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Journal Issue Title
 
Perfect Beat Vol 19 No. 2 (2018) An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology View
Gene Shill
 
Popular Music History Vol 9 No. 2 (2014) Another Green World?: Eno, Ireland and U2 View
Noel McLaughlin
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Self Borrowing in the Music of Bernard Herrmann View
William Wrobel
 
Perfect Beat Vol 2 No. 4 (1996) SOUND AT THE END OF THE WORLD AS WE KNOW IT: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music View
Andrew MURPHIE
 
Perfect Beat Vol 2 No. 3 (1995) ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop View
ROSS HARLEY
 
Journal of World Popular Music Vol 2 No. 2 (2015) Le Mystère de Marcel Cellier: Transfer Processes in Early World Music View
Britta Sweers
 
Equinox eBooks Publishing The Beatles Recordings 1966-1970 View
Ian Inglis
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Setting the Tone of the Southern Question: Music and/as Fatalism in Italian Cinema of the Economic Miracle View
Maurizio Corbella
 
International Journal of Speech Language and the Law Vol 26 No. 2 (2019) Who owns your voice? Linguistic and legal perspectives on the relationship between vocal distinctiveness and the rights of the individual speaker View
Dominic Watt, Peter S. Harrison, Lily Cabot-King
 
Popular Music History Vol 5 No. 1 (2010) Bernard Herrmann—‘pop’ composer? View
Edward Green
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Extreme music for extreme people? Norwegian black metal and transcendent violence View
Michelle Phillipov
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Examining the legend and music of Australian saxophonist, Frank Smith View
Ralph Whiteoak
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Lydia in Oz: The reception of George Russell in 1960s Australia View
Pierre-Emmanuel Seguin
 
Journal of Film Music Vol 2 No. 1 (2007) Whose Classical Music? Reflections on Film Adaptation View
Lawrence Kramer
 
Perfect Beat Vol 15 No. 2 (2014) Sounding the aquapelago: The cultural-environmental context of ni-Vanuatu women’s liquid percussion performance View
Philip Hayward
 
Perfect Beat Vol 8 No. 3 (2007) SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand View
NABEEL ZUBERI
 
Perfect Beat Vol 4 No. 4 (2000) TWO PAULINES TO CHOOSE FROM An interview with Simon Hunt/Pauline Pantsdown View
SIMON HUNT, JON STRATTON
 
Perfect Beat Vol 2 No. 2 (1995) MODERN PNG MUSIC View
PETER DUNBAR HALL
 
Perfect Beat Vol 2 No. 2 (1995) It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso View
IAN MAXWELL
 
Perfect Beat Vol 2 No. 2 (1995) Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 2 (1995) Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 2 (1995) From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney View
TOM BURVILL
 
Perfect Beat Vol 2 No. 2 (1995) Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus View
MICHAEL FLINT
 
Popular Music History Vol 10 No. 2 (2015) Negotiating the values of popular music in the museum: Curatorial process and exhibition narratives in the ABBAWORLD exhibition at the Powerhouse Museum, Sydney View
Gaëlle Crenn
 
Equinox eBooks Publishing The History of European Jazz 22. Ukraine View
Alexander Yudin
 
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