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| Journal | Issue | Title | |
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Popular Music before Neoliberalism | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Popular Music in Postdemocracy | View |
| Simone Krüger Bridge | |||
| Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Is jazz popular music? | View |
| Simon Frith | |||
| Popular Music History | Vol 1 No. 1 (2004) | Popular Music and Historiography | View |
| Charles Hamm | |||
| Trajectories and Themes in World Popular Music | View | ||
| Simone Krüger Bridge | |||
| Local Acts, Global Success | View | ||
| Michael Murphy, Jim Rogers | |||
| Sounds Northern | View | ||
| Ewa Mazierska, Richard Witts, Paul Leslie Long, Jez Collins, Owen Hatherley, Matthew Cheeseman, Brian Baker, Niall Scott, Andrew Barron, Les Gillon, Kamila Rymajdo, Peter Atkinson, Ian Trowell, James Ingham, Adam de Paor-Evans, Tom Attah | |||
| Soul Unsung | View | ||
| Kevin Le Gendre | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Popular Music Studies and Interdisciplinarity | View |
| Steve Waksman | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Revisionist Popular Music History | View |
| Roy Shuker | |||
| Popular Music History | Vol 1 No. 1 (2004) | Popular Music Resources | View |
| Andy Lineham | |||
| Popular Music History | Vol 1 No. 1 (2004) | Archiving Ugandan Popular Music | View |
| Joel Isabirye | |||
| Popular Music History | Vol 10 No. 2 (2015) | Introduction: Special issue on Popular Music and Heritage | View |
| Marion Leonard, Robert Knifton | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Some Notes on Popular Music in my (Professional) Life | View |
| Bruno Nettl | |||
| Equinox eBooks Publishing | Sounds Icelandic | Surrealism in Icelandic Popular Music | View |
| John Richardson | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | The Making of the Musical World | American Popular Music and the World | View |
| Andrew Killick | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Rainforest to Raves: Ethnomusicological Forays into Popular Music | View |
| Jeremy Wallach | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Introduction: policy and popular music | View |
| Jennifer Cattermole, Martin Cloonan, Shane Homan | |||
| Perfect Beat | Vol 2 No. 4 (1996) | DIRECTIONS IN POPULAR MUSIC STUDIES | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 3 No. 4 (1998) | DOMESTIC EXOTICISM A recent trend in Japanese popular music | View |
| TORU MITSUI | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | Popular music history on screen: the pop/rock biopic | View |
| Ian Inglis | |||
| Perfect Beat | Vol 3 No. 3 (1997) | ORIENTAL EXOTICISM IN 1920s AUSTRALIAN POPULAR MUSIC | View |
| ALINE SCOTT-MAXWELL | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Currents and Contradictions in the Ethnomusicology of Popular Music | View |
| Harris M. Berger | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Experiential knowledge: Dance as source for popular music historiography | View |
| Beate Peter | |||
| Popular Music History | Vol 4 No. 2 (2009) | Popular music, mapping, and the characterization of Liverpool | View |
| Brett Lashua, Sara Cohen, John Schofield | |||
| Equinox eBooks Publishing | The Making of the Musical World | Popular and Traditional Musics of Indigenous Peoples | View |
| Andrew Killick | |||
| Popular Music History | Vol 6 No. 3 (2011) | The making of a Yugoslav popular music industry | View |
| Dean Vuletic | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Listening again to popular music as history | View |
| Paul Leslie Long, Nicholas Gebhardt | |||
| Popular Music History | Vol 2 No. 2 (2007) | Constructing histories through material culture: Popular Music, Museums and Collecting | View |
| Marion Leonard | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | The forgotten decade: rethinking the popular music of the 1970s | View |
| Andy Bennett | |||
| Popular Music History | Vol 1 No. 3 (2004) | What story should a history of popular music tell? | View |
| Allan Moore | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Sounding Dublin: Mapping Popular Music Experience in the City | View |
| John O'Flynn, Áine Mangaoang | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 | View |
| Giacomo Bottà | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Recorded Time Listening Again to Popular Music History | View |
| Paul Leslie Long | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Continuity and change in popular music curation: Exhibiting the musical past in Liverpool | View |
| Sara Cohen | |||
| Popular Music History | Vol 10 No. 3 (2015) | Resource notes: Popular music collections at Beinecke Rare Book and Manuscript Library, Yale University | View |
| Timothy Young | |||
| Jazz Research Journal | Vol 1 No. 2 (2007) | Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” | View |
| Michael W. Morse | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Popular music, cultural policy, and the Festival of Pacific Arts | View |
| Dan Bendrups | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | The poetics of recorded time: Listening again to popular music history | View |
| Paul Long | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Signifiers of indigeneity in Australian and New Zealand popular music | View |
| Oli Wilson | |||
| Perfect Beat | Vol 8 No. 4 (2008) | WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia | View |
| MARTIN CLOONAN | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | From Here, There and Everywhere: Recording Popular Music in the “Field” | View |
| Brent Keogh | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | No Other Name? Authenticity, Authority, and Anointing in Christian Popular Music | View |
| Tom Wagner | |||
| Popular Music History | Vol 10 No. 2 (2015) | A critical survey of museum collections of popular music in the United Kingdom | View |
| Marion Leonard, Robert Knifton | |||
| Popular Music History | Vol 1 No. 1 (2004) | Histories and complexities: Popular Music History Writing and Danish Rock | View |
| Morten Michelsen | |||
| Perfect Beat | Vol 8 No. 3 (2007) | SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand | View |
| NABEEL ZUBERI | |||
| Popular Music History | Vol 4 No. 2 (2009) | Nowhere man: urban life and the virtualization of popular music | View |
| Paul Graves-Brown | |||
| Popular Music History | Vol 3 No. 1 (2008) | Introduction to the special issue: 20 years of the Institute of Popular Music | View |
| Dave Laing | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Introduction: New Perspectives on Popular Music in Asia | View |
| Shelley Brunt | |||
| Journal of Contemporary Archaeology | Vol 6 No. 2 (2019) | Archaeology, Heritage and Performance in the Perth Popular Music Scene | View |
| Sean Winter, B'geella Romano | |||
| Perfect Beat | Vol 2 No. 4 (1996) | DOWN INTO THE FIRE A Case Study of a Popular Music Recording Session | View |
| JON FITZGERALD | |||
| Popular Music History | Vol 1 No. 2 (2004) | ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies | View |
| Chris McDonald | |||
| Equinox eBooks Publishing | The Northern Soul Scene | Beyond the Master Narrative of Youth: Researching Ageing Popular Music Scenes | View |
| Nicola Smith | |||
| Popular Music History | Vol 3 No. 1 (2008) | The origins and development of The Institute of Popular Music: An interview | View |
| Dave Horn | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | The lost history of jazz on early Australian popular music television | View |
| Liz Giuffre | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Melbourne popular music in the museum: Locating the academy in the sonic city | View |
| Marcus Breen | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music. | View |
| Anna Szemere | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Introduction: Reflections on the Past, Present and Future of Popular Music Scholarship | View |
| Kimberly Kattari | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Negotiating the co-curation of an online community popular music archive | View |
| Beate Peter | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Youth, radio and Australian popular music policy | View |
| Chris K. Wilson | |||
| Perfect Beat | Vol 1 No. 2 (1993) | THREE DECADES OF AUSTRALIAN POPULAR MUSIC | View |
| Michael Flint | |||
