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Jazz Research Journal Vol 9 No. 1 (2015) Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization View
Richard Ekins
 
Philip Larkin View
Ian Smith
 
Jazz on BBC Radio 1922-1972 View
Tim Wall
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Everyday jazz life: A photographic project on contemporary jazz musicians’ lives in Birmingham View
Pedro Cravinho, Brian Homer
 
Popular Music History Vol 4 No. 3 (2009) ‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 View
Alf Arvidsson
 
Jazz Research Journal (0) ADVANCE ACCESS TO FORTHCOMING ARTICLES ‘No radical critique ever comes from the centre’: Interview with Professor Bruce Johnson View
Adam Havas
 
Jazz Visions View
Peter Ind
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television The Sound of Jazz as Essential Image: Television, Performance, and the Modern Jazz Canon View
Michael Borshuk
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Tom Pickering: Jazz on the periphery of the periphery View
Matthew Joshua Boden
 
Jazz Research Journal Vol 3 No. 2 (2009) New jazz histories: Can a reconciliation of widely differing source material offer new opportunities for the jazz historian? View
Alyn Shipton
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television ‘Staying Golden’: The Politics of Gender, Sexuality, and Jazz in The Golden Girls View
Elliott H. Powell
 
Jazz Research Journal Vol 12 No. 2 (2018) A drum, deferred: Solomon Ilori in the New York jazz scene, 1958–1964 View
Ofer Gazit
 
Equinox eBooks Publishing Jazz on BBC Radio 1922-1972 Presenting Ellington and Recorded Jazz, 1933-1942 View
Tim Wall
 
Popular Music History Vol 8 No. 1 (2013) The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism View
Richard Ekins
 
Equinox eBooks Publishing Jazz on BBC Radio 1922-1972 The Road to British Mainstream Jazz, 1943-1965 View
Tim Wall
 
Equinox eBooks Publishing This is Hip That's When It Bit Me View
Peter Jones
 
Popular Music History Vol 2 No. 2 (2007) Writing jazz biography: race, research and narrative representation View
Tom Perchard
 
Jazz Research Journal Vol 3 No. 1 (2009) Sampling Kimberly Benston's 'Coltrane Poem' View
Claudine Raynaud
 
Jazz Research Journal Vol 3 No. 2 (2009) New Jazz Histories View
Catherine Tackley, Tony Whyton
 
Jazz Research Journal Vol 9 No. 1 (2015) Editorial View
Catherine Tackley, Tony Whyton
 
Jazz Research Journal Vol 7 No. 1 (2013) Editorial: Transnational perspectives on jazz View
Catherine Tackley, Tony Whyton
 
Equinox eBooks Publishing The History of European Jazz 40. Festivals View
George McKay
 
Jazz Research Journal Vol 6 No. 2 (2012) Editorial: Transnational perspectives on jazz View
Catherine Tackley, Tony Whyton
 
Perfect Beat Vol 4 No. 3 (1999) THE PEDAGOGY, CULTURE AND APPROPRIATION OF JAZZ IN PAPUA NEW GUINEA View
DENNIS CROWDY, MICHAEL GODDARD
 
Jazz Research Journal Vol 4 No. 1 (2010) Editorial View
Catherine Tackley
 
Equinox eBooks Publishing The History of European Jazz 4. Germany View
Martin Pfleiderer
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Editorial View
Catherine Parsonage, Tony Whyton
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Cooling down jazz: Making authentic Swedish jazz possible View
Mischa van Kan
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Editorial View
Catherine Parsonage, Tony Whyton
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) View
Timothy Koozin
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Is jazz popular music? View
Simon Frith
 
Equinox eBooks Publishing The History of European Jazz 26. Latvia View
Indrikis Veitners
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Editorial: The Global Circulations of Jazz View
Stéphane Dorin
 
Jazz Research Journal Vol 11 No. 1 (2017) Promotion anxieties: Jazz promoters within the UK scene View
Haftor Medbøe, Zack Moir
 
Equinox eBooks Publishing The History of European Jazz 11. Norway View
Bjorn Stendahl
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Reconstructing the Jazz Tradition View
Charles Hersch
 
Equinox eBooks Publishing The History of European Jazz 9b. Sweden: 1970-2000 View
Måns Wallgren
 
Equinox eBooks Publishing The History of European Jazz 1. France View
Xavier Prevost
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Andrew Robson, Austral Jazz: The Localization of a Global Music Form in Sydney. View
Sean Foran
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Cuba Street parade: Identity, authenticity and self-expression in contemporary Australasian jazz scenes View
Nick Tipping
 
Equinox eBooks Publishing The History of European Jazz 13. Poland View
Krystian Brodacki
 
Jazz Research Journal Vol 11 No. 2 (2017) Editorial View
Catherine Tackley, Tony Whyton
 
Equinox eBooks Publishing The History of European Jazz 29. Greece View
Sakis Papadimitriou
 
Jazz Research Journal Vol 4 No. 2 (2010) Review: Patrick Burke, Come in and Hear the Truth: Jazz and Race on 52nd Street. Chicago: University of Chicago Press, 2008 (hbk). xiv + 314pp. $35.00. ISBN 978-0-226-08071-0 View
Nicholas Gebhardt
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Historical overview of the development of jazz in Portugal, in the first half of the twentieth century View
Pedro Cravinho
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Editorial: Jazz in Australasia View
Bruce Johnson
 
Perfect Beat Vol 8 No. 4 (2008) BEYOND THE SAKURA WALTZ Reflections on the encounter between German and Japanese jazz, 1962–1985 View
ANDREW W. HURLEY
 
Jazz Research Journal Vol 7 No. 1 (2013) Post-World War II Jazz in Britain: Venues and Values 1945–1970 View
Katherine Ann Williams
 
Jazz Research Journal Vol 9 No. 2 (2015) Philippe Carles and Jean-Louis Comolli, Free Jazz/ Black Power, translated by Grégory Pierrot. Jackson, MS: University Press of Mississippi, 2015. 256 pp. ISBN 978-1-628-46039-1 (hbk). $65.00/£41.00 View
Chris Ealham
 
Equinox eBooks Publishing The History of European Jazz 10. Finland View
Juha Henriksson
 
Jazz Research Journal Vol 8 No. 1-2 (2014) The reception of jazz in Adelaide and Melbourne and the creation of an Australian sound in the Angry Penguins decade View
Bruce Clunies Ross
 
Equinox eBooks Publishing The History of European Jazz 20. Russia: Ninety-five Years in Search of an Identity View
Cyril Moshkow
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Editorial View
Nicolas Pillai
 
Equinox eBooks Publishing The History of European Jazz European Jazz: Stories that Needed to be Told View
Francesco Martinelli
 
Equinox eBooks Publishing The History of European Jazz 24a. Portugal: 1920-1974 View
Pedro Cravinho
 
Equinox eBooks Publishing The History of European Jazz 12. Iceland View
Vernhardur Linnet
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Grappling with Grappelli: Contemporary jazz violin pedagogy and the legacy of gypsy jazz View
Tom Sykes, Ari Poutiainen
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) The collective organization of contemporary jazz musicians in the UK View
Tim Wall, Simon Barber
 
Equinox eBooks Publishing The History of European Jazz 15. Slovakia View
Yvetta Kajanova
 
Equinox eBooks Publishing The History of European Jazz 2b. Great Britain: 1950-2010: Late-flowering Seeds of the Triangular Trade View
Duncan Heining
 
Jazz Research Journal Vol 3 No. 2 (2009) Jazz Britannia: mediating the story of British jazz on television View
Tim Wall, Paul Long
 
Jazz Research Journal Vol 9 No. 1 (2015) Frontierism, intellectual listeners and the new European wave: On the reception of Dutch jazz in DownBeat, 1960–1980 View
Loes Rusch
 
Equinox eBooks Publishing The History of European Jazz 28. Estonia View
Tiit Lauk
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Failure to fuse: The jazz-rock culture war at the 1969 Newport Jazz Festival View
Matt Brennan
 
Equinox eBooks Publishing The History of European Jazz 8. Denmark View
Tore Mortensen
 
Equinox eBooks Publishing The History of European Jazz 33. Azerbaijan View
Rain Sultanov
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Editorial View
Roger Fagge, Nicholas Gebhardt
 
Jazz Research Journal Vol 1 No. 2 (2007) The parallax of art and commerce: UK jazz musicians on marketing View
Michael James Macaulay
 
Equinox eBooks Publishing The History of European Jazz 14. Czech Republic View
Yvetta Kajanova
 
