Latest Issue: Vol 8, No 1-2 (2015): Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s RSS2 logo

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Issue Title
 
Vol 7, No 1 (2014) I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959) Abstract
Reba Wissner
 
Vol 3, No 1 (2010): The Film Music of Fumio Hayasaka and Toru Takemitsu Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. Details
Judith Bernanke
 
Vol 6, No 2 (2013) Industry and Craftsmanship in Popular Cinema: An Initial Exploration of Vassil Kojucharov’s Archive Abstract
Alessandro Bratus
 
Vol 3, No 1 (2010): The Film Music of Fumio Hayasaka and Toru Takemitsu Infusing Modern Subjectivity into a Premodern Narrative Form: Masahiro Shinoda and Toru Takemitsu’s Collaboration in Double Suicide (1968) Abstract
Yayoi Uno Everett
 
Vol 5, No 1-2 (2012) Introduction: From Nineteenth-Century Stage Melodrama to Twenty-First-Century Film Scoring Details
Katherine K. Preston
 
Vol 8, No 1-2 (2015): Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Italian Cinema’s Sound Archives: Foley Practices and Post-production Techniques, 1960–70 Abstract
Ilario Meandri
 
Vol 2, No 1 (2007) Jack Sullivan: Hitchcock’s Music. New Haven and London: Yale University Press, 2006 [xix, 354 p. ISBN: 0300110502] Details
Tom Schneller
 
Vol 7, No 2 (2014) James Buhler, Theories of the Soundtrack Abstract
Jeff Smith
 
Vol 2, No 1 (2007) James Wierzbicki: Louis and Bebe Barron’s Forbidden Planet: A Film Score Guide.Lanham, MD: Scarecrow Press, 2005 [xii, 183 p. ISBN: 0810856700.] Details
David Cooper
 
Vol 3, No 1 (2010): The Film Music of Fumio Hayasaka and Toru Takemitsu Jeff Rona, The Reel World: Scoring for Pictures San Francisco: Miller Freeman Books, Richard Bellis and The Emerging Film Composer: An Introduction to the People, Problems, and Psychology of the Film Music Business Los Angeles: Richard Bellis Abstract
Patrick Wood
 
Vol 5, No 1-2 (2012) Juxtaposing teatro de revista and cine: Music in the 1930s comedia ranchera Abstract
Jacqueline Avila
 
Vol 3, No 1 (2010): The Film Music of Fumio Hayasaka and Toru Takemitsu K. J. Donnelly, Pop Music in British Cinema: A Chronicle London: British Film Institute, 2001. [vii, 274 pp. ISBN 0851708625. $25.50 (trade paper)] BFI Film Classics. Filmographies, illustrations, appendices, indices. Details
Bradford Lee Eden
 
Vol 1, No 1 (2002) Kate Daubney. Max Steiner’s Now Voyager: A Film Score Guide Westport, CT: Greenwood Press, 2000. Details
Charles Leinberger
 
Vol 2, No 2-4 (2009) Kathryn Kalinak. How the West Was Sung: Music in the Westerns of John Ford Berkeley, Los Angeles, and London: University of California Press, 2007. [x, 256 p. ISBN: 9780520252349. $24.95 ] Music examples, illustrations, bibliography, index Details
Tom Schneller
 
Vol 6, No 1 (2013) Kathryn Kalinak, ed., Music in the Western: Notes from the Frontier Abstract
Mark Durrand
 
Vol 5, No 1-2 (2012) Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda Abstract
William H. Rosar
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Amadeus Stevens: Early Years and Family History Abstract
Zolona E. Stevens Moss †
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Stevens: In Memoriam Details
John G. Gordon †
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television Abstract
Mark Brill
 
Vol 7, No 1 (2014) Leo Zeitlin, Palestina: An Overture for the Capitol Theatre, New York Edited by Paula Eisenstein Baker and Robert S. Nelson. Middleton, Wisconsin, 2014. [Full score, xix + 59 pp. ISBN 978-0-89579-800-8]. Details
Aaron Fruchtman
 
Vol 1, No 1 (2002) Linda Danly. Hugo Friedhofer: The Best Years of His Life: A Hollywood Master of Music for the Movies Lanham, MD: Scarecrow Press, 1999. [xi, 212 p. ISBN: 0810835827. $39.50] Details
Linda Schubert
 
Vol 7, No 2 (2014) Linda M. Koldau, Mythos U-Boot Abstract
Arndt Niebisch
 
Vol 8, No 1-2 (2015): Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Listening to Another Italy: Egisto Macchi’s New Music for Italian Documentaries of the 1960s Abstract
Marco Cosci
 
Vol 6, No 1 (2013) Listening to Ingmar Bergman's Monsters: Horror Music, Mutes, and Acoustical Beings in Persona and Hour of the Wolf Abstract
Alexis Luko
 
Vol 8, No 1-2 (2015): Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s Abstract
Alessandro Bratus
 
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