| Equinox eBooks Publishing | Yoga in Britain | Yoga in Popular Music and 'Counter Culture' (the 60s and 70s) | View |
| Suzanne Newcombe | |||
| Perfect Beat | Vol 3 No. 4 (1998) | FLOWING Theories and Taboos in Popular Music Studies | View |
| ANDREW MURPHIE | |||
| Popular Music History | Vol 8 No. 3 (2013) | Soccer sounds: Popular music and football in Britain | View |
| Dave Laing, Andy Linehan | |||
| Perfect Beat | Vol 9 No. 1 (2008) | J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? | View |
| TERENCE LANCASHIRE | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity | View |
| Neil Deane, Elke Schuch | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
| Qian Wang | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
| Qian Wang | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Popular Music in the K-12 Classroom and the Quest for Education Justice | View |
| Kathryn Metz | |||
| Equinox eBooks Publishing | Sounds Northern | Is It Really Grim Up North?: Popular Music in the North of England | View |
| Ewa Mazierska | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Introduction to the special issue: Lost musical histories—Curating and documenting local popular music-making in the UK | View |
| Paul Carr | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Ebbs and flows: Women as musicians in Perth popular music, 1980s–1990s | View |
| Laura Glitsos | |||
| Equinox eBooks Publishing | Sounds Icelandic | Spatiality, Sociality and Circulation: Popular Music Scenes in Reykjavík | View |
| Nick Prior | |||
| Equinox eBooks Publishing | Sounds Icelandic | ‘Even Cute Babies Will Bite When Provoked’: Icelandic Popular Music and the Rise of the Krútt | View |
| Þorbjörg Hall | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Introduction: Why is everything curated these days? Examining the work of popular music curation | View |
| Holly Tessler | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | Constructing an avant-garde: Australian popular music and the experience of pleasure | View |
| Jon Stratton | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | How musical was my valley? Exploring resources and relationships in local popular music-making between 1996 and 2006 | View |
| Anne Cleaton | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand | View |
| Tony Mitchell | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 15 No. 1-2 (2013) | Donna Weston and Andy Bennett, eds., Pop Pagans: Paganism and Popular Music (Durham: Acumen, 2013), 246 pp., £65.00 (cloth), £19.99 (paper). | View |
| Ethan Doyle White | |||
| Popular Music History | Vol 7 No. 2 (2012) | You can make me whole again: popular music tributes embodying the reunion | View |
| Georgina Gregory | |||
| Popular Music History | Vol 4 No. 3 (2009) | Michael Brocken, Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s–1970s and Marion Leonard and Robert Strachan, eds, The Beat Goes On: Liverpool, Popular Music and the Changing City | View |
| James McGrath | |||
| Popular Music History | Vol 5 No. 3 (2010) | Forgetting and remembering the Bhundu Boys: conditions of memory in popular music | View |
| Mike Jones | |||
| Popular Music History | Vol 1 No. 2 (2004) | Was it really like that?: ‘Rock Island Line’ and the instabilities of causational popular music histories | View |
| Michael Brocken | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music | View |
| Marcus O'Dair | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Gender, Popular Music and Australian Identity: Introduction to Special Issue | View |
| Catherine Strong | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Shane Homan, Martin Cloonan and Jennifer Cattermole. 2016. Popular Music Industries and the State: Policy Notes | View |
| Emma-Jayne Reekie | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | From South to East: Exoticism in Polish popular music of the state socialist period | View |
| Ewa Mazierska | |||
| Popular Music History | (0) ADVANCE ACCESS | Kirkland Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational. | View |
| Wolf-Georg Zaddach | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. | View |
| Hyunjoon Shin | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | Paulo Moura’s Hepteto and Quarteto: ‘Sambajazz’ as ‘Brazilogical popular instrumental improvised music’ | View |
| Clifford Hill Korman | |||
| Popular Music History | Vol 6 No. 3 (2011) | Making a scene: The Bergen wave in popular music, 1990–2008 | View |
| Stig Tenold | |||
| Popular Music History | (0) ADVANCE ACCESS | Giacomo Bottà, Deindustrialisation and Popular Music: Punk and ‘Post-Punk’ in Manchester, Düsseldorf, Torino and Tampere. | View |
| Melanie Schiller | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | The “Schizophrenic Nation”: Ethics of Critique in Morocco’s Post-Arab Spring Popular Music | View |
| Kendra Salois | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Fabian Holt and Antti-Ville Kärjä, eds. 2017. The Oxford Handbook of Popular Music in the Nordic Countries. | View |
| Arnar Eggert Thoroddsen | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Sounding the Bromance: The Chopstick Brothers’ ‘Little Apple’ Music Video, Genre, Gender and the Search for Meaning in Chinese Popular Music | View |
| Jonathan P. J. Stock | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | The Kalunga Project: The Meanings of Popular Brazilian and Angolan Musical Productions beyond National Territory | View |
| Mariana Barreto | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Robert Kronenburg, This Must Be the Place: An Architectural History of Popular Music Performance Venues. | View |
| Sarah Kenny | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea | View |
| Oli Wilson | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in Brazil: Studies in Popular Music | View |
| Vincenzo Perna | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” | View |
| Chris Tonelli | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Introduction to the Special Issue: Music and Subalternity through the Popular and Periphery, or How to Use Popular Music for Several Debates at the same Time | View |
| Pablo Alabarces, Felipe Trotta | |||
| Fieldwork in Religion | Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork | Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury Handbook of Religion and Popular Music. London: Bloomsbury. xiv + 403pp. £130.00. ISBN: 978-1-4742-3733-8 (hbk). | View |
| Barbara Pemberton | |||
| Perfect Beat | Vol 4 No. 1 (1998) | EAST·WEST SYNTHESIS OR CULTURAL HEGEMONY? Questions on the Use of Indigenous Elements in Philippine Popular Music | View |
| JONAS BAES, AMAPOLA BAES | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Introduction: Special Issue on Crossing national borders in Eastern European popular music | View |
| Ewa Mazierska, Zsolt Győri | |||
| Equinox eBooks Publishing | Sounds Icelandic | Beyond Reykjavik 101: Iceland’s Popular Music Mainstream and the Eurovision Song Contest | View |
| Sarah Baker | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Lipsitz, George. 2007. Footsteps in the Dark: The Hidden Histories of Popular Music. | View |
| Roy Shuker | |||
| Popular Music History | Vol 10 No. 3 (2015) | Michael Brocken, The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Aldershot: Ashgate, 2015. 224 pp. £70. ISBN 978-1-47243-399-2 (hbk) | View |
| Marlie Centawer | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Ian Peddie, ed. 2011. Popular Music and Human Rights Volume II: World Music. Burlington: Ashgate. 218pp. ISBN 978-1-4094-6405-1 (hbk) | View |
| Katelyn Barney | |||
| Popular Music History | Vol 7 No. 3 (2012) | Needle Time: The BBC, the Musicians’ Union, popular music, and the reform of radio in the 1960s. | View |
| Richard Witts | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin | View |
| Michael Flint | |||
| Perfect Beat | Vol 2 No. 3 (1995) | RECOGNITION & ROOTS The contribution of musicians from the Indonesian archipelago to the development of popular music culture in the Netherlands | View |
| LUTGARD MUTSAERS | |||
| Perfect Beat | Vol 8 No. 4 (2008) | Drewett, M and Cloonan, M (eds) (2006) Popular Music Censorship in Africa, Aldershot: Ashgate | View |
| JON STRATTON | |||
| Popular Music History | Vol 8 No. 3 (2013) | The making of identity and its relation to place and success: The case of ‘mainstream’ popular music in Newcastle NSW, 1973–1988 | View |
| Gaye Sheather, Phillip McIntyre | |||