Equinox eBooks Publishing The History of European Jazz 30. Former Yugoslavia (including Croatia, Slovenia, Serbia, Macedonia, Bosnia and Herzegovina, Montenegro, Vojvodina and Kosovo) View
Mike Mazur, Iço Vidmar, Eleni Novakovska, Edin Zubčević
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Introduction: The collective problem in jazz View
Nicholas Gebhardt
 
Popular Music History Vol 1 No. 2 (2004) Review of Circular Breathing: The Cultural Politics of Jazz in Britain by George McKay View
Dave Laing
 
Equinox eBooks Publishing The History of European Jazz 34. Armenia View
Armen Manukian
 
Popular Music History Vol 1 No. 2 (2004) ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies View
Chris McDonald
 
Perfect Beat Vol 18 No. 1 (2017) Johnson, B., ed. 2016. Antipodean Riffs. Sheffield: Equinox. ISBN 978-1-78179-2-803 (hbk). 306 pp. View
Lauren Istvandity
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Jazzing through the luminiferous ether: How international radio broadcasts affected the experience of jazz in 1920s–1930s New Zealand View
Aleisha Ward
 
Equinox eBooks Publishing The History of European Jazz 23. Spain View
Chema Martinez
 
Popular Music History Vol 7 No. 1 (2012) Authenticity as authenticating—the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis View
Richard Ekins
 
Equinox eBooks Publishing The History of European Jazz 6. Belgium View
Jean-Pol Schroeder
 
Jazz Research Journal Vol 6 No. 1 (2012) Nichole T. Rustin and Sherrie Tucker, eds. Big Ears: Listening for Gender in Jazz Studies. Durham and London: Duke University Press, 2008. View
Lindelwa Dalamba
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television An interpretation of the semiotics of ‘self’ with the Modern Jazz Quartet on Jazz 625 as a case study View
Alexander Gagatsis
 
Equinox eBooks Publishing The History of European Jazz 16. Hungary: The road to independence View
Gabor Turi
 
Jazz Research Journal Vol 9 No. 2 (2015) The impact of (jazz) festivals: An Arts and Humanities Research Council-funded research report View
Emma Webster, George McKay
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Damon J. Phillips, Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form. Princeton, NJ: Princeton University Press, 2013. xi + 217 pp. ISBN 978-0-691-15088-8 (hbk). $35.00/£24.95. View
Stephane Dorin
 
Jazz Research Journal Vol 4 No. 1 (2010) Book Review: Charles Hersch, Subversive Sounds: Race and the Birth of Jazz in New Orleans. Chicago and London: University of Chicago Press, 2007. Xii + 289 pp. View
Bruce Boyd Raeburn
 
Jazz Research Journal Vol 4 No. 1 (2010) ‘Jazz’ at large: ‘Scapes’ and the imagination in the performances of Moses Molelekwa and Nah Youn-Sun View
Jan Harm Schutte
 
Perfect Beat Vol 20 No. 1 (2019) Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. View
Brent Keogh
 
Perfect Beat Vol 3 No. 4 (1998) DOCTORED JAZZ Early Australian Jazz Journals View
BRUCE JOHNSON
 
Jazz Research Journal Vol 2 No. 2 (2008) Review article: I. Anderson, This Is Our Music: Free Jazz, the Sixties, and American Culture, S.Saul, Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties, I. Monson, Freedom Sounds: Civil Rights Call Out to Jazz and Africa View
Charles Hersch,
 
Equinox eBooks Publishing The History of European Jazz 19. Switzerland View
Bruno Spoerri
 
Journal of World Popular Music Vol 3 No. 1 (2016) Sophisticated Lady: Female Vocalists and Gendered Identity in the Brisbane Jazz Scene View
Lauren Istvandity
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Early jazz in Australia as oriental exotica View
Aline Scott-Maxwell
 
Jazz Research Journal Vol 4 No. 2 (2010) Jazz in Kuala Lumpur View
Gisa Jähnichen
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Jazz in Brazil: An Early History (1920s-1950s) View
Anaïs Fléchet
 
Perfect Beat Vol 2 No. 3 (1995) HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' View
JOHN WHITEOAK
 
Popular Music History Vol 9 No. 1 (2014) Resource Notes View
Jo Blyghton
 
Popular Music History Vol 1 No. 3 (2004) Down beats and rolling stones:the American jazz press decides to cover rock in 1967 View
Matt Brennan
 
Jazz Research Journal Vol 6 No. 2 (2012) Hot and cool from Buenos Aires to Chicago: Guillermo Gregorio’s jazz cosmopolitanism View
Andrew Raffo Dewar
 
Jazz Research Journal Vol 6 No. 2 (2012) Way out East: cowboys and pioneer women on Berlin's jazz frontier View
William Kirk Bares
 
Equinox eBooks Publishing The History of European Jazz 5. The Netherlands View
Bert Vuijsje
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television ‘Ain’t misbehavin’: Jazz music in children’s television View
Liam Maloy
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 No room for squares: A political economy of Blue Note records View
Christopher May
 
Jazz Research Journal Vol 1 No. 2 (2007) Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” View
Michael W. Morse
 
Equinox eBooks Publishing The History of European Jazz 27. Lithuania View
Ruta Skudiene
 
Jazz Research Journal Vol 6 No. 2 (2012) Crossing the curtain: Polish jazz meets poetry in the europäische Heimat View
Zbigniew Granat
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED View
Kimberly Hannon Teal
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Perspectives on the Melbourne International Women's Jazz Festival View
Louise Denson
 
Jazz Research Journal Vol 7 No. 2 (2013) Editorial View
Tony Whyton, Catherine Tackley
 
Equinox eBooks Publishing The History of European Jazz 18. Austria View
Andreas Felber
 
Jazz Research Journal Vol 6 No. 2 (2012) Jam sessions in Manhattan as rituals View
Ricardo Nuno Futre Pinheiro
 
Equinox eBooks Publishing The History of European Jazz 32. Turkey View
Hulya Tuncag
 
Equinox eBooks Publishing The History of European Jazz 25. Italy View
Francesco Martinelli
 
Journal of World Popular Music Vol 3 No. 1 (2016) Jason Toynbee, Catherine Tackley and Mark Doffman, eds. 2014. Black British Jazz: Routes, Ownership and Performance. Farnham: Ashgate. 244pp. ISBN 978-1- 4724-1756-5 (hbk) View
Lawrence Davies
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Material and Expositional Frames in BBC Arena ’s Visual Jazz Jukebox View
Will Finch
 
Jazz Research Journal Vol 1 No. 2 (2007) David Murray: the making of a progressive musician View
Tim Wall
 
Jazz Research Journal Vol 4 No. 1 (2010) ‘Earthly, sensual, devilish’: Sex, ‘race’ and jazz in post-independence Ireland View
Eileen Hogan
 
Jazz Research Journal Vol 3 No. 2 (2009) Rhizomes and plateaus: Rethinking jazz historiography and the jazz-'classical' relationship View
Jeremy Barham
 
Equinox eBooks Publishing The History of European Jazz 7. Luxembourg View
Marc Demuth
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) San Francisco State University's Music Federation: A local jazz cooperative for teachers View
Meredith Morgan Eliassen
 
Jazz Research Journal Vol 4 No. 1 (2010) On jazz, memory and history: A response to Alyn Shipton View
Nicholas Gebhardt
 
Equinox eBooks Publishing The History of European Jazz 9a. Sweden: 1919-1969 View
Jan Bruer
 
Jazz Research Journal Vol 12 No. 2 (2018) Editorial View
Nicolas Pillai, Katherine Williams
 
Jazz Research Journal Vol 1 No. 2 (2007) Robert Hodson Interaction, Improvisation, and Interplay in Jazz. New York and London: Routledge, 2007. View
Matthew Butterfield
 
Equinox eBooks Publishing The History of European Jazz 3. Ireland View
Cormac Larkin
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies View
Gabriel Solis
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Review of 'Inside British Jazz' by Hilary Moore View
Peter Martin
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Towards a history of jazz in Greece in the interwar era View
Panagiota Anagnostou
 
Jazz Research Journal Vol 4 No. 2 (2010) Jazz and race in colonial India: The role of Anglo-Indian musicians in the diffusion of jazz in Calcutta View
Stephane Dorin
 
Jazz Research Journal Vol 8 No. 1-2 (2014) ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals View
Brent Keogh
 
Popular Music History Vol 7 No. 3 (2012) “Masters of our own destiny”: cultures of preservation at the Victorian Jazz Archive in Melbourne, Australia View
Sarah Baker, Alison Huber
 
