Journal of World Popular Music, Vol 2, No 1 (2015)

Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]. http://www.streektaalzang.nl

Arno van der Hoeven
Issued Date: 29 Jun 2015

Download Media

PDF HTML

DOI: 10.1558/jwpm.v2i1.26588

References


Achterberg, Peter, Johan Heilbron, Dick Houtman and Stef Aupers. 2011. “A Cultural Globalization of Popular Music? American, Dutch, French, and German Popular Music Charts (1965 to 2006)”. American Behavioral Scientist 55/5: 589–608. http://dx.doi.org/10.1177/0002764211398081


Baker, Sarah and Alison Huber. 2012. “‘Masters of our own destiny’: Cultures of Preservation at the Victorian Jazz Archive in Melbourne, Australia”. Popular Music History 7/3: 263–82. http://dx.doi.org/10.1558/pomh.v7i3.263


——2013. “Notes towards a Typology of the DIY Institution: Identifying Do-it-Yourself Places of Popular Music Preservation”. European Journal of Cultural Studies 16/5: 513–30. http://dx.doi.org/10.1177/1367549413491721


Barna, Emília. 2014. “Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www.europopmusic.eu”. Journal of World Popular Music 1/1: 100–107.


Baym, Nancy and Robert Burnett. 2009. “Amateur Experts: International Fan Labour in Swedish Independent Music”. International Journal of Cultural Studies 12/5: 433–49. http://dx.doi.org/10.1177/1367877909337857


Bennett, Andy. 2009. “‘Heritage Rock’: Rock Music, Representation and Heritage Discourse”. Poetics 37: 474–89. http://dx.doi.org/10.1016/j.poetic.2009.09.006


Council of Europe. 2004. “European Charter for Regional or Minority Languages. Explanatory Report”. http://conventions.coe.int/Treaty/en/Reports/Html/148.htm (accessed 22 May 2013).


De Telegraaf. 2009. “Op naar 4000 streekmuzikanten; Rappen in Fries, rocken in Maastrichts en smartlappen in Sallands ‘Dialect is exotisch geworden’”. 9 June: 5.


Goeman, Ton and Willy Jongenburger. 2009. “Dimensions and Determinants of Dialect Use in the Netherlands at the Individual and Regional Levels at the End of the Twentieth Century”. International Journal of the Sociology of Language 196/197: 31–72. http://dx.doi.org/10.1515/ijsl.2009.016


Grijp, Louis Peter. 2007. “Singing in Dutch Dialects: Language Choice in Music and the Dialect Renaissance”. In Reframing Dutch Culture: Between Otherness and Authenticity, edited by Peter Margry and Herman Roodenburg, 225–44. Aldershot: Ashgate.


Meuleman, Roza and Marcel Lubbers. 2013. “Manifestations of Nationalist Attitudes: Domestic Music Listening, Participation in National Celebrations, and Far Right Voting”. European Sociological Review 29/6: 1214–225. http://dx.doi.org/10.1093/esr/jct013


Van der Hoeven, Arno. 2012. “The Popular Music Heritage of the Dutch Pirates: Illegal Radio and Cultural Identity”. Media, Culture & Society 34/8: 927–43. http://dx.doi.org/10.1177/0163443712455556


Van Eijck, Koen and John Lievens. 2008. “Cultural Omnivorousness as a Combination of Highbrow, Pop, and Folk Elements: The Relation between Taste Patterns and Attitudes Concerning Social Integration”. Poetics 36: 217–42. http://dx.doi.org/10.1016/j.poetic.2008.02.002


Refbacks

  • There are currently no refbacks.





Equinox Publishing Ltd - 415 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom
Telephone: +44 (0)114 221-0285 - Email: [email protected]

Privacy Policy