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Journal of Film Music Vol 2 No. 1 (2007) “Stanley Hates This But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey View
Paul A. Merkley, FRSC
 
Implicit Religion Vol 8 No. 3 (2005) Vol 8, No 3 (2005) Review of Finding Faith at the Movies by Barbara Mraz View
Christopher Alan Lewis
 
Implicit Religion Vol 8 No. 3 (2005) Vol 8, No 3 (2005) Review of Is There a God of Human Rights? The Complex Relationship between Human Rights and Religion: A South African Case View
John Reader
 
Implicit Religion Vol 8 No. 3 (2005) Vol 8, No 3 (2005) Review of The Western Construction of Religion: Myths, Knowledge and Ideology by Daniel Dubuisson View
Donald Wiebe
 
Implicit Religion Vol 8 No. 3 (2005) Vol 8, No 3 (2005) Review of Public Faith? The State of Religious Belief and Practice in Britain edited by Paul Avis View
Peter Brierley
 
Implicit Religion Vol 8 No. 3 (2005) Vol 8, No 3 (2005) Review of The Scope and Limits fo Folk Psychology: A Socio-linguistic Approach by David E. Ohreen View
Alan Rogers
 
Implicit Religion Vol 8 No. 3 (2005) Vol 8, No 3 (2005) Review of The Invention of Religion edited by Derek Peterson and Darren Walhof View
David Scott
 
Implicit Religion Vol 8 No. 3 (2005) Vol 8, No 3 (2005) Review of The Psychology of Ultimate Concern by Robert A. Emmons View
Roger Grainger
 
Implicit Religion Vol 8 No. 3 (2005) Vol 8, No 3 (2005) Review of The Devil, the Saints and the Church: Reading Hochhuth's The Deputy by Emanuela Barasch-Rubinstein View
Christopher Lamb
 
Implicit Religion Vol 8 No. 3 (2005) Vol 8, No 3 (2005) Review of Response and Responsibilty: The World as a Challenge for the Church by Roger Grainger View
Claudia May
 
Implicit Religion Vol 8 No. 3 (2005) Vol 8, No 3 (2005) Review of Surrealism and the Sacred: Power, Eros and the Occult in Modern Art by Celia Rabinovitch View
Karen Parna
 
Implicit Religion Vol 8 No. 3 (2005) Vol 8, No 3 (2005) Review of Grassroots Spirituality: What it is, Why it is Here, Where it is Going by Robert K.C. Forman View
Karen Lord
 
International Journal of Speech Language and the Law Vol 7 No. 2 (2000) Effects of voice disguise on speaking fundamental frequency View
Hermann J. Künzel
 
Linguistics and the Human Sciences Vol 6 No. 1-3 (2010) Towards a comparison of cohesive reference in English and German: System and text View
Kerstin Kunz, Erich Steiner
 
Popular Music History Vol 3 No. 3 (2008) Globalization and commercialization of Caribbean music View
Mike Alleyne
 
Popular Music History Vol 8 No. 1 (2013) Polyvocality and forgotten proverbs (and persons): Ravi Shankar, George Harrison and Shambhu Das View
Jeffrey W. Cupchik
 
Journal for the Study of Religion, Nature and Culture Vol 8 No. 3 (2014) Transcendence and The Tree of Life: Beyond the Face of the Screen with Terrence Malick, Emmanuel Levinas, and Roland Barthes View
Pat Brereton, Robert Furze
 
Jazz Research Journal Vol 3 No. 2 (2009) Jazz Britannia: mediating the story of British jazz on television View
Tim Wall, Paul Long
 
Jazz Research Journal Vol 4 No. 2 (2010) Jazz in Kuala Lumpur View
Gisa Jähnichen
 
Jazz Research Journal Vol 9 No. 1 (2015) Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization View
Richard Ekins
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Bernard Herrmann as Musical Colorist: A Musicodramatic Analysis of His Score for The Day the Earth Stood Still View
E. Todd Flegel
 
Perfect Beat Vol 10 No. 2 (2009) Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand View
Tony Mitchell
 
Perfect Beat Vol 12 No. 2 (2011) Ideology and the performance of Chineseness: Hong Kong singers on the CCTV stage View
Lauren Gorfinkel
 
Journal of World Popular Music Vol 1 No. 2 (2014) From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” View
Chris Tonelli
 
Jazz Research Journal Vol 9 No. 2 (2015) The impact of (jazz) festivals: An Arts and Humanities Research Council-funded research report View
Emma Webster, George McKay
 
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