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Issue Title
Vol. 5.1/5.2 (2011) 'Complaining time is over': Network and collective strategies of the New York Musicians Organization Abstract
Michael C. Heller
Vol 9, No 2 (2015) 1939 Ferriday archtop: A dream guitar Abstract
Paul Johanis
Vol 1, No 1 (2007) Black, Brown and Beige and the politics of Signifyin(g): Towards a critical understanding of DukeEllington Abstract
George Burrows
Vol 7, No 2 (2013) Icons Among Us: Jazz in the Present Tense. Michael Rivoira, Lars Larson and Peter J. Vogt, directors. John W. Comerford and Theo N. Ianuly, producers. Lars Larson, director of photography. Paradigm Studio. 2009. DVD B002RNO1BW Details
Colter Harper
Vol 9, No 1 (2015) Wail: The Life of Bud Powell, and The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop Abstract
Pierre-Emmanuel Seguin
Vol 12, No 2 (2018) A drum, deferred: Solomon Ilori in the New York jazz scene, 1958–1964 Abstract
Ofer Gazit
Vol 6, No 1 (2012) All the metaphors you are: conceptual mappings of bebop in James Baldwin’s ‘Sonny’s Blues’ and Jack Kerouac’s On the Road Abstract
Julian Levinson
Vol 12, No 1 (2018): Special Issue: Jazz in Television An interpretation of the semiotics of ‘self’ with the Modern Jazz Quartet on Jazz 625 as a case study Abstract
Alexander Gagatsis
Vol 11, No 2 (2017) And I think to myself what a wonderful world: In search of Louis Armstrong’s Brussels collage Abstract
Matthias Heyman
Vol 2, No 2 (2008) Attaining unity: Self-reference in the music of John Coltrane Abstract
Marc Medwin
Vol 9, No 1 (2015) Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization Abstract
Richard Ekins
Vol 1, No 2 (2007) Being bop: how the press shaped the cult of bebop Abstract
Thomas Turner
Vol 11, No 2 (2017) Bernie McGann and Bundeena: Mythologizing an Austral jazz icon Abstract
Andrew Robson
Vol 14, No 1 (2020) Beyond romance: Rethinking time and narrative in jazz histories Abstract
Iván Iglesias
Vol 4, No 1 (2010) Book Review: Charles Hersch, Subversive Sounds: Race and the Birth of Jazz in New Orleans. Chicago and London: University of Chicago Press, 2007. Xii + 289 pp. Details
Bruce Boyd Raeburn
Vol 9, No 1 (2015) Bruce Epperson, More Important than the Music: A History of Jazz Discography. Chicago: University of Chicago Press, 2013. xvi + 284 pp. ISBN 978-0-226- 06753-7 (hbk). $45.00 Details
Maristella Feustle
The Source: Volume 1 (2004) Burns, Baby, Burns: jazz history as a contested cultural site Abstract
Alan Stanbridge
The Source: Volume 1 (2004) Checking our balances: Louis Armstrong, Ralph Ellison, and Betty Boop Abstract
Robert G. O'Meally
Vol 13, No 1-2 (2019): Special Issue: Jazz and Everyday Aesthetics Christian Scott aTunde Adjuah’s critique of the Danziger Bridge shootings Abstract
James Gordon Williams
Vol 11, No 2 (2017) Christopher Coady, John Lewis and the Challenge of ‘Real’ Black Music Abstract
Alexandre Gagatsis
Vol. 5.1/5.2 (2011) Collectives, a socio-economic, political and aesthetic phenomenon: The example of the Association à la Recherche d'un Folklore Imaginaire Abstract
Chloé Meyzie
Vol 3, No 1 (2009) Coltrane and Beyond Abstract
Tony Whyton, Catherine Tackley, Vincent Cotro
Vol. 5.1/5.2 (2011) Common ground: 1970s improvised music as part of a cross-genre Dutch ensemble culture Abstract
Loes Rusch
Vol 10, No 1-2 (2016) Cooling down jazz: Making authentic Swedish jazz possible Abstract
