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Journal | Issue | Title | |
Perfect Beat | Vol 14 No. 2 (2013) | Introduction: policy and popular music | View |
Jennifer Cattermole, Martin Cloonan, Shane Homan | |||
Equinox eBooks Publishing | The Making of the Musical World | Reflections: Unity and Diversity in the World’s Music | View |
Andrew Killick | |||
Equinox eBooks Publishing | Religion and Touch | 4. The Heathen Lyre: On Religion, Music and Touch | View |
Andy Letcher | |||
Journal of Film Music | Vol 2 No. 1 (2007) | Whose Classical Music? Reflections on Film Adaptation | View |
Lawrence Kramer | |||
Popular Music History | Vol 3 No. 3 (2008) | Ghana and the World Music Boom | View |
John Collins | |||
Popular Music History | Vol 9 No. 2 (2014) | The lifetime soundtrack: Music as an archive for autobiographical memory | View |
Lauren Istvandity | |||
Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Turkish Folk Music Notation and the TRT Archive | View |
Liselotte Sels | |||
Perfect Beat | Vol 9 No. 1 (2008) | REGULATION WITHOUT REPRESENTATION NSW Live Music Policy 1992–2008 | View |
David Panichi | |||
Equinox eBooks Publishing | Scouse Pop | Some Aspects of the Music Industry in Liverpool | View |
Paul Skillen | |||
Religious Studies and Theology | Vol 34 No. 1 (2015) | Music in Islamic Spiritual Care: A Review of Classical Sources | View |
Nazila Isgandarova | |||
Popular Music History | Vol 1 No. 3 (2004) | What story should a history of popular music tell? | View |
Allan Moore | |||
Equinox eBooks Publishing | Bikutsi | Performing Beti "Village" Music: The Bikutsi of Les Vétérans | View |
Anja Brunner | |||
Journal of Film Music | Vol 4 No. 2 (2011) | Modular Structures in Film Music: The Answer to Synchronization Problems? | View |
Bartlomiej P Walus | |||
Equinox eBooks Publishing | Sounds Irish, Acts Global | Horslips: Advancing DIY and Enterprise in the Irish Music Scene | View |
Michael Mary Murphy | |||
Popular Music History | Vol 6 No. 3 (2011) | From corporates and media to state control: International perspectives on the music business | View |
Richard Coopey | |||
Perfect Beat | Vol 19 No. 2 (2018) | Rationales in flux: Charting transcultural Polynesian music-making processes | View |
Andrew Faleatua | |||
Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Contextual and Musical Aspects of Performances in Turkey and Ghent | View |
Liselotte Sels | |||
Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | How musical was my valley? Exploring resources and relationships in local popular music-making between 1996 and 2006 | View |
Anne Cleaton | |||
Popular Music History | Vol 2 No. 2 (2007) | Constructing histories through material culture: Popular Music, Museums and Collecting | View |
Marion Leonard | |||
Journal of Film Music | Vol 1 No. 1 (2002) | Music in Films: A Critical Review of Literature, 1980-1996 | View |
Robynn J. Stilwell | |||
Equinox eBooks Publishing | Music, Meaning and Value in Paraguayan Song | Transdisciplinary and -cultural Approaches to Paraguayan Music Studies | View |
Alfredo Colman, Simone Krüger Bridge, Timothy Watkins | |||
Perfect Beat | Vol 16 No. 1-2 (2015) | Mutiny Music: A Sonic Passage Between Islands | View |
Joseph Cummins | |||
Journal of Film Music | Vol 7 No. 2 (2014) | Swiss Film Music: Anthology 1923–2012 | View |
Michael Baumgartner | |||
Equinox eBooks Publishing | Mosaics | Appendix 4: Royal Academy of Music Collier Alumni | View |
Duncan Heining | |||
Journal for the Academic Study of Religion | Vol 20 No. 2 (2007) | Brand of Choice: Why Hillsong Music is Winning Sales and Souls | View |
E.H. McIntyre | |||
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