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Journal Issue Title
 
Journal for the Academic Study of Religion Vol 24 No. 3 (2011) Religion and Celebrity Editorial Introduction View
Carole Cusack
 
Popular Music History Vol 3 No. 1 (2008) Freya Jarman-Ivens, ed. Oh Boy! Masculinities and Popular Music. London: Routledge, 2007. 304 pp. ISBN 0-415-97821 (pbk). View
Christine Adams
 
Popular Music History Vol 6 No. 3 (2011) Sean Campbell and Colin Coulter. Why Pamper Life’s Complexities?: Essays on The Smiths. Manchester: Manchester University Press, 2010. ISBN 978-0-7190-7841- 5. £65.00 (hbk). £15.99 (pbk). View
James McGrath
 
Writing & Pedagogy Vol 4 No. 1 (2012) TV Writing and the Creative Writing Workshop Shaping Practice across Disciplinary Boundaries View
Douglas Heil
 
Journal of Film Music Vol 5 No. 1-2 (2012) Easy to Cut: Modular Form in the Film Scores of Bernard Herrmann View
Tom Schneller
 
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 4 No. 3 (2008) The Disobedient Subject: Advaita Vedanta and the Disruption of Authorized Subject Positionings in Christopher Isherwood’s Life-Writing View
Victor E Marsh
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film God in the Saddle: Silent Western Films as Protestant Sermons View
Terry Lindvall
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Theodor W. Adorno, and Hanns Eisler. Komposition für den Film, mit einem Nachwort von Johannes C. Gall und einer DVD “Hanns Eislers Rockefeller–Filmmusik– Projekt 1940–1942” Ed. Johannes C. Gall. Frankfurt am Main: Suhrkamp, 2006. View
James Parsons
 
Journal of Film Music Vol 4 No. 1 (2011) Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) View
Nathan Platte
 
Journal of Film Music Vol 4 No. 1 (2011) Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. View
Tony Fonseca
 
Equinox eBooks Publishing The History of European Jazz 39. Film View
Selwyn Harris
 
Popular Music History Vol 9 No. 1 (2014) Let it be? Exploring The Beatles grey market, 1970–1995 View
Holly Tessler
 
Journal of Film Music (2016) Advance Access Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s View
Alessandro Bratus
 
Popular Music History Vol 6 No. 3 (2011) Adopting the rights-based model: Music multinationals and local music industries since 1945 View
Gerben Bakker
 
Implicit Religion Vol 18 No. 1 (2015) The Ritualization of Consumer Capitalism: Catherine Bell's Ritual Theory, Ritual Practice in the Age of Starbucks View
George Gonzalez
 
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 4 No. 3 (2008) The Guru and His Queer Disciple: The Guru-Disciple Relationship as the Locus of Christopher Isherwood’s Advaita Vedanta View
Pravrajika Vrajaprana
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann View
Richard Littlefield
 
Perfect Beat Vol 1 No. 3 (1993) SUCCESS IS IN THE AIR The Soundtrack, Music and Marketing of Strictly Ba!lroom View
Meret Valtwies
 
Gender and Language Vol 8 No. 3 (2014) Language Learning, Gender and Desire: Japanese Women on the Move Kimie Takahashi (2013) Bristol: Channel View Publications, 200pp. View
Keiko Todo
 
Popular Music History Vol 5 No. 1 (2010) Resources & Herrmann research View
Bill Wrobel
 
Religious Studies and Theology Vol 29 No. 2 (2010) Vol 29, No 2 (2010) Films, Frames and Videogames: Religious Insights into Media View
Anna Piskorowski-Adams
 
Journal for the Study of Religion, Nature and Culture Vol 4 No. 4 (2010) Vol 4. No 4 (2010): Avatar and Nature Spirituality Spirituality and Resistance: Ursula Le Guin’s The Word for World is Forest and the Film Avatar View
David Barnhill
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Sound and Vision: 60 Years of Motion Picture Soundtracks View
Jon Burlingame
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book View
Eric Hung
 
Journal of Film Music Vol 2 No. 1 (2007) “He Could’ve Been a Contender”: Thematic Integration in Leonard Bernstein’s Score for On The Waterfront (1954) View
Anthony Bushard
 
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