Latest Issue: Vol 8, No 1-2 (2015): Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s RSS2 logo

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Issue Title
 
Vol 3, No 1 (2010): The Film Music of Fumio Hayasaka and Toru Takemitsu Daniel Goldmark, Lawrence Kramer, and Richard Leppert, eds., Beyond the Soundtrack: Representing Music in Cinema Berkeley, Los Angeles, and London: University of California Press, 2007. [xiii, 324 pp. ISBN: 0520250703. $24.95 (trade paper)] Music examples Details
Matthew Brown
 
Vol 2, No 1 (2007) Daniel Goldmark: Tunes for ’Toons: Music and the Hollywood Cartoon.Berkeley: University of California Press, 2005 [xviii, 225 p. ISBN: 0520236173.] Details
Eric Hung
 
Vol 7, No 2 (2014) Danielle Birkett and Dominic McHugh, eds., Adapting the Wizard of Oz: Musical Versions from Baum to MGM and Beyond Abstract
Megan Woller
 
Vol 2, No 1 (2007) David Cooper. Bernard Herrmann’s Vertigo: A Film Score Handbook. Westport, CT: Greenwood Press, 2001. & Bernard Herrmann’s The Ghost andMrs. Muir: A Film Score Guide Lanham, MD: Scarecrow Press, 2005 Details
Tom Schneller
 
Vol 2, No 2-4 (2009) David Morgan. Knowing the Score: Film Composers Talk about the Art, Craft, Blood, Sweat, and Tears of Writing for Cinema New York: HarperCollins, 2000 [xix, 313 p. ISBN: 0380804824. $15.00 Music examples, illustrations, appendix, index. Details
Michael Remson
 
Vol 2, No 2-4 (2009) Dean Duncan. Charms that Soothe: Classical Music and the Narrative Film New York: Fordham University Press, 2003 [xiii, 211 p. ISBN: 0823222803. $26.00 (trade paper)] Communication and Media Studies, no. 9. Index. Details
Christine Lee Gengaro
 
Vol 6, No 2 (2013) Digitizing, Organizing and Managing an Audio-Visual Archive: The Trevor Jones Archive at the University of Leeds Abstract
David Cooper, Ian Sapiro, Laura Anderson, Sarah Hall
 
Vol 1, No. 2/3: Herrmann Studies Dominique Nasta Rika Asai. Meaning in Film: Relevant Structures in Soundtrack and Narrative Details
Melissa Ursula Dawn Goldsmith
 
Vol 7, No 1 (2014) Early German Sound Sourcing with Songs in the Trilogy of the Mackeben-Jugo-Engel Ensemble Abstract
Gregg Wager
 
Vol 5, No 1-2 (2012) Easy to Cut: Modular Form in the Film Scores of Bernard Herrmann Abstract
Tom Schneller
 
Vol 6, No 2 (2013) Editorial Abstract
Ian Sapiro, Laura Anderson
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Eric James: Making Music with Charlie Chaplin: An AutobiographyLanham, MD: Scarecrow Press, Inc., 2000 [xvii, 122 p. ISBN: 0-810-83741-2] Details
Dan Blim
 
Vol 3, No 1 (2010): The Film Music of Fumio Hayasaka and Toru Takemitsu Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu Abstract
Timothy Koozin
 
Vol 1, No. 2/3: Herrmann Studies Film Form and Musical Form in Bernard Hrrmann's Score to Vertigo Abstract
David Cooper
 
Vol 1, No 1 (2002) Film Music Studies in the mid-1990s: George Burt's Art and Royal S. Brown's Reading Abstract
David Neumeyer
 
Vol 1, No 1 (2002) Film Music---What's in a Name? Details
William H. Rosar
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Film Scoring: The UCLA Lectures† Edited and annotated by Mark Brill. Abstract
Leith Stevens †
 
Vol 2, No 2-4 (2009) Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity Abstract
William H. Rosar
 
Vol 7, No 2 (2014) Frank Lehman, Hollywood Harmony: Musical Wonder and the Sound of Cinema Abstract
Erik Heine
 
Vol 3, No 1 (2010): The Film Music of Fumio Hayasaka and Toru Takemitsu Gaze from the Heavens, Ghost from the Past: Symbolic Meanings in Toru Takemitsu’s Music for Akira Kurosawa’s Film, Ran (1985) Abstract
Tomoko Deguchi
 
Vol 1, No. 2/3: Herrmann Studies Grand Illusion: The "Storm Cloud" Music in Hitchcock's The Man Who Knew Too Much Abstract
James Wierzbicki
 
Vol 8, No 1-2 (2015): Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Guest Editorial Details
Alessandro Cecchi, Maurizio Corbella
 
Vol 7, No 2 (2014) Hannah Lewis, French Musical Culture and the Coming of Sound Cinema Abstract
Colin Roust
 
Vol 2, No 2-4 (2009) High Noon: Dimitri Tiomkin’s Oscar-Winning Ballad and its Russian Sources Abstract
Ildar Khannanov
 
Vol 1, No 1 (2002) Hugo Friedhofer. Broken Arrow, CD Brigham Young University Film Archives FMA-HF105, [1999], CD Details
Linda Schubert
 
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