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Journal Issue Title
 
Jazz Research Journal Vol 7 No. 1 (2013) ‘We’ve got a gig in Poland!’: Britain and jazz in World War II View
Will Studdert
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Expressive identity in the voices of three Australian saxophonists: McGann, Sanders and Gorman View
Sandy Evans
 
Jazz Research Journal Vol 11 No. 1 (2017) Early New Orleans band photography View
Alan John Ainsworth
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Making ourselves heard: From a ‘Field of Dreams’ to building a collective voice View
Petter Frost Fadnes
 
Jazz Research Journal Vol 13 No. 1-2 (2019) ADVANCE ACCESS to 13.1-2 (2019): Special Issue: Jazz and Everyday Aesthetics The politics, aesthetics and dissonance of music in everyday life View
Roger Fagge
 
Popular Music History Vol 11 No. 2 (2016) ‘Black Bob’: His B-flat Bombardon and the Yorkshire Jazz Band View
Val Wilmer
 
Jazz Research Journal Vol 11 No. 1 (2017) The friendship between Andy Hamilton and David Murray: A concrete example of Black Atlantic culture View
Tony Dudley-Evans
 
Jazz Research Journal Vol 7 No. 2 (2013) The sonic camera: Intermodality and intermediality in contemporary jazz composition View
David Cosper
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Remixing jazz culture: Musical hybridity and collectivity in the New Europe View
Kristin McGee
 
Popular Music History Vol 9 No. 2 (2014) Phil Ford, Dig: Sound and Music in Hip Culture. Oxford and New York: Oxford University Press, 2013. 336 pp. £19.41. ISBN 978-0-19993-991-6 (pbk). View
Simon Warner
 
Perfect Beat Vol 14 No. 1 (2013) Introduction View
Denis Crowdy, Mark Evans
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Louis Armstrong loves Guy Lombardo! Acknowledging the smoother roots of jazz View
Elijah Wald
 
Journal of Film Music Vol 2 No. 2-4 (2009) Mingus, Cassavetes, and the Birth of a Jazz Cinema View
Ross Lipman
 
Jazz Research Journal Vol 4 No. 1 (2010) Plagiarizing your own autobiography, and other strange tales: Miles Davis, jazz discourse, and the aesthetic of silence View
Ken Prouty
 
Journal of World Popular Music Vol 3 No. 2 (2016) Christopher Ballantine. 2012. Marabi Nights: Jazz, ‘Race’ and Society in Early Apartheid South Africa, 2nd edn. Scottsville: University of Kwazulu-Natal Press. 280pp. ISBN 978-1869142377 (pbk) View
Jostine Loubser
 
Popular Music History Vol 2 No. 2 (2007) Writing jazz biography: race, research and narrative representation View
Tom Perchard
 
Jazz Research Journal Vol 6 No. 1 (2012) Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films View
Simone Varriale
 
Popular Music History Vol 7 No. 3 (2012) ‘Immersed in the conflict’: Mike Westbrook’s Marching Song (1969) and the landscape and soundscape of war View
Duncan Heining
 
Jazz Research Journal Vol 9 No. 2 (2015) Silent revolutions: An exploration of 1941, Jimmie Blanton’s ‘forgotten’ year View
Matthias Heyman
 
Popular Music History Vol 1 No. 2 (2004) Showgirls and stars: Black-cast revues and female performersin Britain 1903–1939 View
Howard Rye
 
Jazz Research Journal Vol 11 No. 2 (2017) Photographic representations of jazz: Testimonial advertising in Down Beat, 1938–48 View
Alan John Ainsworth
 
Popular Music History Vol 4 No. 1 (2009) Gordon Stretton: a study in multiple identities View
Jeff Daniels, Howard Rye
 
Journal of World Popular Music Vol 6 No. 1 (2019) Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians View
Ioannis Tsioulakis
 
Perfect Beat Vol 14 No. 1 (2013) The Necks at 25: a changing same? View
Tony Mitchell
 
Journal of Film Music Vol 2 No. 1 (2007) Daniel Goldmark: Tunes for ’Toons: Music and the Hollywood Cartoon.Berkeley: University of California Press, 2005 [xviii, 225 p. ISBN: 0520236173.] View
Eric Hung
 
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