| Perfect Beat | Vol 9 No. 1 (2008) | Inglis, I (ed) (2006) Performance and Popular Music: History, Place and Time, Burlington, Vermont: Ashgate | View |
| GEOFF KING | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. | View |
| Tony Mitchell | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) | View |
| Duncan Wheeler | |||
| Popular Music History | Vol 10 No. 2 (2015) | Negotiating the values of popular music in the museum: Curatorial process and exhibition narratives in the ABBAWORLD exhibition at the Powerhouse Museum, Sydney | View |
| Gaëlle Crenn | |||
| Perfect Beat | Vol 2 No. 4 (1996) | SOUND AT THE END OF THE WORLD AS WE KNOW IT: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music | View |
| Andrew MURPHIE | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi | View |
| Linda Maria Koldau | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. | View |
| Don Conway-Long | |||
| Popular Music History | Vol 7 No. 1 (2012) | Ian Inglis, ed. Popular Music and Television in Britain. Farnham: Ashgate, 2010. 266 pp. £60.00. ISBN 978-0-7546-6864-0 (hbk). | View |
| Faye Woods | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music | View |
| K. J. Donnelly | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain | View |
| Nabeel Zuberi | |||
| International Journal for the Study of New Religions | Vol 5 No. 1 (2014) | Pop Cult: Religion and Popular Music, by Rupert Till. Continuum, 2010. 230pp., Hb. $120.00, ISBN-13: 9780826445926; Pb. $34.95, ISBN-13: 9780826432360. | View |
| Carole M. Cusack | |||
| Jazz Research Journal | Vol 3 No. 2 (2009) | Review of Elijah Wald, How The Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music | View |
| Bruce Johnson | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP | View |
| Roderick Nielsen | |||
| Perfect Beat | Vol 9 No. 1 (2008) | Cohen, S (2007) Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles, Aldershot: Ashgate | View |
| SHANE HOMAN | |||
| Perfect Beat | Vol 2 No. 3 (1995) | DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures | View |
| MALCOLM PHILPOTT | |||
| Popular Music History | Vol 3 No. 1 (2008) | Freya Jarman-Ivens, ed. Oh Boy! Masculinities and Popular Music. London: Routledge, 2007. 304 pp. ISBN 0-415-97821 (pbk). | View |
| Christine Adams | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Whiteley, S., and M. J. Sklower, eds. 2014. Countercultures and Popular Music. Abingdon: Ashgate. ISBN 978-1-47242-1-067 (hbk). 316 pp. | View |
| Christina Ballico | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. | View |
| JULIA KNIGHT | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press | View |
| BRUCE JOHNSON | |||
| Implicit Religion | Vol 10 No. 1 (2007) | Review of Traces of the Spirit: The Religious Dimensions of Popular Music by Robin Sylvan | View |
| François Gauthier | |||
| Perfect Beat | Vol 9 No. 1 (2008) | BRIAN POOLE AND THE TREMELOES OR THE YARDBIRDS Comparing popular music in Perth and Adelaide in the early 1960s | View |
| JON STRATTON | |||
| Perfect Beat | Vol 3 No. 2 (1997) | A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen | View |
| MICHAEL WEBB | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Stratton, J. 2009. Jews, Race and Popular Music. Burlington, VT: Ashgate. ISBN 978- 0-7546-6804-6 (hbk). 238pp. | View |
| Judah M. Cohen | |||
| Popular Music History | Vol 5 No. 2 (2010) | Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 | View |
| Kari Kallioniemi | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Andrew Weintraub. 2010. Dangdut Stories: A Social and Musical History of Indonesia’s Most Popular Music. New York: Oxford University Press. 258pp. ISBN 978- 0-195-395666-2 (pbk) | View |
| Heather Strohschein | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Review: Jeroen de Kloet, China with a Cut. Urban Youth and Popular Music, Amsterdam University Press 2010 | View |
| Andreas Steen | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Gregory D. Booth and Bradley Shope, eds. 2013. More than Bollywood: Studies in Indian Popular Music. New York: Oxford University Press. 384pp. ISBN 978-0- 19-992885-9 (pbk) | View |
| Nina Menezes | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Stroud, Sean. 2008. The Defence of Tradition in Brazilian Popular Music. Hampshire: Ashgate. ISBN 978-0-7546-6343-0 (hbk). 215 pp | View |
| Flavia Lucia Rubini-Lean | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp | View |
| Åse Ottosson | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) | View |
| Tom Sykes | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Johnson, Bruce, and Martin Cloonan. 2008. Dark Side of the Tune: Popular Music and Violence. Aldershot: Ashgate. ISBN 978-0-7546-5872-6 (hbk). 254pp. | View |
| Dan Bendrups | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Tōru Mitsui, ed. 2014. Made in Japan: Studies in Popular Music. New York: Routledge. 254pp. ISBN 978-0-415-63757-2 (hbk) | View |
| Henry Johnson | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Andy Bennett and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. 664pp. ISBN 978-1-44621-0-857 (hbk) | View |
| Lauren Istvandity | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Homan, Shane, and Tony Mitchell, eds. 2008. Sounds of Then, Sounds of Now: Popular Music in Australia. Hobart: ACYS. ISBN 978-1-875236-60-2 (hbk). 295 pp | View |
| Martin Cloonan | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) | View |
| Yona Stamatis | |||
| Perfect Beat | Vol 17 No. 1 (2016) | Gardner, Abigail. 2015. PJ Harvey and Music Video Performance. Ashgate Popular and Folk Music series. London: Routledge. ISBN 978-1-4724-2418-1 (hbk); ISBN 978-1-4724-2419-8 (ebk); ISBN 978-1-4724-2420-4 (epub). 192 pp | View |
| Ariane Gruet-Pelchat | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Curwen Best. 2012. The Popular Music and Entertainment Culture of Barbados: Pathways to Digital Culture. Lanham, MD: Scarecrow Press. 210pp. ISBN 978-0- 8108-7749-8 (hbk) | View |
| Peter Manuel | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Franco Fabbri and Goffredo Plastino, eds. 2014. Made in Italy: Studies in Popular Music. London: Routledge. 256pp. ISBN 978-0-415-89976-5 (hbk) | View |
| Motti Regev | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Bart Barendregt, ed. 2014. Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s–2000s). Leiden: Brill. 375pp. ISBN 978-9-00-425986-7 (hbk) | View |
| Jun Zubillaga-Pow | |||
| Perfect Beat | Vol 13 No. 1 (2012) | De Kloet, Jeroen. 2010. China with a Cut: Urban Youth and Popular Music. Amsterdam: Amsterdam University Press. ISBN 978-9-08964-162-5 (pbk). 264pp. | View |
| Andreas Steen | |||
| Popular Music History | Vol 3 No. 3 (2008) | Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). | View |
| Dave Laing | |||
| Popular Music History | Vol 7 No. 3 (2012) | Ros Jennings and Abigail Gardner, eds, ‘Rock On’: Women, Ageing and Popular Music. Farnham: Ashgate, 2012. 182 pp. ISBN 978-1-4094-2841-1 (hbk). | View |
| Helen Reddington | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Sara Cohen, Robert Knifton, Marion Leonard and Les Roberts, eds. 2015. Sites of Popular Music Heritage: Memories, Histories, Places. New York and London: Routledge. 267pp. ISBN 978-0-41582-4-507 (hbk) | View |
| Antti-Ville Kärjä | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Turner, Katherine L. 2016. This is the Sound of Irony: Music, Politics and Popular Culture. Farnham, Surrey: Ashgate. ISBN 978-1-4724-4259-8 (hbk). 257 pp. | View |
| Melvin Backstrom | |||
| Perfect Beat | Vol 17 No. 1 (2016) | Brocken, Michael. 2015. The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Farnham: Ashgate. ISBN 978-1-4724-3399-2 (hbk). 236 pp | View |
| Leonieke Bolderman | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) | View |
| Tony Mitchell | |||
| Elton John | View | ||
| Dave Laing† | |||
| Popular Music History | Vol 7 No. 2 (2012) | Introduction: making things whole again—the Take That reunion | View |
| Tim Wise | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Marshall, L., and D. Laing, eds. 2015. Popular Music Matters: Essays in Honour of Simon Frith. Farnham: Ashgate. ISBN 978-1-4724-2179-1 (hbk). 252 pp | View |
| Martin Lussier | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Kotarba, Joe, Bryce Merrill, J. Patrick Williams and Phillip Vannini. 2013. Understanding Society through Popular Music. 2nd ed. New York: Routledge. ISBN 978- 0415-64194-4 (hbk), ISBN 978-0415-64195-1 (pbk). 206 pp. | View |
