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Religious Studies and Theology Vol 29 No. 2 (2010) Vol 29, No 2 (2010) Religion is Playing Games: Playing Video Gods, Playing to Play View
S. Brent Plate
 
Jazz Research Journal Vol 1 No. 2 (2007) Being bop: how the press shaped the cult of bebop View
Thomas Turner
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 “Free Swing” and the Emergent Neophonic: Forging Progressive Jazz with Stan Kenton in the 1947 Dance Hall View
Ryan Patrick Jones
 
Jazz Research Journal Vol 7 No. 1 (2013) Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century View
Helen Vera Southall
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Perspectives on the Melbourne International Women's Jazz Festival View
Louise Denson
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Jazz in Brazil: An Early History (1920s-1950s) View
Anaïs Fléchet
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Gaze from the Heavens, Ghost from the Past: Symbolic Meanings in Toru Takemitsu’s Music for Akira Kurosawa’s Film, Ran (1985) View
Tomoko Deguchi
 
Journal of Film Music Vol 3 No. 2 (2010) Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content View
Michael Remson
 
Journal of Film Music Vol 6 No. 1 (2013) Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form View
Janina Müller, Tobias Plebuch
 
Perfect Beat Vol 12 No. 2 (2011) The success of hopelessness: the evolution of Korean indie music View
Hyunjoon Shin
 
Perfect Beat Vol 15 No. 1 (2014) Indigenizing a ‘canon’: The entry of ‘My Island Home’, ‘Baba Waiar’ and ‘Kulba Yaday’ into the repertoire of community choirs View
Julie Rickwood
 
Perfect Beat Vol 16 No. 1-2 (2015) Tracing the lines of an electronic tattoo: The covert operation of Melbourne techno View
Botond Vitos
 
Perfect Beat Vol 1 No. 1 (1992) SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: View
Philip Hayward, Rachael Privett
 
Perfect Beat Vol 1 No. 3 (1993) SIMPLY THE BEST? Tina Turner and the Sponsorship and Promotion of the Winfield Cup View
Annie Girodo, Janine Payoe
 
Perfect Beat Vol 2 No. 3 (1995) A MOUSE, A FROG, THE HAWAIIAN GUITAR AND WORLD MUSIC AESTHETICS Vishwa Mohan Bhatt and Ry Cooder Meet by the River View
ADRIAN MCNEIL
 
International Journal for the Study of New Religions Vol 4 No. 2 (2013) At the Threshold of the Inverted Womb: Anti-Cosmic Satanism and Radical Freedom View
Benjamin Hedge Olson
 
Journal of Applied Linguistics and Professional Practice Vol 6 No. 3 (2009) JAL Vol 6, No 3 (2009) Dancing, skating and sex: Action and text in the digital age View
Rodney H. Jones
 
CALICO Journal Vol 30 No. 1 (2013) “I am proud that I did it and it’s a piece of me”: Digital Storytelling in the Foreign Language Classroom View
Martha E Castañeda
 
Popular Music History Vol 10 No. 1 (2015) The contrasting soundscapes of Hull and London in David Bowie’s Ziggy Stardust and the Spiders from Mars View
Peter Atkinson
 
Popular Music History Vol 10 No. 1 (2015) Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983 View
Ian Trowell
 
Equinox eBooks Publishing The Beatles In the Studio View
Ian Inglis
 
Popular Music History Vol 10 No. 2 (2015) The heritage obsession: The history of rock and challenges of ‘museum mummification’: A French perspective View
Philippe Le Guern
 
Perfect Beat Vol 18 No. 1 (2017) ‘Another Day to Swing on Clothes Lines’: The Bee Gees and Australia View
Pat O'Grady
 
Journal of World Popular Music Vol 4 No. 2 (2017) Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil View
Berenice Corti, Luciana Xavier de Oliveira
 
Popular Music History Vol 10 No. 3 (2015) ‘Only one can rule the night’: Fairs and music in post-1945 Britain View
Ian Trowell
 
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