Jazz Research Journal Vol 11 No. 2 (2017) Christopher Coady, John Lewis and the Challenge of ‘Real’ Black Music View
Alexandre Gagatsis
 
Popular Music History Vol 3 No. 2 (2008) Resource notes View
Janne Mäkelä
 
Jazz Research Journal Vol 1 No. 2 (2007) Being bop: how the press shaped the cult of bebop View
Thomas Turner
 
Jazz Research Journal Vol 9 No. 2 (2015) Social constructions of ‘authenticity’ and the sounds of the Kid Thomas Valentine Band: The case of ‘Basin Street Blues’—an approach from sociological musicology and cultural studies View
Richard Ekins
 
Jazz Research Journal Vol 10 No. 1-2 (2016) ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene View
Myrtille Picaud
 
Jazz Research Journal Vol 6 No. 1 (2012) All the metaphors you are: conceptual mappings of bebop in James Baldwin’s ‘Sonny’s Blues’ and Jack Kerouac’s On the Road View
Julian Levinson
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Lydia in Oz: The reception of George Russell in 1960s Australia View
Pierre-Emmanuel Seguin
 
Jazz Research Journal Vol 7 No. 1 (2013) ‘They’ve really gone to town with all that bunting’: the influence and (in)visibility of Glasgow’s Jazz Festival View
Alison Caroline Eales
 
Equinox eBooks Publishing The History of European Jazz 24b. Portugal: 1974-2010 View
Rui Paes
 
Popular Music History Vol 5 No. 2 (2010) Traditional jazz and the mainstreaming of authenticity: The case of British traddy pop (1959–1963)— a grounded theory approach View
Richard Ekins
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Examining the legend and music of Australian saxophonist, Frank Smith View
Ralph Whiteoak
 
Jazz Research Journal Vol 4 No. 2 (2010) ‘Down with bebop—viva swing!’: Swing Club and the meaning of jazz in late 1940s Estonia View
Heli Reimann
 
Equinox eBooks Publishing The History of European Jazz 38. The Avant- Garde: Black-and-White Atlantic Dialogues, c. 1960s View
Michael Heffley
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) JazzWerkstatt: A young Austrian jazz initiative View
Christa Bruckner-Haring, Michael Kahr
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Common ground: 1970s improvised music as part of a cross-genre Dutch ensemble culture View
Loes Rusch
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Steven Feld, Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham, NC: Duke University Press, 2012. 328 pp. ISBN 978-0-8223-5148-1 (hbk), 978-0-8223-5162-7 (pbk). $84.95/$23.95. View
Panagiota Anagnostou
 
Jazz Research Journal Vol 12 No. 2 (2018) Islay Jazz Festival View
Haftor Medbøe, Diane Maclean
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Shotgun weddings and bohemian dreams: Jazz, family values and storytelling in Australian film View
Christopher Coady
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Demons of discord down under: ‘Jump Jim Crow’ and ‘Australia’s first jazz band’ View
John Whiteoak
 
Jazz Research Journal Vol 9 No. 1 (2015) The jazz storyteller: Improvisers’ perspectives on music and narrative View
Sven Bjerstedt
 
Jazz Research Journal Vol 6 No. 1 (2012) Keep up with the changes: online strategies for national jazz agencies View
Andrew Dubber
 
Jazz Research Journal Vol 11 No. 1 (2017) Edward W. Sarath, Improvisation, Creativity, and Consciousness: Jazz as Integral Template for Music, Educa- tion, and Society. Albany, NY: State University of New York Press, 2013. xi + 488 pp. ISBN 978-1-4384-4721-6 (hbk). $95.00/£73.70 View
David Borgo
 
Perfect Beat Vol 2 No. 3 (1995) AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 View
BRUCE JOHNSON
 
Popular Music History Vol 2 No. 2 (2007) Review of The Evolution of Jazz in Britain, 1880-1935 by Catherine Parsonage View
Michael Brocken
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Rhythm Clubs, record series, and the everyday connoisseurship of ‘hot rhythm’ records in interwar Britain View
Lawrence Davies
 
Jazz Research Journal Vol 12 No. 2 (2018) Jazz’s little brother: The origins of the Spanish blues scene View
Josep Pedro
 
Jazz Research Journal Vol 7 No. 1 (2013) Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century View
Helen Vera Southall
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 “Free Swing” and the Emergent Neophonic: Forging Progressive Jazz with Stan Kenton in the 1947 Dance Hall View
Ryan Patrick Jones
 
Popular Music History Vol 1 No. 2 (2004) University jazz and the Mersey Sound: Student days in Liverpool, a memoir View
Brian Hudson
 
Bulletin for the Study of Religion Vol 45 No. 1 (2016) Thoughts After Reading Spirits Rejoice! Jazz and American Religion: A Review Essay View
Michael Kaler
 
Jazz Research Journal Vol 11 No. 2 (2017) Bernie McGann and Bundeena: Mythologizing an Austral jazz icon View
Andrew Robson
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics What can everyday aesthetics teach us about jazz practice? View
Michael Fletcher
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Paulo Moura’s Hepteto and Quarteto: ‘Sambajazz’ as ‘Brazilogical popular instrumental improvised music’ View
Clifford Hill Korman
 
Jazz Research Journal Vol 6 No. 2 (2012) Do you know what it means to miss New Orleans? Historical metaphors and mythical realities in Spike Lee’s When the Levees Broke View
Nicholas Gebhardt
 
Jazz Research Journal Vol 8 No. 1-2 (2014) ‘I wouldn’t change skins with anybody’ Dulcie Pitt/Georgia Lee, a pioneering Indigenous Australian jazz, blues and community singer View
Karl Neuenfeldt
 
Jazz Research Journal Vol 3 No. 2 (2009) Review of Elijah Wald, How The Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music View
Bruce Johnson
 
Jazz Research Journal Vol 11 No. 1 (2017) Early New Orleans band photography View
Alan John Ainsworth
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) 'Complaining time is over': Network and collective strategies of the New York Musicians Organization View
Michael C. Heller
 
Jazz Research Journal Vol 2 No. 2 (2008) John Coltrane and the integration of Indian concepts in jazz improvisation View
Carl Clements
 
Jazz Research Journal Vol 6 No. 1 (2012) Sam Rivers: jazz’s forgotten man View
John G. Rodwan, Jr.
 
Jazz Research Journal Vol 8 No. 1-2 (2014) The lost history of jazz on early Australian popular music television View
Liz Giuffre
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Expressive identity in the voices of three Australian saxophonists: McGann, Sanders and Gorman View
Sandy Evans
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Making ourselves heard: From a ‘Field of Dreams’ to building a collective voice View
Petter Frost Fadnes
 
Journal of World Popular Music Vol 4 No. 2 (2017) Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil View
Berenice Corti, Luciana Xavier de Oliveira
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Russia and the Creation of Jazz in the British Everyday Imaginary View
Robert Lawson-Peebles
 
Jazz Research Journal Vol 7 No. 1 (2013) ‘We’ve got a gig in Poland!’: Britain and jazz in World War II View
Will Studdert
 
Jazz Research Journal Vol 11 No. 1 (2017) Place and imagined community in jazz View
Elina Hytönen-Ng
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics ‘9-TO-5, WENT TO COLLEGE, NOT 2-NITE HOMEY BLUES’: Jazz and the American mundane in Jean-Michel Basquiat’s writing View
Ellen O'Donoghue Oddy
 
Jazz Research Journal Vol 7 No. 2 (2013) The sonic camera: Intermodality and intermediality in contemporary jazz composition View
David Cosper
 
Perfect Beat Vol 4 No. 4 (2000) John Whiteoak (1999) Playing Ad Lib: Improvisatory Music in Australia 1836-1970, Sydney: Currency Press View
PHILIP HAYWARD
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics The politics, aesthetics and dissonance of music in everyday life View
Roger Fagge
 
Perfect Beat Vol 8 No. 4 (2008) Introduction View
Mark Evans, Denis Crowdy
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Louis Armstrong loves Guy Lombardo! Acknowledging the smoother roots of jazz View
Elijah Wald
 
Popular Music History Vol 11 No. 2 (2016) ‘Black Bob’: His B-flat Bombardon and the Yorkshire Jazz Band View
Val Wilmer
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) ‘The revolution never ended’: The cultural politics of a creative-music collective in New York City View
Scott Currie
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Remixing jazz culture: Musical hybridity and collectivity in the New Europe View
Kristin McGee
 
