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Journal | Issue | Title | |
Jazz Research Journal | Vol 9 No. 1 (2015) | Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization | View |
Richard Ekins | |||
Philip Larkin | View | ||
Ian Smith | |||
Jazz on BBC Radio 1922-1972 | View | ||
Tim Wall | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Everyday jazz life: A photographic project on contemporary jazz musicians’ lives in Birmingham | View |
Pedro Cravinho, Brian Homer | |||
Popular Music History | Vol 4 No. 3 (2009) | ‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 | View |
Alf Arvidsson | |||
Jazz Research Journal | (0) ADVANCE ACCESS TO FORTHCOMING ARTICLES | ‘No radical critique ever comes from the centre’: Interview with Professor Bruce Johnson | View |
Adam Havas | |||
Jazz Visions | View | ||
Peter Ind | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | The Sound of Jazz as Essential Image: Television, Performance, and the Modern Jazz Canon | View |
Michael Borshuk | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Tom Pickering: Jazz on the periphery of the periphery | View |
Matthew Joshua Boden | |||
Jazz Research Journal | Vol 3 No. 2 (2009) | New jazz histories: Can a reconciliation of widely differing source material offer new opportunities for the jazz historian? | View |
Alyn Shipton | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | ‘Staying Golden’: The Politics of Gender, Sexuality, and Jazz in The Golden Girls | View |
Elliott H. Powell | |||
Jazz Research Journal | Vol 12 No. 2 (2018) | A drum, deferred: Solomon Ilori in the New York jazz scene, 1958–1964 | View |
Ofer Gazit | |||
Equinox eBooks Publishing | Jazz on BBC Radio 1922-1972 | Presenting Ellington and Recorded Jazz, 1933-1942 | View |
Tim Wall | |||
Popular Music History | Vol 8 No. 1 (2013) | The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism | View |
Richard Ekins | |||
Equinox eBooks Publishing | Jazz on BBC Radio 1922-1972 | The Road to British Mainstream Jazz, 1943-1965 | View |
Tim Wall | |||
Equinox eBooks Publishing | This is Hip | That's When It Bit Me | View |
Peter Jones | |||
Popular Music History | Vol 2 No. 2 (2007) | Writing jazz biography: race, research and narrative representation | View |
Tom Perchard | |||
Jazz Research Journal | Vol 3 No. 1 (2009) | Sampling Kimberly Benston's 'Coltrane Poem' | View |
Claudine Raynaud | |||
Jazz Research Journal | Vol 3 No. 2 (2009) | New Jazz Histories | View |
Catherine Tackley, Tony Whyton | |||
Jazz Research Journal | Vol 9 No. 1 (2015) | Editorial | View |
Catherine Tackley, Tony Whyton | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | Editorial: Transnational perspectives on jazz | View |
Catherine Tackley, Tony Whyton | |||
Equinox eBooks Publishing | The History of European Jazz | 40. Festivals | View |
George McKay | |||
Jazz Research Journal | Vol 6 No. 2 (2012) | Editorial: Transnational perspectives on jazz | View |
Catherine Tackley, Tony Whyton | |||
Perfect Beat | Vol 4 No. 3 (1999) | THE PEDAGOGY, CULTURE AND APPROPRIATION OF JAZZ IN PAPUA NEW GUINEA | View |
DENNIS CROWDY, MICHAEL GODDARD | |||
Jazz Research Journal | Vol 4 No. 1 (2010) | Editorial | View |
Catherine Tackley | |||
Equinox eBooks Publishing | The History of European Jazz | 4. Germany | View |
Martin Pfleiderer | |||
Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Editorial | View |
Catherine Parsonage, Tony Whyton | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Cooling down jazz: Making authentic Swedish jazz possible | View |
Mischa van Kan | |||
Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | Editorial | View |
Catherine Parsonage, Tony Whyton | |||
Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) | View |
Timothy Koozin | |||
Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Is jazz popular music? | View |
Simon Frith | |||
Equinox eBooks Publishing | The History of European Jazz | 26. Latvia | View |
Indrikis Veitners | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Editorial: The Global Circulations of Jazz | View |
Stéphane Dorin | |||
Jazz Research Journal | Vol 11 No. 1 (2017) | Promotion anxieties: Jazz promoters within the UK scene | View |
Haftor Medbøe, Zack Moir | |||
Equinox eBooks Publishing | The History of European Jazz | 11. Norway | View |
Bjorn Stendahl | |||
Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | Reconstructing the Jazz Tradition | View |
Charles Hersch | |||
Equinox eBooks Publishing | The History of European Jazz | 9b. Sweden: 1970-2000 | View |
Måns Wallgren | |||
Equinox eBooks Publishing | The History of European Jazz | 1. France | View |
Xavier Prevost | |||
Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Andrew Robson, Austral Jazz: The Localization of a Global Music Form in Sydney. | View |
Sean Foran | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Cuba Street parade: Identity, authenticity and self-expression in contemporary Australasian jazz scenes | View |
Nick Tipping | |||
Equinox eBooks Publishing | The History of European Jazz | 13. Poland | View |
Krystian Brodacki | |||
Jazz Research Journal | Vol 11 No. 2 (2017) | Editorial | View |
Catherine Tackley, Tony Whyton | |||
Equinox eBooks Publishing | The History of European Jazz | 29. Greece | View |
Sakis Papadimitriou | |||
Jazz Research Journal | Vol 4 No. 2 (2010) | Review: Patrick Burke, Come in and Hear the Truth: Jazz and Race on 52nd Street. Chicago: University of Chicago Press, 2008 (hbk). xiv + 314pp. $35.00. ISBN 978-0-226-08071-0 | View |
Nicholas Gebhardt | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Historical overview of the development of jazz in Portugal, in the first half of the twentieth century | View |
Pedro Cravinho | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Editorial: Jazz in Australasia | View |
Bruce Johnson | |||
Perfect Beat | Vol 8 No. 4 (2008) | BEYOND THE SAKURA WALTZ Reflections on the encounter between German and Japanese jazz, 1962–1985 | View |
ANDREW W. HURLEY | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | Post-World War II Jazz in Britain: Venues and Values 1945–1970 | View |
Katherine Ann Williams | |||
Jazz Research Journal | Vol 9 No. 2 (2015) | Philippe Carles and Jean-Louis Comolli, Free Jazz/ Black Power, translated by Grégory Pierrot. Jackson, MS: University Press of Mississippi, 2015. 256 pp. ISBN 978-1-628-46039-1 (hbk). $65.00/£41.00 | View |
Chris Ealham | |||
Equinox eBooks Publishing | The History of European Jazz | 10. Finland | View |
Juha Henriksson | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | The reception of jazz in Adelaide and Melbourne and the creation of an Australian sound in the Angry Penguins decade | View |
Bruce Clunies Ross | |||
Equinox eBooks Publishing | The History of European Jazz | 20. Russia: Ninety-five Years in Search of an Identity | View |
Cyril Moshkow | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Editorial | View |
Nicolas Pillai | |||
Equinox eBooks Publishing | The History of European Jazz | European Jazz: Stories that Needed to be Told | View |
Francesco Martinelli | |||
Equinox eBooks Publishing | The History of European Jazz | 24a. Portugal: 1920-1974 | View |
Pedro Cravinho | |||
Equinox eBooks Publishing | The History of European Jazz | 12. Iceland | View |
Vernhardur Linnet | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Grappling with Grappelli: Contemporary jazz violin pedagogy and the legacy of gypsy jazz | View |
Tom Sykes, Ari Poutiainen | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | The collective organization of contemporary jazz musicians in the UK | View |
Tim Wall, Simon Barber | |||
Equinox eBooks Publishing | The History of European Jazz | 15. Slovakia | View |
Yvetta Kajanova | |||
Equinox eBooks Publishing | The History of European Jazz | 2b. Great Britain: 1950-2010: Late-flowering Seeds of the Triangular Trade | View |
Duncan Heining | |||
Jazz Research Journal | Vol 3 No. 2 (2009) | Jazz Britannia: mediating the story of British jazz on television | View |
Tim Wall, Paul Long | |||
Jazz Research Journal | Vol 9 No. 1 (2015) | Frontierism, intellectual listeners and the new European wave: On the reception of Dutch jazz in DownBeat, 1960–1980 | View |
Loes Rusch | |||
Equinox eBooks Publishing | The History of European Jazz | 28. Estonia | View |
Tiit Lauk | |||
Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Failure to fuse: The jazz-rock culture war at the 1969 Newport Jazz Festival | View |
Matt Brennan | |||
Equinox eBooks Publishing | The History of European Jazz | 8. Denmark | View |
Tore Mortensen | |||
Equinox eBooks Publishing | The History of European Jazz | 33. Azerbaijan | View |
Rain Sultanov | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Editorial | View |
Roger Fagge, Nicholas Gebhardt | |||
Jazz Research Journal | Vol 1 No. 2 (2007) | The parallax of art and commerce: UK jazz musicians on marketing | View |
Michael James Macaulay | |||
Equinox eBooks Publishing | The History of European Jazz | 14. Czech Republic | View |