| Sarah Elizabeth Raine | |||
| The Making of the Musical World | View | ||
| Andrew Killick | |||
| Terror Tracks | View | ||
| James Wierzbicki, Scott Murphy, Michael Hannan, Kyoko Koizumi, Tony Mitchell, Jon Fitzgerald, Mark Evans, Rebecca † Coyle, Jeremy Barham, Janet K. Halfyard, Lee Barron, Ian Inglis, Karen Collins, Rebecca Coyle †, Laura Wiebe Taylor, Harry Minassian, Philip Hayward | |||
| Popular Music History | Vol 6 No. 3 (2011) | From corporates and media to state control: International perspectives on the music business | View |
| Richard Coopey | |||
| Popular Music History | Vol 1 No. 1 (2004) | Editor's Introduction | View |
| Robert Strachan | |||
| Bikutsi | View | ||
| Anja Brunner | |||
| She’s at the Controls | View | ||
| Helen Reddington | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Editors’ Introduction to Inaugural Issue | View |
| Simone Krüger, Sarah Baker | |||
| Popular Music History | Vol 1 No. 3 (2004) | Introduction to the Special Issue | View |
| David Laing | |||
| Perfect Beat | Vol 8 No. 3 (2007) | THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 | View |
| ROY SHUKER | |||
| Perfect Beat | Vol 17 No. 2 (2016) | On Hillsong’s continued reign over the Australian contemporary congregational song genre | View |
| Daniel Thornton | |||
| Popular Music History | Vol 2 No. 2 (2007) | Historiography and Complexities: Why is music ‘National’? | View |
| Hans Weisethaunet | |||
| Perfect Beat | Vol 8 No. 3 (2007) | AOTEAROA SONGLINES | View |
| TONY MITCHELL | |||
| Rufus Wainwright | View | ||
| Katherine Williams | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Is this the real life? Is this just fantasy? Rocketman (2019) and Bohemian Rhapsody (2018) | View |
| Alison Blair | |||
| James Brown | View | ||
| John Scannell | |||
| Perfect Beat | Vol 2 No. 3 (1995) | AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 | View |
| BRUCE JOHNSON | |||
| Equinox eBooks Publishing | Elton John | On Stage | View |
| Dave Laing | |||
| Popular Music History | Vol 3 No. 1 (2008) | The Liverpool sounds project: Oral history research at the IPM | View |
| Dave Laing | |||
| Perfect Beat | Vol 18 No. 2 (2017) | In Melbourne tonight: Pop/rock histories and futures | View |
| Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices | View |
| Diane Hughes, Sarah Keith | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | BBC rock music programming on radio and television and the progressive rock audience, 1967–1973 | View |
| David Simonelli | |||
| Equinox eBooks Publishing | Bikutsi | Conclusion: Bikutsi Shifts | View |
| Anja Brunner | |||
| Perfect Beat | Vol 8 No. 4 (2008) | THE MASTERING PROCESS AND THE SYSTEMS MODEL OF CREATIVITY | View |
| PHILIP McINTYRE, BRYAN PATON | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | ‘Well-worn grooves’: Music, materiality and biographical memory | View |
| Iain A. Taylor | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century | View |
| Helen Vera Southall | |||
| Popular Music History | Vol 10 No. 2 (2015) | The heritage obsession: The history of rock and challenges of ‘museum mummification’: A French perspective | View |
| Philippe Le Guern | |||
| Equinox eBooks Publishing | The Making of the Musical World | West Africa: Joining In and Standing Out | View |
| Andrew Killick | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi | View |
| David Cashman | |||
| Popular Music History | Vol 3 No. 1 (2008) | Collections at the IPM | View |
| Robert Strachan | |||
| Popular Music History | Vol 5 No. 1 (2010) | Bernard Herrmann—‘pop’ composer? | View |
| Edward Green | |||
| Perfect Beat | Vol 4 No. 1 (1998) | GLOBAL PERSPECTIVES | View |
| WILL STRAW | |||
| Popular Music History | Vol 7 No. 3 (2012) | Minority language, majority canon | View |
| Sarah Hill | |||
| Perfect Beat | Vol 1 No. 4 (1994) | WHAT THE AIR WAS LIKE UP THERE: Overseas Music and Local Reception in the 1960s MICHAEL FLINT | View |
| Michael Flint | |||
| Journal for the Academic Study of Religion | Vol 20 No. 2 (2007) | Brand of Choice: Why Hillsong Music is Winning Sales and Souls | View |
| E.H. McIntyre | |||
| Perfect Beat | Vol 12 No. 2 (2011) | The success of hopelessness: the evolution of Korean indie music | View |
| Hyunjoon Shin | |||
| Equinox eBooks Publishing | Bikutsi | Introduction: Putting Bikutsi in Context | View |
| Anja Brunner | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Voices of Sheila: Resignification in Filmic and Non-filmic Contexts | View |
| Nina Menezes | |||
| Popular Music History | Vol 3 No. 3 (2008) | Ghana and the World Music Boom | View |
| John Collins | |||
| Popular Music History | Vol 9 No. 1 (2014) | The creative process of The Beatles revisited: A multi-level analysis of the interaction between individual and collaborative creativity | View |
| Yrjö Heinonen | |||
| Popular Music History | Vol 6 No. 3 (2011) | From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 | View |
| Klaus Nathaus | |||
| Equinox eBooks Publishing | She’s at the Controls | Acknowledgements | View |
| Helen Reddington | |||
| Equinox eBooks Publishing | She’s at the Controls | Bibliography | View |
| Helen Reddington | |||
| Equinox eBooks Publishing | She’s at the Controls | Index | View |
| Helen Reddington | |||
| Beyond 2.0 | View | ||
| Steve Collins, Sherman Young | |||
| Popular Music History | Vol 3 No. 3 (2008) | The Archive of Contemporary Music, New York | View |
| Andy Linehan | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Imagining Okinawa: Japanese pop musicians and Okinawan music | View |
| Matt Gillan | |||
| Popular Music History | Vol 7 No. 1 (2012) | Mapping live provisions in Welsh-language rock, 1978–80 | View |
| Craig Owen Jones | |||
| Popular Music History | Vol 5 No. 2 (2010) | Traditional jazz and the mainstreaming of authenticity: The case of British traddy pop (1959–1963)— a grounded theory approach | View |
| Richard Ekins | |||
| Equinox eBooks Publishing | She’s at the Controls | Education, Inspiration and Potential for Change | View |
| Helen Reddington | |||
| The Lost Women of Rock Music | View | ||
| Helen Reddington, Derek Scott | |||
| Popular Music History | Vol 1 No. 2 (2004) | Q and The Face: Narratives of consumption in the UK music press in the 1980s | View |
| Stephen Hill | |||
| Equinox eBooks Publishing | Bikutsi | List of Illustrations | View |
| Anja Brunner | |||
| Equinox eBooks Publishing | Bikutsi | Acknowledgements / Remerciements | View |
| Anja Brunner | |||
| Perfect Beat | Vol 17 No. 1 (2016) | Virtual Micronesia: Performance and Participation in a Pacific Facebook Community | View |
| Brian Diettrich | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Electronic dance music, the rock myth, and authenticity | View |
| John Gunders | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | (Re-)valuing rock music: Curatorship in the production of garage rock reissue compilation albums | View |
| José Vicente Neglia | |||
| Popular Music History | Vol 13 No. 3 (2020) | In my tomb: Unveiling the Beach Boys state historical landmark | View |
| Dale Carter | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Playing bluegrass in Australia across country and folk scenes | View |
| Miriam Amy Jones | |||
| Popular Music History | Vol 8 No. 1 (2013) | The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism | View |
| Richard Ekins | |||
| Perfect Beat | Vol 15 No. 2 (2014) | An interview with Tiki Taane: Expressing cultural heritage and identity through music | View |
| Oli Wilson | |||
| Bob Dylan | View | ||
| Keith Negus | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Still Rage-ing: Australia’s music video programme at 30 | View |
| Liz Giuffre | |||
| Prince | View | ||
| Annie Potts | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Academia Against Popular Culture: Popular Culture Against Academia | View |
| Esther Clinton | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s | View |
| Alessandro Bratus | |||
| Popular Music History | Vol 1 No. 2 (2004) | Showgirls and stars: Black-cast revues and female performersin Britain 1903–1939 | View |
| Howard Rye | |||
| Jazz Research Journal | Vol 6 No. 1 (2012) | Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films | View |
| Simone Varriale | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | “I’m Not a Juvenile Delinquent”: 1950s Rock’n’roll, Youth under Threat, and Good Citizenship in US Exploitation Cinema 1956–59 | View |