Jazz Research Journal Vol 7 No. 2 (2013) Jedi mind tricks: Lennie Tristano and techniques for imaginative musical practice View
Marian S. Jago
 
Jazz Research Journal Vol 12 No. 2 (2018) The second masking View
Corey Mwamba
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Ett minne för livet: A Swedish music collective View
Alf Arvidsson, Jörgen Adolfsson
 
Journal of Film Music Vol 2 No. 2-4 (2009) Mingus, Cassavetes, and the Birth of a Jazz Cinema View
Ross Lipman
 
Equinox eBooks Publishing The History of European Jazz Index of Works View
Francesco Martinelli
 
Journal of World Popular Music Vol 3 No. 2 (2016) Christopher Ballantine. 2012. Marabi Nights: Jazz, ‘Race’ and Society in Early Apartheid South Africa, 2nd edn. Scottsville: University of Kwazulu-Natal Press. 280pp. ISBN 978-1869142377 (pbk) View
Jostine Loubser
 
Jazz Research Journal Vol 7 No. 2 (2013) Duncan Heining, George Russell: The Story of an American Composer. London: Scarecrow Press, 2010. 400 pp. ISBN 978-0810869977 (hbk). £37.95 View
Frank Griffith
 
Jazz Research Journal Vol 9 No. 2 (2015) Silent revolutions: An exploration of 1941, Jimmie Blanton’s ‘forgotten’ year View
Matthias Heyman
 
Perfect Beat Vol 14 No. 1 (2013) Introduction View
Denis Crowdy, Mark Evans
 
Jazz Research Journal Vol 4 No. 1 (2010) Plagiarizing your own autobiography, and other strange tales: Miles Davis, jazz discourse, and the aesthetic of silence View
Ken Prouty
 
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Tony Whyton, Catherine Tackley, Vincent Cotro
 
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Jeff Daniels, Howard Rye
 
Perfect Beat Vol 8 No. 4 (2008) Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press View
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Katherine Williams
 
Popular Music History Vol 1 No. 2 (2004) Showgirls and stars: Black-cast revues and female performersin Britain 1903–1939 View
Howard Rye
 
Perfect Beat Vol 2 No. 1 (1994) EAST OF HONOLULU Hawaiian Music In Japan From the 1920s to the 1940s View
SHUHEI HOSOKAWA
 
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Bulletin for the Study of Religion Vol 45 No. 1 (2016) Response to Michael Kaler View
Jason C. Bivins
 
Jazz Research Journal Vol 11 No. 2 (2017) Lester Leaps In: The improvisational devices of Lester Young View
Jon P. De Lucia
 
Jazz Research Journal Vol 11 No. 2 (2017) Photographic representations of jazz: Testimonial advertising in Down Beat, 1938–48 View
Alan John Ainsworth
 
Popular Music History Vol 7 No. 3 (2012) ‘Immersed in the conflict’: Mike Westbrook’s Marching Song (1969) and the landscape and soundscape of war View
Duncan Heining
 
Journal of World Popular Music Vol 6 No. 1 (2019) Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians View
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Perfect Beat Vol 18 No. 1 (2017) An interview with Jonathan Crayford View
Norman Lawrence Meehan
 
Jazz Research Journal Vol 7 No. 2 (2013) Oscar Peterson’s piano prostheses: Strategies of performance and publicity in the post-stroke phase of his career View
Alex Lubet
 
Journal of Film Music Vol 2 No. 1 (2007) Daniel Goldmark: Tunes for ’Toons: Music and the Hollywood Cartoon.Berkeley: University of California Press, 2005 [xviii, 225 p. ISBN: 0520236173.] View
Eric Hung
 
Perfect Beat Vol 14 No. 1 (2013) The Necks at 25: a changing same? View
Tony Mitchell
 
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Journal of World Popular Music Vol 3 No. 1 (2016) Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) View
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Perfect Beat Vol 4 No. 3 (1999) Editorial View
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Popular Music History Vol 1 No. 1 (2004) Diplomatic Notes View
Graham Carr
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics ‘What to do over the week-end’: Towards an understanding of distraction, advertising and newspaper coverage of the Kansas City jazz scene in the 1930s View
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Perfect Beat Vol 3 No. 4 (1998) FLOWING Theories and Taboos in Popular Music Studies View
ANDREW MURPHIE
 
Jazz Research Journal Vol 2 No. 2 (2008) John Coltrane as a composer View
Christa Bruckner-Haring
 
Perfect Beat Vol 2 No. 3 (1995) Traffic -An Introduction View
PHILIP HAYWARD
 
Equinox eBooks Publishing The History of European Jazz 35. Early African American Entertainers View
Rainer Lotz
 
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Jazz Research Journal Vol 3 No. 2 (2009) Review of Robin D. G. Kelley, Thelonious Monk: The Life and Times of an American Original View
Tom Perchard
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Living with music: Departures and returns among early New Orleans jazz musicians View
Nicholas Gebhardt
 
Jazz Research Journal Vol 3 No. 1 (2009) The Dilemmas of African-American Orientalism: Coltrane and the Hispanic Imaginary in ‘Olé’ View
Emmanuel Parent, Grégoire Tosser
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 From Blues to Latin Just in Time: A rhythmic analysis View
Eduardo Lopes
 
Jazz Research Journal Vol 7 No. 1 (2013) The ‘grave disease’: interwar British writers look at ragtime and jazz View
Robert Lawson-Peebles
 
Perfect Beat Vol 4 No. 3 (1999) STRICTLY BALLROOM The Rumba in Pre-World War Two Japan View
SHUHEI HOSOKAWA
 
Popular Music History Vol 1 No. 2 (2004) Was it really like that?: ‘Rock Island Line’ and the instabilities of causational popular music histories View
Michael Brocken
 
Perfect Beat Vol 1 No. 3 (1993) CO-LOCATIONS - AN INTRODUCTION View
Philip Hayward
 
Perfect Beat Vol 8 No. 4 (2008) Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books View
APRIL K. HENDERSON
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Christian Scott aTunde Adjuah’s critique of the Danziger Bridge shootings View
James Gordon Williams
 
Popular Music History Vol 3 No. 2 (2008) Rock around the clock: The record, the film, and the last historic dance revolt View
Terry Monaghan
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. View
Judith Bernanke
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Black, Brown and Beige and the politics of Signifyin(g): Towards a critical understanding of DukeEllington View
George Burrows
 
Popular Music History Vol 7 No. 1 (2012) Resource notes View
Dave Laing
 
Jazz Research Journal Vol 2 No. 2 (2008) Attaining unity: Self-reference in the music of John Coltrane View
Marc Medwin
 
Jazz Research Journal Vol 2 No. 2 (2008) John Coltrane View
David Liebman,
 
Perfect Beat Vol 12 No. 1 (2011) Revisionist Popular Music History View
Roy Shuker
 
Popular Music History Vol 7 No. 3 (2012) Peter Tschmuck, Creativity and Innovation in the Music Industry (revised edition). Berlin: Springer, 2012. 303 pp. ISBN 978-3-642-28429-8. £117 (hbk), £36.60 (pbk, first German edition). View
Phil Hardy
 
Perfect Beat Vol 19 No. 2 (2018) Editorial introduction View
Shelley Brunt, Oli Wilson
 
Popular Music History Vol 1 No. 1 (2004) "Sing Me a Song of Araby" and "My Blue Heaven": New Folksong, Hybridization and the Expansion of the Japanese Recording Industry in the Late 1920s View
Toru Mitsui
 
Popular Music History Vol 3 No. 3 (2008) The Archive of Contemporary Music, New York View
Andy Linehan
 
Perfect Beat Vol 18 No. 1 (2017) Editorial Introduction View
Oli Wilson
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Wonderbrass: A South Wales jazz collective View
Rob Smith
 
Popular Music History Vol 5 No. 3 (2010) ‘A West Indian? You must be joking! I come out of the East End’: Kenny Lynch and English racism in the 1950s and 1960s View
Jon Stratton
 
Perfect Beat Vol 13 No. 1 (2012) Introduction View
Denis Crowdy, Mark Evans
 
Perfect Beat Vol 2 No. 4 (1996) THE AMBONESE CONNECTION Lou Casch, Johnny O'Keefe and the Development of Australian Rock and Roll View
PETER COX
 
Popular Music History Vol 2 No. 2 (2007) Historiography and Complexities: Why is music ‘National’? View
Hans Weisethaunet
 
Journal of Film Music Vol 7 No. 2 (2014) Swiss Film Music: Anthology 1923–2012 View
Michael Baumgartner
 
