Journal of World Popular Music, Vol 1, No 2 (2014)

Ruth Hellier, ed. 2013. Women Singers in Global Contexts: Music, Biography, Identity. Champaign, IL: University of Illinois Press. 264pp. ISBN 978-0-2520-37245 (pbk)

Sheila Whiteley
Issued Date: 4 Mar 2015

Download Media


DOI: 10.1558/jwpm.v1i2.26721


Barthes, Roland. 1977. Image, Music, Text. London: Fontana Press.

Cook, Susan C. and Judy S. Tsou, eds. 1994. “Introduction: ‘Bright Cecilia’”. In Cecilia Reclaimed: Feminist Perspectives on Gender and Music, 1–14. Urbana, IL: University of Illinois Press.

Feld, Steven, Aaron A. Fox, Thomas Porcello and David Samuels. 2004. “Vocal Anthropology: From the Music of Language to the Music of Song”. In A Companion to Linguistic Anthropology, ed. Alessandro Duranti, 321–45. Oxford: Blackwell.

Frith, Simon. 1995. “The Body Electric”. Critical Quarterly 37/2: 1–10.

Gunew, Sneja. ed, 1990. Feminist Knowledge, Critique and Construct. London: Routledge.

Hayes, Eileen. 2006. “Theorising Gender, Culture and Music”. Women and Music 10: 71–79.

Mikkola, Mari. 2008. “Feminist Perspectives on Sex and Gender”. In The Stanford Encylopedia of Philosophy (Fall 2008 Edition), ed. Edward N. Zalta.

Peraino, Judieth. 2007. “Listening to Gender: A Response to Judith Halberstam”. Women and Music 11: 59–63.

Tolbert, Elizabeth. 2003. “Reviewing Music and Gender”. Women and Music 7: 76–82.

Whiteley, Sheila. 2000. Women and Popular Music: Sexuality, Identity, and Subjectivity. London: Routledge.


  • There are currently no refbacks.

Equinox Publishing Ltd - 415 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom
Telephone: +44 (0)114 221-0285 - Email:

Privacy Policy