Mischa van Kan
The Source: Volume 2 (2005) Core and Boundaries Abstract
Scott Deveaux
Vol 6, No 2 (2012) Crossing the curtain: Polish jazz meets poetry in the europäische Heimat Abstract
Zbigniew Granat
Vol 8, No 1-2 (2014) Cuba Street parade: Identity, authenticity and self-expression in contemporary Australasian jazz scenes Abstract
Nick Tipping
Vol 10, No 1-2 (2016) Damon J. Phillips, Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form. Princeton, NJ: Princeton University Press, 2013. xi + 217 pp. ISBN 978-0-691-15088-8 (hbk). $35.00/£24.95. Abstract
Stephane Dorin
Vol 1, No 2 (2007) David Murray: the making of a progressive musician Abstract
Tim Wall
The Source: Volume 2 (2005) Deconstructing the Jazz Tradition: The 'Subjectless Subject' of New Jazz Studies Abstract
Sherrie Tucker
Vol 8, No 1-2 (2014) Demons of discord down under: ‘Jump Jim Crow’ and ‘Australia’s first jazz band’ Abstract
John Whiteoak
Vol 6, No 2 (2012) Do you know what it means to miss New Orleans? Historical metaphors and mythical realities in Spike Lee’s When the Levees Broke Abstract
Nicholas Gebhardt
Vol 7, No 2 (2013) Duncan Heining, George Russell: The Story of an American Composer. London: Scarecrow Press, 2010. 400 pp. ISBN 978-0810869977 (hbk). £37.95 Details
Frank Griffith
Vol 7, No 1 (2013) Duncan Heining, Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz, 1960–1975. Sheffield: Equinox, 2012. 495 pp. ISBN 978-1-84553-405-9 (hbk) £29.99/ $45.00. Abstract
Tom Sykes
Vol 8, No 1-2 (2014) Early jazz in Australia as oriental exotica Abstract
Aline Scott-Maxwell
Vol 11, No 1 (2017) Early New Orleans band photography Abstract
Alan John Ainsworth
The Source: Volume 1 (2004) Editorial Details
Tony Whyton
The Source: Volume 2 (2005) Editorial Details
Tony Whyton
Vol 1, No 1 (2007) Editorial Details
Catherine Parsonage, Tony Whyton
Vol 2, No 1 (2008) Editorial Details
Catherine Parsonage, Tony Whyton
Vol 4, No 1 (2010) Editorial Details
Catherine Tackley
Vol 6, No 1 (2012) Editorial Details
Catherine Tackley, Tony Whyton
Vol 7, No 2 (2013) Editorial Details
Tony Whyton, Catherine Tackley
Vol 9, No 1 (2015) Editorial Details
Catherine Tackley, Tony Whyton
Vol 9, No 2 (2015) Editorial Details
Catherine Tackley, Tony Whyton
Vol 11, No 1 (2017) Editorial Details
Catherine Tackley, Tony Whyton
Vol 11, No 2 (2017) Editorial Details
Catherine Tackley, Tony Whyton
Vol 12, No 1 (2018): Special Issue: Jazz in Television Editorial Details
Nicolas Pillai
Vol 13, No 1-2 (2019): Special Issue: Jazz and Everyday Aesthetics Editorial Details
Roger Fagge, Nicholas Gebhardt
Vol 12, No 2 (2018) Editorial Abstract
Nicolas Pillai, Katherine Williams
Vol 14, No 1 (2020) Editorial Details
Nicolas Pillai
Vol 8, No 1-2 (2014) Editorial: Jazz in Australasia Details
Bruce Johnson
Vol 10, No 1-2 (2016) Editorial: The Global Circulations of Jazz Abstract
Stéphane Dorin
Vol 4, No 2 (2010) Editorial: The Other Jazz Details
Tony Whyton, Catherine Tackley
Vol 6, No 2 (2012) Editorial: Transnational perspectives on jazz Details
Catherine Tackley, Tony Whyton
Vol 7, No 1 (2013) Editorial: Transnational perspectives on jazz Abstract
Catherine Tackley, Tony Whyton
Vol 11, No 1 (2017) Edward Green, ed. The Cambridge Companion to Duke Ellington. Cambridge: Cambridge University Press, 2014. 294 pp. ISBN 978-0-521-70753-4 (pbk). $29.99 Details
Katherine Williams