Popular Music History Vol 3 No. 3 (2008) Improvised performance in World Music: Finding the violin in unexpected places View
Jonathan Feig
 
Journal for the Academic Study of Religion Vol 29 No. 3 (2016) Monique Ingalls, Carolyn Landau and Tom Wagner (eds.), Christian Congregational Music: Performance, Identity and Experience. Surrey: Ashgate, 2013, pp. xiii + 228, ISBN: 978-1-4094-6602-4 (hbk). View
Sarah Penicka-Smith
 
Perfect Beat Vol 3 No. 2 (1997) A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen View
MICHAEL WEBB
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema The Female Singing Voice: Gospel, Blues, Epic Stories and Animation View
Anne Power
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Listening again to popular music as history View
Paul Leslie Long, Nicholas Gebhardt
 
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David Laing
 
Perfect Beat Vol 2 No. 2 (1995) MODERN PNG MUSIC View
PETER DUNBAR HALL
 
Perfect Beat Vol 2 No. 2 (1995) It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso View
IAN MAXWELL
 
Perfect Beat Vol 2 No. 2 (1995) Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 2 (1995) Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 2 (1995) From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney View
TOM BURVILL
 
Perfect Beat Vol 2 No. 2 (1995) Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus View
MICHAEL FLINT
 
Popular Music History Vol 5 No. 1 (2010) Bernard Herrmann—‘pop’ composer? View
Edward Green
 
Jazz Research Journal Vol 3 No. 1 (2009) Intervallic Structuring in the Compositions of John Coltrane View
Ludovic Florin
 
Religious Studies and Theology Vol 31 No. 1 (2012) Mashup Religion: Pop Music and Theological Invention, by John S. McClure. Baylor University Press, 2011. 240pp., pb. $24.95. ISBN-13: 9781602583573. View
Jacob D. Myers
 
Journal of Film Music Vol 2 No. 1 (2007) The Manchurian Candidate (1962): An Interview with David Amram View
William H. Rosar
 
Popular Music History Vol 1 No. 3 (2004) Critical negotiations: rock criticism in the Nordic countries View
Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet
 
Perfect Beat Vol 15 No. 1 (2014) Introduction View
Mark Evans, Denis Crowdy
 
Journal of Film Music Vol 2 No. 2-4 (2009) Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood View
Helen Mitchell
 
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Joseph Cummins
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics ‘Mississippi, My Home’: Songwriting, identity and everyday aesthetics in the African-American tradition View
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Paul Long
 
Popular Music History Vol 8 No. 3 (2013) How English became the language of pop in Denmark View
Henrik Smith-Sivertsen
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) View
Tom Sykes
 
Popular Music History Vol 9 No. 3 (2014) Searching for the first bass drum pedal: Rock harmonicas to Viennese pianos View
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Journal of World Popular Music Vol 7 No. 1 (2020) Editors’ Introduction View
Simone Krüger Bridge, Jonathan P.J. Stock
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 View
Ben Green
 
Journal of Film Music Vol 2 No. 2-4 (2009) Charles Leinberger. Ennio Morricone’s “The Good, the Bad and the Ugly”: A Film Score Guide Lanham, Md.: Scarecrow, 2004. [xviii, 137 p. ISBN: 0810851326. $27.95. Scarecrow Film Score Guides, no. 3. Music examples, filmography, bibliography, index. View
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Perfect Beat Vol 18 No. 1 (2017) Musicians and the lifetime soundtrack: Creation and perception of musically motivated autobiographical memories View
Lauren Istvandity
 
International Journal for the Study of New Religions Vol 5 No. 1 (2014) Pop Cult: Religion and Popular Music, by Rupert Till. Continuum, 2010. 230pp., Hb. $120.00, ISBN-13: 9780826445926; Pb. $34.95, ISBN-13: 9780826432360. View
Carole M. Cusack
 
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PHILIP HAYWARD
 
Popular Music History Vol 1 No. 3 (2004) Taste-making and trend-spotting: the folk revival journalism of Robert Shelton View
David Laing
 
Perfect Beat Vol 11 No. 2 (2010) Introduction View
Denis Crowdy, Mark Evans
 
Bulletin for the Study of Religion Vol 45 No. 1 (2016) Aims and Approaches: An interview with Religion and Diversity Project Director Lori Beaman View
Arlene Macdonald
 
Perfect Beat Vol 10 No. 1 (2009) Television special Review: Coplan, D. (2008) In Township Tonight! South Africa’s Black City Music and Theatre. (Second Edition) Chicago: University of Chicago Press View
Robert G H Burns
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Book review of In Search of the Blues: Black Voices, White Visions by Marybeth Hamilton View
Dave Laing
 
Perfect Beat Vol 2 No. 3 (1995) RECOGNITION & ROOTS The contribution of musicians from the Indonesian archipelago to the development of popular music culture in the Netherlands View
LUTGARD MUTSAERS
 
Perfect Beat Vol 19 No. 1 (2018) Super Smash Covers! Performance and audience engagement in Australian videogame music cover bands View
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WILL STRAW
 
Perfect Beat Vol 4 No. 1 (1998) MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones View
CORALIE JOYCE
 
Perfect Beat Vol 4 No. 1 (1998) THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan View
FRED COLE, MICHAEL HANNAN
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Pompey Pop: A case study of a local music archive View
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Perfect Beat Vol 4 No. 3 (1999) FLYING SAUCER ROCK AND ROLL The Australian press confronts early rock and roll View
PETER DOYLE
 
Popular Music History Vol 6 No. 3 (2011) From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 View
Klaus Nathaus
 
Perfect Beat Vol 4 No. 1 (1998) Editorial View
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Perfect Beat Vol 14 No. 1 (2013) Frederick Moehn. 2012. Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene. Duke University Press. ISBN 978-0-8223-5155-9 (pbk). 320pp. $24.95. View
Eric A. Galm
 
Perfect Beat Vol 1 No. 2 (1993) JAWAIIAN AND LOCAL CULTURAL IDENTITY IN HAWAI'I View
Andrew N. Weintraub
 
Perfect Beat Vol 1 No. 3 (1993) Dean, R. (1992) New Structures in Jazz and Improvised Music Since 1960, Milton Keynes (UK): Open University Press. View
Theo Van Leeuwen
 
Perfect Beat Vol 1 No. 3 (1993) Jordan, Sand Allen, D (eds) Parallel Lines - Media Representations of Dance, London: John Libbey/ Arts Council of Great Britain View
Philip Hayward
 
Perfect Beat Vol 1 No. 3 (1993) Heylin, C. (1993) From the Velvets to the Voidoids: A PrePunk History for a Post-Punk World, Harrnonsworth: Penguin Books View
Tim Sowden
 
Perfect Beat Vol 1 No. 3 (1993) Hutchison, T. (1992) Your Name's on the Door; 10 Years of Australian Music, Sydney: ABC Enterprises View
Andrew Murphie
 
Perfect Beat Vol 1 No. 3 (1993) Rucker, R., R.U. Sirius & Queen Mu (eds) (1992) MONDO 2000: A User's Guide to the New Edge, New York: Harper & Collins View
Mark Brown
 
Perfect Beat Vol 11 No. 1 (2010) Introduction View
Denis Crowdy, Mark Evans
 
Perfect Beat Vol 13 No. 2 (2012) Introduction View
Denis Crowdy, Mark Evans
 
Journal of World Popular Music Vol 3 No. 2 (2016) David Novak. 2013. Japanoise: Music and the Edge of Circulation. Durham, NC and London: Duke University Press. 292pp. ISBN 978-0-8223-5392-8 (pbk) View
Russell P. Skelchy
 
Perfect Beat Vol 19 No. 2 (2018) An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology View
Gene Shill
 
Perfect Beat Vol 2 No. 3 (1995) DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures View
MALCOLM PHILPOTT
 
Journal of World Popular Music Vol 6 No. 2 (2019) Currents and Contradictions in the Ethnomusicology of Popular Music View
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Perfect Beat Vol 3 No. 4 (1998) CREATIVITY AND INDEPENDENCE Sanguma, Music Education and the development of the PNG Contemporary style View
DENNIS CROWDY
 
Popular Music History Vol 10 No. 3 (2015) ‘How Belfast got the blues’: Towards an alternative history View
Noel McLaughlin, Joanna Braniff
 
Popular Music History Vol 1 No. 1 (2004) A Question of Standards: "My Funny Valentine" and Musical Intertextuality View
Alan Stanbridge
 
