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Journal Issue Title
 
Journal of Film Music Vol 2 No. 2-4 (2009) Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity View
William H. Rosar
 
Journal for the Academic Study of Religion Vol 20 No. 2 (2007) Brand of Choice: Why Hillsong Music is Winning Sales and Souls View
E.H. McIntyre
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film Playing with Paradigms: The Christ-figure Genre in Contemporary Film View
Adele Reinhartz
 
Gender and Language Vol 8 No. 3 (2014) Aggressively feminine: the linguistic appropriation of sexualized blackness by white female characters in film View
Qiuana Lopez
 
Implicit Religion Vol 13 No. 2 (2010) The Personality Cult of Prince: Purple Rain, Sex and the Sacred, and the Implicit Religion Surrounding a Popular Icon View
Rupert Till
 
Linguistics and the Human Sciences Vol 6 No. 1-3 (2010) Discourse markers and coherence relations: Comparison across markers, languages and modalities View
Maite Taboada, María de los Ángeles Gómez-González
 
Popular Music History Vol 1 No. 2 (2004) ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies View
Chris McDonald
 
Popular Music History Vol 2 No. 2 (2007) Allusion and Influence in Elvis Costello View
Dai Griffiths
 
Popular Music History Vol 4 No. 2 (2009) Nowhere man: urban life and the virtualization of popular music View
Paul Graves-Brown
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Suicide solutions? Or, how the emo class of 2008 were able to contest their media demonization, whereas the headbangers, burnouts or ‘children of ZoSo’ generation were not View
Andy R. Brown
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Dworkin’s nightmare: Porngrind as the sound of feminist fears View
Lee Barron
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Black metal: Stone Vengeance sing the thrash metal blues View
Kevin Fellezs
 
Popular Music History Vol 6 No. 3 (2011) From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 View
Klaus Nathaus
 
Popular Music History Vol 7 No. 1 (2012) A cool reception to the American Beat: The Fleshtones in Britain, 1981–83 View
Philip Kiszely
 
Popular Music History Vol 8 No. 1 (2013) The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism View
Richard Ekins
 
Popular Music History Vol 8 No. 3 (2013) Soccer sounds: Popular music and football in Britain View
Dave Laing, Andy Linehan
 
Religious Studies and Theology Vol 29 No. 2 (2010) Vol 29, No 2 (2010) Religion is Playing Games: Playing Video Gods, Playing to Play View
S. Brent Plate
 
Jazz Research Journal Vol 1 No. 2 (2007) Being bop: how the press shaped the cult of bebop View
Thomas Turner
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 “Free Swing” and the Emergent Neophonic: Forging Progressive Jazz with Stan Kenton in the 1947 Dance Hall View
Ryan Patrick Jones
 
Jazz Research Journal Vol 7 No. 1 (2013) Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century View
Helen Vera Southall
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Perspectives on the Melbourne International Women's Jazz Festival View
Louise Denson
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Jazz in Brazil: An Early History (1920s-1950s) View
Anaïs Fléchet
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Gaze from the Heavens, Ghost from the Past: Symbolic Meanings in Toru Takemitsu’s Music for Akira Kurosawa’s Film, Ran (1985) View
Tomoko Deguchi
 
Journal of Film Music Vol 3 No. 2 (2010) Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content View
Michael Remson
 
Journal of Film Music Vol 6 No. 1 (2013) Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form View
Janina Müller, Tobias Plebuch
 
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