Latest Issue: Vol 8, No 1-2 (2015): Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s RSS2 logo

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Issue Title
 
Vol 2, No 1 (2007) Louis Kaufman and Annette Kaufman: A Fiddler’s Tale: How Hollywood and Vivaldi Discovered Me. Details
Styra Avins
 
Vol 4, No 1 (2011) Marcia J. Citron. When Opera Meets Film, Cambridge and New York: Cambridge University Press, 2010 [xviii, 324p. ISBN 9780521895750. 55.00€ or $95.00 (hbk)] Cambridge Studies in Opera. Details
James L. Zychowicz
 
Vol 4, No 1 (2011) Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. Details
James Wierzbicki
 
Vol 1, No 1 (2002) Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] Details
Linda Schubert
 
Vol 5, No 1-2 (2012) Melodrama Made Good: Ennoblement by Deletion in Edgar Stillman Kelley’s Score to Ben-Hur Abstract
Luke Hannington
 
Vol 5, No 1-2 (2012) Melodramatic Music in the Western Abstract
Mariana Whitmer
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Michael Schelle: The Score: Interviews with Film Composers Beverly Hills: Silman-James Press, 1999 [xviii, 427 p. ISBN: 1-879-50540-1] Details
Nicholas Reyland
 
Vol 7, No 2 (2014) Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934 Abstract
Hannah Lewis
 
Vol 6, No 1 (2013) Michael V. Pisani, Music for the Melodramatic Theatre in Nineteenth-Century London and New York Abstract
Roger Hickman
 
Vol 3, No 1 (2010): The Film Music of Fumio Hayasaka and Toru Takemitsu Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi Details
Linda Maria Koldau
 
Vol 2, No 2-4 (2009) Mingus, Cassavetes, and the Birth of a Jazz Cinema Abstract
Ross Lipman
 
Vol 6, No 1 (2013) Modal Interchange and Semantic Resonance in Themes by John Williams Abstract
Tom Schneller
 
Vol 4, No 2 (2011) Modular Structures in Film Music: The Answer to Synchronization Problems? Abstract
Bartlomiej P Walus
 
Vol 4, No 2 (2011) Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* Abstract
Jörg Jewanski
 
Vol 5, No 1-2 (2012) Music Cue Archetypes in the Film Scores of Elmer Bernstein Abstract
Donald C Meyer
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) Abstract
William H. Rosar
 
Vol 1, No 1 (2002) Music in Films: A Critical Review of Literature, 1980-1996 Abstract
Robynn J. Stilwell
 
Vol 7, No 2 (2014) Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 Abstract
Carolin Beinroth, Claudia Bullerjahn
 
Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Music in the Films: The Promotion of Film Music in the Concert Hall Abstract
Leith Stevens †
 
Vol 5, No 1-2 (2012) Music Theory Through the Lens of Film Abstract
Frank Lehman
 
Vol 5, No 1-2 (2012) Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema Abstract
Tobias Plebuch
 
Vol 4, No 1 (2011) Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) Abstract
Nathan Platte
 
Vol 7, No 2 (2014) Not with a Bang . . . Silence, Noise and Musical Nihilism in Béla Tarr’s A torinói ló Abstract
Talya Berger, Jonathan Berger
 
Vol 7, No 1 (2014) Of Gods and Monsters: Signification in Franz Waxman's film score Bride of Frankenstein Abstract
Clive McClelland
 
Vol 1, No. 2/3: Herrmann Studies Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music Details
K. J. Donnelly
 
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