Latest Issue: Vol 8, No 1-2 (2015): Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s RSS2 logo

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Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 2 No. 2-3 (2006) Interview with Adele Horne, Director of The Tailenders (2006) View
Elizabeth Castelli
 
Journal of Film Music Vol 4 No. 1 (2011) "A Brilliant New Symphonic Effect": The "New" Early Music in Stothart's Score for Romeo and Juliet (1936) View
Linda K. Schubert
 
Implicit Religion Vol 17 No. 4 (2014) The Greatest Adventure Awaiting Humankind: Destination Moon and Faith in the Future View
Catherine L. Newell
 
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 7 No. 2 (2011) Exploring Sacred and Secular Serpent Symbolism in Cecil B. DeMille’s The Ten Commandments (1956) View
Anton Karl Kozlovic
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Material and Expositional Frames in BBC Arena ’s Visual Jazz Jukebox View
Will Finch
 
Journal of Film Music Vol 1 No. 1 (2002) Thematic Variation and Key Relationships: Charlotte's Theme in Max Steiner's Score for Now, Voyager View
Charles Leinberger
 
Bulletin for the Study of Religion Vol 42 No. 4 (2013) Bulletin for the Study of Religion A Cinematic Approach to Teaching the Synoptic Problem View
Jeffrey Staley
 
Equinox eBooks Publishing Ludomusicology Suture and Peritexts: Music Beyond Gameplay and Diegesis View
Michiel Kamp
 
Equinox eBooks Publishing Mosaics Glad to be Gay View
Duncan Heining
 
Journal of Film Music Vol 5 No. 1-2 (2012) The Ben-Hur Legacy View
Roger Hickman
 
Journal of Film Music Vol 2 No. 1 (2007) The Manchurian Candidate (1962): An Interview with David Amram View
William H. Rosar
 
Journal of Contemporary Archaeology Vol 4 No. 1 (2017) Future World: Anticipatory Archaeology, Materially Affective Capacities and the Late Human Legacy View
Leila Alexandra Dawney, Oliver J. T. Harris, Tim Flohr Sørensen
 
CALICO Journal Vol 11 No. 3 (1993) Practical Considerations for Multimedia Courseware Development: An EFL IVD Experience View
Hsien-Chin Liou
 
Journal of Film Music Vol 6 No. 2 (2013) Industry and Craftsmanship in Popular Cinema: An Initial Exploration of Vassil Kojucharov’s Archive View
Alessandro Bratus
 
Journal of Film Music Vol 6 No. 2 (2013) The British Library’s Francis Chagrin Collection: Joining the Dots View
Alexis Bennett
 
Journal of Film Music Vol 3 No. 2 (2010) “I have been compromised. I am now fighting against it.” Ligeti vs. Kubrick and the music for 2001: A Space Odyssey View
Julia Heimerdinger
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Listening to Another Italy: Egisto Macchi’s New Music for Italian Documentaries of the 1960s View
Marco Cosci
 
Equinox eBooks Publishing From Griffith to Grindhouse Epic Egyptian Kitsch: Historical Thinking and Statecraft in the Cinematic Ancient World View
Kevin McGeough
 
Björk View
Nicola Dibben
 
Komeda View
Magdalena Grzebałkowska, Halina Maria Boniszewska
 
Multimodal Corpus-Based Approaches to Website Analysis View
Anthony Baldry, Kay O'Halloran
 
Journal of Film Music Vol 2 No. 1 (2007) “Stanley Hates This But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey View
Paul A. Merkley, FRSC
 
Journal of Contemporary Archaeology Vol 5 No. 2 (2018) Forum: Anarchy and Archaeology A Break in the Clouds: Connecting Community Experiences in Mosser, Cumbria View
Toby Pillatt, Gemma Thorpe, Kimberley Marwood, Robert Johnston
 
Journal of Film Music Vol 2 No. 1 (2007) “He Could’ve Been a Contender”: Thematic Integration in Leonard Bernstein’s Score for On The Waterfront (1954) View
Anthony Bushard
 
Journal of Film Music Vol 3 No. 2 (2010) “‘An effort to decide’: More Research into Kubrick’s Music Choices for 2001: A Space Odyssey” View
Kate McQuiston
 
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