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| Journal | Issue | Title | |
| Heavy Metal | View | ||
| Titus Hjelm, Keith Kahn-Harris, Mark LeVine, Andy R. Brown, Brad Klypchak, Hélène Laurin, Lee Barron, Marcus Moberg, Gérôme Guibert, Jeremy Wallach, Benjamin Hedge Olson, Michelle Phillipov, Nicola Allett, Kevin Fellezs, Rosemary Overell, Niall Scott | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | The extreme metal ‘connoisseur’ | View |
| Nicola Allett | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Black metal: Stone Vengeance sing the thrash metal blues | View |
| Kevin Fellezs | |||
| Soulless Matter, Seats of Energy | View | ||
| Fabrizio Ferrari, Thomas Dähnhardt, Mikael Aktor, Ana Bajželj, Francesco Brighenti, Anthony Cerulli, Antoinette DeNapoli, Barbara Gerke, Caterina Guenzi, Manuel Martin Hoefer, Monia Marchetto, Eleanor Nesbitt, Mattia Salvini, Deeksha Sivakumar, Dagmar Wujastyk | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | The ‘double controversy’ of Christian metal | View |
| Marcus Moberg | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Heavy metal as controversy and counterculture | View |
| Titus Hjelm, Keith Kahn-Harris, Mark Levine | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Heavy metal and the deafening threat of the apolitical | View |
| Niall Scott | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | 'I want you to support local metal': A theory of metal scene formation | View |
| Jeremy Wallach, Alexandra Levine | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Triumph of the maggots? Valorization of metal in the rock press | View |
| Hélène Laurin | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Voice of our blood: National Socialist discourses in black metal | View |
| Benjamin Hedge Olson | |||
| Fieldwork in Religion | Vol 14 No. 1 (2019) | Coggins, Owen. Mysticism, Ritual and Religion in Drone Metal | View |
| Barbara Pemberton | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Soundscapes in Vedic metal: a perspective from Singapore | View |
| Eugene Dairianathan | |||
| Equinox eBooks Publishing | Soulless Matter, Seats of Energy | 6. When Ngülchu is not Mercury: Tibetan Taxonomies of 'Metals' | View |
| Barbara Gerke | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Pauwke Berkers and Julian Schaap. 2018. Gender Inequality in Metal Music Production | View |
| Catherine Hoad | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Extreme music for extreme people? Norwegian black metal and transcendent violence | View |
| Michelle Phillipov | |||
| Popular Music History | Vol 5 No. 3 (2010) | ‘Girls, girls, girls’?: The Los Angeles metal scene and the politics of gender in Decline of Western Civilization Part II: The Metal Years | View |
| Nedim Hassan | |||
| Implicit Religion | Vol 18 No. 2 (2015) | The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple’s Drone Metal | View |
| Owen Coggins | |||
| Fieldwork in Religion | Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork | Moberg, M. 2015. Christian Metal: History, Ideology, Scene. London: Bloomsbury. xii + 188pp. £21.99. ISBN: 978-1-4726-7983-6 (pbk). | View |
| Liam M. Sutherland | |||
| Journal of Mediterranean Archaeology | Vol 8 No. 1 (1995) June 1995 | Oxhide Ingots, Recycling and the Mediterranean Metals Trade | View |
| P. Budd, A.M. Pollard, B. Scaife, R. G. Thomas | |||
| Journal of Mediterranean Archaeology | Vol 8 No. 1 (1995) June 1995 | Comments on 'Oxhide Ingots, Recycling and the Mediterranean Metals Trade' | View |
| Mark Hall | |||
| Implicit Religion | Vol 17 No. 3 (2014) | Christian Themes in the Heavy Metal Music of Black Sabbath? | View |
| John J Johnson | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | “A Highland Thing”: Heavy Metal and the Construction of Cultural Difference in Madagascar | View |
| Markus Verne | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | 'How you gonna see me now': Recontextualizing metal artists and moral panics | View |
| Brad Klypchak | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Hellfest: The thing that should not be? Local perceptions and Catholic discourses on metal culture in France | View |
| Gérôme Guibert, Jedediah Sklower | |||
| Equinox eBooks Publishing | Soulless Matter, Seats of Energy | 8. Deg Tegh Fateh: Metal as Material and Metaphor in Sikh Tradition | View |