Vol 11, No 1 (2017) Edward W. Sarath, Improvisation, Creativity, and Consciousness: Jazz as Integral Template for Music, Educa- tion, and Society. Albany, NY: State University of New York Press, 2013. xi + 488 pp. ISBN 978-1-4384-4721-6 (hbk). $95.00/£73.70 Details
David Borgo
Vol 9, No 1 (2015) Ellen Johnson, Jazz Child: A Portrait of Sheila Jordan. Lanham, MD: Rowman & Littlefield, 2014. xvii + 234 pp. ISBN 978-0-8108-8837-1 (e-book). $54.99 Details
James Aldridge
Vol. 5.1/5.2 (2011) Ett minne för livet: A Swedish music collective Abstract
Alf Arvidsson, Jörgen Adolfsson
Vol 13, No 1-2 (2019): Special Issue: Jazz and Everyday Aesthetics Everyday jazz life: A photographic project on contemporary jazz musicians’ lives in Birmingham Abstract
Pedro Cravinho, Brian Homer
Vol 8, No 1-2 (2014) Examining the legend and music of Australian saxophonist, Frank Smith Abstract
Ralph Whiteoak
Vol 8, No 1-2 (2014) Expressive identity in the voices of three Australian saxophonists: McGann, Sanders and Gorman Abstract
Sandy Evans
Vol 13, No 1-2 (2019): Special Issue: Jazz and Everyday Aesthetics Extended play: A history of listenings Abstract
Sarah Raine
Vol 1, No 1 (2007) Failure to fuse: The jazz-rock culture war at the 1969 Newport Jazz Festival Abstract
Matt Brennan
Vol 2, No 1 (2008) From Blues to Latin Just in Time: A rhythmic analysis Abstract
Eduardo Lopes
Vol 9, No 1 (2015) Frontierism, intellectual listeners and the new European wave: On the reception of Dutch jazz in DownBeat, 1960–1980 Abstract
Loes Rusch
Vol 3, No 1 (2009) Giant Steps, freedom won over / by constraint Abstract
Philippe Michel,
Vol 8, No 1-2 (2014) Got a little rhythm? The Australian influence on swing in New Zealand during the 1930s and 1940s Abstract
Aleisha Ward
Vol 13, No 1-2 (2019): Special Issue: Jazz and Everyday Aesthetics Grappling with Grappelli: Contemporary jazz violin pedagogy and the legacy of gypsy jazz Abstract
Tom Sykes, Ari Poutiainen
Vol 12, No 1 (2018): Special Issue: Jazz in Television Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies Abstract
Gabriel Solis
Vol 10, No 1-2 (2016) Historical overview of the development of jazz in Portugal, in the first half of the twentieth century Abstract
Pedro Cravinho
Vol 6, No 2 (2012) Hot and cool from Buenos Aires to Chicago: Guillermo Gregorio’s jazz cosmopolitanism Abstract
Andrew Raffo Dewar
Vol 3, No 1 (2009) Intervallic Structuring in the Compositions of John Coltrane Abstract
Ludovic Florin
Vol. 5.1/5.2 (2011) Introduction: The collective problem in jazz Details
Nicholas Gebhardt
Vol 1, No 1 (2007) Is jazz popular music? Abstract
Simon Frith
Vol 12, No 2 (2018) Islay Jazz Festival Abstract
Haftor Medbøe, Diane Maclean
Vol 6, No 2 (2012) Jam sessions in Manhattan as rituals Abstract
Ricardo Nuno Futre Pinheiro
Vol 14, No 1 (2020) Jazz and cosmopolitan practice: The case of Lloyd Swanton Abstract
Benjamin Phipps
Vol 4, No 2 (2010) Jazz and race in colonial India: The role of Anglo-Indian musicians in the diffusion of jazz in Calcutta Abstract
Stephane Dorin
Vol 3, No 2 (2009) Jazz Britannia: mediating the story of British jazz on television Abstract
Tim Wall, Paul Long
Vol 10, No 1-2 (2016) Jazz in Brazil: An Early History (1920s-1950s) Abstract
Anaïs Fléchet
Vol 4, No 2 (2010) Jazz in Kuala Lumpur Abstract
Gisa Jähnichen
Vol 7, No 1 (2013) Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century Abstract
Helen Vera Southall
