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Journal Issue Title
 
Journal of Film Music Vol 5 No. 1-2 (2012) Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film View
Erin Michelle Brooks
 
Popular Music History Vol 3 No. 2 (2008) Rock around the clock: The record, the film, and the last historic dance revolt View
Terry Monaghan
 
Equinox eBooks Publishing The Beatles in Context Magical Mystery Tour: Suburbia and Utopia in Music and Film View
Jonathan Goss
 
Popular Music History Vol 5 No. 1 (2010) Lessons from Ives: Elements of Charles Ives’s musical language in the film scores and symphonic works of Bernard Herrmann View
Jonathan Waxman
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film Orientalism in Outer-space: The Ascendancy of Sanskrit Mantras in Hollywood Science Fiction Films and Soundtracks View
Scott Daniel Dunbar
 
Gender and Language Vol 8 No. 3 (2014) Aggressively feminine: the linguistic appropriation of sexualized blackness by white female characters in film View
Qiuana Lopez
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television View
Mark Brill
 
Equinox eBooks Publishing Embodiment and Black Religion 5. It was Written on her Face: Religion and Black Women's Embodied Emotion in Film View
CERCL Writing Collective
 
Journal of Film Music Vol 2 No. 1 (2007) Roger Hickman. Reel Music: Exploring 100 Years of Film Music View
Lora Matthews
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Anahid Kassabian: Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. New York and London: Routledge, 2001 [viii, 189 p. ISBN: 0415928532] View
James Wierzbicki
 
Equinox eBooks Publishing From Griffith to Grindhouse Nero the Nazi and Akhenaten the Lutheran: The Presentism of the Ancient World on Film View
Kevin McGeough
 
Journal of Film Music Vol 5 No. 1-2 (2012) Easy to Cut: Modular Form in the Film Scores of Bernard Herrmann View
Tom Schneller
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) View
Timothy Koozin
 
Journal for the Study of Religion, Nature and Culture Vol 5 No. 2 (2011) Imagining Ecotopia Cinema of the Not-Yet: The Utopian Promise of Film as Heterotopia View
Adrian Ivakhiv
 
Jazz Research Journal Vol 6 No. 1 (2012) Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films View
Simone Varriale
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film Little Buddha and Gandhi Go to School: An Examination of the Use of Popular Film in Four Religious Education Classes View
Barbara Maria Kameniar
 
Journal of Film Music Vol 6 No. 2 (2013) Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops View
Emilio Audissino
 
Sociolinguistic Studies Vol 5 No. 1 (2011) Fictionalising orality Exploring the representation of orality: the use of vocatives in two Spanish-speaking films, Machuca and Volver View
María Palma-Fahey
 
Journal of Film Music Vol 7 No. 2 (2014) Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934 View
Hannah Lewis
 
Journal for the Academic Study of Religion Vol 27 No. 3 (2014) G.I. Gurdjieff Mountains Analogous? The Academic Urban Legend of Alejandro Jodorowsky’s Cult Film Adaptation of René Daumal’s Esoteric Novel View
David Pecotic
 
Gender and Language Vol 11 No. 4 (2017) Special issue: Globalisation, modernity and enregisterment in contemporary East Asia Powerfully queered: representations of castrated male characters in Chinese martial arts films View
Mie Hiramoto
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Jeff Rona, The Reel World: Scoring for Pictures San Francisco: Miller Freeman Books, Richard Bellis and The Emerging Film Composer: An Introduction to the People, Problems, and Psychology of the Film Music Business Los Angeles: Richard Bellis View
Patrick Wood
 
Journal of Film Music Vol 6 No. 1 (2013) Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form View
Janina Müller, Tobias Plebuch
 
Perfect Beat Vol 1 No. 1 (1992) MUSIC POWER - KYLIE, BOWIE AND THE DELINQUENTS A study of the significance of the soundtrack to the financing, production and marketing of the Australian feature film The Delinquents. View
DIANA JAROSIEWICZ
 
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