Journal of World Popular Music, Vol 3, No 1 (2016)

Jason Toynbee, Catherine Tackley and Mark Doffman, eds. 2014. Black British Jazz: Routes, Ownership and Performance. Farnham: Ashgate. 244pp. ISBN 978-1- 4724-1756-5 (hbk)

Lawrence Davies
Issued Date: 21 Jul 2016

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DOI: 10.1558/jwpm.v3i1.27639

References


Banks, Mark, Jill Ebrey and Jason Toynbee. 2014. Working Lives in Black British Jazz: A Report and Survey. Centre for Research on Socio-Cultural Change. http://www.cresc.ac.uk/sites/default/files/WLIBBJ%20NEW%20FINAL.pdf (accessed 16 June 2015).

Gilroy, Paul. 1993. The Black Atlantic: Modernity and Double Consciousness. London: Verso.

Godbolt, Jim. 1984. A History of Jazz in Britain, 1919–50. London: Quartet Books.

—1989. A History of Jazz in Britain, 1950–70. London: Quartet Books.

Jackson, Travis A. 2000. “Jazz Performance as Ritual: The Blues Aesthetic and the African Diaspora”. In The African Diaspora: A Musical Perspective, edited by Ingrid Monson, 23–82. New York: Garland.

Jones, LeRoi [Amiri Baraka]. 1963. Blues People: Negro Music in White America. New York: W.W. Norton.

Radano, Ronald. 2003. Lying Up a Nation: Race and Black Music. Chicago: University of Chicago Press.

Ramsey, Guthrie P. 2003. Race Music: Black Cultures from Bebop to Hip-Hop. Berkeley: University of California Press.


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