Yvetta Kajanova | |||
Equinox eBooks Publishing | The History of European Jazz | 30. Former Yugoslavia (including Croatia, Slovenia, Serbia, Macedonia, Bosnia and Herzegovina, Montenegro, Vojvodina and Kosovo) | View |
Mike Mazur, Iço Vidmar, Eleni Novakovska, Edin Zubčević | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Introduction: The collective problem in jazz | View |
Nicholas Gebhardt | |||
Popular Music History | Vol 1 No. 2 (2004) | Review of Circular Breathing: The Cultural Politics of Jazz in Britain by George McKay | View |
Dave Laing | |||
Equinox eBooks Publishing | The History of European Jazz | 34. Armenia | View |
Armen Manukian | |||
Popular Music History | Vol 1 No. 2 (2004) | ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies | View |
Chris McDonald | |||
Perfect Beat | Vol 18 No. 1 (2017) | Johnson, B., ed. 2016. Antipodean Riffs. Sheffield: Equinox. ISBN 978-1-78179-2-803 (hbk). 306 pp. | View |
Lauren Istvandity | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Jazzing through the luminiferous ether: How international radio broadcasts affected the experience of jazz in 1920s–1930s New Zealand | View |
Aleisha Ward | |||
Equinox eBooks Publishing | The History of European Jazz | 23. Spain | View |
Chema Martinez | |||
Popular Music History | Vol 7 No. 1 (2012) | Authenticity as authenticating—the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis | View |
Richard Ekins | |||
Equinox eBooks Publishing | The History of European Jazz | 6. Belgium | View |
Jean-Pol Schroeder | |||
Jazz Research Journal | Vol 6 No. 1 (2012) | Nichole T. Rustin and Sherrie Tucker, eds. Big Ears: Listening for Gender in Jazz Studies. Durham and London: Duke University Press, 2008. | View |
Lindelwa Dalamba | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | An interpretation of the semiotics of ‘self’ with the Modern Jazz Quartet on Jazz 625 as a case study | View |
Alexander Gagatsis | |||
Equinox eBooks Publishing | The History of European Jazz | 16. Hungary: The road to independence | View |
Gabor Turi | |||
Jazz Research Journal | Vol 9 No. 2 (2015) | The impact of (jazz) festivals: An Arts and Humanities Research Council-funded research report | View |
Emma Webster, George McKay | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Damon J. Phillips, Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form. Princeton, NJ: Princeton University Press, 2013. xi + 217 pp. ISBN 978-0-691-15088-8 (hbk). $35.00/£24.95. | View |
Stephane Dorin | |||
Jazz Research Journal | Vol 4 No. 1 (2010) | Book Review: Charles Hersch, Subversive Sounds: Race and the Birth of Jazz in New Orleans. Chicago and London: University of Chicago Press, 2007. Xii + 289 pp. | View |
Bruce Boyd Raeburn | |||
Jazz Research Journal | Vol 4 No. 1 (2010) | ‘Jazz’ at large: ‘Scapes’ and the imagination in the performances of Moses Molelekwa and Nah Youn-Sun | View |
Jan Harm Schutte | |||
Perfect Beat | Vol 20 No. 1 (2019) | Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. | View |
Brent Keogh | |||
Perfect Beat | Vol 3 No. 4 (1998) | DOCTORED JAZZ Early Australian Jazz Journals | View |
BRUCE JOHNSON | |||
Jazz Research Journal | Vol 2 No. 2 (2008) | Review article: I. Anderson, This Is Our Music: Free Jazz, the Sixties, and American Culture, S.Saul, Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties, I. Monson, Freedom Sounds: Civil Rights Call Out to Jazz and Africa | View |
Charles Hersch, | |||
Equinox eBooks Publishing | The History of European Jazz | 19. Switzerland | View |
Bruno Spoerri | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Sophisticated Lady: Female Vocalists and Gendered Identity in the Brisbane Jazz Scene | View |
Lauren Istvandity | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Early jazz in Australia as oriental exotica | View |
Aline Scott-Maxwell | |||
Jazz Research Journal | Vol 4 No. 2 (2010) | Jazz in Kuala Lumpur | View |
Gisa Jähnichen | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Jazz in Brazil: An Early History (1920s-1950s) | View |
Anaïs Fléchet | |||
Perfect Beat | Vol 2 No. 3 (1995) | HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' | View |
JOHN WHITEOAK | |||
Popular Music History | Vol 9 No. 1 (2014) | Resource Notes | View |
Jo Blyghton | |||
Popular Music History | Vol 1 No. 3 (2004) | Down beats and rolling stones:the American jazz press decides to cover rock in 1967 | View |
Matt Brennan | |||
Jazz Research Journal | Vol 6 No. 2 (2012) | Hot and cool from Buenos Aires to Chicago: Guillermo Gregorio’s jazz cosmopolitanism | View |
Andrew Raffo Dewar | |||
Jazz Research Journal | Vol 6 No. 2 (2012) | Way out East: cowboys and pioneer women on Berlin's jazz frontier | View |
William Kirk Bares | |||
Equinox eBooks Publishing | The History of European Jazz | 5. The Netherlands | View |
Bert Vuijsje | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | ‘Ain’t misbehavin’: Jazz music in children’s television | View |
Liam Maloy | |||
Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | No room for squares: A political economy of Blue Note records | View |
Christopher May | |||
Jazz Research Journal | Vol 1 No. 2 (2007) | Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” | View |
Michael W. Morse | |||
Equinox eBooks Publishing | The History of European Jazz | 27. Lithuania | View |
Ruta Skudiene | |||
Jazz Research Journal | Vol 6 No. 2 (2012) | Crossing the curtain: Polish jazz meets poetry in the europäische Heimat | View |
Zbigniew Granat | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED | View |
Kimberly Hannon Teal | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Perspectives on the Melbourne International Women's Jazz Festival | View |
Louise Denson | |||
Jazz Research Journal | Vol 7 No. 2 (2013) | Editorial | View |
Tony Whyton, Catherine Tackley | |||
Equinox eBooks Publishing | The History of European Jazz | 18. Austria | View |
Andreas Felber | |||
Jazz Research Journal | Vol 6 No. 2 (2012) | Jam sessions in Manhattan as rituals | View |
Ricardo Nuno Futre Pinheiro | |||
Equinox eBooks Publishing | The History of European Jazz | 32. Turkey | View |
Hulya Tuncag | |||
Equinox eBooks Publishing | The History of European Jazz | 25. Italy | View |
Francesco Martinelli | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Jason Toynbee, Catherine Tackley and Mark Doffman, eds. 2014. Black British Jazz: Routes, Ownership and Performance. Farnham: Ashgate. 244pp. ISBN 978-1- 4724-1756-5 (hbk) | View |
Lawrence Davies | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Material and Expositional Frames in BBC Arena ’s Visual Jazz Jukebox | View |
Will Finch | |||
Jazz Research Journal | Vol 1 No. 2 (2007) | David Murray: the making of a progressive musician | View |
Tim Wall | |||
Jazz Research Journal | Vol 4 No. 1 (2010) | ‘Earthly, sensual, devilish’: Sex, ‘race’ and jazz in post-independence Ireland | View |
Eileen Hogan | |||
Jazz Research Journal | Vol 3 No. 2 (2009) | Rhizomes and plateaus: Rethinking jazz historiography and the jazz-'classical' relationship | View |
Jeremy Barham | |||
Equinox eBooks Publishing | The History of European Jazz | 7. Luxembourg | View |
Marc Demuth | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | San Francisco State University's Music Federation: A local jazz cooperative for teachers | View |
Meredith Morgan Eliassen | |||
Jazz Research Journal | Vol 4 No. 1 (2010) | On jazz, memory and history: A response to Alyn Shipton | View |
Nicholas Gebhardt | |||
Equinox eBooks Publishing | The History of European Jazz | 9a. Sweden: 1919-1969 | View |
Jan Bruer | |||
Jazz Research Journal | Vol 12 No. 2 (2018) | Editorial | View |
Nicolas Pillai, Katherine Williams | |||
Jazz Research Journal | Vol 1 No. 2 (2007) | Robert Hodson Interaction, Improvisation, and Interplay in Jazz. New York and London: Routledge, 2007. | View |
Matthew Butterfield | |||
Equinox eBooks Publishing | The History of European Jazz | 3. Ireland | View |
Cormac Larkin | |||
Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies | View |
Gabriel Solis | |||
Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | Review of 'Inside British Jazz' by Hilary Moore | View |
Peter Martin | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Towards a history of jazz in Greece in the interwar era | View |
Panagiota Anagnostou | |||
Jazz Research Journal | Vol 4 No. 2 (2010) | Jazz and race in colonial India: The role of Anglo-Indian musicians in the diffusion of jazz in Calcutta | View |
Stephane Dorin | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals | View |
Brent Keogh | |||
Popular Music History | Vol 7 No. 3 (2012) | “Masters of our own destiny”: cultures of preservation at the Victorian Jazz Archive in Melbourne, Australia | View |
Sarah Baker, Alison Huber | |||
Jazz Research Journal | Vol 11 No. 2 (2017) | Christopher Coady, John Lewis and the Challenge of ‘Real’ Black Music | View |
Alexandre Gagatsis | |||
Popular Music History | Vol 3 No. 2 (2008) | Resource notes | View |