Vol 13, No 1-2 (2019): Special Issue: Jazz and Everyday Aesthetics Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED Abstract
Kimberly Hannon Teal
Vol 13, No 1-2 (2019): Special Issue: Jazz and Everyday Aesthetics Jazzing through the luminiferous ether: How international radio broadcasts affected the experience of jazz in 1920s–1930s New Zealand Abstract
Aleisha Ward
Vol. 5.1/5.2 (2011) JazzWerkstatt: A young Austrian jazz initiative Abstract
Christa Bruckner-Haring, Michael Kahr
Vol 12, No 2 (2018) Jazz’s little brother: The origins of the Spanish blues scene Abstract
Josep Pedro
Vol 7, No 2 (2013) Jedi mind tricks: Lennie Tristano and techniques for imaginative musical practice Abstract
Marian S. Jago
Vol 2, No 2 (2008) John Coltrane Abstract
David Liebman,
Vol 2, No 2 (2008) John Coltrane and the integration of Indian concepts in jazz improvisation Abstract
Carl Clements
Vol 3, No 1 (2009) John Coltrane and the “replacement child” syndrome Abstract
Bertrand Lauer
Vol 2, No 2 (2008) John Coltrane as a composer Abstract
Christa Bruckner-Haring
Vol 2, No 2 (2008) John Coltrane: the work and its legacy Abstract
Catherine Tackley, Tony Whyton, Vincent Cotro
Vol 7, No 1 (2013) K. Heather Pinson, The Jazz Image: Seeing Music Through Herman Leonard’s Photography. Jackson, MS: University Press of Mississippi, 2010. 240 pp. ISBN 978- 1604734942 (hbk) £29.74. Abstract
Paul McIntyre
Vol 6, No 1 (2012) Keep up with the changes: online strategies for national jazz agencies Abstract
Andrew Dubber
Vol 11, No 2 (2017) Lester Leaps In: The improvisational devices of Lester Young Abstract
Jon P. De Lucia
Vol 13, No 1-2 (2019): Special Issue: Jazz and Everyday Aesthetics Living with music: Departures and returns among early New Orleans jazz musicians Abstract
Nicholas Gebhardt
Vol 1, No 1 (2007) Louis Armstrong loves Guy Lombardo! Acknowledging the smoother roots of jazz Abstract
Elijah Wald
Vol 8, No 1-2 (2014) Lydia in Oz: The reception of George Russell in 1960s Australia Abstract
Pierre-Emmanuel Seguin
The Source: Volume 1 (2004) Making music together, or improvisation and its others Abstract
Nicholas Cook
Vol. 5.1/5.2 (2011) Making ourselves heard: From a ‘Field of Dreams’ to building a collective voice Abstract
Petter Frost Fadnes
Vol 12, No 1 (2018): Special Issue: Jazz in Television Material and Expositional Frames in BBC Arena ’s Visual Jazz Jukebox Abstract
Will Finch
Vol 14, No 1 (2020) Michael Perez and Jessica McKee, eds. Billie Holiday: Essays on the Artistry and Legacy. Abstract
Lee Caplan
The Source: Volume 1 (2004) Miles from home: Miles Davis and the movies Abstract
Krin Gabbard
Vol 1, No 2 (2007) Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” Abstract
Michael W. Morse
Vol 3, No 2 (2009) New Jazz Histories Details
Catherine Tackley, Tony Whyton
Vol 3, No 2 (2009) New jazz histories: Can a reconciliation of widely differing source material offer new opportunities for the jazz historian? Abstract
Alyn Shipton
Vol 6, No 1 (2012) Nichole T. Rustin and Sherrie Tucker, eds. Big Ears: Listening for Gender in Jazz Studies. Durham and London: Duke University Press, 2008. Details
Lindelwa Dalamba
Vol 1, No 1 (2007) No room for squares: A political economy of Blue Note records Abstract
Christopher May
Vol 4, No 1 (2010) On jazz, memory and history: A response to Alyn Shipton Abstract
Nicholas Gebhardt
Vol 7, No 2 (2013) Oscar Peterson’s piano prostheses: Strategies of performance and publicity in the post-stroke phase of his career Abstract
