Journal of World Popular Music, Vol 3, No 2 (2016)

Banning Eyre. 2015. Lion Songs: Thomas Mapfumo and the Music that Made Zimbabwe. Durham, NC: Duke University Press. 339pp. ISBN 978-0-8223-5908-1 (hbk)

Marc Duby
Issued Date: 4 Jan 2017

Abstract


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DOI: 10.1558/jwpm.v3i2.27237

References


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Dutiro, Chartwell and Keith Howard. 2007. Zimbabwean Mbira Music on an International Stage: Chartwell Dutiro’s Life in Music. Burlington, VT: Ashgate.

Eyre, Banning. 2003. “African Reinventions of the Guitar”. In The Cambridge Companion to the Guitar, edited by Victor Anand Coelho, 44–64. Cambridge: Cambridge University Press. https://doi.org/10.1017/CCOL9780521801928.005

Hancock-Barnett, Coralie. 2012. “Colonial Resettlement and Cultural Resistance: The Mbira Music of Zimbabwe”. Social & Cultural Geography 13/1: 11–27. https://doi.org/10.1080/14649365.2011.635799

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Lekgoathi, Sekibakiba Peter. 2011. “Bantustan Identity, Censorship and Subversion on Northern Sotho Radio under Apartheid, 1960s–80s”. In Radio in Africa: Publics, Cultures, Communities, edited by Liz Gunner, Dumisani Moyo and Dina Ligaga, 117–33. Johannesburg: Wits University Press.

Turino, Thomas. 1998. “The Mbira, Worldbeat, and the Instrumental Imagination”. World of Music 40/2: 85–106.

—2008. Nationalists, Cosmopolitans, and Popular Music in Zimbabwe. Chicago: University of Chicago Press.


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