Vol. 1 No. 2/3

Published: 2010-12-02

Editorial

Bernard Herrmann The Beethoven of Film Music?

William H. Rosar

121-150
- PDF

Articles

Self Borrowing in the Music of Bernard Herrmann

William Wrobel

249-271
- Requires Subscription or Fee PDF (GBP 23)
Film Form and Musical Form in Bernard Hrrmann's Score to Vertigo

David Cooper

239-248
- Requires Subscription or Fee PDF (GBP 23)
Grand Illusion The "Storm Cloud" Music in Hitchcock's The Man Who Knew Too Much

James Wierzbicki

217-238
- Requires Subscription or Fee PDF (GBP 23)
Bernard Herrmann as Musical Colorist A Musicodramatic Analysis of His Score for The Day the Earth Stood Still

E. Todd Flegel

185-215
- Requires Subscription or Fee PDF (GBP 23)
A Note on Commercial Recordings of Herrmann's "Jennie's Song" from Portrait of Jennie

Ronald Burbella

183-184
- Requires Subscription or Fee PDF (GBP 23)
The Mystery of Herrmann's Music for Selznick's Portrait of Jennie

Thomas DeMary

153-182
- Requires Subscription or Fee PDF (GBP 23)

Reviews

Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music

K. J. Donnelly

297-300
- PDF
Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book

Eric Hung

293-295
- PDF
Sound and Vision: 60 Years of Motion Picture Soundtracks

Jon Burlingame

289-292
- PDF
Dominique Nasta Rika Asai. Meaning in Film: Relevant Structures in Soundtrack and Narrative

Melissa Ursula Dawn Goldsmith

283-287
- PDF
Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann

Richard Littlefield

273-281
- PDF