| David Baker, Lauren Istvandity | |||
| Popular Music History | Vol 8 No. 3 (2013) | How English became the language of pop in Denmark | View |
| Henrik Smith-Sivertsen | |||
| Popular Music History | Vol 4 No. 2 (2009) | Street ballets in magic cities: cultural imaginings of the modern American metropolis | View |
| Tadhg O'Keeffe | |||
| Popular Music History | Vol 4 No. 3 (2009) | The production of English rock and roll stardom in the 1950s | View |
| Martin Cloonan | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | ‘On the programme tonight’: The Old Grey Whistle Test as tastemaker for British AOR audiences in the early 1970s | View |
| Andy Bennett | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history | View |
| Toby Martin | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Curating exhausted commodities: A case study of We Buy White Albums | View |
| Iain A. Taylor | |||
| Popular Music History | Vol 4 No. 3 (2009) | ‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 | View |
| Alf Arvidsson | |||
| Popular Music History | Vol 10 No. 2 (2015) | Resource notes: Amplifying intangible heritage as a resource for museum narratives | View |
| Rob Horrocks | |||
| The Beatles | View | ||
| Ian Inglis | |||
| Popular Music History | Vol 9 No. 2 (2014) | Another Green World?: Eno, Ireland and U2 | View |
| Noel McLaughlin | |||
| Equinox eBooks Publishing | The Making of the Musical World | Preface | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | Bikutsi | The Sound of Yaoundé in the 1970s | View |
| Anja Brunner | |||
| Equinox eBooks Publishing | Bikutsi | Women’s Song-and-Dance-Pieces: The ‘Original’ Bikutsi | View |
| Anja Brunner | |||
| Equinox eBooks Publishing | Bikutsi | Performing Beti ‘Village’ Music: Les Vétérans | View |
| Anja Brunner | |||
| Equinox eBooks Publishing | Local Acts, Global Success | Ireland’s Digital Age: Radio, Recording, Educating and Listening | View |
| Michael Murphy, Jim Rogers | |||
| Scouse Pop | View | ||
| Paul Skillen, Paul Du Noyer | |||
| The Singing Voice in Contemporary Cinema | View | ||
| Diane Hughes, Nessa Johnston, Katherine Meizel, Anne Power, Gianpaolo Chiriacò, Sarah Keith, Alex Mesker, Nina Menezes, James Deaville, Penny Spirou, Philip Hayward, Mark Thorley, Liz Giuffre, Veronica Stewart, Mark Evans, Agnes Malkinson, Natalie Lewandowski | |||
| Popular Music History | Vol 4 No. 3 (2009) | Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness | View |
| Noel McLaughlin | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | The lost musical histories of Merthyr Tydfil | View |
| Paul Carr | |||
| Jazz Research Journal | Vol 14 No. 1 (2020) | ‘No radical critique ever comes from the centre’: Interview with Professor Bruce Johnson | View |
| Adam Havas | |||
| Popular Music History | Vol 4 No. 1 (2009) | The vegetables turned: sifting the psychedelic subsoil of Brian Wilson and Syd Barrett | View |
| Dale Carter | |||
| Perfect Beat | Vol 9 No. 1 (2008) | REGULATION WITHOUT REPRESENTATION NSW Live Music Policy 1992–2008 | View |
| David Panichi | |||
| Journal for the Academic Study of Religion | Vol 23 No. 2 (2010) | ‘I’ve Got a Spirit Coming through Me': Music as Hierophany and Musicians as Shamans | View |
| Mark Jennings | |||
| Popular Music History | Vol 4 No. 2 (2009) | Gigographies: where popular musicians play | View |
| Dave Laing | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* | View |
| Sarah Reichardt Ellis | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Shadow Representations: 8-Milin’ Identity and De-Blacking Rap Music in South Korea | View |
| Robert Hamilton | |||
| Popular Music History | Vol 9 No. 3 (2014) | Hucklebucking at the tea dances: Irish showbands in Britain, 1959–1969 | View |
| Rebecca S. Miller | |||
| Perfect Beat | Vol 4 No. 4 (2000) | HULA HALAU IN TOKYO A Case Study of Hula Schools | View |
| YOKO KUROKAWA | |||
| Perfect Beat | Vol 1 No. 3 (1993) | FROM JIM CROW TO JAZZ Imitation African-American Improvisatory Musical Practices in Pre-Jazz Australia | View |
| John Whiteoak | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea | View |
| Oli Wilson | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Globalization and World Music | View |
| Simone Krüger Bridge | |||
| Perfect Beat | Vol 2 No. 1 (1994) | THE ESSENTIALISTIC, THE EXOTIC, THE EQUIVOCAL AND THE ABSURD The Cultural Production and Use of the Didjeridu in World Music | View |
| KARL NEUENFELDT | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Juxtaposing teatro de revista and cine: Music in the 1930s comedia ranchera | View |
| Jacqueline Avila | |||
| Falco and Beyond | View | ||
| Ewa Mazierska | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Melodramatic Music in the Western | View |
| Mariana Whitmer | |||
| Popular Music History | Vol 8 No. 1 (2013) | Polyvocality and forgotten proverbs (and persons): Ravi Shankar, George Harrison and Shambhu Das | View |
| Jeffrey W. Cupchik | |||
| Popular Music History | Vol 10 No. 2 (2015) | No two houses of the holy: Creating cultural heritage in Nirvana: Taking Punk to the Masses | View |
| Kathleen Pirrie Adams | |||
| Popular Music History | Vol 8 No. 1 (2013) | A mysterious music in the air: cultural origins of the loudspeaker | View |
| Kyle Devine | |||
| Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | Youth and linguistic stylization in Naija Afro Hip Hop | View |
| Idom T. Inyabri | |||
| Implicit Religion | Vol 7 No. 1 (2004) | Christian Musical Worship and 'Hostility to the Body': The Medieval Influence Versus the Pentecostal Revolution | View |
| Michael Amoah | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics | View |
| Samuel Horlor | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Rationales in flux: Charting transcultural Polynesian music-making processes | View |
| Andrew Faleatua | |||
| Equinox eBooks Publishing | Local Acts, Global Success | Deep Roots and Scattered Seeds: 1800s to the 1930s | View |
| Michael Murphy, Jim Rogers | |||
| Send in the Clones | View | ||
| Georgina Gregory | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Companion Website | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Acknowledgements | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Bibliography | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Index | View |
| Simone Krüger Bridge | |||
| Elvis | View | ||
| Mark Duffett | |||
| Popular Music History | Vol 4 No. 2 (2009) | Low-frequency noise and urban space | View |
| Bruce Johnson | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Experiences and perceptions of gender in the Australian music industry | View |
| Hannah Mary Fairlamb, Bianca Fileborn | |||
| Popular Music History | Vol 4 No. 1 (2009) | Historical approaches to Merseybeat: delivery, affinity and diversity | View |
| Ian Inglis | |||
| Popular Music History | Vol 5 No. 2 (2010) | The role and significance of storytelling in the creation of the ‘post-Sixties’ Beatles, 1970–1980 | View |
| Holly Tessler | |||
| Popular Music History | Vol 4 No. 1 (2009) | Scottish indie music and BBC radio’s Beat Patrol (1995–2000) | View |
| J. Mark Percival | |||
| Popular Music History | Vol 5 No. 3 (2010) | National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians | View |
| Paul Carr | |||
| Popular Music History | Vol 10 No. 3 (2015) | ‘Only one can rule the night’: Fairs and music in post-1945 Britain | View |
| Ian Trowell | |||
| Equinox eBooks Publishing | The Beatles | References | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | The Making of the Musical World | The Music Tree | View |
| Andrew Killick | |||
| Technomad | View | ||
| Graham St John | |||
| Popular Music History | Vol 11 No. 3 (2018) | Editors’ introduction | View |
| Shane Homan, Catherine Strong | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | Towards a history of jazz in Greece in the interwar era | View |
| Panagiota Anagnostou | |||
| Popular Music History | Vol 7 No. 2 (2012) | Multiple damnations: deconstructing the critical response to boy band phenomena | View |
| Mark Duffett | |||
| Popular Music History | Vol 3 No. 2 (2008) | Afraid of Technology?: Major label response to advancements in digital technology | View |
| Aaron Robert Furgason | |||
| Popular Music History | Vol 3 No. 3 (2008) | Globalization and commercialization of Caribbean music | View |
| Mike Alleyne | |||
