Revise Search
| Journal | Issue | Title | |
| The Godfather of British Jazz | View | ||
| Clark Tracey | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Neoliberalism and the Global Music Industry | View |
| Simone Krüger Bridge | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | World Music, World Circuit: In Conversation with Nick Gold | View |
| Simone Krüger | |||
| Popular Music History | Vol 2 No. 2 (2007) | Historiography and Complexities: Why is music ‘National’? | View |
| Hans Weisethaunet | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | The Turkish Folk Music Network in Ghent | View |
| Liselotte Sels | |||
| Equinox eBooks Publishing | Sounds Irish, Acts Global | The Global Music Industries and Ireland | View |
| Jim Rogers | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Imagining Okinawa: Japanese pop musicians and Okinawan music | View |
| Matt Gillan | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi | View |
| David Cashman | |||
| Equinox eBooks Publishing | The Making of the Musical World | Popular and Traditional Musics of Indigenous Peoples | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Turkish Folk Music Events in Turkey and Ghent | View |
| Liselotte Sels | |||
| Perfect Beat | Vol 4 No. 1 (1998) | MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones | View |
| CORALIE JOYCE | |||
| Equinox eBooks Publishing | ¡Maldito Coronavirus! | Music and Sound in the Pandemic Moment | View |
| Daniel Margolies, J.A. Strub | |||
| Perfect Beat | Vol 1 No. 4 (1994) | FLYING IN THE FACE OF FASHION: Independent Music in New Zealand | View |
| Tony Mitchell | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Sir Arthur Bliss’s Music Things to Come (1936): A Study of Contemporaneous Sources and Musical Materials | View |
| Nicol William Snedden | |||
| Equinox eBooks Publishing | The Lifetime Soundtrack | Assembling an Interdisciplinary Approach to Musical Memories | View |
| Lauren Istvandity | |||
| Perfect Beat | Vol 3 No. 4 (1998) | MUSIC(OLOGY) NEEDS A CONTEXT - Re-interpreting Goa Trance | View |
| SEBASTIAN CHAN | |||
| Equinox eBooks Publishing | Sounds Icelandic | Surrealism in Icelandic Popular Music | View |
| John Richardson | |||
| Perfect Beat | Vol 2 No. 4 (1996) | QUESTIONS OF MUSIC COPYRIGHT IN PAPUA NEW GUINEA | View |
| DON NILES | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Rainforest to Raves: Ethnomusicological Forays into Popular Music | View |
| Jeremy Wallach | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Kathryn Kalinak, ed., Music in the Western: Notes from the Frontier | View |
| Mark Durrand | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | ‘Well-worn grooves’: Music, materiality and biographical memory | View |
| Iain A. Taylor | |||
| Popular Music History | Vol 6 No. 3 (2011) | Adopting the rights-based model: Music multinationals and local music industries since 1945 | View |
| Gerben Bakker | |||
| Equinox eBooks Publishing | Music, Meaning and Value in Paraguayan Song | The Paraguayan Polca: Re-imagining Tradition in Creative Musical Practice | View |
| Matt Dicken | |||
| Equinox eBooks Publishing | Music, Meaning and Value in Paraguayan Song | Alma Guaraní: The Paradoxical Cultural Identity of Paraguayan Music | View |
| Timothy Watkins | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Ektoplazm.com: Psychedelic trance, internet curation and free music distribution | View |
| Christopher David Charles | |||
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