Popular Music History Vol 6 No. 3 (2011) Samuel Charters. 2009. A Language of Song: Journeys in the Musical World of the African Diaspora. Durham, NC: Duke University Press. 368 pp. ISBN 978-0-8223- 4380-6. £15.99. View
Dave Laing
 
Journal for Research into Freemasonry and Fraternalism Vol 5 No. 2 (2014) Editorial View
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Perfect Beat Vol 15 No. 2 (2014) No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 View
Andrew Wright Hurley
 
Journal of World Popular Music Vol 7 No. 1 (2020) Italian Birds of Passage: The Diaspora of Neapolitan Musicians in New York by Simona Frasca. 2014. View
Angela Moran
 
Perfect Beat Vol 15 No. 1 (2014) Plasketes, George, ed. 2013. Please Allow Me to Introduce Myself: Essays on Debut Albums. Farnham, Surrey and Burlington, VT: Ashgate. ISBN 978-1-4094-4176-2 (hbk). 250 pp. View
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Journal of World Popular Music Vol 6 No. 1 (2019) Editors’ Introduction View
Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett
 
Popular Music History Vol 4 No. 2 (2009) Street ballets in magic cities: cultural imaginings of the modern American metropolis View
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Perfect Beat Vol 15 No. 2 (2014) ‘Lookin, searchin, seekin, findin’: A new beat View
Shelley Brunt, Oli Wilson, Catherine Strong
 
Perfect Beat Vol 16 No. 1-2 (2015) Introduction View
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Popular Music History Vol 9 No. 2 (2014) Resource Notes View
Brock Silversides
 
Perfect Beat Vol 2 No. 1 (1994) THE 'DUNEDIN SOUND' New Zealand Rock and Cultural Geography View
COLIN MCLEAY
 
Perfect Beat Vol 2 No. 4 (1996) DIRECTIONS IN POPULAR MUSIC STUDIES View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 4 (1996) AMERICAN COUNTRY: POETS AND PICKERS AT THE HEART OF LONELY View
GEORGE H. LEWIS
 
Popular Music History Vol 3 No. 1 (2008) The origins and development of The Institute of Popular Music: An interview View
Dave Horn
 
Journal of World Popular Music Vol 2 No. 2 (2015) World Music, World Circuit: In Conversation with Nick Gold View
Simone Krüger
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Michael Lasser, City Songs and American Life, 1900–1950 View
Arno van der Hoeven
 
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Journal of Film Music Vol 4 No. 1 (2011) Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. View
James Wierzbicki
 
Popular Music History Vol 6 No. 3 (2011) From corporates and media to state control: International perspectives on the music business View
Richard Coopey
 
Popular Music History Vol 9 No. 3 (2014) Reviews in brief View
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Popular Music History Vol 5 No. 1 (2010) John Szwed. The Man who Recorded the World: A Biography of Alan Lomax. London: William Heinemann, 2010. 438 pp. ISBN 9780434012329. £20.00. View
Dave Laing
 
Perfect Beat Vol 13 No. 2 (2012) Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians View
Barry Hill, Jon Fitzgerald
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book View
Eric Hung
 
Perfect Beat Vol 17 No. 1 (2016) An Interview with Damian Wright: Flamenco and the discourse of World Music in Contemporary Australia View
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Journal of Film Music Vol 7 No. 2 (2014) Danielle Birkett and Dominic McHugh, eds., Adapting the Wizard of Oz: Musical Versions from Baum to MGM and Beyond View
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Popular Music History Vol 2 No. 3 (2007) PMH 2.3 The record and its label: Identifying, marketing, dividing, collecting View
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Popular Music History Vol 3 No. 3 (2008) Ghana and the World Music Boom View
John Collins
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Buildings matter: The recycling of Liverpool’s Whitechapel and the Casbah View
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Rebecca FÜlÖP
 
Implicit Religion Vol 12 No. 1 (2009) Godspeed: Racing is My Religion by L.D. Russell. New York: Continuum, 2007. 182pp., paper, £10.99 / $16.95, ISBN 9780826416094 View
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Journal of World Popular Music Vol 3 No. 1 (2016) Gender, Popular Music and Australian Identity: Introduction to Special Issue View
Catherine Strong
 
Journal of Film Music Vol 1 No. 1 (2002) Film Music---What's in a Name? View
William H. Rosar
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The meaning of the music venue: Historicizing the Click Club View
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Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Introduction: Sounding out the past View
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Perfect Beat Vol 14 No. 2 (2013) Music festivals and regional development policy: towards a festival ecology View
Chris Gibson
 
Journal of World Popular Music Vol 1 No. 1 (2014) Our Stories, From Us, The “They”: Nick Gold talks to Lucy Durán about the Making of Buena Vista Social Club View
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Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Voices of Sheila: Resignification in Filmic and Non-filmic Contexts View
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Popular Music History Vol 11 No. 3 (2018) Experiencing Progressive Rock by Robert G. H. Burns View
Sam Vallen
 
Jazz Research Journal Vol 3 No. 1 (2009) John Coltrane and the “replacement child” syndrome View
Bertrand Lauer
 
Popular Music History Vol 4 No. 3 (2009) Michael Brocken, Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s–1970s and Marion Leonard and Robert Strachan, eds, The Beat Goes On: Liverpool, Popular Music and the Changing City View
James McGrath
 
Journal of World Popular Music Vol 4 No. 1 (2017) Interview with Antti-Ville Kärjä from Music Archive Finland View
Raphaël Nowak
 
Perfect Beat Vol 4 No. 4 (2000) BLURRING BOUNDARIES BETWEEN RESTRICTED AND UNRESTRICTED PERFORMANCE A Case Study of the Ngadirdji of Yanyuwa Women in Borroloola View
ELIZABETH MACKINLAY
 
Perfect Beat Vol 1 No. 1 (1992) CASH, CHORDS, CHAOS AND HYPE Writing Rock History - Accounts of The Sex Pistols and their role in the Seventies' New Wave View
Philip Hayward
 
Journal of World Popular Music Vol 1 No. 2 (2014) Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi View
David Cashman
 
Journal of World Popular Music Vol 4 No. 2 (2017) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak
 
Perfect Beat Vol 2 No. 3 (1995) NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene View
TONY MITCHELL
 
Journal of World Popular Music Vol 6 No. 1 (2019) From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local View
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Journal of Film Music Vol 4 No. 2 (2011) Philip Furia and Laurie Patterson. The Songs of Hollywood View
Jennifer L. Roth-Burnette
 
Journal of World Popular Music Vol 2 No. 2 (2015) Marley. 2012. Directed by Kevin MacDonald. Universal Pictures. DVD View
Paul Long
 
Perfect Beat Vol 19 No. 1 (2018) Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] View
Brent Keogh
 
Journal of World Popular Music Vol 3 No. 1 (2016) Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television View
Liz Giuffre
 
Popular Music History Vol 9 No. 2 (2014) To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ View
Kathryn Hill
 
Essays in the Philosophy of Humanism Vol 20 No. 1 (2012) VOL 20 (1) 2012 The “Color” of Humanism: Personal Reflections on a Global Reality View
Norm R. Allen Jr.
 
Perfect Beat Vol 12 No. 1 (2011) Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study View
Manolete Mora
 
Popular Music History Vol 10 No. 2 (2015) The heritage obsession: The history of rock and challenges of ‘museum mummification’: A French perspective View
Philippe Le Guern
 
Popular Music History Vol 1 No. 1 (2004) History beings yesterday View
Paul Oliver
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) View
Nick Prior
 
Popular Music History Vol 9 No. 3 (2014) Keeping themselves alive: Identifying and analysing Queen’s musical development, 1973–1980 View
Nick Braae
 
Perfect Beat Vol 2 No. 1 (1994) Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. View
JULIA KNIGHT
 
Perfect Beat Vol 2 No. 1 (1994) Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 1 (1994) Carlo Branzaglia, Pierfrancesco Pacoda and Alba Solaro (1992) Posse ita/iane: centri sociali, unde rgrowid musicale e cultura giovanile degli anni '90 in Italia View
TONY MITCHELL
 
Perfect Beat Vol 2 No. 1 (1994) Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 1 (1994) Gray, A and McGuigan, J (eds) (1993) Studying Culture- an introductory reader, London: Edward Arnold. View
COLIN MCLEAY
 
Perfect Beat Vol 2 No. 1 (1994) Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press View
KEITH NEGUS
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s The Industrial Soundscape between Fiction and Documentary Film in Italy’s Long 1960s View
Alessandro Cecchi
 
