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Vol 7, No 1 (2020)

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Table of Contents


Editors’ Introduction PDF HTML
Simone Krüger Bridge , Jonathan P.J. Stock 5-9


Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão) PDF HTML
Colin Harte 10-30
From Here, There and Everywhere: Recording Popular Music in the “Field” PDF HTML
Brent Keogh 31-50
“The Pro Tooling of the World”: Digital Music Production, Democracy and Environmentality PDF HTML
Brent Keogh , Ian Collinson 51-68
The Kalunga Project: The Meanings of Popular Brazilian and Angolan Musical Productions beyond National Territory PDF HTML
Mariana Barreto 69-90


The Borders of Subculture: Resistance and the Mainstream by Alexander Dhoest, Steve Maillet, Barbara Segaert and Jacques Haers, eds. 2015. PDF HTML
Hector Fouce 91-94
Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. PDF HTML
Hyunjoon Shin 95-99
Italian Birds of Passage: The Diaspora of Neapolitan Musicians in New York by Simona Frasca. 2014. PDF HTML
Angela Moran 100-103
Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, and the Blues by Vic Hobson. 2014. PDF HTML
Mathilde Zagala 104-109

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