Journal of World Popular Music, Vol 3, No 2 (2016)

Bart Barendregt, ed. 2014. Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s–2000s). Leiden: Brill. 375pp. ISBN 978-9-00-425986-7 (hbk)

Jun Zubillaga-Pow
Issued Date: 4 Jan 2017

Abstract


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DOI: 10.1558/jwpm.v3i2.29489

References


Benjamin, Geoffrey and Cynthia Chou. 2002. Tribal Communities in the Malay World: Historical, Cultural and Social Perspectives. Singapore: Institute of Southeast Asian Studies.

Carroll, Michael Thomas. 2000. Popular Modernity in America: Experience, Technology, Mythohistory. Albany, NY: SUNY Press.

Carter, David. 2008. “‘Espirt de Nation’ and Popular Modernity: Aussie Magazine 1920–1931”. History Australia 5/3: 74.1–74.22.

Maznah Mohamad and Syed Muhd Khairudin Aljunied, eds. 2012. Melayu: The Politics, Poetics and Paradoxes of Malayness. Singapore: NUS Press.

Milner, Anthony. 2008. The Malays. Oxford: Wiley-Blackwell. https://doi.org/10.1002/9781444305098

Wallach, Jeremy. 2008. Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997–2001. Madison, WI: University of Wisconsin Press.

Weintraub, Andrew N. 2010. Dangdut Stories: A Social and Musical History of Indonesia’s Most Popular Music. Oxford: Oxford University Press. https://doi.org/10.1093/acprof:oso/9780195395662.001.0001

Zubillaga-Pow, Jun. 2014. “The Dialectic of Capitalist Reclamation, or Traditional Malay Music at the Fin de Siècle Singapore”. South East Asia Research 22/1: 123–40. https://doi.org/10.5367/sear.2014.0195


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