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Issue Title
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Michael Schelle: The Score: Interviews with Film Composers Beverly Hills: Silman-James Press, 1999 [xviii, 427 p. ISBN: 1-879-50540-1] Details
Nicholas Reyland
Vol 6, No 1 (2013) Michael V. Pisani, Music for the Melodramatic Theatre in Nineteenth-Century London and New York Abstract
Roger Hickman
Vol 3, No 1 (2010): The Film Music of Fumio Hayasaka and Toru Takemitsu Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi Details
Linda Maria Koldau
Vol 2, No 2-4 (2009) Mingus, Cassavetes, and the Birth of a Jazz Cinema Abstract
Ross Lipman
Vol 6, No 1 (2013) Modal Interchange and Semantic Resonance in Themes by John Williams Abstract
Tom Schneller
Vol 4, No 2 (2011) Modular Structures in Film Music: The Answer to Synchronization Problems? Abstract
Bartlomiej P Walus
Vol 4, No 2 (2011) Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* Abstract
Jörg Jewanski
Vol 5, No 1-2 (2012) Music Cue Archetypes in the Film Scores of Elmer Bernstein Abstract
Donald C Meyer
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) Abstract
William H. Rosar
Vol 1, No 1 (2002) Music in Films: A Critical Review of Literature, 1980-1996 Abstract
Robynn J. Stilwell
Advance Access Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 Abstract
Carolin Beinroth, Claudia Bullerjahn
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Music in the Films: The Promotion of Film Music in the Concert Hall Abstract
Leith Stevens †
Vol 5, No 1-2 (2012) Music Theory Through the Lens of Film Abstract
Frank Lehman
Vol 5, No 1-2 (2012) Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema Abstract
Tobias Plebuch
Vol 4, No 1 (2011) Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) Abstract
Nathan Platte
Advance Access Not with a Bang . . . Silence, Noise and Musical Nihilism in Béla Tarr’s A torinói ló Abstract
Talya Berger, Jonathan Berger
Vol 7, No 1 (2014) Of Gods and Monsters: Signification in Franz Waxman's film score Bride of Frankenstein Abstract
Clive McClelland
Vol 1, No. 2/3: Herrmann Studies Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music Details
K. J. Donnelly
Vol 3, No 1 (2010): The Film Music of Fumio Hayasaka and Toru Takemitsu Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) Abstract
Timothy Koozin
Vol 3, No 1 (2010): The Film Music of Fumio Hayasaka and Toru Takemitsu Paths Between the Spiritual and the Real: On the Intersection of Musical Style, Symmetry, and Cycle in Kenji Mizoguchi’s Ugetsu (1953) Abstract
David Pacun
Vol 4, No 2 (2011) Philip Furia and Laurie Patterson. The Songs of Hollywood Abstract
Jennifer L. Roth-Burnette
Vol 2, No 2-4 (2009) Philip Hayward, ed. Off the Planet: Music, Sound, and Science Fiction Cinema Eastleigh, Eng.: John Libbey Publishing, 2004. [vii, 214 p. ISBN: 0861966449. $24.95 (trade paper)] Music examples, bibliography, index. Details
Kendra Preston Leonard
Vol 4, No 1 (2011) Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. Abstract
Tony Fonseca
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Radio versus Movie Underscoring Abstract
Leith Stevens †
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Randall D. Larson: Music from the House of Hammer: Music in the Hammer Horror Films, 1950–1980.London: Scarecrow Press, Inc., 1996 [xvi, 193 p.ISBN: 0810829754.] Details
Rebecca FÜlÖP
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