience, 1967–1973 | View |
| David Simonelli | |||
| Popular Music History | Vol 7 No. 1 (2012) | A cool reception to the American Beat: The Fleshtones in Britain, 1981–83 | View |
| Philip Kiszely | |||
| Popular Music History | Vol 7 No. 3 (2012) | Needle Time: The BBC, the Musicians’ Union, popular music, and the reform of radio in the 1960s. | View |
| Richard Witts | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Maintaining Rage: Counting down without a host for over 20 years | View |
| Liz Giuffre | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Make ’em laugh, make ’em cry: The use of production music in Australian reality television series Nerds FC | View |
| Jon Fitzgerald | |||
| Perfect Beat | Vol 2 No. 3 (1995) | A MOUSE, A FROG, THE HAWAIIAN GUITAR AND WORLD MUSIC AESTHETICS Vishwa Mohan Bhatt and Ry Cooder Meet by the River | View |
| ADRIAN MCNEIL | |||
| International Journal for the Study of New Religions | Vol 6 No. 2 (2015) | Gurdjieffian Overtones in Leon MacLaren’s School of Economic Science | View |
| Johanna J.M. Petsche | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) | View |
| Tony Mitchell | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | “Argentina is cumbia”: Sociocultural Trajectories of Young “Cumbieros” in Urban Peripheries | View |
| Malvina Silba | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | Music, poetry, and the politics of identity in Réunion Island: an historical overview | View |
| Guillaume Samson, Shawn Pitre | |||
| Perfect Beat | Vol 9 No. 1 (2008) | J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? | View |
| TERENCE LANCASHIRE | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Thai television and pleeng luuk tung: The role of television in the Isan cultural revival | View |
| James Leonard Mitchell | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
| Qian Wang | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
| Qian Wang | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Triumph of the maggots? Valorization of metal in the rock press | View |
| Hélène Laurin | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Electronic dance music, the rock myth, and authenticity | View |
| John Gunders | |||
| Bulletin for the Study of Religion | Vol 42 No. 4 (2013) Bulletin for the Study of Religion | From Greek ruins to a Child's Mind: A Research Oddyssey of Sorts. Interview with Armin W. Geertz | View |
| Kirstine Munk, Armin W. Geertz | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | 'I want you to support local metal': A theory of metal scene formation | View |
| Jeremy Wallach, Alexandra Levine | |||
| Popular Music History | Vol 8 No. 2 (2013) | Bob Dylan: the politics of influence | View |
| Gary Browning | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | They preferred to sit on the floor: Rock music in South Wales at a time of industrial change | View |
| Mike Jones | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Pick out the jams: Curation and independent record shops | View |
| Lee Ann Fullington | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Nine lives in the music business: Reg Dwight and Elton John in the 1960s | View |
| Dave Laing | |||
| Perfect Beat | Vol 8 No. 4 (2008) | TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture | View |
| Philip Hayward, SUEO KUWAHARA | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | We are the Sons of the Southern Cross: Gendered Nationalisms and Imagined Community in Australian Extreme Metal | View |
| Catherine Hoad | |||
| CALICO Journal | Vol 33 No. 3 (2016) | Emerging Trends and New Directions in Telecollaborative Learning | View |
| Robert O'Dowd | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Manele, symbolic geography and music cosmopolitanism in Romania | View |
| Ruxandra Trandafoiu | |||
| Perfect Beat | Vol 8 No. 3 (2007) | GORE GOLD GUITARS The Place of Country in New Zealand | View |
| DAN BENDRUPS, HENRY JOHNSON | |||
| Health and Social Care Chaplaincy | Vol 10 No. 1 (2007) Scottish Journal of Healthcare Chaplaincy Vol 10 (1) 2007 | Orere Source: Recent Additions | View |
| W. Noel Brown | |||
| Popular Music History | Vol 9 No. 3 (2014) | Songs you know by heart: Alcohol, promiscuous sex, drugs and escape in Jimmy Buffett’s music | View |
| Eve M Brank, Kathleen A Fox, Victoria Kaspar | |||
| Popular Music History | Vol 4 No. 1 (2009) | Discovering authenticity? Harry Smith's Anthology of American Folk Music | View |
| Rory Crutchfield | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea | View |
| Oli Wilson | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | The Cultural and Gender Politics of Enunciation: Locating the Singer-Songwriter within and beyond Male Anglo-American Contexts | View |
| Duncan Wheeler, Lucy O'Brien | |||
| East Asian Pragmatics | Vol 3 No. 2 (2018) | The acceptability of American politeness from a native and non-native comparative perspective | View |
| Yi Sun | |||
| Fieldwork in Religion | Vol 14 No. 2 (2019) | Lost Saints: Desacralization, Spiritual Abuse and Magic Mushrooms | View |
| Anna Lutkajtis | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright | View |
| Caspar Melville | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | Constructing an avant-garde: Australian popular music and the experience of pleasure | View |
| Jon Stratton | |||
| Popular Music History | Vol 9 No. 3 (2014) | Hucklebucking at the tea dances: Irish showbands in Britain, 1959–1969 | View |
| Rebecca S. Miller | |||
| Implicit Religion | Vol 19 No. 2 (2016) | What American College Students Want from Religion: Facebookismanity, Lucid Dreaming, and Bodhisattva Tupac Shakur | View |