Alex Lubet
Vol 10, No 1-2 (2016) Paulo Moura’s Hepteto and Quarteto: ‘Sambajazz’ as ‘Brazilogical popular instrumental improvised music’ Abstract
Clifford Hill Korman
Vol 8, No 1-2 (2014) Perspectives on the Melbourne International Women's Jazz Festival Abstract
Louise Denson
Vol 9, No 2 (2015) Philippe Carles and Jean-Louis Comolli, Free Jazz/ Black Power, translated by Grégory Pierrot. Jackson, MS: University Press of Mississippi, 2015. 256 pp. ISBN 978-1-628-46039-1 (hbk). $65.00/£41.00 Details
Chris Ealham
Vol 11, No 2 (2017) Photographic representations of jazz: Testimonial advertising in Down Beat, 1938–48 Abstract
Alan John Ainsworth
Vol 11, No 1 (2017) Place and imagined community in jazz Abstract
Elina Hytönen-Ng
Vol 4, No 1 (2010) Plagiarizing your own autobiography, and other strange tales: Miles Davis, jazz discourse, and the aesthetic of silence Abstract
Ken Prouty
Vol 7, No 1 (2013) Post-World War II Jazz in Britain: Venues and Values 1945–1970 Abstract
Katherine Ann Williams
Vol 11, No 1 (2017) Promotion anxieties: Jazz promoters within the UK scene Abstract
Haftor Medbøe, Zack Moir
The Source: Volume 1 (2004) Reading around free improvisation Abstract
Jonty Stockdale
Vol 2, No 1 (2008) Reconstructing the Jazz Tradition Abstract
Charles Hersch
Vol. 5.1/5.2 (2011) Remixing jazz culture: Musical hybridity and collectivity in the New Europe Abstract
Kristin McGee
Vol 2, No 2 (2008) Review article: I. Anderson, This Is Our Music: Free Jazz, the Sixties, and American Culture, S.Saul, Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties, I. Monson, Freedom Sounds: Civil Rights Call Out to Jazz and Africa Abstract
Charles Hersch,
Vol 2, No 1 (2008) Review of 'Inside British Jazz' by Hilary Moore Details
Peter Martin
Vol 3, No 2 (2009) Review of Elijah Wald, How The Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music Abstract
Bruce Johnson
Vol 3, No 2 (2009) Review of Robin D. G. Kelley, Thelonious Monk: The Life and Times of an American Original Abstract
Tom Perchard
Vol 2, No 1 (2008) Review: David Borgo, Sync or Swarm Details
Raymond MacDonald
Vol 4, No 2 (2010) Review: Patrick Burke, Come in and Hear the Truth: Jazz and Race on 52nd Street. Chicago: University of Chicago Press, 2008 (hbk). xiv + 314pp. $35.00. ISBN 978-0-226-08071-0 Details
Nicholas Gebhardt
Vol 3, No 2 (2009) Rhizomes and plateaus: Rethinking jazz historiography and the jazz-'classical' relationship Abstract
Jeremy Barham
Vol 13, No 1-2 (2019): Special Issue: Jazz and Everyday Aesthetics Rhythm Clubs, record series, and the everyday connoisseurship of ‘hot rhythm’ records in interwar Britain Abstract
Lawrence Davies
Vol 1, No 2 (2007) Robert Hodson Interaction, Improvisation, and Interplay in Jazz. New York and London: Routledge, 2007. Details
Matthew Butterfield
Vol 6, No 2 (2012) Robert R. Faulkner and Howard S. Becker, Do You Know…? The Jazz Repertoire in Action. Chicago: University of Chicago Press, 2009. 214 pp. ISBN 978-0226239217 (hbk). £18.00. Details
Mark Doffman
Vol 6, No 1 (2012) Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films Abstract
Simone Varriale
Vol 13, No 1-2 (2019): Special Issue: Jazz and Everyday Aesthetics Russia and the Creation of Jazz in the British Everyday Imaginary Abstract
Robert Lawson-Peebles
Vol 6, No 1 (2012) Sam Rivers: jazz’s forgotten man Abstract
John G. Rodwan, Jr.