Janne Mäkelä | |||
Jazz Research Journal | Vol 1 No. 2 (2007) | Being bop: how the press shaped the cult of bebop | View |
Thomas Turner | |||
Jazz Research Journal | Vol 9 No. 2 (2015) | Social constructions of ‘authenticity’ and the sounds of the Kid Thomas Valentine Band: The case of ‘Basin Street Blues’—an approach from sociological musicology and cultural studies | View |
Richard Ekins | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene | View |
Myrtille Picaud | |||
Jazz Research Journal | Vol 6 No. 1 (2012) | All the metaphors you are: conceptual mappings of bebop in James Baldwin’s ‘Sonny’s Blues’ and Jack Kerouac’s On the Road | View |
Julian Levinson | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Lydia in Oz: The reception of George Russell in 1960s Australia | View |
Pierre-Emmanuel Seguin | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | ‘They’ve really gone to town with all that bunting’: the influence and (in)visibility of Glasgow’s Jazz Festival | View |
Alison Caroline Eales | |||
Equinox eBooks Publishing | The History of European Jazz | 24b. Portugal: 1974-2010 | View |
Rui Paes | |||
Popular Music History | Vol 5 No. 2 (2010) | Traditional jazz and the mainstreaming of authenticity: The case of British traddy pop (1959–1963)— a grounded theory approach | View |
Richard Ekins | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Examining the legend and music of Australian saxophonist, Frank Smith | View |
Ralph Whiteoak | |||
Jazz Research Journal | Vol 4 No. 2 (2010) | ‘Down with bebop—viva swing!’: Swing Club and the meaning of jazz in late 1940s Estonia | View |
Heli Reimann | |||
Equinox eBooks Publishing | The History of European Jazz | 38. The Avant- Garde: Black-and-White Atlantic Dialogues, c. 1960s | View |
Michael Heffley | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | JazzWerkstatt: A young Austrian jazz initiative | View |
Christa Bruckner-Haring, Michael Kahr | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Common ground: 1970s improvised music as part of a cross-genre Dutch ensemble culture | View |
Loes Rusch | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Steven Feld, Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham, NC: Duke University Press, 2012. 328 pp. ISBN 978-0-8223-5148-1 (hbk), 978-0-8223-5162-7 (pbk). $84.95/$23.95. | View |
Panagiota Anagnostou | |||
Jazz Research Journal | Vol 12 No. 2 (2018) | Islay Jazz Festival | View |
Haftor Medbøe, Diane Maclean | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Shotgun weddings and bohemian dreams: Jazz, family values and storytelling in Australian film | View |
Christopher Coady | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Demons of discord down under: ‘Jump Jim Crow’ and ‘Australia’s first jazz band’ | View |
John Whiteoak | |||
Jazz Research Journal | Vol 9 No. 1 (2015) | The jazz storyteller: Improvisers’ perspectives on music and narrative | View |
Sven Bjerstedt | |||
Jazz Research Journal | Vol 6 No. 1 (2012) | Keep up with the changes: online strategies for national jazz agencies | View |
Andrew Dubber | |||
Jazz Research Journal | Vol 11 No. 1 (2017) | Edward W. Sarath, Improvisation, Creativity, and Consciousness: Jazz as Integral Template for Music, Educa- tion, and Society. Albany, NY: State University of New York Press, 2013. xi + 488 pp. ISBN 978-1-4384-4721-6 (hbk). $95.00/£73.70 | View |
David Borgo | |||
Perfect Beat | Vol 2 No. 3 (1995) | AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 | View |
BRUCE JOHNSON | |||
Popular Music History | Vol 2 No. 2 (2007) | Review of The Evolution of Jazz in Britain, 1880-1935 by Catherine Parsonage | View |
Michael Brocken | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Rhythm Clubs, record series, and the everyday connoisseurship of ‘hot rhythm’ records in interwar Britain | View |
Lawrence Davies | |||
Jazz Research Journal | Vol 12 No. 2 (2018) | Jazz’s little brother: The origins of the Spanish blues scene | View |
Josep Pedro | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century | View |
Helen Vera Southall | |||
Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | “Free Swing” and the Emergent Neophonic: Forging Progressive Jazz with Stan Kenton in the 1947 Dance Hall | View |
Ryan Patrick Jones | |||
Popular Music History | Vol 1 No. 2 (2004) | University jazz and the Mersey Sound: Student days in Liverpool, a memoir | View |
Brian Hudson | |||
Bulletin for the Study of Religion | Vol 45 No. 1 (2016) | Thoughts After Reading Spirits Rejoice! Jazz and American Religion: A Review Essay | View |
Michael Kaler | |||
Jazz Research Journal | Vol 11 No. 2 (2017) | Bernie McGann and Bundeena: Mythologizing an Austral jazz icon | View |
Andrew Robson | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | What can everyday aesthetics teach us about jazz practice? | View |
Michael Fletcher | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Paulo Moura’s Hepteto and Quarteto: ‘Sambajazz’ as ‘Brazilogical popular instrumental improvised music’ | View |
Clifford Hill Korman | |||
Jazz Research Journal | Vol 6 No. 2 (2012) | Do you know what it means to miss New Orleans? Historical metaphors and mythical realities in Spike Lee’s When the Levees Broke | View |
Nicholas Gebhardt | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | ‘I wouldn’t change skins with anybody’ Dulcie Pitt/Georgia Lee, a pioneering Indigenous Australian jazz, blues and community singer | View |
Karl Neuenfeldt | |||
Jazz Research Journal | Vol 3 No. 2 (2009) | Review of Elijah Wald, How The Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music | View |
Bruce Johnson | |||
Jazz Research Journal | Vol 11 No. 1 (2017) | Early New Orleans band photography | View |
Alan John Ainsworth | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | 'Complaining time is over': Network and collective strategies of the New York Musicians Organization | View |
Michael C. Heller | |||
Jazz Research Journal | Vol 2 No. 2 (2008) | John Coltrane and the integration of Indian concepts in jazz improvisation | View |
Carl Clements | |||
Jazz Research Journal | Vol 6 No. 1 (2012) | Sam Rivers: jazz’s forgotten man | View |
John G. Rodwan, Jr. | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | The lost history of jazz on early Australian popular music television | View |
Liz Giuffre | |||
Jazz Research Journal | Vol 8 No. 1-2 (2014) | Expressive identity in the voices of three Australian saxophonists: McGann, Sanders and Gorman | View |
Sandy Evans | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Making ourselves heard: From a ‘Field of Dreams’ to building a collective voice | View |
Petter Frost Fadnes | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil | View |
Berenice Corti, Luciana Xavier de Oliveira | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Russia and the Creation of Jazz in the British Everyday Imaginary | View |
Robert Lawson-Peebles | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | ‘We’ve got a gig in Poland!’: Britain and jazz in World War II | View |
Will Studdert | |||
Jazz Research Journal | Vol 11 No. 1 (2017) | Place and imagined community in jazz | View |
Elina Hytönen-Ng | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | ‘9-TO-5, WENT TO COLLEGE, NOT 2-NITE HOMEY BLUES’: Jazz and the American mundane in Jean-Michel Basquiat’s writing | View |
Ellen O'Donoghue Oddy | |||
Jazz Research Journal | Vol 7 No. 2 (2013) | The sonic camera: Intermodality and intermediality in contemporary jazz composition | View |
David Cosper | |||
Perfect Beat | Vol 4 No. 4 (2000) | John Whiteoak (1999) Playing Ad Lib: Improvisatory Music in Australia 1836-1970, Sydney: Currency Press | View |
PHILIP HAYWARD | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | The politics, aesthetics and dissonance of music in everyday life | View |
Roger Fagge | |||
Perfect Beat | Vol 8 No. 4 (2008) | Introduction | View |
Mark Evans, Denis Crowdy | |||
Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Louis Armstrong loves Guy Lombardo! Acknowledging the smoother roots of jazz | View |
Elijah Wald | |||
Popular Music History | Vol 11 No. 2 (2016) | ‘Black Bob’: His B-flat Bombardon and the Yorkshire Jazz Band | View |
Val Wilmer | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | ‘The revolution never ended’: The cultural politics of a creative-music collective in New York City | View |
Scott Currie | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Remixing jazz culture: Musical hybridity and collectivity in the New Europe | View |
Kristin McGee | |||
Jazz Research Journal | Vol 7 No. 2 (2013) | Jedi mind tricks: Lennie Tristano and techniques for imaginative musical practice | View |
Marian S. Jago | |||
Jazz Research Journal | Vol 12 No. 2 (2018) | The second masking | View |
Corey Mwamba | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Ett minne för livet: A Swedish music collective | View |
Alf Arvidsson, Jörgen Adolfsson | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | Mingus, Cassavetes, and the Birth of a Jazz Cinema | View |