Journal for Research into Freemasonry and Fraternalism Vol 5 No. 2 (2014) ‘The Gilded Age of Fraternalism’: Brotherhood and Modernism in 1920s America View
Miguel Hernandez
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema From Despicable to Happy: Animated Vocality in the Evolution of Felonius Gru View
Veronica Stewart, Diane Hughes
 
International Journal for the Study of New Religions Vol 2 No. 2 (2011) Book Review: Lubavitcher Messianism: What Really Happens When Prophecy Fails? by Simon Dein, Continuum, 2011, 192pp., hb., $120.00/₤65.00, ISBN-13: 9781441112231. View
Joanna Steinhardt
 
Perfect Beat Vol 1 No. 1 (1992) It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study View
Marcus Breen
 
Popular Music History Vol 1 No. 1 (2004) Histories and complexities: Popular Music History Writing and Danish Rock View
Morten Michelsen
 
Popular Music History Vol 4 No. 2 (2009) ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* View
Justin A. Williams
 
Popular Music History Vol 11 No. 2 (2016) Review article View
Dave Laing
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Andy Bennett and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. 664pp. ISBN 978-1-44621-0-857 (hbk) View
Lauren Istvandity
 
Popular Music History Vol 4 No. 2 (2009) Compost city: underground music, collapsoscapes and urban regeneration View
Greg Keeffe
 
Journal of World Popular Music Vol 3 No. 2 (2016) Voodoo Threads: The Cultural Trajectory of Dr. John’s ‘I Walk on Gilded Splinters’ View
Philip Hayward, Matt Hill
 
Journal of World Popular Music Vol 4 No. 1 (2017) Museum Review: Rock Museum, Budapest, Hungary View
Emília Barna
 
Perfect Beat Vol 1 No. 2 (1993) BLACK ROCK AND BROOME: MUSICAL AND CULTURAL SPECIFICITIES View
Chris Lawe Davies
 
Journal of World Popular Music Vol 2 No. 1 (2015) Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) View
Duncan Wheeler
 
Perfect Beat Vol 2 No. 2 (1995) ALOHA AUSTRALIA Hawaiian Music in Australia (1920-55) View
JACKEY COYLE, REBECCA COYLE
 
Popular Music History Vol 8 No. 3 (2013) Georgina Gregory. Send in the Clones. Sheffield: Equinox, 2012. 172pp. £16.99. ISBN 978-1-84553-245-1 (paperback). View
Sarah Davis
 
Perfect Beat Vol 1 No. 1 (1992) TEETH-GRITTED HARMONIES Music programming and policy on Australian public radio- a case study of four Sydney stations View
KATRINA McMANUS
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema The Singing Voice in Contemporary Cinema View
Diane Hughes, Mark Evans
 
Popular Music History Vol 1 No. 1 (2004) Popular Music and Historiography View
Charles Hamm
 
Perfect Beat Vol 1 No. 2 (1993) THREE DECADES OF AUSTRALIAN POPULAR MUSIC View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. View
Tony Mitchell
 
Perfect Beat Vol 1 No. 2 (1993) Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin View
Marcus Breen
 
Perfect Beat Vol 1 No. 2 (1993) Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP View
Roderick Nielsen
 
Perfect Beat Vol 1 No. 2 (1993) Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. View
Carolyn Craig
 
Journal of Film Music Vol 4 No. 2 (2011) Bruce Johnson, ed. Earogenous Zones: Sound, Sexuality, and Cinema View
Tony Fonseca
 
Popular Music History Vol 5 No. 2 (2010) Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 View
Kari Kallioniemi
 
Popular Music History Vol 2 No. 2 (2007) Allusion and Influence in Elvis Costello View
Dai Griffiths
 
Journal of Film Music Vol 2 No. 2-4 (2009) Philip Hayward, ed. Off the Planet: Music, Sound, and Science Fiction Cinema Eastleigh, Eng.: John Libbey Publishing, 2004. [vii, 214 p. ISBN: 0861966449. $24.95 (trade paper)] Music examples, bibliography, index. View
Kendra Preston Leonard
 
Journal of Film Music Vol 2 No. 2-4 (2009) Wavering Sonorities and the Nascent Film Noir Musical Style View
Roger Hickman
 
Journal of Film Music Vol 1 No. 1 (2002) Music in Films: A Critical Review of Literature, 1980-1996 View
Robynn J. Stilwell
 
Perfect Beat Vol 9 No. 1 (2008) REGULATION WITHOUT REPRESENTATION NSW Live Music Policy 1992–2008 View
David Panichi
 
CALICO Journal Vol 2 No. 1 (1984) FOREIGN-LANGUAGE SOFTWARE: THE STATE OF THE ART or PICK A CARD, ANY (FLASH) CARD View
Robert L. Baker
 
Popular Music History Vol 4 No. 2 (2009) Low-frequency noise and urban space View
Bruce Johnson
 
Perfect Beat Vol 2 No. 2 (1995) PACIFIC ISLANDER RADIO AND MUSIC IN AUCKLAND View
MARK DERBY, HELEN WILSON
 
Perfect Beat Vol 3 No. 2 (1997) INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA View
DAVID GOLDSWORTHY
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Archival Activism: Deciphering State-Sanctioned Histories and Reporting of Canadian Hip Hop View
Mark V. Campbell, Maya Stitski
 
Journal of World Popular Music Vol 2 No. 1 (2015) Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) View
Yona Stamatis
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) These Gods Got Swagger: Avatars, Gameplay, and the Digital Performance of Hip Hop Culture in Machinima View
Elonda Clay
 
Journal of Film Music Vol 1 No. 1 (2002) Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] View
Linda Schubert
 
Popular Music History Vol 2 No. 1 (2007) April 2007 The forgotten decade: rethinking the popular music of the 1970s View
Andy Bennett
 
Journal of World Popular Music Vol 4 No. 1 (2017) Website Review: Afropop Worldwide: http://www.afropop.org Electric Jive: http://electricjive.blogspot.co.uk View
Jez Collins
 
Journal of Film Music Vol 2 No. 2-4 (2009) The Great Crossing: Nostalgia and Manifest Destiny in Aaron Copland’s The Red Pony View
Beth E. Levy
 
Perfect Beat Vol 3 No. 2 (1997) DISPLACED ACAPPELLA The Bulgarian Choral Tradition and Sydney's Martenitsa Choir View
ALEX GIBB, MEAGAN LOADER
 
Journal of World Popular Music Vol 6 No. 1 (2019) Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics View
Samuel Horlor
 
Journal of World Popular Music Vol 3 No. 2 (2016) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Setting the Tone of the Southern Question: Music and/as Fatalism in Italian Cinema of the Economic Miracle View
Maurizio Corbella
 
Perfect Beat Vol 11 No. 2 (2010) Governmental as anything: live music and law and order in Melbourne View
Shane Homan
 
Perfect Beat Vol 4 No. 4 (2000) WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries View
MASAHIRO YASUDA
 
Popular Music History Vol 11 No. 3 (2018) Following better things: Grammar schools, religion and English rock music in the early 1970s View
Alistair Mutch
 
Perfect Beat Vol 8 No. 3 (2007) AOTEAROA SONGLINES View
TONY MITCHELL
 
Perfect Beat Vol 1 No. 3 (1993) SMASHING THE SILENCE A review of With Open Eyes - The First National Aboriginal and Torres Strait Islander Contemporary Women's Music Festival View
Jilli Streit-Warburton
 
Journal of World Popular Music Vol 1 No. 1 (2014) Henry “Seaman” Dan and Karl Neuenfeldt. 2013. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. 170pp. ISBN 978-1-9220-59208 (pbk). View
Åse Ottosson
 
Journal of Film Music Vol 4 No. 2 (2011) Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* View
Sarah Reichardt Ellis
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu View
Timothy Koozin
 
Journal of World Popular Music Vol 1 No. 1 (2014) Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course View
Andrew Killick
 
Perfect Beat Vol 2 No. 3 (1995) ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop View
ROSS HARLEY
 
Journal of Film Music Vol 4 No. 2 (2011) Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* View
Jörg Jewanski
 
Journal of World Popular Music Vol 6 No. 2 (2019) Keynote: Party Music, Affect and the Politics of Modernity View
Jocelyne Guilbault
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) Bishop Lamont and Hermeneutics of Play: Hip Hop, Religion, and the Study of American Religious History View
L. Benjamin Rolsky
 
Perfect Beat Vol 2 No. 1 (1994) TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne View
ROBIN RYAN
 
Perfect Beat Vol 18 No. 2 (2017) In Melbourne tonight: Pop/rock histories and futures View
Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt
 