Vol 3, No 1 (2009) Sampling Kimberly Benston's 'Coltrane Poem' Abstract
Claudine Raynaud
Vol. 5.1/5.2 (2011) San Francisco State University's Music Federation: A local jazz cooperative for teachers Abstract
Meredith Morgan Eliassen
Vol 8, No 1-2 (2014) Sex and the sonic smorgasbord: The Necks—extending the ‘jazz’ piano trio format Abstract
Jane Galbraith
Vol 8, No 1-2 (2014) Shotgun weddings and bohemian dreams: Jazz, family values and storytelling in Australian film Abstract
Christopher Coady
Vol 9, No 2 (2015) Silent revolutions: An exploration of 1941, Jimmie Blanton’s ‘forgotten’ year Abstract
Matthias Heyman
Vol 9, No 2 (2015) Social constructions of ‘authenticity’ and the sounds of the Kid Thomas Valentine Band: The case of ‘Basin Street Blues’—an approach from sociological musicology and cultural studies Abstract
Richard Ekins
Vol 10, No 1-2 (2016) Steven Feld, Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham, NC: Duke University Press, 2012. 328 pp. ISBN 978-0-8223-5148-1 (hbk), 978-0-8223-5162-7 (pbk). $84.95/$23.95. Details
Panagiota Anagnostou
The Source: Volume 2 (2005) Strictly on the Record: the art of jazz and the recording industry Abstract
Michael Cuscuna
The Source: Volume 1 (2004) Telling tales: witnessing and the jazz anecdote Abstract
Tony Whyton
The Source: Volume 2 (2005) Tensions in the Marketplace: Reflections on the Major Recording Companies Documentation of Jazz in the late 1990s and New Millennium Years Abstract
Stuart Nicholson
Vol. 5.1/5.2 (2011) The collective organization of contemporary jazz musicians in the UK Abstract
Tim Wall, Simon Barber
Vol 3, No 1 (2009) The Dilemmas of African-American Orientalism: Coltrane and the Hispanic Imaginary in ‘Olé’ Abstract
Emmanuel Parent, Grégoire Tosser
Vol 11, No 1 (2017) The friendship between Andy Hamilton and David Murray: A concrete example of Black Atlantic culture Abstract
Tony Dudley-Evans
The Source: Volume 2 (2005) The History, Myths, Values and Practices of Jazz Journalists Abstract
Howard Mandel
Vol 9, No 2 (2015) The impact of (jazz) festivals: An Arts and Humanities Research Council-funded research report Abstract
Emma Webster, George McKay
The Source: Volume 2 (2005) The Jazz Community as an Art World: A Sociological Perspective Abstract
Peter J. Martin
Vol 9, No 1 (2015) The jazz storyteller: Improvisers’ perspectives on music and narrative Abstract
Sven Bjerstedt
Vol. 5.1/5.2 (2011) The Kitchen Orchestra Online: Digital mediation and collective practice Abstract
Andrew Dubber
Vol 8, No 1-2 (2014) The lost history of jazz on early Australian popular music television Abstract
Liz Giuffre
Vol 1, No 2 (2007) The parallax of art and commerce: UK jazz musicians on marketing Abstract
Michael James Macaulay
Vol 13, No 1-2 (2019): Special Issue: Jazz and Everyday Aesthetics The politics, aesthetics and dissonance of music in everyday life Abstract
Roger Fagge
The Source: Volume 1 (2004) The popularity of jazz—an unpopular problem: the significance of Swing when you'’re winning Abstract
Catherine Parsonage
Vol 8, No 1-2 (2014) The reception of jazz in Adelaide and Melbourne and the creation of an Australian sound in the Angry Penguins decade Abstract
Bruce Clunies Ross
Vol 12, No 2 (2018) The second masking Abstract
Corey Mwamba
Vol 7, No 2 (2013) The sonic camera: Intermodality and intermediality in contemporary jazz composition Abstract
David Cosper
Vol 12, No 1 (2018): Special Issue: Jazz in Television The Sound of Jazz as Essential Image: Television, Performance, and the Modern Jazz Canon Abstract
Michael Borshuk