Ross Lipman | |||
Equinox eBooks Publishing | The History of European Jazz | Index of Works | View |
Francesco Martinelli | |||
Journal of World Popular Music | Vol 3 No. 2 (2016) | Christopher Ballantine. 2012. Marabi Nights: Jazz, ‘Race’ and Society in Early Apartheid South Africa, 2nd edn. Scottsville: University of Kwazulu-Natal Press. 280pp. ISBN 978-1869142377 (pbk) | View |
Jostine Loubser | |||
Jazz Research Journal | Vol 7 No. 2 (2013) | Duncan Heining, George Russell: The Story of an American Composer. London: Scarecrow Press, 2010. 400 pp. ISBN 978-0810869977 (hbk). £37.95 | View |
Frank Griffith | |||
Jazz Research Journal | Vol 9 No. 2 (2015) | Silent revolutions: An exploration of 1941, Jimmie Blanton’s ‘forgotten’ year | View |
Matthias Heyman | |||
Perfect Beat | Vol 14 No. 1 (2013) | Introduction | View |
Denis Crowdy, Mark Evans | |||
Jazz Research Journal | Vol 4 No. 1 (2010) | Plagiarizing your own autobiography, and other strange tales: Miles Davis, jazz discourse, and the aesthetic of silence | View |
Ken Prouty | |||
Equinox eBooks Publishing | The History of European Jazz | 37. Jews and Jewish Music | View |
Gabriele Coen | |||
Jazz Research Journal | Vol 6 No. 1 (2012) | Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films | View |
Simone Varriale | |||
Jazz Research Journal | Vol 3 No. 1 (2009) | Coltrane and Beyond | View |
Tony Whyton, Catherine Tackley, Vincent Cotro | |||
Popular Music History | Vol 4 No. 1 (2009) | Gordon Stretton: a study in multiple identities | View |
Jeff Daniels, Howard Rye | |||
Perfect Beat | Vol 8 No. 4 (2008) | Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press | View |
BRUCE JOHNSON | |||
Jazz Research Journal | Vol 11 No. 1 (2017) | Edward Green, ed. The Cambridge Companion to Duke Ellington. Cambridge: Cambridge University Press, 2014. 294 pp. ISBN 978-0-521-70753-4 (pbk). $29.99 | View |
Katherine Williams | |||
Popular Music History | Vol 1 No. 2 (2004) | Showgirls and stars: Black-cast revues and female performersin Britain 1903–1939 | View |
Howard Rye | |||
Perfect Beat | Vol 2 No. 1 (1994) | EAST OF HONOLULU Hawaiian Music In Japan From the 1920s to the 1940s | View |
SHUHEI HOSOKAWA | |||
Popular Music History | Vol 3 No. 1 (2008) | Collections at the IPM | View |
Robert Strachan | |||
Bulletin for the Study of Religion | Vol 45 No. 1 (2016) | Response to Michael Kaler | View |
Jason C. Bivins | |||
Jazz Research Journal | Vol 11 No. 2 (2017) | Lester Leaps In: The improvisational devices of Lester Young | View |
Jon P. De Lucia | |||
Jazz Research Journal | Vol 11 No. 2 (2017) | Photographic representations of jazz: Testimonial advertising in Down Beat, 1938–48 | View |
Alan John Ainsworth | |||
Popular Music History | Vol 7 No. 3 (2012) | ‘Immersed in the conflict’: Mike Westbrook’s Marching Song (1969) and the landscape and soundscape of war | View |
Duncan Heining | |||
Journal of World Popular Music | Vol 6 No. 1 (2019) | Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians | View |
Ioannis Tsioulakis | |||
Perfect Beat | Vol 18 No. 1 (2017) | An interview with Jonathan Crayford | View |
Norman Lawrence Meehan | |||
Jazz Research Journal | Vol 7 No. 2 (2013) | Oscar Peterson’s piano prostheses: Strategies of performance and publicity in the post-stroke phase of his career | View |
Alex Lubet | |||
Journal of Film Music | Vol 2 No. 1 (2007) | Daniel Goldmark: Tunes for ’Toons: Music and the Hollywood Cartoon.Berkeley: University of California Press, 2005 [xviii, 225 p. ISBN: 0520236173.] | View |
Eric Hung | |||
Perfect Beat | Vol 14 No. 1 (2013) | The Necks at 25: a changing same? | View |
Tony Mitchell | |||
Perfect Beat | Vol 3 No. 4 (1998) | Editorial | View |
PHILIP HAYWARD, MARK EVANS | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) | View |
Tony Mitchell | |||
Perfect Beat | Vol 4 No. 3 (1999) | Editorial | View |
MARK EVANS, KARL NEUENFELDT | |||
Popular Music History | Vol 1 No. 1 (2004) | Diplomatic Notes | View |
Graham Carr | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | ‘What to do over the week-end’: Towards an understanding of distraction, advertising and newspaper coverage of the Kansas City jazz scene in the 1930s | View |
Anthony J. Bushard | |||
Perfect Beat | Vol 3 No. 4 (1998) | FLOWING Theories and Taboos in Popular Music Studies | View |
ANDREW MURPHIE | |||
Jazz Research Journal | Vol 2 No. 2 (2008) | John Coltrane as a composer | View |
Christa Bruckner-Haring | |||
Perfect Beat | Vol 2 No. 3 (1995) | Traffic -An Introduction | View |
PHILIP HAYWARD | |||
Equinox eBooks Publishing | The History of European Jazz | 35. Early African American Entertainers | View |
Rainer Lotz | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Editor's Introduction | View |
Simone Krüger, Sarah Baker | |||
Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television | View |
Mark Brill | |||
Jazz Research Journal | Vol 3 No. 2 (2009) | Review of Robin D. G. Kelley, Thelonious Monk: The Life and Times of an American Original | View |
Tom Perchard | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Living with music: Departures and returns among early New Orleans jazz musicians | View |
Nicholas Gebhardt | |||
Jazz Research Journal | Vol 3 No. 1 (2009) | The Dilemmas of African-American Orientalism: Coltrane and the Hispanic Imaginary in ‘Olé’ | View |
Emmanuel Parent, Grégoire Tosser | |||
Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | From Blues to Latin Just in Time: A rhythmic analysis | View |
Eduardo Lopes | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | The ‘grave disease’: interwar British writers look at ragtime and jazz | View |
Robert Lawson-Peebles | |||
Perfect Beat | Vol 4 No. 3 (1999) | STRICTLY BALLROOM The Rumba in Pre-World War Two Japan | View |
SHUHEI HOSOKAWA | |||
Popular Music History | Vol 1 No. 2 (2004) | Was it really like that?: ‘Rock Island Line’ and the instabilities of causational popular music histories | View |
Michael Brocken | |||
Perfect Beat | Vol 1 No. 3 (1993) | CO-LOCATIONS - AN INTRODUCTION | View |
Philip Hayward | |||
Perfect Beat | Vol 8 No. 4 (2008) | Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books | View |
APRIL K. HENDERSON | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Christian Scott aTunde Adjuah’s critique of the Danziger Bridge shootings | View |
James Gordon Williams | |||
Popular Music History | Vol 3 No. 2 (2008) | Rock around the clock: The record, the film, and the last historic dance revolt | View |
Terry Monaghan | |||
Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. | View |
Judith Bernanke | |||
Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Black, Brown and Beige and the politics of Signifyin(g): Towards a critical understanding of DukeEllington | View |
George Burrows | |||
Popular Music History | Vol 7 No. 1 (2012) | Resource notes | View |
Dave Laing | |||
Jazz Research Journal | Vol 2 No. 2 (2008) | Attaining unity: Self-reference in the music of John Coltrane | View |
Marc Medwin | |||
Jazz Research Journal | Vol 2 No. 2 (2008) | John Coltrane | View |
David Liebman, | |||
Perfect Beat | Vol 12 No. 1 (2011) | Revisionist Popular Music History | View |
Roy Shuker | |||
Popular Music History | Vol 7 No. 3 (2012) | Peter Tschmuck, Creativity and Innovation in the Music Industry (revised edition). Berlin: Springer, 2012. 303 pp. ISBN 978-3-642-28429-8. £117 (hbk), £36.60 (pbk, first German edition). | View |
Phil Hardy | |||
Perfect Beat | Vol 19 No. 2 (2018) | Editorial introduction | View |
Shelley Brunt, Oli Wilson | |||
Popular Music History | Vol 1 No. 1 (2004) | "Sing Me a Song of Araby" and "My Blue Heaven": New Folksong, Hybridization and the Expansion of the Japanese Recording Industry in the Late 1920s | View |
Toru Mitsui | |||
Popular Music History | Vol 3 No. 3 (2008) | The Archive of Contemporary Music, New York | View |
Andy Linehan | |||
Perfect Beat | Vol 18 No. 1 (2017) | Editorial Introduction | View |
Oli Wilson | |||
Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Wonderbrass: A South Wales jazz collective | View |
Rob Smith | |||
Popular Music History | Vol 5 No. 3 (2010) | ‘A West Indian? You must be joking! I come out of the East End’: Kenny Lynch and English racism in the 1950s and 1960s | View |
Jon Stratton | |||
Perfect Beat | Vol 13 No. 1 (2012) | Introduction | View |
Denis Crowdy, Mark Evans | |||
Perfect Beat | Vol 2 No. 4 (1996) | THE AMBONESE CONNECTION Lou Casch, Johnny O'Keefe and the Development of Australian Rock and Roll | View |
PETER COX | |||
Popular Music History | Vol 2 No. 2 (2007) | Historiography and Complexities: Why is music ‘National’? | View |
Hans Weisethaunet | |||
Journal of Film Music | Vol 7 No. 2 (2014) | Swiss Film Music: Anthology 1923–2012 | View |
Michael Baumgartner | |||
Popular Music History | Vol 3 No. 3 (2008) | Improvised performance in World Music: Finding the violin in unexpected places | View |
Jonathan Feig | |||
