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Vol 6, No 2 (2019)

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Table of Contents


Editors’ Introduction PDF HTML
Simone Krüger Bridge , Jonathan P.J. Stock , Abi Dunnett 129-132


From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea PDF HTML
Oli Wilson 133-150
Lyrical Referencing in Australian Hip Hop PDF HTML
James Lewandowski-Cox 151-172
Keynote: Party Music, Affect and the Politics of Modernity PDF HTML
Jocelyne Guilbault 173-192


Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity PDF HTML
Neil Deane , Elke Schuch 193-198
Lauren Shaw, ed. 2013. Song and Social Change in Latin America PDF HTML
Styliani Fotopoulou 199-201
Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music PDF HTML
Yair Hashachar 202-205

Special Section

Introduction: Reflections on the Past, Present and Future of Popular Music Scholarship PDF HTML
Kimberly Kattari 208-215
Currents and Contradictions in the Ethnomusicology of Popular Music PDF HTML
Harris M. Berger 216-222
Rainforest to Raves: Ethnomusicological Forays into Popular Music PDF HTML
Jeremy Wallach 223-227
Academia Against Popular Culture: Popular Culture Against Academia PDF HTML
Esther Clinton 228-231
Popular Music Studies and Interdisciplinarity PDF HTML
Steve Waksman 232-236
Popular Music in the K-12 Classroom and the Quest for Education Justice PDF HTML
Kathryn Metz 237-242

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