| Popular Music History | Vol 5 No. 3 (2010) | ‘A West Indian? You must be joking! I come out of the East End’: Kenny Lynch and English racism in the 1950s and 1960s | View |
| Jon Stratton | |||
| Perfect Beat | Vol 8 No. 4 (2008) | TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture | View |
| Philip Hayward, SUEO KUWAHARA | |||
| Equinox eBooks Publishing | The Making of the Musical World | Africa in America: Old Ways, New Means | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | Thunder in their Hearts | South Africa: Jazz, Apartheid, King Kong | View |
| Francis Gooding | |||
| Paul Weller | View | ||
| Arthur Lizie, Jr. | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Martin Carthy’s rhythms | View |
| Charles Ford | |||
| Equinox eBooks Publishing | Ludomusicology | "Listening" through Digital Interaction in Björk’s 'Biophilia' | View |
| Samantha Blickhan | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | “Argentina is cumbia”: Sociocultural Trajectories of Young “Cumbieros” in Urban Peripheries | View |
| Malvina Silba | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) | View |
| Timothy Koozin | |||
| Popular Music History | Vol 1 No. 1 (2004) | "Sing Me a Song of Araby" and "My Blue Heaven": New Folksong, Hybridization and the Expansion of the Japanese Recording Industry in the Late 1920s | View |
| Toru Mitsui | |||
| Equinox eBooks Publishing | Hear My Train A Comin’ | Introduction | View |
| Kevin Le Gendre | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Nine lives in the music business: Reg Dwight and Elton John in the 1960s | View |
| Dave Laing | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | The ‘grave disease’: interwar British writers look at ragtime and jazz | View |
| Robert Lawson-Peebles | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Case Study of a Song: Hüdayda | View |
| Liselotte Sels | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | The extreme metal ‘connoisseur’ | View |
| Nicola Allett | |||
| Popular Music History | Vol 10 No. 1 (2015) | Manpool, the musical: Harmony and counterpoint on the Lancashire Plain | View |
| Richard Witts | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | When Digital is Physical and Ethnomusicologists are File Sharers | View |
| Denis Crowdy | |||
| Popular Music History | Vol 9 No. 3 (2014) | Songs you know by heart: Alcohol, promiscuous sex, drugs and escape in Jimmy Buffett’s music | View |
| Eve M Brank, Kathleen A Fox, Victoria Kaspar | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Industry and Craftsmanship in Popular Cinema: An Initial Exploration of Vassil Kojucharov’s Archive | View |
| Alessandro Bratus | |||
| Equinox eBooks Publishing | Local Acts, Global Success | Introduction | View |
| Michael Murphy, Jim Rogers | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Billboard’s ‘Hot Country Songs’ chart and the curation of country music culture | View |
| Jada Watson | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Right time, right place: The British Library’s Punk 1976–78 exhibition | View |
| J. Mark Percival | |||
| Equinox eBooks Publishing | Bikutsi | Musical Changes towards Beti Music by Modern Dance Bands in Yaoundé in the 1970s | View |
| Anja Brunner | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | From South Korea to the Southern Hemisphere: K-Pop below the Equator | View |
| Stephen Epstein | |||
| Popular Music History | Vol 9 No. 3 (2014) | Reviews in brief | View |
| Dave Laing | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | The Cool Culture of Neoliberal Capitalism | View |
| Simone Krüger Bridge | |||
| Jazz Me Blues | View | ||
| Chris Barber† , Alyn Shipton | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Heavy metal as controversy and counterculture | View |
| Titus Hjelm, Keith Kahn-Harris, Mark Levine | |||
| Popular Music History | Vol 5 No. 3 (2010) | ‘Girls, girls, girls’?: The Los Angeles metal scene and the politics of gender in Decline of Western Civilization Part II: The Metal Years | View |
| Nedim Hassan | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Malaysian composers, geopolitical spaces and cultural difference | View |
| Jonas Ureta Baes | |||
| Implicit Religion | Vol 13 No. 2 (2010) | The Personality Cult of Prince: Purple Rain, Sex and the Sacred, and the Implicit Religion Surrounding a Popular Icon | View |
| Rupert Till | |||
| Equinox eBooks Publishing | The Beatles | Introduction | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | Elements of Music Management | Music Development: The Role of A and R - Music will Never Stop | View |
| Sally Gross | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Haters beyond the Hate: Stigma and Prejudice against Funk Carioca on YouTube | View |
| Simone Pereira de Sá, Simone Evangelista Cunha | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Wavering Sonorities and the Nascent Film Noir Musical Style | View |
| Roger Hickman | |||
| Equinox eBooks Publishing | The Making of the Musical World | Latin America: A Tale of Five Continents | View |
| Andrew Killick | |||
| Popular Music History | Vol 4 No. 3 (2009) | The end of the revival: the folk aesthetic and its ‘mutation’ | View |
| Allan Moore | |||
| Equinox eBooks Publishing | The Making of the Musical World | South Asia: Another Tree in the Wood | View |
| Andrew Killick | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | 'How you gonna see me now': Recontextualizing metal artists and moral panics | View |
| Brad Klypchak | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Early jazz in Australia as oriental exotica | View |
| Aline Scott-Maxwell | |||
| Popular Music History | Vol 8 No. 2 (2013) | Bob Dylan: the politics of influence | View |
| Gary Browning | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Musical Ownership and Pop-folk on Jersey: Sustaining Tradition through Intervention, Technology and Creative Practice | View |
| Henry Johnson | |||
| Popular Music History | Vol 9 No. 3 (2014) | Searching for the first bass drum pedal: Rock harmonicas to Viennese pianos | View |
| Paul Archibald | |||
| Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Failure to fuse: The jazz-rock culture war at the 1969 Newport Jazz Festival | View |
| Matt Brennan | |||
| Popular Music History | Vol 8 No. 2 (2013) | Underestimating Albert: revisiting Albert Grossman’s management of Bob Dylan | View |
| Mike Jones | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Thai television and pleeng luuk tung: The role of television in the Isan cultural revival | View |
| James Leonard Mitchell | |||
| Equinox eBooks Publishing | The Making of the Musical World | Back to Africa: Global Language, Local Accent | View |
| Andrew Killick | |||
| The Music of Fantasy Cinema | View | ||
| Janet K. Halfyard, Mark Brill, Philip Hayward, J. Drew Stephen, Lee Barron, Liz Giuffre, Ben Winters, Alexander G. Binns, Scott Murphy, Victoria Hancock, Jamie L. Webster | |||
| Perfect Beat | Vol 12 No. 1 (2011) | ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform | View |
| Henry Johnson | |||
| Equinox eBooks Publishing | Sounds Northern | Index | View |
| Ewa Mazierska | |||
| Perfect Beat | Vol 12 No. 2 (2011) | God Bless come back: new experiments with nostalgia in Indonesian rock | View |
| Emma Baulch | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | “A Highland Thing”: Heavy Metal and the Construction of Cultural Difference in Madagascar | View |
| Markus Verne | |||
| Equinox eBooks Publishing | The Northern Soul Scene | Dave Godin and the Politics of the British Soul Community | View |
| Joe Street | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Rhythm Clubs, record series, and the everyday connoisseurship of ‘hot rhythm’ records in interwar Britain | View |
| Lawrence Davies | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Buildings matter: The recycling of Liverpool’s Whitechapel and the Casbah | View |
| Mike Brocken | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Not given lightly: Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand | View |
| Matthew Bannister | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | A Study of Feminism and Womanism in Korean Hip Hop Songs by Female Rappers | View |
| Iljung Kim | |||
| Equinox eBooks Publishing | Sounds Icelandic | ‘A Nation without Music?’: Symphonic Music and Nation-Building | View |
| Kimberly Cannady, Kristín Loftsdóttir | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals | View |
