Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]

Authors

  • Arno van der Hoeven Erasmus University Rotterdam

DOI:

https://doi.org/10.1558/jwpm.v2i1.26588

Keywords:

cultural heritage, dialect, DIY preservationism, globalization, local identity

Abstract

Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]. http://www.streektaalzang.nl

Author Biography

  • Arno van der Hoeven, Erasmus University Rotterdam

    Arno van der Hoeven is a lecturer and researcher in the Department of Media & Communication at Erasmus University Rotterdam. His main research interests include media studies, cultural identity and cultural memory.

References

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Baker, Sarah and Alison Huber. 2012. “‘Masters of our own destiny’: Cultures of Preservation at the Victorian Jazz Archive in Melbourne, Australia”. Popular Music History 7/3: 263–82. http://dx.doi.org/10.1558/pomh.v7i3.263

——2013. “Notes towards a Typology of the DIY Institution: Identifying Do-it-Yourself Places of Popular Music Preservation”. European Journal of Cultural Studies 16/5: 513–30. http://dx.doi.org/10.1177/1367549413491721

Barna, Emília. 2014. “Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www.europopmusic.eu”. Journal of World Popular Music 1/1: 100–107.

Baym, Nancy and Robert Burnett. 2009. “Amateur Experts: International Fan Labour in Swedish Independent Music”. International Journal of Cultural Studies 12/5: 433–49. http://dx.doi.org/10.1177/1367877909337857

Bennett, Andy. 2009. “‘Heritage Rock’: Rock Music, Representation and Heritage Discourse”. Poetics 37: 474–89. http://dx.doi.org/10.1016/j.poetic.2009.09.006

Council of Europe. 2004. “European Charter for Regional or Minority Languages. Explanatory Report”. http://conventions.coe.int/Treaty/en/Reports/Html/148.htm (accessed 22 May 2013).

De Telegraaf. 2009. “Op naar 4000 streekmuzikanten; Rappen in Fries, rocken in Maastrichts en smartlappen in Sallands ‘Dialect is exotisch geworden’”. 9 June: 5.

Goeman, Ton and Willy Jongenburger. 2009. “Dimensions and Determinants of Dialect Use in the Netherlands at the Individual and Regional Levels at the End of the Twentieth Century”. International Journal of the Sociology of Language 196/197: 31–72. http://dx.doi.org/10.1515/ijsl.2009.016

Grijp, Louis Peter. 2007. “Singing in Dutch Dialects: Language Choice in Music and the Dialect Renaissance”. In Reframing Dutch Culture: Between Otherness and Authenticity, edited by Peter Margry and Herman Roodenburg, 225–44. Aldershot: Ashgate.

Meuleman, Roza and Marcel Lubbers. 2013. “Manifestations of Nationalist Attitudes: Domestic Music Listening, Participation in National Celebrations, and Far Right Voting”. European Sociological Review 29/6: 1214–225. http://dx.doi.org/10.1093/esr/jct013

Van der Hoeven, Arno. 2012. “The Popular Music Heritage of the Dutch Pirates: Illegal Radio and Cultural Identity”. Media, Culture & Society 34/8: 927–43. http://dx.doi.org/10.1177/0163443712455556

Van Eijck, Koen and John Lievens. 2008. “Cultural Omnivorousness as a Combination of Highbrow, Pop, and Folk Elements: The Relation between Taste Patterns and Attitudes Concerning Social Integration”. Poetics 36: 217–42. http://dx.doi.org/10.1016/j.poetic.2008.02.002

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Published

2015-06-29

Issue

Section

Popular Music in Europe

How to Cite

van der Hoeven, A. (2015). Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]. Journal of World Popular Music, 2(1), 135-141. https://doi.org/10.1558/jwpm.v2i1.26588

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