Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www.europopmusic.eu.

Authors

  • Emília Barna Budapest University of Technology and Economics

DOI:

https://doi.org/10.1558/jwpm.v1i1.100

Keywords:

Europop, European popular music, national culture, music archive, cultural heritage

Abstract

Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www.europopmusic.eu.

References

Elavsky, C. Michael. 2011. “Musically Mapped: Czech Popular Music as Second ‘World Sound’”. European Journal of Cultural Studies 14/1: 1–22.

Frith, Simon. 1998. Performing Rites: On the Value of Popular Music. Cambridge, MA: Harvard University Press.

—2005. “Can We Get Rid of the ‘Popular’ in Popular Music? A Virtual Symposium with Contributions from the International Advisory Editors of Popular Music”. Popular Music 24(1): 133–45.

—n.d. “Europop”. In Encyclopaedia Britannica. http://www.britannica.com/EBchecked/topic/196550/Europop (accessed 9 January 2014).

Legrand, Emmanuel. 2012. Music Crossing Borders. Monitoring the Cross-Border Circulation of European Music Repertoire within the European Union. http://www.emo.org/Publish/document/155/Report_Europeanrepertoire_Jan2012_Final.pdf (accessed 9 January 2014).

—2013. “The End of the European Music Office”. Legrandnetwork.blogspot.hu, 13 October 2013. http://legrandnetwork.blogspot.hu/2013/10/the-end-of-european-music-office.html (accessed 10 September 2014).

Middleton, Richard. 1990. Studying Popular Music. Milton Keynes: Open University Press. Regev, Motti. 2013. Pop-Rock Music: Aesthetic Cosmopolitanism in Late Modernity. Cambridge: Polity.

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Published

2014-09-05

Issue

Section

Popular Music in Europe

How to Cite

Barna, E. (2014). Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www.europopmusic.eu. Journal of World Popular Music, 1(1), 100-107. https://doi.org/10.1558/jwpm.v1i1.100

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