Journal for the Academic Study of Religion | Vol 29 No. 3 (2016) | Monique Ingalls, Carolyn Landau and Tom Wagner (eds.), Christian Congregational Music: Performance, Identity and Experience. Surrey: Ashgate, 2013, pp. xiii + 228, ISBN: 978-1-4094-6602-4 (hbk). | View |
Sarah Penicka-Smith | |||
Perfect Beat | Vol 3 No. 2 (1997) | A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen | View |
MICHAEL WEBB | |||
Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | The Female Singing Voice: Gospel, Blues, Epic Stories and Animation | View |
Anne Power | |||
Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Listening again to popular music as history | View |
Paul Leslie Long, Nicholas Gebhardt | |||
Popular Music History | Vol 1 No. 3 (2004) | Introduction to the Special Issue | View |
David Laing | |||
Perfect Beat | Vol 2 No. 2 (1995) | MODERN PNG MUSIC | View |
PETER DUNBAR HALL | |||
Perfect Beat | Vol 2 No. 2 (1995) | It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso | View |
IAN MAXWELL | |||
Perfect Beat | Vol 2 No. 2 (1995) | Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge | View |
BRUCE JOHNSON | |||
Perfect Beat | Vol 2 No. 2 (1995) | Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press | View |
PHILIP HAYWARD | |||
Perfect Beat | Vol 2 No. 2 (1995) | From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney | View |
TOM BURVILL | |||
Perfect Beat | Vol 2 No. 2 (1995) | Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus | View |
MICHAEL FLINT | |||
Popular Music History | Vol 5 No. 1 (2010) | Bernard Herrmann—‘pop’ composer? | View |
Edward Green | |||
Jazz Research Journal | Vol 3 No. 1 (2009) | Intervallic Structuring in the Compositions of John Coltrane | View |
Ludovic Florin | |||
Religious Studies and Theology | Vol 31 No. 1 (2012) | Mashup Religion: Pop Music and Theological Invention, by John S. McClure. Baylor University Press, 2011. 240pp., pb. $24.95. ISBN-13: 9781602583573. | View |
Jacob D. Myers | |||
Journal of Film Music | Vol 2 No. 1 (2007) | The Manchurian Candidate (1962): An Interview with David Amram | View |
William H. Rosar | |||
Popular Music History | Vol 1 No. 3 (2004) | Critical negotiations: rock criticism in the Nordic countries | View |
Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet | |||
Perfect Beat | Vol 15 No. 1 (2014) | Introduction | View |
Mark Evans, Denis Crowdy | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood | View |
Helen Mitchell | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Mutiny Music: A Sonic Passage Between Islands | View |
Joseph Cummins | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | ‘Mississippi, My Home’: Songwriting, identity and everyday aesthetics in the African-American tradition | View |
Josep Pedro, Begoña Gutiérrez-Martínez | |||
Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | The poetics of recorded time: Listening again to popular music history | View |
Paul Long | |||
Popular Music History | Vol 8 No. 3 (2013) | How English became the language of pop in Denmark | View |
Henrik Smith-Sivertsen | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) | View |
Tom Sykes | |||
Popular Music History | Vol 9 No. 3 (2014) | Searching for the first bass drum pedal: Rock harmonicas to Viennese pianos | View |
Paul Archibald | |||
Journal of World Popular Music | Vol 7 No. 1 (2020) | Editors’ Introduction | View |
Simone Krüger Bridge, Jonathan P.J. Stock | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 | View |
Ben Green | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | Charles Leinberger. Ennio Morricone’s “The Good, the Bad and the Ugly”: A Film Score Guide Lanham, Md.: Scarecrow, 2004. [xviii, 137 p. ISBN: 0810851326. $27.95. Scarecrow Film Score Guides, no. 3. Music examples, filmography, bibliography, index. | View |
Lori Stevens | |||
Perfect Beat | Vol 18 No. 1 (2017) | Musicians and the lifetime soundtrack: Creation and perception of musically motivated autobiographical memories | View |
Lauren Istvandity | |||
International Journal for the Study of New Religions | Vol 5 No. 1 (2014) | Pop Cult: Religion and Popular Music, by Rupert Till. Continuum, 2010. 230pp., Hb. $120.00, ISBN-13: 9780826445926; Pb. $34.95, ISBN-13: 9780826432360. | View |
Carole M. Cusack | |||
Perfect Beat | Vol 4 No. 4 (2000) | Editorial | View |
PHILIP HAYWARD | |||
Popular Music History | Vol 1 No. 3 (2004) | Taste-making and trend-spotting: the folk revival journalism of Robert Shelton | View |
David Laing | |||
Perfect Beat | Vol 11 No. 2 (2010) | Introduction | View |
Denis Crowdy, Mark Evans | |||
Bulletin for the Study of Religion | Vol 45 No. 1 (2016) | Aims and Approaches: An interview with Religion and Diversity Project Director Lori Beaman | View |
Arlene Macdonald | |||
Perfect Beat | Vol 10 No. 1 (2009) Television special | Review: Coplan, D. (2008) In Township Tonight! South Africa’s Black City Music and Theatre. (Second Edition) Chicago: University of Chicago Press | View |
Robert G H Burns | |||
Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Book review of In Search of the Blues: Black Voices, White Visions by Marybeth Hamilton | View |
Dave Laing | |||
Perfect Beat | Vol 2 No. 3 (1995) | RECOGNITION & ROOTS The contribution of musicians from the Indonesian archipelago to the development of popular music culture in the Netherlands | View |
LUTGARD MUTSAERS | |||
Perfect Beat | Vol 19 No. 1 (2018) | Super Smash Covers! Performance and audience engagement in Australian videogame music cover bands | View |
Sebastian Diaz-Gasca | |||
Perfect Beat | Vol 19 No. 1 (2018) | Michael Austin, ed. 2016. Music Video Games: Performance, Politics, and Play | View |
Sebastian Diaz-Gasca | |||
Perfect Beat | Vol 4 No. 1 (1998) | GLOBAL PERSPECTIVES | View |
WILL STRAW | |||
Perfect Beat | Vol 4 No. 1 (1998) | MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones | View |
CORALIE JOYCE | |||
Perfect Beat | Vol 4 No. 1 (1998) | THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan | View |
FRED COLE, MICHAEL HANNAN | |||
Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Pompey Pop: A case study of a local music archive | View |
Dave Allen | |||
Perfect Beat | Vol 4 No. 3 (1999) | FLYING SAUCER ROCK AND ROLL The Australian press confronts early rock and roll | View |
PETER DOYLE | |||
Popular Music History | Vol 6 No. 3 (2011) | From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 | View |
Klaus Nathaus | |||
Perfect Beat | Vol 4 No. 1 (1998) | Editorial | View |
PHILIP HAYWARD, MARK EVANS | |||
Perfect Beat | Vol 14 No. 1 (2013) | Frederick Moehn. 2012. Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene. Duke University Press. ISBN 978-0-8223-5155-9 (pbk). 320pp. $24.95. | View |
Eric A. Galm | |||
Perfect Beat | Vol 1 No. 2 (1993) | JAWAIIAN AND LOCAL CULTURAL IDENTITY IN HAWAI'I | View |
Andrew N. Weintraub | |||
Perfect Beat | Vol 1 No. 3 (1993) | Dean, R. (1992) New Structures in Jazz and Improvised Music Since 1960, Milton Keynes (UK): Open University Press. | View |
Theo Van Leeuwen | |||
Perfect Beat | Vol 1 No. 3 (1993) | Jordan, Sand Allen, D (eds) Parallel Lines - Media Representations of Dance, London: John Libbey/ Arts Council of Great Britain | View |
Philip Hayward | |||
Perfect Beat | Vol 1 No. 3 (1993) | Heylin, C. (1993) From the Velvets to the Voidoids: A PrePunk History for a Post-Punk World, Harrnonsworth: Penguin Books | View |
Tim Sowden | |||
Perfect Beat | Vol 1 No. 3 (1993) | Hutchison, T. (1992) Your Name's on the Door; 10 Years of Australian Music, Sydney: ABC Enterprises | View |
Andrew Murphie | |||
Perfect Beat | Vol 1 No. 3 (1993) | Rucker, R., R.U. Sirius & Queen Mu (eds) (1992) MONDO 2000: A User's Guide to the New Edge, New York: Harper & Collins | View |
Mark Brown | |||
Perfect Beat | Vol 11 No. 1 (2010) | Introduction | View |
Denis Crowdy, Mark Evans | |||
Perfect Beat | Vol 13 No. 2 (2012) | Introduction | View |
Denis Crowdy, Mark Evans | |||
Journal of World Popular Music | Vol 3 No. 2 (2016) | David Novak. 2013. Japanoise: Music and the Edge of Circulation. Durham, NC and London: Duke University Press. 292pp. ISBN 978-0-8223-5392-8 (pbk) | View |
Russell P. Skelchy | |||
Perfect Beat | Vol 19 No. 2 (2018) | An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology | View |
Gene Shill | |||
Perfect Beat | Vol 2 No. 3 (1995) | DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures | View |
MALCOLM PHILPOTT | |||
Journal of World Popular Music | Vol 6 No. 2 (2019) | Currents and Contradictions in the Ethnomusicology of Popular Music | View |
Harris M. Berger | |||
Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Leith Amadeus Stevens: Early Years and Family History | View |
Zolona E. Stevens Moss † | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | Some Notes on Popular Music in my (Professional) Life | View |
Bruno Nettl | |||
Perfect Beat | Vol 3 No. 4 (1998) | CREATIVITY AND INDEPENDENCE Sanguma, Music Education and the development of the PNG Contemporary style | View |
DENNIS CROWDY | |||
