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Popular Music History Vol 4 No. 3 (2009) Sam Taylor-Wood, Nowhere Boy (2009). View
Spencer Leigh
 
Journal of Film Music Vol 5 No. 1-2 (2012) “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score View
Nathan Platte
 
Journal of Film Music Vol 2 No. 2-4 (2009) Kathryn Kalinak. How the West Was Sung: Music in the Westerns of John Ford Berkeley, Los Angeles, and London: University of California Press, 2007. [x, 256 p. ISBN: 9780520252349. $24.95 ] Music examples, illustrations, bibliography, index View
Tom Schneller
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television View
Mark Brill
 
Journal of Film Music Vol 4 No. 2 (2011) Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* View
Sarah Reichardt Ellis
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Guest Editorial View
Alessandro Cecchi, Maurizio Corbella
 
Journal of Film Music Vol 5 No. 1-2 (2012) Music Cue Archetypes in the Film Scores of Elmer Bernstein View
Donald C Meyer
 
Popular Music History Vol 5 No. 3 (2010) ‘Girls, girls, girls’?: The Los Angeles metal scene and the politics of gender in Decline of Western Civilization Part II: The Metal Years View
Nedim Hassan
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Randall D. Larson: Music from the House of Hammer: Music in the Hammer Horror Films, 1950–1980.London: Scarecrow Press, Inc., 1996 [xvi, 193 p.ISBN: 0810829754.] View
Rebecca FÜlÖP
 
Popular Music History Vol 4 No. 3 (2009) Holly George-Warren, Public Cowboy No 1: The Life and Times of Gene Autry. New York and Oxford: Oxford University Press, 2007. 312 pp. ISBN 13-9780-195372670 (pbk). $17.95. View
Phil Hardy
 
Journal for the Study of Religion, Nature and Culture Vol 10 No. 2 (2016) Indigenous Knowledge, Indigenous Spirituality, and the Future of Humans in Nature Re-imagining Nature and American Indian Identity in Film View
Ulrike Wiethaus
 
Sociolinguistic Studies Vol 2 No. 3 (2008) Monolingualism Portraying language diversity through a monolingual lens: On the unbalanced representation of Spanish and English in a corpus of American films View
Peter R. Petrucci
 
Journal of Film Music Vol 2 No. 2-4 (2009) The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns View
Michael Beckerman, William H. Rosar
 
Journal for the Academic Study of Religion Vol 22 No. 1 (2009) Christopher Deacy and Gaye Williams Ortiz, Theology and Film: Challenging the Sacred/Secular Divide. Blackwell, Malden, MA, 2008, pp. xiv+245, ISBN 978-1-4051- 4438-4 (pbk) View
Anton Karl Kozlovic
 
Religions of South Asia Vol 2 No. 1 (2008) Review of Interpretations of the Bhagavad-Gītā and Images of the Hindu Tradition: The Song of the Lord by Catherine A. Robinson View
William John Johnson
 
Jazz Research Journal Vol 6 No. 1 (2012) Editorial View
Catherine Tackley, Tony Whyton
 
Journal for Research into Freemasonry and Fraternalism Vol 1 No. 1 (2010) W. Kirk MacNulty, Freemasonry: Symbols, Secrets, Significance View
Sasha Chaitow
 
Journal of Film Music Vol 1 No. 1 (2002) Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] View
Linda Schubert
 
Journal of Film Music Vol 4 No. 1 (2011) "A Brilliant New Symphonic Effect": The "New" Early Music in Stothart's Score for Romeo and Juliet (1936) View
Linda K. Schubert
 
Journal of Film Music Vol 4 No. 2 (2011) D. Kern Holoman. The Orchestra: A Very Short Introduction View
Melissa Ursula Dawn Goldsmith
 
Perfect Beat Vol 11 No. 1 (2010) Slobin, Mark, ed. 2008. Global Soundtracks: Worlds of Film Music. Connecticut: Wesleyan View
Mark Evans
 
Perfect Beat Vol 15 No. 1 (2014) Metcalf, J., and W. Turner, eds. 2014. Rapper, Writer, Pop-Cultural Player: Ice-T and the Politics of Black Cultural Production. Burlington, VT: Ashgate. ISBN 9-781- 47241-835-7 (hbk). 339 pp. View
James Cox
 
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