| Eleanor Nesbitt | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 19 No. 2 (2017) | Pagan Terror: The Role of Pagan Ideology in Church Burnings and the 1990s Norwegian Black Metal Subculture | View |
| Miroslav Vrzal | |||
| Religions of South Asia | Vol 12 No. 2 (2018) | Soulless Matter, Seats of Energy. Metals, Gems and Minerals in South Asian Tradition, edited by Fabrizio M. Ferrari and Thomas W. P. Dähnhardt | View |
| Frederick M. Smith | |||
| Journal of Contemporary Archaeology | Vol 6 No. 2 (2019) | Detecting Modern Conflicts: Metal Detector Survey and Distribution Analysis as Tools for Understanding Slovenian Mass Execution Sites | View |
| Uroš Košir | |||
| Journal of Mediterranean Archaeology | Vol 8 No. 1 (1995) June 1995 | Comments on 'Oxhide Ingots, Recycling, and the Mediterranean Metals Trade' | View |
| Noel H. Gale, Zofia A. Stos-Gale | |||
| Journal of Mediterranean Archaeology | Vol 8 No. 1 (1995) June 1995 | Comments on 'Oxhide Ingots, Recycling and the Mediterranean Metals Trade' | View |
| Edward V. Sayre, K. Aslihan Yener, Emile C. Joel | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp | View |
| Catherine Hoad | |||
| Perfect Beat | Vol 8 No. 3 (2007) | Kahn-Harris, K (2006) Extreme Metal: Music and Culture on the Edge, Oxford: Berg | View |
| MICHELLE PHILLIPOV | |||
| Equinox eBooks Publishing | Soulless Matter, Seats of Energy | 7. In Search of the Sadhu’s Stone: Metals and Gems as Theraputic Technologies of Transformation in Vernacular Aesceticism in North India | View |
| Antoinette DeNapoli | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Jeremy Wallach, Harris M. Berger and Paul D. Greene, eds. 2011. Metal Rules the Globe: Heavy Metal Music around the World. Durham, NC: Duke University Press. 381pp. ISBN 978-0-8223-4733-0 (pbk) | View |
| Emma Baulch | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | We are the Sons of the Southern Cross: Gendered Nationalisms and Imagined Community in Australian Extreme Metal | View |
| Catherine Hoad | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp | View |
| Matthew Bannister | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Pierre Hecker. 2012. Turkish Metal: Music, Meaning, and Morality in a Muslim Society. Farnham: Ashgate. 240pp. ISBN 978-1-40943-8-489 (hbk) | View |
| Stefano Barone | |||
| Popular Music History | Vol 5 No. 2 (2010) | Book Review: Emma Baulch, Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali. Durham and London: Duke University Press, 2007. 226 pp. ISBN 978-0-8223-4115-4 (pbk) $22.95 | View |
| Emma Baulch | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Michelle Phillipov. 2012. Death Metal and Music Criticism: Analysis at the Limits. Lanham, MD: Lexington Books. ISBN 978-0-7391-6459-4 (hbk). 158pp. | View |
| Ross Hagen | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) | View |
| Nick Prior | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | ‘[I] hate girls and emo[tion]s: Negotiating masculinity in grindcore music | View |
| Rosemary Overell | |||
| Equinox eBooks Publishing | Mediterranean Resilience | Bronze Age Shipwreck Assemblages – Indicators of Maritime Activity along the Israeli Coast | View |
| Ehud Galili, Baruch Rosen | |||
| Equinox eBooks Publishing | Soulless Matter, Seats of Energy | List of Figures | View |
| Fabrizio Ferrari, Thomas Dähnhardt | |||
| Equinox eBooks Publishing | Soulless Matter, Seats of Energy | List of Tables | View |
| Fabrizio Ferrari, Thomas Dähnhardt | |||
| Equinox eBooks Publishing | Soulless Matter, Seats of Energy | Index | View |
| Fabrizio Ferrari | |||
| International Journal for the Study of New Religions | Vol 4 No. 2 (2013) | At the Threshold of the Inverted Womb: Anti-Cosmic Satanism and Radical Freedom | View |
| Benjamin Hedge Olson | |||
| Popular Music History | Vol 10 No. 2 (2015) | Resource notes: Amplifying intangible heritage as a resource for museum narratives | View |
| Rob Horrocks | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Dworkin’s nightmare: Porngrind as the sound of feminist fears | View |
| Lee Barron | |||
| Equinox eBooks Publishing | Nuragic Sanctuaries | Ritual and Embedded Means of Economic Control | View |
| Nicola Ialongo | |||
| Equinox eBooks Publishing | Painting the Mediterranean Phoenician | Canaanite-Phoenician Style and Corpus | View |
| Dalit Regev | |||
| 1 - 50 of 50 Items | |||
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