Popular Music History | Vol 10 No. 3 (2015) | ‘How Belfast got the blues’: Towards an alternative history | View |
Noel McLaughlin, Joanna Braniff | |||
Popular Music History | Vol 1 No. 1 (2004) | A Question of Standards: "My Funny Valentine" and Musical Intertextuality | View |
Alan Stanbridge | |||
Popular Music History | Vol 6 No. 3 (2011) | Samuel Charters. 2009. A Language of Song: Journeys in the Musical World of the African Diaspora. Durham, NC: Duke University Press. 368 pp. ISBN 978-0-8223- 4380-6. £15.99. | View |
Dave Laing | |||
Journal for Research into Freemasonry and Fraternalism | Vol 5 No. 2 (2014) | Editorial | View |
Jeffrey Tyssens, Susan Sommers | |||
Perfect Beat | Vol 15 No. 2 (2014) | No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 | View |
Andrew Wright Hurley | |||
Journal of World Popular Music | Vol 7 No. 1 (2020) | Italian Birds of Passage: The Diaspora of Neapolitan Musicians in New York by Simona Frasca. 2014. | View |
Angela Moran | |||
Perfect Beat | Vol 15 No. 1 (2014) | Plasketes, George, ed. 2013. Please Allow Me to Introduce Myself: Essays on Debut Albums. Farnham, Surrey and Burlington, VT: Ashgate. ISBN 978-1-4094-4176-2 (hbk). 250 pp. | View |
Nick Braae | |||
Journal of World Popular Music | Vol 6 No. 1 (2019) | Editors’ Introduction | View |
Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett | |||
Popular Music History | Vol 4 No. 2 (2009) | Street ballets in magic cities: cultural imaginings of the modern American metropolis | View |
Tadhg O'Keeffe | |||
Perfect Beat | Vol 15 No. 2 (2014) | ‘Lookin, searchin, seekin, findin’: A new beat | View |
Shelley Brunt, Oli Wilson, Catherine Strong | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Introduction | View |
Shelley Brunt, Oli Wilson | |||
Popular Music History | Vol 9 No. 2 (2014) | Resource Notes | View |
Brock Silversides | |||
Perfect Beat | Vol 2 No. 1 (1994) | THE 'DUNEDIN SOUND' New Zealand Rock and Cultural Geography | View |
COLIN MCLEAY | |||
Perfect Beat | Vol 2 No. 4 (1996) | DIRECTIONS IN POPULAR MUSIC STUDIES | View |
BRUCE JOHNSON | |||
Perfect Beat | Vol 2 No. 4 (1996) | AMERICAN COUNTRY: POETS AND PICKERS AT THE HEART OF LONELY | View |
GEORGE H. LEWIS | |||
Popular Music History | Vol 3 No. 1 (2008) | The origins and development of The Institute of Popular Music: An interview | View |
Dave Horn | |||
Journal of World Popular Music | Vol 2 No. 2 (2015) | World Music, World Circuit: In Conversation with Nick Gold | View |
Simone Krüger | |||
Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Michael Lasser, City Songs and American Life, 1900–1950 | View |
Arno van der Hoeven | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Editors’ Introduction to Inaugural Issue | View |
Simone Krüger, Sarah Baker | |||
Journal of Film Music | Vol 4 No. 1 (2011) | Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. | View |
James Wierzbicki | |||
Popular Music History | Vol 6 No. 3 (2011) | From corporates and media to state control: International perspectives on the music business | View |
Richard Coopey | |||
Popular Music History | Vol 9 No. 3 (2014) | Reviews in brief | View |
Dave Laing | |||
Popular Music History | Vol 5 No. 1 (2010) | John Szwed. The Man who Recorded the World: A Biography of Alan Lomax. London: William Heinemann, 2010. 438 pp. ISBN 9780434012329. £20.00. | View |
Dave Laing | |||
Perfect Beat | Vol 13 No. 2 (2012) | Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians | View |
Barry Hill, Jon Fitzgerald | |||
Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book | View |
Eric Hung | |||
Perfect Beat | Vol 17 No. 1 (2016) | An Interview with Damian Wright: Flamenco and the discourse of World Music in Contemporary Australia | View |
Brent Keogh | |||
Journal of Film Music | Vol 7 No. 2 (2014) | Danielle Birkett and Dominic McHugh, eds., Adapting the Wizard of Oz: Musical Versions from Baum to MGM and Beyond | View |
Megan Woller | |||
Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | The record and its label: Identifying, marketing, dividing, collecting | View |
Richard Osborne | |||
Popular Music History | Vol 3 No. 3 (2008) | Ghana and the World Music Boom | View |
John Collins | |||
Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Buildings matter: The recycling of Liverpool’s Whitechapel and the Casbah | View |
Mike Brocken | |||
Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Randall D. Larson: Music from the House of Hammer: Music in the Hammer Horror Films, 1950–1980.London: Scarecrow Press, Inc., 1996 [xvi, 193 p.ISBN: 0810829754.] | View |
Rebecca FÜlÖP | |||
Implicit Religion | Vol 12 No. 1 (2009) | Godspeed: Racing is My Religion by L.D. Russell. New York: Continuum, 2007. 182pp., paper, £10.99 / $16.95, ISBN 9780826416094 | View |
Kimberley Rae Connor | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Gender, Popular Music and Australian Identity: Introduction to Special Issue | View |
Catherine Strong | |||
Journal of Film Music | Vol 1 No. 1 (2002) | Film Music---What's in a Name? | View |
William H. Rosar | |||
Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | The meaning of the music venue: Historicizing the Click Club | View |
Paul Long, Sarah Raine | |||
Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Introduction: Sounding out the past | View |
Paul Long, Nicholas Gebhardt | |||
Perfect Beat | Vol 14 No. 2 (2013) | Music festivals and regional development policy: towards a festival ecology | View |
Chris Gibson | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Our Stories, From Us, The “They”: Nick Gold talks to Lucy Durán about the Making of Buena Vista Social Club | View |
Lucy Durán | |||
Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Voices of Sheila: Resignification in Filmic and Non-filmic Contexts | View |
Nina Menezes | |||
Popular Music History | Vol 11 No. 3 (2018) | Experiencing Progressive Rock by Robert G. H. Burns | View |
Sam Vallen | |||
Jazz Research Journal | Vol 3 No. 1 (2009) | John Coltrane and the “replacement child” syndrome | View |
Bertrand Lauer | |||
Popular Music History | Vol 4 No. 3 (2009) | Michael Brocken, Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s–1970s and Marion Leonard and Robert Strachan, eds, The Beat Goes On: Liverpool, Popular Music and the Changing City | View |
James McGrath | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | Interview with Antti-Ville Kärjä from Music Archive Finland | View |
Raphaël Nowak | |||
Perfect Beat | Vol 4 No. 4 (2000) | BLURRING BOUNDARIES BETWEEN RESTRICTED AND UNRESTRICTED PERFORMANCE A Case Study of the Ngadirdji of Yanyuwa Women in Borroloola | View |
ELIZABETH MACKINLAY | |||
Perfect Beat | Vol 1 No. 1 (1992) | CASH, CHORDS, CHAOS AND HYPE Writing Rock History - Accounts of The Sex Pistols and their role in the Seventies' New Wave | View |
Philip Hayward | |||
Journal of World Popular Music | Vol 1 No. 2 (2014) | Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi | View |
David Cashman | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | Editors’ Introduction | View |
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak | |||
Perfect Beat | Vol 2 No. 3 (1995) | NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene | View |
TONY MITCHELL | |||
Journal of World Popular Music | Vol 6 No. 1 (2019) | From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local | View |
Wonderful Godwin Bere | |||
Journal of Film Music | Vol 4 No. 2 (2011) | Philip Furia and Laurie Patterson. The Songs of Hollywood | View |
Jennifer L. Roth-Burnette | |||
Journal of World Popular Music | Vol 2 No. 2 (2015) | Marley. 2012. Directed by Kevin MacDonald. Universal Pictures. DVD | View |
Paul Long | |||
Perfect Beat | Vol 19 No. 1 (2018) | Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] | View |
Brent Keogh | |||
Journal of World Popular Music | Vol 3 No. 1 (2016) | Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television | View |
Liz Giuffre | |||
Popular Music History | Vol 9 No. 2 (2014) | To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ | View |
Kathryn Hill | |||
Essays in the Philosophy of Humanism | Vol 20 No. 1 (2012) VOL 20 (1) 2012 | The “Color” of Humanism: Personal Reflections on a Global Reality | View |
Norm R. Allen Jr. | |||
Perfect Beat | Vol 12 No. 1 (2011) | Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study | View |
Manolete Mora | |||
Popular Music History | Vol 10 No. 2 (2015) | The heritage obsession: The history of rock and challenges of ‘museum mummification’: A French perspective | View |
Philippe Le Guern | |||
Popular Music History | Vol 1 No. 1 (2004) | History beings yesterday | View |
Paul Oliver | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) | View |
Nick Prior | |||
Popular Music History | Vol 9 No. 3 (2014) | Keeping themselves alive: Identifying and analysing Queen’s musical development, 1973–1980 | View |
Nick Braae | |||
Perfect Beat | Vol 2 No. 1 (1994) | Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. | View |
JULIA KNIGHT | |||
