Latest Issue: Vol 11, No 2 (2017) RSS2 logo

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Issue Title
Vol. 5.1/5.2 (2011) 'Complaining time is over': Network and collective strategies of the New York Musicians Organization Abstract
Michael C. Heller
Vol 9, No 2 (2015) 1939 Ferriday archtop: A dream guitar Abstract
Paul Johanis
Vol 1, No 1 (2007) Black, Brown and Beige and the politics of Signifyin(g): Towards a critical understanding of DukeEllington Abstract
George Burrows
Vol 7, No 2 (2013) Icons Among Us: Jazz in the Present Tense. Michael Rivoira, Lars Larson and Peter J. Vogt, directors. John W. Comerford and Theo N. Ianuly, producers. Lars Larson, director of photography. Paradigm Studio. 2009. DVD B002RNO1BW Details
Colter Harper
Vol 9, No 1 (2015) Wail: The Life of Bud Powell, and The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop Abstract
Pierre-Emmanuel Seguin
Vol 6, No 1 (2012) All the metaphors you are: conceptual mappings of bebop in James Baldwin’s ‘Sonny’s Blues’ and Jack Kerouac’s On the Road Abstract
Julian Levinson
Vol 11, No 2 (2017) And I think to myself what a wonderful world: In search of Louis Armstrong’s Brussels collage Abstract
Matthias Heyman
Vol 2, No 2 (2008) Attaining unity: Self-reference in the music of John Coltrane Abstract
Marc Medwin
Vol 9, No 1 (2015) Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization Abstract
Richard Ekins
Vol 1, No 2 (2007) Being bop: how the press shaped the cult of bebop Abstract
Thomas Turner
Vol 11, No 2 (2017) Bernie McGann and Bundeena: Mythologizing an Austral jazz icon Abstract
Andrew Robson
Vol 4, No 1 (2010) Book Review: Charles Hersch, Subversive Sounds: Race and the Birth of Jazz in New Orleans. Chicago and London: University of Chicago Press, 2007. Xii + 289 pp. Details
Bruce Boyd Raeburn
Vol 9, No 1 (2015) Bruce Epperson, More Important than the Music: A History of Jazz Discography. Chicago: University of Chicago Press, 2013. xvi + 284 pp. ISBN 978-0-226- 06753-7 (hbk). $45.00 Details
Maristella Feustle
The Source: Volume 1 (2004) Burns, Baby, Burns: jazz history as a contested cultural site Abstract
Alan Stanbridge
The Source: Volume 1 (2004) Checking our balances: Louis Armstrong, Ralph Ellison, and Betty Boop Abstract
Robert G. O'Meally
Vol 11, No 2 (2017) Christopher Coady, John Lewis and the Challenge of ‘Real’ Black Music Abstract
Alexandre Gagatsis
Vol. 5.1/5.2 (2011) Collectives, a socio-economic, political and aesthetic phenomenon: The example of the Association à la Recherche d'un Folklore Imaginaire Abstract
Chloé Meyzie
Vol 3, No 1 (2009) Coltrane and Beyond Abstract
Tony Whyton, Catherine Tackley, Vincent Cotro
Vol. 5.1/5.2 (2011) Common ground: 1970s improvised music as part of a cross-genre Dutch ensemble culture Abstract
Loes Rusch
Vol 10, No 1-2 (2016) Cooling down jazz: Making authentic Swedish jazz possible Abstract
Mischa van Kan
The Source: Volume 2 (2005) Core and Boundaries Abstract
Scott Deveaux
Vol 6, No 2 (2012) Crossing the curtain: Polish jazz meets poetry in the europäische Heimat Abstract
Zbigniew Granat
Vol 8, No 1-2 (2014) Cuba Street parade: Identity, authenticity and self-expression in contemporary Australasian jazz scenes Abstract
Nick Tipping
Vol 10, No 1-2 (2016) Damon J. Phillips, Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form. Princeton, NJ: Princeton University Press, 2013. xi + 217 pp. ISBN 978-0-691-15088-8 (hbk). $35.00/£24.95. Abstract
Stephane Dorin
Vol 1, No 2 (2007) David Murray: the making of a progressive musician Abstract
Tim Wall
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