| Brent Keogh | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Keynote: Party Music, Affect and the Politics of Modernity | View |
| Jocelyne Guilbault | |||
| Popular Music History | Vol 1 No. 1 (2004) | A Question of Standards: "My Funny Valentine" and Musical Intertextuality | View |
| Alan Stanbridge | |||
| Equinox eBooks Publishing | The Making of the Musical World | The Caribbean: Powerhouse of Popular Styles | View |
| Andrew Killick | |||
| Hidden Man | View | ||
| John Altman | |||
| Perfect Beat | Vol 14 No. 1 (2013) | Whose home; which island?: displacement and identity in ‘My Island Home’ | View |
| Jon Stratton | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED | View |
| Kimberly Hannon Teal | |||
| Equinox eBooks Publishing | The Northern Soul Scene | ReMarking Old Records, Making New Meaning: Debating the Questionable Home of Northern Soul | View |
| Nicola Smith | |||
| Equinox eBooks Publishing | The Making of the Musical World | Western Europe: The Familiar Stranger | View |
| Andrew Killick | |||
| Popular Music History | Vol 10 No. 3 (2015) | ‘How Belfast got the blues’: Towards an alternative history | View |
| Noel McLaughlin, Joanna Braniff | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil | View |
| Berenice Corti, Luciana Xavier de Oliveira | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Our Stories, From Us, The “They”: Nick Gold talks to Lucy Durán about the Making of Buena Vista Social Club | View |
| Lucy Durán | |||
| Jazz Research Journal | Vol 4 No. 2 (2010) | Jazz in Kuala Lumpur | View |
| Gisa Jähnichen | |||
| Equinox eBooks Publishing | The Making of the Musical World | East Asia: Ancient Traditions and Modern Inventions | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Index | View |
| Diane Hughes, Mark Evans | |||
| Popular Music History | Vol 10 No. 1 (2015) | ‘They say a town is just a town, full stop, but what do they know?’: Architecture, urbanism and pop in Sheffield | View |
| Owen Hatherley | |||
| Ivor Cutler | View | ||
| Bruce Lindsay | |||
| Jazz on BBC Radio 1922-1972 | View | ||
| Tim Wall | |||
| Equinox eBooks Publishing | Ludomusicology | Introduction | View |
| Michiel Kamp, Tim Summers, Mark Sweeney | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Pompey Pop: A case study of a local music archive | View |
| Dave Allen | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Demons of discord down under: ‘Jump Jim Crow’ and ‘Australia’s first jazz band’ | View |
| John Whiteoak | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 3. Dying Language, Multi-Identity and Music for the Young | View |
| Pekka Suutari | |||
| Equinox eBooks Publishing | Elvis | Notes | View |
| Mark Duffett | |||
| Equinox eBooks Publishing | Elvis | Introduction | View |
| Mark Duffett | |||
| Equinox eBooks Publishing | Elvis | Bibliography | View |
| Mark Duffett | |||
| Equinox eBooks Publishing | Elvis | Index | View |
| Mark Duffett | |||
| Equinox eBooks Publishing | Elvis | Acknowledgements | View |
| Mark Duffett | |||
| Equinox eBooks Publishing | Elvis | Appendices | View |
| Mark Duffett | |||
| Perfect Beat | Vol 1 No. 3 (1993) | AFTER THE RECORD The Tabaran Documentary, Papua New Guinea and InterCultural Relation | View |
| Philip Hayward | |||
| Popular Music History | Vol 9 No. 2 (2014) | To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ | View |
| Kathryn Hill | |||
| Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | “Free Swing” and the Emergent Neophonic: Forging Progressive Jazz with Stan Kenton in the 1947 Dance Hall | View |
| Ryan Patrick Jones | |||
| Equinox eBooks Publishing | The History of European Jazz | Series Editor's Note | View |
| Alyn Shipton | |||
| Jazz Research Journal | Vol 1 No. 2 (2007) | Being bop: how the press shaped the cult of bebop | View |
| Thomas Turner | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | The record and its label: Identifying, marketing, dividing, collecting | View |
| Richard Osborne | |||
| Equinox eBooks Publishing | The History of European Jazz | European Jazz: Stories that Needed to be Told | View |
| Francesco Martinelli | |||
| Equinox eBooks Publishing | Scouse Pop | Preface | View |
| Paul Skillen | |||
| Equinox eBooks Publishing | Scouse Pop | Foreword | View |
| Paul Du Noyer | |||
| Equinox eBooks Publishing | Scouse Pop | Acknowledgements | View |
| Paul Skillen | |||
| Equinox eBooks Publishing | Scouse Pop | Appendix 1: List of interviews | View |
| Paul Skillen | |||
| Equinox eBooks Publishing | Scouse Pop | Appendix 2: Scouse Pop TV | View |
| Paul Skillen | |||
| Equinox eBooks Publishing | Scouse Pop | Notes | View |
| Paul Skillen | |||
| Equinox eBooks Publishing | Scouse Pop | Bibliography | View |
| Paul Skillen | |||
| Equinox eBooks Publishing | Scouse Pop | Index | View |
| Paul Skillen | |||
| Equinox eBooks Publishing | In Search of Fela Anikulapo Kuti | Fear Not For Man/Who No Know Go Know: Fela: The legend, the cult, the orisha, the inspiration, the corporation, the industry | View |
| Max Reinhardt, Rita Ray | |||
| Equinox eBooks Publishing | Scouse Pop | The Audience Respond | View |
| Paul Skillen | |||
| Equinox eBooks Publishing | Ludomusicology | Remixed Metaphors: Manipulating Classical Music and Its Meanings in Video Games | View |
| William Gibbons | |||
| Hear My Train A Comin’ | View | ||
| Kevin Le Gendre | |||
| Gender and Language | Vol 12 No. 3 (2018) | ‘She don’t need no help’: deconsolidating gender, sex and sexuality in New Orleans bounce music | View |
| Christina Schoux Casey, Maeve Eberhardt | |||
| Equinox eBooks Publishing | The Beatles | Index | View |
| Ian Inglis | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | They preferred to sit on the floor: Rock music in South Wales at a time of industrial change | View |
| Mike Jones | |||
| International Journal for the Study of New Religions | Vol 4 No. 2 (2013) | At the Threshold of the Inverted Womb: Anti-Cosmic Satanism and Radical Freedom | View |
| Benjamin Hedge Olson | |||
| Equinox eBooks Publishing | Scouse Pop | Rainy Day Music: Art Pop and the Scouse Romantic | View |
| Paul Skillen | |||
| Popular Music History | Vol 7 No. 2 (2012) | Boys will be boys: re-inhabiting the homosocial sphere of Take That | View |
| David Sanjek | |||
| Equinox eBooks Publishing | Sounds Icelandic | Nurturing the roots: Músíktilraunir, Iceland’s foremost “Battle of the bands” competition | View |
| Arnar Eggert Thoroddsen | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Agent of Bicultural Balance: Ganma, Yothu Yindi and the Legacy of Mandawuy Yunupiŋu | View |
| Aaron Corn | |||
| Equinox eBooks Publishing | Jazz on BBC Radio 1922-1972 | The BBC and New British Jazz, 1965-1972 | View |
| Tim Wall | |||
| Equinox eBooks Publishing | Sounds Northern | 3. 'They Say a Town is Just a Town, Full Stop, but What do They Know?': Architecture, Urbanism and Pop in Sheffield | View |
| Owen Hatherley | |||
| Equinox eBooks Publishing | Elvis | Phenomenon | View |
| Mark Duffett | |||
| Equinox eBooks Publishing | Sounds Northern | 1. Manpool, the Musical: Harmony and Counterpoint on the Lancashire Plain | View |
| Richard Witts | |||
| Trad Dads, Dirty Boppers and Free Fusioneers | View | ||
| Duncan Heining | |||
| International Journal for the Study of New Religions | Vol 7 No. 2 (2016) | The DMT Gland: The Pineal, The Spirit Molecule, and Popular Culture | View |
| Graham St.John | |||
| Equinox eBooks Publishing | The History of European Jazz | Subject Index | View |
| Francesco Martinelli | |||
| Equinox eBooks Publishing | The History of European Jazz | Index of Works | View |
| Francesco Martinelli | |||
| Equinox eBooks Publishing | Paul Weller | Introduction | View |
| Arthur Lizie, Jr. | |||
| Equinox eBooks Publishing | Paul Weller | Modernism | View |
| Arthur Lizie, Jr. | |||
| Equinox eBooks Publishing | Paul Weller | Modes | View |
| Arthur Lizie, Jr. | |||
| Equinox eBooks Publishing | Paul Weller | Messages | View |
| Arthur Lizie, Jr. | |||
| Equinox eBooks Publishing | Paul Weller | Model | View |
| Arthur Lizie, Jr. | |||
| Equinox eBooks Publishing | Sounds Northern | 9. The Missing Star of MC Tunes | View |
| Les Gillon, Ewa Mazierska | |||
| Equinox eBooks Publishing | Jazz on BBC Radio 1922-1972 | Presenting Ellington and Recorded Jazz, 1933-1942 | View |
| Tim Wall | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Material and Expositional Frames in BBC Arena ’s Visual Jazz Jukebox | View |
| Will Finch | |||