Perfect Beat | Vol 2 No. 1 (1994) | Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press | View |
BRUCE JOHNSON | |||
Perfect Beat | Vol 2 No. 1 (1994) | Carlo Branzaglia, Pierfrancesco Pacoda and Alba Solaro (1992) Posse ita/iane: centri sociali, unde rgrowid musicale e cultura giovanile degli anni '90 in Italia | View |
TONY MITCHELL | |||
Perfect Beat | Vol 2 No. 1 (1994) | Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press | View |
PHILIP HAYWARD | |||
Perfect Beat | Vol 2 No. 1 (1994) | Gray, A and McGuigan, J (eds) (1993) Studying Culture- an introductory reader, London: Edward Arnold. | View |
COLIN MCLEAY | |||
Perfect Beat | Vol 2 No. 1 (1994) | Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press | View |
KEITH NEGUS | |||
Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | The Industrial Soundscape between Fiction and Documentary Film in Italy’s Long 1960s | View |
Alessandro Cecchi | |||
Journal for Research into Freemasonry and Fraternalism | Vol 5 No. 2 (2014) | ‘The Gilded Age of Fraternalism’: Brotherhood and Modernism in 1920s America | View |
Miguel Hernandez | |||
Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | From Despicable to Happy: Animated Vocality in the Evolution of Felonius Gru | View |
Veronica Stewart, Diane Hughes | |||
International Journal for the Study of New Religions | Vol 2 No. 2 (2011) | Book Review: Lubavitcher Messianism: What Really Happens When Prophecy Fails? by Simon Dein, Continuum, 2011, 192pp., hb., $120.00/₤65.00, ISBN-13: 9781441112231. | View |
Joanna Steinhardt | |||
Perfect Beat | Vol 1 No. 1 (1992) | It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study | View |
Marcus Breen | |||
Popular Music History | Vol 1 No. 1 (2004) | Histories and complexities: Popular Music History Writing and Danish Rock | View |
Morten Michelsen | |||
Popular Music History | Vol 4 No. 2 (2009) | ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* | View |
Justin A. Williams | |||
Popular Music History | Vol 11 No. 2 (2016) | Review article | View |
Dave Laing | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Andy Bennett and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. 664pp. ISBN 978-1-44621-0-857 (hbk) | View |
Lauren Istvandity | |||
Popular Music History | Vol 4 No. 2 (2009) | Compost city: underground music, collapsoscapes and urban regeneration | View |
Greg Keeffe | |||
Journal of World Popular Music | Vol 3 No. 2 (2016) | Voodoo Threads: The Cultural Trajectory of Dr. John’s ‘I Walk on Gilded Splinters’ | View |
Philip Hayward, Matt Hill | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | Museum Review: Rock Museum, Budapest, Hungary | View |
Emília Barna | |||
Perfect Beat | Vol 1 No. 2 (1993) | BLACK ROCK AND BROOME: MUSICAL AND CULTURAL SPECIFICITIES | View |
Chris Lawe Davies | |||
Journal of World Popular Music | Vol 2 No. 1 (2015) | Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) | View |
Duncan Wheeler | |||
Perfect Beat | Vol 2 No. 2 (1995) | ALOHA AUSTRALIA Hawaiian Music in Australia (1920-55) | View |
JACKEY COYLE, REBECCA COYLE | |||
Popular Music History | Vol 8 No. 3 (2013) | Georgina Gregory. Send in the Clones. Sheffield: Equinox, 2012. 172pp. £16.99. ISBN 978-1-84553-245-1 (paperback). | View |
Sarah Davis | |||
Perfect Beat | Vol 1 No. 1 (1992) | TEETH-GRITTED HARMONIES Music programming and policy on Australian public radio- a case study of four Sydney stations | View |
KATRINA McMANUS | |||
Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | The Singing Voice in Contemporary Cinema | View |
Diane Hughes, Mark Evans | |||
Popular Music History | Vol 1 No. 1 (2004) | Popular Music and Historiography | View |
Charles Hamm | |||
Perfect Beat | Vol 1 No. 2 (1993) | THREE DECADES OF AUSTRALIAN POPULAR MUSIC | View |
Michael Flint | |||
Perfect Beat | Vol 1 No. 2 (1993) | Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. | View |
Tony Mitchell | |||
Perfect Beat | Vol 1 No. 2 (1993) | Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin | View |
Marcus Breen | |||
Perfect Beat | Vol 1 No. 2 (1993) | Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP | View |
Roderick Nielsen | |||
Perfect Beat | Vol 1 No. 2 (1993) | Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin | View |
Michael Flint | |||
Perfect Beat | Vol 1 No. 2 (1993) | Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. | View |
Carolyn Craig | |||
Journal of Film Music | Vol 4 No. 2 (2011) | Bruce Johnson, ed. Earogenous Zones: Sound, Sexuality, and Cinema | View |
Tony Fonseca | |||
Popular Music History | Vol 5 No. 2 (2010) | Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 | View |
Kari Kallioniemi | |||
Popular Music History | Vol 2 No. 2 (2007) | Allusion and Influence in Elvis Costello | View |
Dai Griffiths | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | Philip Hayward, ed. Off the Planet: Music, Sound, and Science Fiction Cinema Eastleigh, Eng.: John Libbey Publishing, 2004. [vii, 214 p. ISBN: 0861966449. $24.95 (trade paper)] Music examples, bibliography, index. | View |
Kendra Preston Leonard | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | Wavering Sonorities and the Nascent Film Noir Musical Style | View |
Roger Hickman | |||
Journal of Film Music | Vol 1 No. 1 (2002) | Music in Films: A Critical Review of Literature, 1980-1996 | View |
Robynn J. Stilwell | |||
Perfect Beat | Vol 9 No. 1 (2008) | REGULATION WITHOUT REPRESENTATION NSW Live Music Policy 1992–2008 | View |
David Panichi | |||
CALICO Journal | Vol 2 No. 1 (1984) | FOREIGN-LANGUAGE SOFTWARE: THE STATE OF THE ART or PICK A CARD, ANY (FLASH) CARD | View |
Robert L. Baker | |||
Popular Music History | Vol 4 No. 2 (2009) | Low-frequency noise and urban space | View |
Bruce Johnson | |||
Perfect Beat | Vol 2 No. 2 (1995) | PACIFIC ISLANDER RADIO AND MUSIC IN AUCKLAND | View |
MARK DERBY, HELEN WILSON | |||
Perfect Beat | Vol 3 No. 2 (1997) | INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA | View |
DAVID GOLDSWORTHY | |||
Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Archival Activism: Deciphering State-Sanctioned Histories and Reporting of Canadian Hip Hop | View |
Mark V. Campbell, Maya Stitski | |||
Journal of World Popular Music | Vol 2 No. 1 (2015) | Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) | View |
Yona Stamatis | |||
Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | These Gods Got Swagger: Avatars, Gameplay, and the Digital Performance of Hip Hop Culture in Machinima | View |
Elonda Clay | |||
Journal of Film Music | Vol 1 No. 1 (2002) | Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] | View |
Linda Schubert | |||
Popular Music History | Vol 2 No. 1 (2007) April 2007 | The forgotten decade: rethinking the popular music of the 1970s | View |
Andy Bennett | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | Website Review: Afropop Worldwide: http://www.afropop.org Electric Jive: http://electricjive.blogspot.co.uk | View |
Jez Collins | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | The Great Crossing: Nostalgia and Manifest Destiny in Aaron Copland’s The Red Pony | View |
Beth E. Levy | |||
Perfect Beat | Vol 3 No. 2 (1997) | DISPLACED ACAPPELLA The Bulgarian Choral Tradition and Sydney's Martenitsa Choir | View |
ALEX GIBB, MEAGAN LOADER | |||
Journal of World Popular Music | Vol 6 No. 1 (2019) | Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics | View |
Samuel Horlor | |||
Journal of World Popular Music | Vol 3 No. 2 (2016) | Editors’ Introduction | View |
Simone Krüger Bridge, Sarah Baker | |||
Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Setting the Tone of the Southern Question: Music and/as Fatalism in Italian Cinema of the Economic Miracle | View |
Maurizio Corbella | |||
Perfect Beat | Vol 11 No. 2 (2010) | Governmental as anything: live music and law and order in Melbourne | View |
Shane Homan | |||
Perfect Beat | Vol 4 No. 4 (2000) | WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries | View |
MASAHIRO YASUDA | |||
Popular Music History | Vol 11 No. 3 (2018) | Following better things: Grammar schools, religion and English rock music in the early 1970s | View |
Alistair Mutch | |||
Perfect Beat | Vol 8 No. 3 (2007) | AOTEAROA SONGLINES | View |
TONY MITCHELL | |||
Perfect Beat | Vol 1 No. 3 (1993) | SMASHING THE SILENCE A review of With Open Eyes - The First National Aboriginal and Torres Strait Islander Contemporary Women's Music Festival | View |
Jilli Streit-Warburton | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Henry “Seaman” Dan and Karl Neuenfeldt. 2013. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. 170pp. ISBN 978-1-9220-59208 (pbk). | View |
Åse Ottosson | |||
Journal of Film Music | Vol 4 No. 2 (2011) | Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* | View |
Sarah Reichardt Ellis | |||
Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu | View |
Timothy Koozin | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course | View |
Andrew Killick | |||
Perfect Beat | Vol 2 No. 3 (1995) | ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop | View |
