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Journal Issue Title
 
Equinox eBooks Publishing Sounds Northern Is It Really Grim Up North?: Popular Music in the North of England View
Ewa Mazierska
 
Popular Music History Vol 4 No. 1 (2009) Scottish indie music and BBC radio’s Beat Patrol (1995–2000) View
J. Mark Percival
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) View
Timothy Koozin
 
Journal of Film Music Vol 5 No. 1-2 (2012) Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film View
Erin Michelle Brooks
 
Perfect Beat Vol 3 No. 4 (1998) MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand View
TONY MITCHELL, ROY SHUKER
 
Journal of Film Music Vol 3 No. 2 (2010) “‘An effort to decide’: More Research into Kubrick’s Music Choices for 2001: A Space Odyssey” View
Kate McQuiston
 
Popular Music History Vol 5 No. 3 (2010) Forgetting and remembering the Bhundu Boys: conditions of memory in popular music View
Mike Jones
 
Popular Music History Vol 10 No. 3 (2015) ‘Only one can rule the night’: Fairs and music in post-1945 Britain View
Ian Trowell
 
Journal of Film Music Vol 1 No. 1 (2002) Film Music Studies in the mid-1990s: George Burt's Art and Royal S. Brown's Reading View
David Neumeyer
 
Equinox eBooks Publishing Sounds Icelandic ‘Even Cute Babies Will Bite When Provoked’: Icelandic Popular Music and the Rise of the Krútt View
Þorbjörg Hall
 
Popular Music History Vol 1 No. 2 (2004) Q and The Face: Narratives of consumption in the UK music press in the 1980s View
Stephen Hill
 
Popular Music History Vol 4 No. 1 (2009) Discovering authenticity? Harry Smith's Anthology of American Folk Music View
Rory Crutchfield
 
Perfect Beat Vol 3 No. 4 (1998) CREATIVITY AND INDEPENDENCE Sanguma, Music Education and the development of the PNG Contemporary style View
DENNIS CROWDY
 
Equinox eBooks Publishing Yoga in Britain Yoga in Popular Music and 'Counter Culture' (the 60s and 70s) View
Suzanne Newcombe
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Bernard Herrmann: The Beethoven of Film Music? View
William H. Rosar
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Gaze from the Heavens, Ghost from the Past: Symbolic Meanings in Toru Takemitsu’s Music for Akira Kurosawa’s Film, Ran (1985) View
Tomoko Deguchi
 
Perfect Beat Vol 2 No. 2 (1995) A NEW TRADITION Titus Tilly and the Development of Music Video in Papua New Guinea View
PHILIP HAYWARD
 
Perfect Beat Vol 3 No. 3 (1997) GUITARS HAVE COME! The Development and Acceptance of New Styles of Musical Performance in Choiseul (Lauru) Island, the Solomon Islands 1 View
RYUICHI TAI
 
Journal of Film Music Vol 7 No. 2 (2014) Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 View
Carolin Beinroth, Claudia Bullerjahn
 
Journal for the Academic Study of Religion Vol 23 No. 2 (2010) ‘I’ve Got a Spirit Coming through Me': Music as Hierophany and Musicians as Shamans View
Mark Jennings
 
Popular Music History Vol 8 No. 3 (2013) The greatest era of the UK pop music industry: An efficiency perspective View
Lee Yoong Hon
 
Perfect Beat Vol 4 No. 1 (1998) EAST·WEST SYNTHESIS OR CULTURAL HEGEMONY? Questions on the Use of Indigenous Elements in Philippine Popular Music View
JONAS BAES, AMAPOLA BAES
 
Journal of World Popular Music Vol 4 No. 1 (2017) Interview with Antti-Ville Kärjä from Music Archive Finland View
Raphaël Nowak
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Music, poetry, and the politics of identity in Réunion Island: an historical overview View
Guillaume Samson, Shawn Pitre
 
Perfect Beat Vol 1 No. 2 (1993) THREE DECADES OF AUSTRALIAN POPULAR MUSIC View
Michael Flint
 
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