| Equinox eBooks Publishing | Sounds Icelandic | Triangulating Timbre in Sigur Rós’s Iceland | View |
| Brad Osborn, David Blake | |||
| Equinox eBooks Publishing | Sounds Northern | 2. Another Uniquely Mancunian Offering?: Un-Convention and the Intermediation of Music Culture and Place | View |
| Paul Long, Jez Collins | |||
| Equinox eBooks Publishing | Unveiling Sufism | The Many Faces of Contemporary Sufism in North America | View |
| Meena Sharify-Funk, William Dickson | |||
| Equinox eBooks Publishing | Ivor Cutler | Ivor for Hire | View |
| Bruce Lindsay | |||
| Equinox eBooks Publishing | Ivor Cutler | "I Will Become a Hermes" | View |
| Bruce Lindsay | |||
| What is Africana Philosophy? | View | ||
| Oludamini Ogunnaike | |||
| Earogenous Zones | View | ||
| Bruce Johnson, Mark Evans, Matt Burgess, Lesley Chow, Clarice Butkus, James Wierzbicki, Philip Hayward, Emil Stoichkov, Laura Wiebe Taylor, Liz Giuffre, Kevin Clifton, Paul Warren, Marianne Tatom Letts, Ralph Marsh | |||
| Equinox eBooks Publishing | Hidden Man | All in the Family | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | School Days | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | We're Jamming | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | Some Legends 1 (Peter Green, Nick Drake, John Martyn, Harry Nilsson, Tim Hardin, Tim Buckley, Muddy Waters, Jimi Hendrix) | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | The London Beat | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | Forty Eight Years (and Counting) of Python | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | Whispering Wheels, You Sexy Thing, Muhammad Ali, and Freddie Mercury and the Sausages | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | BBC, Early Commercials, Bowie, Dietrich, Jule Styne and Early Van | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | Sir Van the Man | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | Some More Legends 2 (Paul Kossoff, Bob Marley, Peter Cook, Dudley Moore, John Ogdon, Spike Milligan, Mick Jagger, George Harrison) | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | An Intrusion and an Explanation | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | Records | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | Television | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | Movies (1) | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | Some More Legends 3 (Classic Movie and Jazz Stars Including Orson Welles, Ava Gardner, Fred Astaire, Chet Baker) | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | Movies (2) | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | Commercials | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | Going Live | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | LA Life | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | Amy | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | Some More Legends 4 (Michael Jackson, Quincy Jones, Prince, Mike Stoller, Mark Ronson, Sacha Baron Cohen) | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | What Was That All About? | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | Shanghai, Honeymoons and Chat Shows (Or How I Came to be on a Massage Table Next to Rafa Nadal), Paris and Vladivostok | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | Awards and Recognition | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | The Ones That Got Away | View |
| John Altman | |||
| Equinox eBooks Publishing | Hidden Man | Today and Beyond | View |
| John Altman | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies | View |
| Gabriel Solis | |||
| Popular Music History | Vol 10 No. 3 (2015) | Assembling Aarhus West: Glocal rap, genre and heterogeneity | View |
| Mads Krogh | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | ‘Staying Golden’: The Politics of Gender, Sexuality, and Jazz in The Golden Girls | View |
| Elliott H. Powell | |||
| Equinox eBooks Publishing | Sounds Northern | 10. Hashtag 0161: Did Bugzy Malone put Manny on the map? | View |
| Kamila Rymajdo | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Editors’ Introduction | View |
| Simone Krüger Bridge, Nicholas Tochka | |||
| Implicit Religion | Vol 12 No. 3 (2009) | Helping Students See What Ordinarily Remains Hidden: How Implicit Religion Can Enrich Teaching | View |
| Andrew M. Wender | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Editors’ Introduction | View |
| Simone Krüger Bridge, Jonathan P.J. Stock, Abi Dunnett | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Editor's Introduction | View |
| Simone Krüger Bridge, Sarah Baker, Raphaël Nowak | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Editors’ Introduction | View |
| Simone Krüger Bridge, Sarah Baker, Raphaël Nowak | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Editors' Introduction | View |
| Simone Krüger, Sarah Baker | |||
| Popular Music History | Vol 1 No. 2 (2004) | Resource Notes | View |
| Andy Linehan | |||
| Equinox eBooks Publishing | Elvis | Roots | View |
| Mark Duffett | |||
| Equinox eBooks Publishing | Elvis | Comeback | View |
| Mark Duffett | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Editor's Introduction | View |
| Simone Krüger, Sarah Baker | |||
| Perfect Beat | Vol 1 No. 1 (1992) | Editorial Introduction | View |
| Philip Hayward | |||
| Perfect Beat | Vol 8 No. 4 (2008) | Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press | View |
| BRUCE JOHNSON | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. | View |
| Judith Bernanke | |||
| Popular Music History | Vol 1 No. 1 (2004) | History beings yesterday | View |
| Paul Oliver | |||
| Equinox eBooks Publishing | Contesting Authority | Discourses of Authenticity in Contemporary Jewish Practices of Niggunim Singing | View |
| Ruth Illman | |||
| Equinox eBooks Publishing | Hear My Train A Comin’ | Notes | View |
| Kevin Le Gendre | |||
| Equinox eBooks Publishing | Hear My Train A Comin’ | Bibliography | View |
| Kevin Le Gendre | |||
| Equinox eBooks Publishing | Hear My Train A Comin’ | Index | View |
| Kevin Le Gendre | |||
| Equinox eBooks Publishing | Sounds Northern | 6. Hard Floors, Harsh Sounds and the Northern Anti-Festival: Futurama 1979-1983 | View |
| Ian Trowell | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Editor's Introduction | View |
| Simone Krüger, Sarah Baker | |||
| Popular Music History | Vol 13 No. 3 (2020) | A sonic step closer: Master-tape preservation at the Alexander Turnbull Library | View |
| Michael Brown | |||
| Popular Music History | Vol 4 No. 2 (2009) | Introduction to the special issue: music, characterization and urban space | View |
| Sara Cohen, John Schofield, Brett Lashua | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Editorial Introduction to Issue 1.2 | View |
| Simone Krüger, Sarah Baker | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Angel Romero y Ruiz, World Music Central.org. www.worldmusiccentral.org | View |
| Deborah Justice | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Dialing In: The Sound of Television in the Pacific Region | View |
| Mark Evans | |||
| Popular Music History | Vol 7 No. 3 (2012) | Peter Tschmuck, Creativity and Innovation in the Music Industry (revised edition). Berlin: Springer, 2012. 303 pp. ISBN 978-3-642-28429-8. £117 (hbk), £36.60 (pbk, first German edition). | View |
| Phil Hardy | |||
| Perfect Beat | Vol 1 No. 4 (1994) | North Meets South | View |
| Philip Hayward, Tony Mitchell, Roy Shukar | |||
| Perfect Beat | Vol 1 No. 4 (1994) | CLIMBING THE ROCK: The New Zealand Music Industry | View |
| Roy Shuker | |||
| Popular Music History | Vol 3 No. 3 (2008) | Introduction to the Special Issue | View |
| Tuulikki Pietilä | |||
| Perfect Beat | Vol 8 No. 3 (2007) | Editorial | View |
| Henry Johnson | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music---What's in a Name? | View |
| William H. Rosar | |||
| Jazz Research Journal | Vol 11 No. 1 (2017) | Promotion anxieties: Jazz promoters within the UK scene | View |
| Haftor Medbøe, Zack Moir | |||
| Popular Music History | Vol 4 No. 3 (2009) | Gerry Smyth, Music in Irish Cultural History. Dublin: Irish Academic Press, 2009. 196 pp. £40. ISBN 978-0-7165-2984-2 (hbk). | View |
| Noel McLaughlin | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. | View |
| Brent Keogh | |||
| Popular Music History | Vol 7 No. 1 (2012) | Resource notes | View |
| Dave Laing | |||
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