ROSS HARLEY | |||
Journal of Film Music | Vol 4 No. 2 (2011) | Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* | View |
Jörg Jewanski | |||
Journal of World Popular Music | Vol 6 No. 2 (2019) | Keynote: Party Music, Affect and the Politics of Modernity | View |
Jocelyne Guilbault | |||
Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | Bishop Lamont and Hermeneutics of Play: Hip Hop, Religion, and the Study of American Religious History | View |
L. Benjamin Rolsky | |||
Perfect Beat | Vol 2 No. 1 (1994) | TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne | View |
ROBIN RYAN | |||
Perfect Beat | Vol 18 No. 2 (2017) | In Melbourne tonight: Pop/rock histories and futures | View |
Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt | |||
Perfect Beat | Vol 3 No. 2 (1997) | NEW ZEALAND MUSIC ON THE INTERNET A Study of the NZPOP Mailing List | View |
TONY MITCHELL | |||
Perfect Beat | Vol 1 No. 4 (1994) | FLYING IN THE FACE OF FASHION: Independent Music in New Zealand | View |
Tony Mitchell | |||
Perfect Beat | Vol 1 No. 1 (1992) | WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA | View |
Tony Mitchell | |||
Journal of Film Music | Vol 6 No. 2 (2013) | The Barry Gray Archive | View |
François Evans | |||
International Journal for the Study of New Religions | Vol 6 No. 2 (2015) | Gurdjieffian Overtones in Leon MacLaren’s School of Economic Science | View |
Johanna J.M. Petsche | |||
Popular Music History | Vol 4 No. 2 (2009) | Gigographies: where popular musicians play | View |
Dave Laing | |||
Journal of Film Music | Vol 5 No. 1-2 (2012) | Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda | View |
William H. Rosar | |||
Perfect Beat | Vol 8 No. 3 (2007) | GORE GOLD GUITARS The Place of Country in New Zealand | View |
DAN BENDRUPS, HENRY JOHNSON | |||
Popular Music History | Vol 8 No. 2 (2013) | What’s in a name? Dylan Thomas and Bob Dylan | View |
David Boucher | |||
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 3 No. 2-3 (2007) | Passover Plots: From Modern Fictions to Mark and Back Again | View |
Richard G Walsh | |||
Perfect Beat | Vol 15 No. 1 (2014) | Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air | View |
Jennifer Cattermole | |||
Perfect Beat | Vol 3 No. 2 (1997) | AUSTRALIA'S NATIONAL INSTRUMENT? | View |
BRUCE JOHNSON | |||
Perfect Beat | Vol 3 No. 2 (1997) | BACK EAST - The Blue Diamonds' Indonesian Tours | View |
LUTGARD MUTSAERS | |||
Perfect Beat | Vol 3 No. 2 (1997) | UKULELES, GUITARS OR GUMLEAVES? Hula Dancing and Southeastern Australian Aboriginal Performers in the 1920s and 1930s | View |
ROBIN RYAN | |||
Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | ‘These stories have to be told’: Chicano rap as historical source | View |
Dianne Violeta Mausfeld | |||
Perfect Beat | Vol 10 No. 2 (2009) | Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand | View |
Tony Mitchell | |||
Popular Music History | Vol 10 No. 1 (2015) | Manpool, the musical: Harmony and counterpoint on the Lancashire Plain | View |
Richard Witts | |||
Perfect Beat | Vol 4 No. 1 (1998) | AFTER THE LAW Sydney's Phoenician Club, the New South Wales Premier and the death of Anna Wood | View |
SHANE HOMAN | |||
Perfect Beat | Vol 4 No. 3 (1999) | GUMLEAF PLAYING COMPETITIONS Aboriginal and Non-Aboriginal Performance Styles and Socio-Cultural Contexts | View |
ROBIN RYAN | |||
Essays in the Philosophy of Humanism | Vol 21 No. 2 (2013) | Moral Choices in a Random Universe | View |
Paul Kurtz | |||
Journal of Contemporary Archaeology | Vol 7 No. 1 (2020) | “To Thee Do We Send Up Our Sighs”: Documenting Twentieth-Century Marian Shrines in the Republic of Ireland | View |
Eve Campbell | |||
Religious Studies and Theology | Vol 26 No. 1 (2007) | John Updike’s Rabbit, Run: A Quest for a Spiritual Vocabulary in the Vacuum Left by Modernism | View |
David J Fekete | |||
Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Guest Editorial | View |
Alessandro Cecchi, Maurizio Corbella | |||
Popular Music History | Vol 3 No. 3 (2008) | Traditional music and the World Music marketplace: A producer’s experience | View |
Joe Boyd, | |||
Health and Social Care Chaplaincy | Vol 1 No. 2 (2011) Scottish Journal of Healthcare Chaplaincy Vol 14 (1) 2011 | Orere Source | View |
W. Noel Brown | |||
Popular Music History | Vol 8 No. 1 (2013) | A mysterious music in the air: cultural origins of the loudspeaker | View |
Kyle Devine | |||
Journal of World Popular Music | Vol 1 No. 1 (2014) | Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea | View |
Oli Wilson | |||
Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | From locality to translocality and cosmopolitanism: The rise of the Debrecen alternative–DIY scene | View |
Zsolt Győri | |||
Sociolinguistic Studies | Vol 12 No. 3-4 (2018) | Residents’ perceptions on Sepitori, a mixed language spoken in greater Pretoria, South Africa | View |
Pedro Álvarez-Mosquera, Elirea Bornman, Thabo Ditsele | |||
Journal of Film Music | Vol 2 No. 1 (2007) | Jack Sullivan: Hitchcock’s Music. New Haven and London: Yale University Press, 2006 [xix, 354 p. ISBN: 0300110502] | View |
Tom Schneller | |||
CALICO Journal | Vol 4 No. 1 (1986) | New Ideas in Software Development for Linguistics and Language Learning | View |
Vance Stevens, Steve Spurling, Don Loritz, Roger Kenner, John Esling, Moya Brennan | |||
Journal of World Popular Music | Vol 4 No. 1 (2017) | “I’m Not a Juvenile Delinquent”: 1950s Rock’n’roll, Youth under Threat, and Good Citizenship in US Exploitation Cinema 1956–59 | View |
David Baker, Lauren Istvandity | |||
Perfect Beat | Vol 12 No. 1 (2011) | Malaysian composers, geopolitical spaces and cultural difference | View |
Jonas Ureta Baes | |||
Perfect Beat | Vol 4 No. 4 (2000) | HULA HALAU IN TOKYO A Case Study of Hula Schools | View |
YOKO KUROKAWA | |||
PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements | Vol 16 No. 2 (2017) | Pentecostalism as Cultural Resistance: Music and Tongue-speaking as Collective Response in a Brooklyn Church | View |
Peter Marina, Michael Wilkinson | |||
Journal of Contemporary Archaeology | Vol 6 No. 1 (2019) Special Issue: Futurity, Time, and Archaeology | Detroit 139: Archaeology and the Future-Making of a Post- Industrial City | View |
Krysta Ryzewski | |||
Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Black metal: Stone Vengeance sing the thrash metal blues | View |
Kevin Fellezs | |||
Perfect Beat | Vol 3 No. 3 (1997) | ORIENTAL EXOTICISM IN 1920s AUSTRALIAN POPULAR MUSIC | View |
ALINE SCOTT-MAXWELL | |||
Journal of World Popular Music | Vol 4 No. 2 (2017) | The Moral of the Story: Making Ethnomusicology Matter in the Twenty-first Century | View |
Michael B. Bakan | |||
Perfect Beat | Vol 4 No. 1 (1998) | EAST·WEST SYNTHESIS OR CULTURAL HEGEMONY? Questions on the Use of Indigenous Elements in Philippine Popular Music | View |
JONAS BAES, AMAPOLA BAES | |||
Equinox eBooks Publishing | The Beatles | Time and Place | View |
Ian Inglis | |||
Journal of Film Music | Vol 6 No. 2 (2013) | Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops | View |
Emilio Audissino | |||
Journal of Contemporary Archaeology | Vol 1 No. 2 (2014) | Thresholds: Gateways to the Nuclear Imagination | View |
Gair Dunlop | |||
CALICO Journal | Vol 33 No. 3 (2016) | Emerging Trends and New Directions in Telecollaborative Learning | View |
Robert O'Dowd | |||
Popular Music History | Vol 4 No. 2 (2009) | Nowhere man: urban life and the virtualization of popular music | View |
Paul Graves-Brown | |||
Journal of Film Music | Vol 6 No. 1 (2013) | “Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas | View |
Tim Summers | |||
Popular Music History | Vol 3 No. 3 (2008) | World Music and the global music industry | View |
Dave Laing | |||
Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Introduction to the special issue: Lost musical histories—Curating and documenting local popular music-making in the UK | View |
Paul Carr | |||
Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | MC Solaar and the Influence of Globalization on Local Hip-Hop Aesthetics | View |
Saesha Senger | |||
Journal of World Popular Music | Vol 7 No. 1 (2020) | Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão) | View |
Colin Harte | |||
Journal for the Study of Religion, Nature and Culture | Vol 6 No. 2 (2012) | When Nature is Rats and Roaches: Religious Eco-Justice Activism in Newark, NJ | View |
Matthew B. Immergut, Laurel D. Kearns | |||
Popular Music History | Vol 7 No. 3 (2012) | Needle Time: The BBC, the Musicians’ Union, popular music, and the reform of radio in the 1960s. | View |
Richard Witts | |||
Perfect Beat | Vol 3 No. 4 (1998) | EMBODIED ACAPPELLA The Experience of Singing a Displaced Eclectic Repertoire | View |
JULIE RICKWOOD | |||
Journal for Research into Freemasonry and Fraternalism | Vol 5 No. 2 (2014) | Report of the Doctoral Students Study Day on Freemasonry and Fraternalism, UCL Institute of Archaeology, London | View |
Andrew Pink | |||
1 - 497 of 497 Items |
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