Paradox, Place, and Pastoralism in the Works of Theocritus, Virgil, and Thoreau

Authors

  • Joy Greenberg Pacifica Graduate Institute

DOI:

https://doi.org/10.1558/jsrnc.v2i4.443

Keywords:

cognitive studies of religion, nature religions, Greek and Roman mythology, depth psychology, cultural geography, American literature, pastoral poetry

Abstract

That humans have forever longed for return to paradise is axiomatic of pastoralism. While the Greek poet Theocritus is arguably the first to present Arcadia as a paradisal, pastoral place in his Idylls, by going beyond merely addressing the essential contradictions of life and attempting to resolve them in his Eclogues, Virgil advances the pastoral mode. Both works are imbued with a paradoxical sense of longing for the unattainable that has influenced much Western literature and art in the past two thousand years. Indeed, just as Virgil re-visions Theocritus, Henry David Thoreau emulates and then extends Virgil’s pastoral form in Walden. Pastoralism is seen, therefore, as an ever-adaptive perspective that continues to inform today’s artists, poets, and philosophers. By analyzing the mythopoetic aspects of pastoralism, Idylls, Eclogues, and Walden may be understood as mythologies of place that embody soul.

Author Biography

  • Joy Greenberg, Pacifica Graduate Institute
    Joy Greenberg is a second-year student in the doctoral program in Mythological Studies with emphasis in depth psychology and religion at Pacifica Graduate Institute in Carpinteria, CA. She earned an M.F.A in creative writing from CSU Chico and has published a book entitled A Pause in the Rain as well as numerous essays which may be viewed online at www.joyhornergreenberg.com

References

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Published

2009-03-17

Issue

Section

Articles

How to Cite

Greenberg, J. (2009). Paradox, Place, and Pastoralism in the Works of Theocritus, Virgil, and Thoreau. Journal for the Study of Religion, Nature and Culture, 2(4), 443-462. https://doi.org/10.1558/jsrnc.v2i4.443

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