| Kevin Matthew Taylor | |||
| Implicit Religion | Vol 18 No. 1 (2015) | The Ritualization of Consumer Capitalism: Catherine Bell's Ritual Theory, Ritual Practice in the Age of Starbucks | View |
| George Gonzalez | |||
| Popular Music History | Vol 3 No. 2 (2008) | ‘Infected by the seed of postindustrial punk bohemia’: Nick Cave and the milieu of the 1980s underground | View |
| Peter Webb | |||
| PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements | Vol 13 No. 2 (2014) | Transforming Renewal through a Charismatic-Catholic Encounter: An Experiment in Receptive Ecumenism | View |
| Andy Lord | |||
| CALICO Journal | Vol 26 No. 1 (2009) | Developing English Language Curriculum for Online Delivery | View |
| Mary Lou McCloskey, Emily A. Thrush, Mary Elizabeth Wilson-Patton, Gabriela Kleckova | |||
| Gender and Language | Vol 12 No. 4 (2018) Special Issue: Intersectionality, language and queer lives | ‘Equality on the sea’: interrogating LGBTQ privilege in the tourism discourse of Africa’s ‘gay capital’ | View |
| Joseph Comer | |||
| Journal of Contemporary Archaeology | Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology | Living in My Car: Interactions Between Young Adults and Cars in the Balearic Islands (Spain) | View |
| Daniel J. Albero Santacreu | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history | View |
| Toby Martin | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | King Tubby meets the Upsetter at the grass roots of dub: Some thoughts on the early history and influence of dub reggae | View |
| Christopher Partridge | |||
| Journal for the Academic Study of Religion | Vol 21 No. 3 (2008) Exploring Religion and Popular Film | Re-visiting Denys Arcand’s Jesus of Montreal (1989): Metatextuality, Metaphor, Hermeneutics and Resurrection | View |
| Lloyd Baugh | |||
| Implicit Religion | Vol 16 No. 3 (2013) | “I Really Don’t Do It For The Spirituality”: How Often Do Belly Dancers Infuse Artistic Leisure with Spiritual Meaning? | View |
| Rachel Kraus | |||
| Popular Music History | Vol 2 No. 2 (2007) | Constructing histories through material culture: Popular Music, Museums and Collecting | View |
| Marion Leonard | |||
| Popular Music History | Vol 9 No. 1 (2014) | ‘Where you once belonged’: Class, race and the Liverpool roots of Lennon and McCartney’s songs | View |
| James McGrath | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Music Theory Through the Lens of Film | View |
| Frank Lehman | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema | View |
| Tobias Plebuch | |||
| PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements | Vol 12 No. 1 (2013) | Transnational Pentecostal Connections: an Australian Megachurch and a Brazilian Church in Australia | View |
| Cristina Rocha | |||
| Popular Music History | Vol 11 No. 2 (2016) | The names of pop groups in the UK hit parades of the 1960s: Patterns and peculiarities | View |
| Stephen J. Coffey | |||
| CALICO Journal | Vol 37 No. 2 (2020) | Using Grammar Checkers in an ESL Context: An Investigation of Automatic Corrective Feedback | View |
| Paul John, Nina Woll | |||
| Popular Music History | Vol 3 No. 1 (2008) | The Liverpool sounds project: Oral history research at the IPM | View |
| Dave Laing | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | “Yo Nací Caminando”: Community-Engaged Scholarship, Hip Hop as Postcolonial Studies, and Rico Pabón’s Knowledge of Self | View |
| J. Griffith Rollefson | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Modal Interchange and Semantic Resonance in Themes by John Williams | View |
| Tom Schneller | |||
| Journal for the Study of Religion, Nature and Culture | Vol 13 No. 3 (2019) | At Home in the Big Empty: Burning Man and the Playa Sublime | View |
| Graham St John | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Not given lightly: Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand | View |
| Matthew Bannister | |||
| Comparative Islamic Studies | Vol 3 No. 2 (2007) | Islam, Muslims and Arabs in the Popular Hollywood Cinema | View |
| Anton Karl Kozlovic | |||
| Comparative Islamic Studies | Vol 13 No. 1-2 (2017) Special Issue: Iranian Cosmopolitanism | Hollywood Cosmopolitanisms and the Occult Resonance of Cinema | View |
| Alireza Doostdar | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | “Stanley Hates This But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey | View |
| Paul A. Merkley, FRSC | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | Popular music history on screen: the pop/rock biopic | View |
| Ian Inglis | |||
| Religious Studies and Theology | Vol 29 No. 2 (2010) Vol 29, No 2 (2010) | “Hate Me Now”: An Instance of NAS as Hip-Hop’s Self-proclaimed Prophet and Messiah | View |
| Siphiwe Ignatius Dube | |||
| Journal for the Study of Religion, Nature and Culture | Vol 6 No. 2 (2012) | When Nature is Rats and Roaches: Religious Eco-Justice Activism in Newark, NJ | View |
| Matthew B. Immergut, Laurel D. Kearns | |||
| Perfect Beat | Vol 13 No. 1 (2012) | Post-colonial consciousness, knowledge production, and identity inscription within Filipino American hip hop music | View |
| Anthony Kwame Harrison | |||
| Perfect Beat | Vol 14 No. 2 (2013) | ‘Suck more piss’: how the confluence of key Melbourne-based audiences, musicians, and iconic scene spaces informed the Oz rock identity | View |
| Paul Oldham | |||
| Perfect Beat | Vol 17 No. 2 (2016) | On Hillsong’s continued reign over the Australian contemporary congregational song genre | View |
| Daniel Thornton | |||
| 1 - 497 of 497 Items | |||
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