Latest Issue: Vol 8, No 1-2 (2015): Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s RSS2 logo

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Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 1 No. 2-3 (2005) Devotional Transformation: Miracles, Mechanical Artifice, and Spectatorship in Indian Cinema View
Ravi Vasudevan
 
Journal of Film Music Vol 5 No. 1-2 (2012) Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema View
Tobias Plebuch
 
Journal of Film Music Vol 2 No. 2-4 (2009) The Great Crossing: Nostalgia and Manifest Destiny in Aaron Copland’s The Red Pony View
Beth E. Levy
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Paths Between the Spiritual and the Real: On the Intersection of Musical Style, Symmetry, and Cycle in Kenji Mizoguchi’s Ugetsu (1953) View
David Pacun
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) View
William H. Rosar
 
Journal of Film Music Vol 6 No. 2 (2013) Archetypes in the Archive: Finding ‘South Africa’ in the Production of Dario Marianelli’s Score for Goodbye Bafana View
C. Letcher
 
Health and Social Care Chaplaincy Vol 3 No. 1 (2015) Children’s Hospital: The Chaplains – Reflecting on the BBC Two Television Series View
Paul Nash
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film From Holy Harlot to Passionate Penitent: Mary Magdalene in Cecil B. DeMille’s The King of Kings (1927) View
Anton Karl Kozlovic
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film THE PATH OF JIHAD IN THE YACOUBIAN BUILDING View
michel gardaz
 
Sounding Funny View
Mark Evans, Liz Giuffre, Mark Evans, Marshall Heiser, Ben Winters, Erik Heine, Jon Fitzgerald, Claire Butkus, Jonas Westover, Kimmo Laine, Anu Juva, Laura Miranda Gonzalez, Greg Booth, Peter Morris, Philip Hayward
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Source and Myth: Opera in Italian Cinema of the 1960s View
Matteo Giuggioli
 
Equinox eBooks Publishing Mosaics Nil Desperandum - The Jazz Hustler View
Duncan Heining
 
Equinox eBooks Publishing From Griffith to Grindhouse Conclusions View
Kevin McGeough
 
Comparative Islamic Studies Vol 3 No. 2 (2007) Islam, Muslims and Arabs in the Popular Hollywood Cinema View
Anton Karl Kozlovic
 
Equinox eBooks Publishing From Griffith to Grindhouse Evil Seductresses, Feisty Housewives, and the Temptation of Victor Mature View
Kevin McGeough
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s View
Alessandro Bratus
 
Journal of Film Music Vol 4 No. 2 (2011) Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* View
Sarah Reichardt Ellis
 
Journal of Film Music Vol 4 No. 1 (2011) The Operatic Stothart: Leitmotifs and Tonal Organization in Two Versions of Rose Marie View
Ronald Rodman
 
Journal of Film Music Vol 5 No. 1-2 (2012) The Continuity of Melos: Beginnings to the Present Day View
Anne Dhu McLucas
 
Equinox eBooks Publishing Religion and Sight 4. Sensing Reelism: Portals to Multiple Realities and Relationships in World, Indigenous, and Documentary Cinema View
Louise Child
 
Journal of Film Music Vol 5 No. 1-2 (2012) Melodramatic Music in the Western View
Mariana Whitmer
 
Multimodal Transcription and Text Analysis View
Anthony Baldry, Paul J. Thibault, Jay Lemke
 
Perfect Beat Vol 10 No. 1 (2009) Television special Dialing In: The Sound of Television in the Pacific Region View
Mark Evans
 
Perfect Beat Vol 13 No. 2 (2012) Planes of illusion: music soundtrack, rendition and attribution in Sanctum< (2011) View
Jon Fitzgerald, Philip Hayward, David Brennan
 
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 2 No. 2-3 (2006) Interview with Adele Horne, Director of The Tailenders (2006) View
Elizabeth Castelli
 
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