Journal of World Popular Music, Vol 1, No 1 (2014)

Henry “Seaman” Dan and Karl Neuenfeldt. 2013. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. 170pp. ISBN 978-1-9220-59208 (pbk).

Åse Ottosson
Issued Date: 5 Sep 2014

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DOI: 10.1558/jwpm.v1i1.46


Merlan, Francesca. 2013. “Theorizing Relationality: A Response to the Morphys”. American Anthropologist 115/4: 637–8.
Morphy, Frances, and Howard Morphy. 2013. “Anthropological Theory and Government Policy in Australia’s Northern Territory: The Hegemony of the ‘Mainstream’ ”. American Anthropologist 115/2: 174–87.
Mullins, Steve, and Karl Neuenfeldt. 2005. “Grand Concerts, Anzac Days and Evening Entertainment: Glimpses of Musical Culture on Thursday Island, Queensland, 1900–1945”. In Landscapes of Indigenous Performance, edited by Fiona Magowan and Karl Neuenfeldt, 96–118. Canberra: Aboriginal Studies Press.
Nakata, Martin, and Karl Neuenfeldt. 2005. “From ‘Navajo’ to ‘Taba Naba’: Unravelling the Travel and Metamorphosis of a Popular Torres Strait Islander Song”. In Landscapes of Indigenous Performance, edited by Fiona Magowan and Karl Neuenfeldt, 12–28. Canberra: Aboriginal Studies Press.
Ottosson, Åse. 2006. “Making Aboriginal Men and Music in Central Australia”. PhD thesis (Canberra: Australian National University School of Archaeology and Anthropology).
—2009. “Playing with Others and Selves: Australian Aboriginal Desert Musicians on Tour”. Asia Pacific Journal of Anthropology 10/2: 98–114.
—2010. “Aboriginal Music and Passion: Interculturality and Difference in Australian Desert Towns”. Ethnos 73/3: 275–300.
—2012. “The Intercultural Crafting of Real Aboriginal Country and Manhood in Central Australia”. Australian Journal of Anthropology 23/2: 179–96.


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