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Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book View
Eric Hung
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Randall D. Larson: Music from the House of Hammer: Music in the Hammer Horror Films, 1950–1980.London: Scarecrow Press, Inc., 1996 [xvi, 193 p.ISBN: 0810829754.] View
Rebecca FÜlÖP
 
Journal of World Popular Music Vol 2 No. 2 (2015) Marley. 2012. Directed by Kevin MacDonald. Universal Pictures. DVD View
Paul Long
 
Journal for the Academic Study of Religion Vol 21 No. 3 (2008) Exploring Religion and Popular Film Editorial: Exploring Religion and Popular Film View
Anton Karl Kozlovic
 
Popular Music History Vol 9 No. 2 (2014) Resource Notes View
Brock Silversides
 
Popular Music History Vol 9 No. 2 (2014) Phil Ford, Dig: Sound and Music in Hip Culture. Oxford and New York: Oxford University Press, 2013. 336 pp. £19.41. ISBN 978-0-19993-991-6 (pbk). View
Simon Warner
 
Journal of Film Music Vol 6 No. 2 (2013) The Barry Gray Archive View
François Evans
 
Journal of Film Music Vol 4 No. 1 (2011) Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. View
Tony Fonseca
 
Journal of World Popular Music Vol 2 No. 1 (2015) Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) View
Yona Stamatis
 
CALICO Journal Vol 24 No. 3 (2007) Multimedia Annotator Ver 1.1/ Lesson Builder Ver 1.2 View
Jack Burston
 
Journal of Film Music Vol 1 No. 1 (2002) Film Music---What's in a Name? View
William H. Rosar
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Italian Cinema’s Sound Archives: Foley Practices and Post-production Techniques, 1960–70 View
Ilario Meandri
 
Journal of Film Music Vol 6 No. 1 (2013) “Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas View
Tim Summers
 
Journal of Research Design and Statistics in Linguistics and Communication Science Vol 1 No. 2 (2014) Exploring the translation of animated films: quantifying audiences’ perception of characters that speak in different varieties of English, Spanish and Catalan View
Laia Darder
 
Journal of Film Music Vol 4 No. 2 (2011) Modular Structures in Film Music: The Answer to Synchronization Problems? View
Bartlomiej P Walus
 
Equinox eBooks Publishing The History of European Jazz 1. France View
Xavier Prevost
 
Journal for the Study of Religion, Nature and Culture Vol 4 No. 4 (2010) Vol 4. No 4 (2010): Avatar and Nature Spirituality Post-Pandoran Depression or Na'vi Sympathy: Avatar, Affect, and Audience Reception View
Matthew Alan Holtmeier
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann View
Richard Littlefield
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Rerecording Max Steiner: Brandenburg Philharmonic Orchestra/Richard Kaufman. Naxos, 2005. Moscow Symphony Orchestra and Chorus / William Stromberg. Naxos, 2004; Moscow Symphony Orchestra/William Stromberg. Naxos 2004 View
Brian C. Thompson
 
Journal of Film Music Vol 3 No. 2 (2010) “I have been compromised. I am now fighting against it.” Ligeti vs. Kubrick and the music for 2001: A Space Odyssey View
Julia Heimerdinger
 
Journal of Film Music Vol 3 No. 2 (2010) Book Review: Steve Lannin and Matthew Caley. Pop Fiction: The Song in Cinema. Bristol and Portland: Intellect, 2005. [173 p. ISBN: 184150078X. $30.00 (trade paper)] Music examples, illustrations, index. View
Jennifer Matthews
 
Perfect Beat Vol 16 No. 1-2 (2015) Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp View
Åse Ottosson
 
Popular Music History Vol 9 No. 3 (2014) Songs you know by heart: Alcohol, promiscuous sex, drugs and escape in Jimmy Buffett’s music View
Eve M Brank, Kathleen A Fox, Victoria Kaspar
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Uroš Čvoro Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia View
Dijana Jelača
 
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