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Journal Issue Title
 
Journal of Film Music (2016) Advance Access issue 7.2 Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 View
Carolin Beinroth, Claudia Bullerjahn
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film God in the Saddle: Silent Western Films as Protestant Sermons View
Terry Lindvall
 
Journal of Film Music Vol 5 No. 1-2 (2012) Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film View
Erin Michelle Brooks
 
Journal of Contemporary Archaeology Vol 4 No. 1 (2017) Submarines in the Silent World: Exploring Films as an Archaeological Record View
Mirja Arnshav, Anna McWilliams
 
Journal of Film Music Vol 1 No. 1 (2002) Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] View
Linda Schubert
 
Journal of Film Music Vol 5 No. 1-2 (2012) Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History View
Peter Moormann
 
Journal of Film Music Vol 5 No. 1-2 (2012) “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score View
Nathan Platte
 
Journal of Film Music Vol 5 No. 1-2 (2012) Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema View
Tobias Plebuch
 
Journal of Film Music Vol 5 No. 1-2 (2012) Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda View
William H. Rosar
 
Journal of Film Music Vol 4 No. 1 (2011) Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) View
Nathan Platte
 
Journal of Film Music Vol 5 No. 1-2 (2012) Theory and Practice in Erdmann/Becce/Brav’s Allgemeines Handbuch der Film-Musik (1927) View
Irene Comisso
 
Journal of Film Music Vol 6 No. 1 (2013) Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form View
Janina Müller, Tobias Plebuch
 
Journal of Film Music Vol 5 No. 1-2 (2012) The Continuity of Melos: Beginnings to the Present Day View
Anne Dhu McLucas
 
Journal of Film Music Vol 5 No. 1-2 (2012) Music Cue Archetypes in the Film Scores of Elmer Bernstein View
Donald C Meyer
 
Journal of Film Music Vol 5 No. 1-2 (2012) Melodramatic Music in the Western View
Mariana Whitmer
 
Equinox eBooks Publishing Embodiment and Black Religion 5. It was Written on her Face: Religion and Black Women's Embodied Emotion in Film View
CERCL Writing Collective
 
Equinox eBooks Publishing Ludomusicology Isaac’s Silence: Purposive Aesthetics in 'Dead Space' View
Mark Sweeney
 
Writing & Pedagogy Vol 8 No. 3 (2016) Writing in Asia Managing referential movement in Asian L2 writing: Implications for pedagogy View
Peter Crosthwaite
 
Journal of Film Music Vol 3 No. 2 (2010) Book Review: Michal Grover–Friedlander. Vocal Apparitions: The Attraction of Cinema to Opera. Princeton and Oxford: Princeton University Press, 2005. [xii, 186 p. ISBN 0691120080. $39.95 (hard cover)] Princeton Studies in Opera. View
Stephanie Poxon
 
Journal of Film Music Vol 1 No. 1 (2002) Film Music---What's in a Name? View
William H. Rosar
 
Journal of Film Music Vol 3 No. 2 (2010) Book Review: James Buhler, David Neumeyer, and Rob Deemer. Hearing the Movies: Music and Sound in Film History. Oxford and New York: Oxford University Press, 2010. [xxiv, 470 p. ISBN 0195327793. $54.95 (trade paper)] View
Roger Hickman
 
Journal of Film Music Vol 1 No. 1 (2002) Music in Films: A Critical Review of Literature, 1980-1996 View
Robynn J. Stilwell
 
Journal for the Academic Study of Religion Vol 22 No. 1 (2009) Christopher Deacy and Gaye Williams Ortiz, Theology and Film: Challenging the Sacred/Secular Divide. Blackwell, Malden, MA, 2008, pp. xiv+245, ISBN 978-1-4051- 4438-4 (pbk) View
Anton Karl Kozlovic
 
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