Perfect Beat Vol 3 No. 2 (1997) NEW ZEALAND MUSIC ON THE INTERNET A Study of the NZPOP Mailing List View
TONY MITCHELL
 
Perfect Beat Vol 1 No. 4 (1994) FLYING IN THE FACE OF FASHION: Independent Music in New Zealand View
Tony Mitchell
 
Perfect Beat Vol 1 No. 1 (1992) WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA View
Tony Mitchell
 
Journal of Film Music Vol 6 No. 2 (2013) The Barry Gray Archive View
François Evans
 
International Journal for the Study of New Religions Vol 6 No. 2 (2015) Gurdjieffian Overtones in Leon MacLaren’s School of Economic Science View
Johanna J.M. Petsche
 
Popular Music History Vol 4 No. 2 (2009) Gigographies: where popular musicians play View
Dave Laing
 
Journal of Film Music Vol 5 No. 1-2 (2012) Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda View
William H. Rosar
 
Perfect Beat Vol 8 No. 3 (2007) GORE GOLD GUITARS The Place of Country in New Zealand View
DAN BENDRUPS, HENRY JOHNSON
 
Popular Music History Vol 8 No. 2 (2013) What’s in a name? Dylan Thomas and Bob Dylan View
David Boucher
 
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 3 No. 2-3 (2007) Passover Plots: From Modern Fictions to Mark and Back Again View
Richard G Walsh
 
Perfect Beat Vol 15 No. 1 (2014) Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air View
Jennifer Cattermole
 
Perfect Beat Vol 3 No. 2 (1997) AUSTRALIA'S NATIONAL INSTRUMENT? View
BRUCE JOHNSON
 
Perfect Beat Vol 3 No. 2 (1997) BACK EAST - The Blue Diamonds' Indonesian Tours View
LUTGARD MUTSAERS
 
Perfect Beat Vol 3 No. 2 (1997) UKULELES, GUITARS OR GUMLEAVES? Hula Dancing and Southeastern Australian Aboriginal Performers in the 1920s and 1930s View
ROBIN RYAN
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) ‘These stories have to be told’: Chicano rap as historical source View
Dianne Violeta Mausfeld
 
Perfect Beat Vol 10 No. 2 (2009) Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand View
Tony Mitchell
 
Popular Music History Vol 10 No. 1 (2015) Manpool, the musical: Harmony and counterpoint on the Lancashire Plain View
Richard Witts
 
Perfect Beat Vol 4 No. 1 (1998) AFTER THE LAW Sydney's Phoenician Club, the New South Wales Premier and the death of Anna Wood View
SHANE HOMAN
 
Perfect Beat Vol 4 No. 3 (1999) GUMLEAF PLAYING COMPETITIONS Aboriginal and Non-Aboriginal Performance Styles and Socio-Cultural Contexts View
ROBIN RYAN
 
Essays in the Philosophy of Humanism Vol 21 No. 2 (2013) Moral Choices in a Random Universe View
Paul Kurtz
 
Journal of Contemporary Archaeology Vol 7 No. 1 (2020) “To Thee Do We Send Up Our Sighs”: Documenting Twentieth-Century Marian Shrines in the Republic of Ireland View
Eve Campbell
 
Religious Studies and Theology Vol 26 No. 1 (2007) John Updike’s Rabbit, Run: A Quest for a Spiritual Vocabulary in the Vacuum Left by Modernism View
David J Fekete
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Guest Editorial View
Alessandro Cecchi, Maurizio Corbella
 
Popular Music History Vol 3 No. 3 (2008) Traditional music and the World Music marketplace: A producer’s experience View
Joe Boyd,
 
Health and Social Care Chaplaincy Vol 1 No. 2 (2011) Scottish Journal of Healthcare Chaplaincy Vol 14 (1) 2011 Orere Source View
W. Noel Brown
 
Popular Music History Vol 8 No. 1 (2013) A mysterious music in the air: cultural origins of the loudspeaker View
Kyle Devine
 
Journal of World Popular Music Vol 1 No. 1 (2014) Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea View
Oli Wilson
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music From locality to translocality and cosmopolitanism: The rise of the Debrecen alternative–DIY scene View
Zsolt Győri
 
Sociolinguistic Studies Vol 12 No. 3-4 (2018) Residents’ perceptions on Sepitori, a mixed language spoken in greater Pretoria, South Africa View
Pedro Álvarez-Mosquera, Elirea Bornman, Thabo Ditsele
 
Journal of Film Music Vol 2 No. 1 (2007) Jack Sullivan: Hitchcock’s Music. New Haven and London: Yale University Press, 2006 [xix, 354 p. ISBN: 0300110502] View
Tom Schneller
 
CALICO Journal Vol 4 No. 1 (1986) New Ideas in Software Development for Linguistics and Language Learning View
Vance Stevens, Steve Spurling, Don Loritz, Roger Kenner, John Esling, Moya Brennan
 
Journal of World Popular Music Vol 4 No. 1 (2017) “I’m Not a Juvenile Delinquent”: 1950s Rock’n’roll, Youth under Threat, and Good Citizenship in US Exploitation Cinema 1956–59 View
David Baker, Lauren Istvandity
 
Perfect Beat Vol 12 No. 1 (2011) Malaysian composers, geopolitical spaces and cultural difference View
Jonas Ureta Baes
 
Perfect Beat Vol 4 No. 4 (2000) HULA HALAU IN TOKYO A Case Study of Hula Schools View
YOKO KUROKAWA
 
PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements Vol 16 No. 2 (2017) Pentecostalism as Cultural Resistance: Music and Tongue-speaking as Collective Response in a Brooklyn Church View
Peter Marina, Michael Wilkinson
 
Journal of Contemporary Archaeology Vol 6 No. 1 (2019) Special Issue: Futurity, Time, and Archaeology Detroit 139: Archaeology and the Future-Making of a Post- Industrial City View
Krysta Ryzewski
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Black metal: Stone Vengeance sing the thrash metal blues View
Kevin Fellezs
 
Perfect Beat Vol 3 No. 3 (1997) ORIENTAL EXOTICISM IN 1920s AUSTRALIAN POPULAR MUSIC View
ALINE SCOTT-MAXWELL
 
Journal of World Popular Music Vol 4 No. 2 (2017) The Moral of the Story: Making Ethnomusicology Matter in the Twenty-first Century View
Michael B. Bakan
 
Perfect Beat Vol 4 No. 1 (1998) EAST·WEST SYNTHESIS OR CULTURAL HEGEMONY? Questions on the Use of Indigenous Elements in Philippine Popular Music View
JONAS BAES, AMAPOLA BAES
 
Equinox eBooks Publishing The Beatles Time and Place View
Ian Inglis
 
Journal of Film Music Vol 6 No. 2 (2013) Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops View
Emilio Audissino
 
Journal of Contemporary Archaeology Vol 1 No. 2 (2014) Thresholds: Gateways to the Nuclear Imagination View
Gair Dunlop
 
CALICO Journal Vol 33 No. 3 (2016) Emerging Trends and New Directions in Telecollaborative Learning View
Robert O'Dowd
 
Popular Music History Vol 4 No. 2 (2009) Nowhere man: urban life and the virtualization of popular music View
Paul Graves-Brown
 
Journal of Film Music Vol 6 No. 1 (2013) “Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas View
Tim Summers
 
Popular Music History Vol 3 No. 3 (2008) World Music and the global music industry View
Dave Laing
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Introduction to the special issue: Lost musical histories—Curating and documenting local popular music-making in the UK View
Paul Carr
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics MC Solaar and the Influence of Globalization on Local Hip-Hop Aesthetics View
Saesha Senger
 
Journal of World Popular Music Vol 7 No. 1 (2020) Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão) View
Colin Harte
 
Journal for the Study of Religion, Nature and Culture Vol 6 No. 2 (2012) When Nature is Rats and Roaches: Religious Eco-Justice Activism in Newark, NJ View
Matthew B. Immergut, Laurel D. Kearns
 
Popular Music History Vol 7 No. 3 (2012) Needle Time: The BBC, the Musicians’ Union, popular music, and the reform of radio in the 1960s. View
Richard Witts
 
Perfect Beat Vol 3 No. 4 (1998) EMBODIED ACAPPELLA The Experience of Singing a Displaced Eclectic Repertoire View
JULIE RICKWOOD
 
Journal for Research into Freemasonry and Fraternalism Vol 5 No. 2 (2014) Report of the Doctoral Students Study Day on Freemasonry and Fraternalism, UCL Institute of Archaeology, London View
Andrew Pink
 
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