Latest Issue: Vol 8, No 1-2 (2015): Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s RSS2 logo

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Journal Issue Title
 
Equinox eBooks Publishing The History of European Jazz 1. France View
Xavier Prevost
 
Journal for the Study of Religion, Nature and Culture Vol 4 No. 4 (2010) Vol 4. No 4 (2010): Avatar and Nature Spirituality Post-Pandoran Depression or Na'vi Sympathy: Avatar, Affect, and Audience Reception View
Matthew Alan Holtmeier
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann View
Richard Littlefield
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Rerecording Max Steiner: Brandenburg Philharmonic Orchestra/Richard Kaufman. Naxos, 2005. Moscow Symphony Orchestra and Chorus / William Stromberg. Naxos, 2004; Moscow Symphony Orchestra/William Stromberg. Naxos 2004 View
Brian C. Thompson
 
Journal of Film Music Vol 3 No. 2 (2010) “I have been compromised. I am now fighting against it.” Ligeti vs. Kubrick and the music for 2001: A Space Odyssey View
Julia Heimerdinger
 
Journal of Film Music Vol 3 No. 2 (2010) Book Review: Steve Lannin and Matthew Caley. Pop Fiction: The Song in Cinema. Bristol and Portland: Intellect, 2005. [173 p. ISBN: 184150078X. $30.00 (trade paper)] Music examples, illustrations, index. View
Jennifer Matthews
 
Perfect Beat Vol 16 No. 1-2 (2015) Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp View
Åse Ottosson
 
Popular Music History Vol 9 No. 3 (2014) Songs you know by heart: Alcohol, promiscuous sex, drugs and escape in Jimmy Buffett’s music View
Eve M Brank, Kathleen A Fox, Victoria Kaspar
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Uroš ?voro Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia View
Dijana Jela?a
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Guest Editorial View
Alessandro Cecchi, Maurizio Corbella
 
Equinox eBooks Publishing The History of European Jazz 25. Italy View
Francesco Martinelli
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 When bad things happen to great musicians: The role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen View
Morris B. Holbrook
 
Journal of Film Music Vol 1 No. 1 (2002) Hugo Friedhofer. Broken Arrow, CD Brigham Young University Film Archives FMA-HF105, [1999], CD View
Linda Schubert
 
Journal of Film Music Vol 5 No. 1-2 (2012) Melodramatic Music in the Western View
Mariana Whitmer
 
Journal of Film Music Vol 4 No. 2 (2011) Bruce Johnson, ed. Earogenous Zones: Sound, Sexuality, and Cinema View
Tony Fonseca
 
CALICO Journal Vol 20 No. 2 (2003) Tesoros: Curso Multimedia Interactivo de Español View
Peter Lafford
 
Perfect Beat Vol 20 No. 1 (2019) Is this the real life? Is this just fantasy? Rocketman (2019) and Bohemian Rhapsody (2018) View
Alison Blair
 
Journal of Film Music Vol 1 No. 1 (2002) Music in Films: A Critical Review of Literature, 1980-1996 View
Robynn J. Stilwell
 
Journal of Film Music Vol 3 No. 2 (2010) “‘An effort to decide’: More Research into Kubrick’s Music Choices for 2001: A Space Odyssey” View
Kate McQuiston
 
Perfect Beat Vol 13 No. 1 (2012) New age music and Japanese tradition: Kitaro Live in Yakushiji View
Kimi Coaldrake
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) How hard is it to remember Bananarama? The perennial forgetting of girls in music View
Lucy Robinson
 
Journal of Film Music Vol 1 No. 1 (2002) Film Music Studies in the mid-1990s: George Burt's Art and Royal S. Brown's Reading View
David Neumeyer
 
Popular Music History Vol 1 No. 1 (2004) Archiving Ugandan Popular Music View
Joel Isabirye
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Popular music history on screen: the pop/rock biopic View
Ian Inglis
 
Popular Music History Vol 7 No. 2 (2012) Boys will be boys: re-inhabiting the homosocial sphere of Take That View
David Sanjek
 
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