Vol 14, No 1 (2020) The style of Roy Eldridge in 1938: Analytical study through two improvisations on ‘Body and Soul’ Abstract
Juan Zagalaz
Vol 7, No 1 (2013) The ‘grave disease’: interwar British writers look at ragtime and jazz Abstract
Robert Lawson-Peebles
The Source: Volume 2 (2005) This Music is Climate Controlled: Critical Reaction to the African American Vanguard in Post War Jazz, 1945–1957 Abstract
Christopher Bakridges
Vol 10, No 1-2 (2016) Tom Pickering: Jazz on the periphery of the periphery Abstract
Matthew Joshua Boden
Vol 10, No 1-2 (2016) Towards a history of jazz in Greece in the interwar era Abstract
Panagiota Anagnostou
Vol 6, No 2 (2012) Way out East: cowboys and pioneer women on Berlin's jazz frontier Abstract
William Kirk Bares
Vol 13, No 1-2 (2019): Special Issue: Jazz and Everyday Aesthetics What can everyday aesthetics teach us about jazz practice? Abstract
Michael Fletcher
Vol 1, No 1 (2007) When bad things happen to great musicians: The role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen Abstract
Morris B. Holbrook
Vol. 5.1/5.2 (2011) Wonderbrass: A South Wales jazz collective Abstract
Rob Smith
Vol 13, No 1-2 (2019): Special Issue: Jazz and Everyday Aesthetics ‘9-TO-5, WENT TO COLLEGE, NOT 2-NITE HOMEY BLUES’: Jazz and the American mundane in Jean-Michel Basquiat’s writing Abstract
Ellen O'Donoghue Oddy
Vol 8, No 1-2 (2014) ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals Abstract
Brent Keogh
Vol 12, No 1 (2018): Special Issue: Jazz in Television ‘Ain’t misbehavin’: Jazz music in children’s television Abstract
Liam Maloy
Vol 4, No 2 (2010) ‘Down with bebop—viva swing!’: Swing Club and the meaning of jazz in late 1940s Estonia Abstract
Heli Reimann
Vol 4, No 1 (2010) ‘Earthly, sensual, devilish’: Sex, ‘race’ and jazz in post-independence Ireland Abstract
Eileen Hogan
Vol 8, No 1-2 (2014) ‘I wouldn’t change skins with anybody’ Dulcie Pitt/Georgia Lee, a pioneering Indigenous Australian jazz, blues and community singer Abstract
Karl Neuenfeldt
Vol 4, No 1 (2010) ‘Jazz’ at large: ‘Scapes’ and the imagination in the performances of Moses Molelekwa and Nah Youn-Sun Abstract
Jan Harm Schutte
Vol 13, No 1-2 (2019): Special Issue: Jazz and Everyday Aesthetics ‘Mississippi, My Home’: Songwriting, identity and everyday aesthetics in the African-American tradition Abstract
Josep Pedro, Begoña Gutiérrez-Martínez
Vol 14, No 1 (2020) ‘No radical critique ever comes from the centre’: Interview with Professor Bruce Johnson Abstract
Adam Havas
Vol 12, No 1 (2018): Special Issue: Jazz in Television ‘Staying Golden’: The Politics of Gender, Sexuality, and Jazz in The Golden Girls Abstract
Elliott H. Powell
Vol. 5.1/5.2 (2011) ‘The revolution never ended’: The cultural politics of a creative-music collective in New York City Abstract
Scott Currie
Vol 7, No 1 (2013) ‘They’ve really gone to town with all that bunting’: the influence and (in)visibility of Glasgow’s Jazz Festival Abstract
Alison Caroline Eales
Vol 10, No 1-2 (2016) ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene Abstract
Myrtille Picaud
Vol 7, No 1 (2013) ‘We’ve got a gig in Poland!’: Britain and jazz in World War II Abstract
Will Studdert
Vol 13, No 1-2 (2019): Special Issue: Jazz and Everyday Aesthetics ‘What to do over the week-end’: Towards an understanding of distraction, advertising and newspaper coverage of the Kansas City jazz scene in the 1930s Abstract
Anthony J. Bushard
Vol 2, No 1 (2008) “Free Swing” and the Emergent Neophonic: Forging Progressive Jazz with Stan Kenton in the 1947 Dance Hall Abstract
Ryan Patrick Jones
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